By using this website you agree to our Cookie policy

Search

17 articles
Exhibition Review
Patrick Heron. Turner Contemporary, Margate
11/2018 | 1388 | 160
Pages: 950-952
related names
Reviewer:
Treves, Toby (Treves, Toby)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
1. Installation view of Patrick Heron at Tate St Ives, 2018.
Attributed works:
2. Mainly ultramarine and venetian: November 1966, by Patrick Heron. 1966. Canvas, 182.9 by 213.4 cm. (Private collection; exh. Turner Contemporary, Margate).
Attributed works:
3. Sydney garden painting: December 1989: II, by Patrick Heron. 1989. Canvas, 152.4 by 213.4 cm. (Private collection; © Estate of Patrick Heron; exh. Turner Contemporary, Margate).
Publication Received
Vibration of Space: Heron, de Staël, Hartung, Soulages. With contributions by Éric de Chassey and Patrick Heron
06/2018 | 1383 | 160
Pages: 527
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
media:
places:
Exhibition Review
St Ives artists
10/2015 | 1351 | 157
Pages: 725-726
related names
Reviewer:
Smith, Rachel (Smith, Rachel)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
55. Blue glass airscape, by Peter Lanyon. 1960 (Private collection; exh. Abbot Hall Art Gallery, Kendal)
Attributed works:
56. Torrid zone/region, by Bryan Wynter. 1958 (Lakeland Arts Trust; exh. Abbot Hall Art Gallery, Kendal)
Attributed works:
57. Green, black and white movement, by Terry Frost. 1951-52 (Scottish National Gallery of Modern Art, Edinburgh; exh. Newlyn Art Gallery and The Exchange, Penzance)
Advertisements
Advertisements July 2011 (front)
07/2011 | 1300 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right: 'JTaylor 1772']
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. John Wootton (Snitterfield 1682 - 1764 London). Black Thoroughbred with a groom and a greyhound in a landscape setting. Oil on canvas, 104 x 127 cm. (41 by 50 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Antonio Zanchi. Este (near Padua), 1631 - Venice, 1722. David and Goliath. Oil on canvas, 156 x 170 cm (61 7/16 x 66 15/16 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Patrick Heron 1920-1999. Tail Brown, 1959. Oil on canvas. 72 x 36 inches; 183 x 91.5 cm. Signed, titled and detailed verso]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Paolo Farinati 1524 - Verona - 1606. The Angel of the Annunciation Pen and brown ink and brown wash, over black chalk, with white heightening. 330 x 215 mm]
Attributed works:
[Palacio Real de Madrid. Lady with an Ermine. Leonardo da Vinci]
Attributed works:
[The Sladmore Gallery. 57 Jermyn Street. St. James’s. London. A good quality, nineteenth century bronze model of a 'Roman Bull' by Jean Baptiste Clasinger (French, 1814-1883). This bronze, signed 'J. Clesinger', inscribed 'Rome 1857, Taureau-Romain' and 'Reduction Mécanique A. Collas Brevete' was cast circa 1857 and has a dark brown patina with reddy brown undertones.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th century Roman School. White marble]
Exhibition Review
Recent exhibitions of British art
07/2006 | 1240 | 148
Pages: 497-499
related names
Reviewer:
Wright, Barnaby (Wright, Barnaby)
Subjects
dates:
places:
Reviewed Items
subjects:
Alan Reynolds. Circling the Square | institution: Annely Juda Fine Art
subjects:
Bryan Wynter 1915–1975. Paintings, Drawings & Kinetic Sculptures: 1960–1975 | institution: Jonathan Clark Fine Art
subjects:
Heron. The Shape of Colour | institution: Richard Green
subjects:
Jeremy Moon (1934–1973). 1969 grid paintings | institution: Rocket Gallery
subjects:
John Hoyland. Works from the 1970s and 1980s | institution: Nevill Keating Pictures
subjects:
Matthew Smith 1879–1959 | institution: Browse & Darby
subjects:
Richard Hamilton. Painting by Numbers | institution: Alan Cristea Gallery
Illustrations
Attributed works:
66. Still life with fruit, by Matthew Smith. c.1950. Canvas, 30.5 by 40.6 cm. (Exh. Browse & Darby, London).
Attributed works:
67. Tidal surge, by Bryan Wynter. c.1964. Canvas, 182.9 by 122 cm. (Exh. Jonathan Clark Fine Art, London).
Attributed works:
68. Four in deep cadmium, by Patrick Heron. 1964. Canvas, 167.6 by 152.4 cm. (Exh. Richard Green, London).
Attributed works:
69. Untitled [5/69], by Jeremy Moon. 1969. Acrylic on canvas, 101.6 by 132.1 cm. (Exh. Rocket, London).
Attributed works:
70. Structures – group IV, no.24, by Alan Reynolds. 2004. Prepared card on wood base, 117 by 117 by 4 cm. (Exh. Annely Juda Fine Art, London).
Attributed works:
71. 29.4.75, by John Hoyland. 1975. Acrylic on cotton duck, 91.5 by 76 cm. (Exh. Neville Keating Pictures, London).
Attributed works:
72. The annunciation, by Richard Hamilton. 2005. Inkjet digital print, 68 by 59.4 cm. (sheet) (Exh. Alan Cristea Gallery, London).
Advertisements
Advertisements June 2004 (Front)
06/2004 | 1215 | 146
Pages: i-xxx
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adrian Sassoon, London. The Yellow Bedspread, 2002, by Michael Flynn. Waldenburg (Walbrzych) porcelain]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. François Boucher (1703-1770). Rest on the Flight into Egypt. Pen and brown ink with pink and brown washes, 209 x 245mm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The infant Romulus and two studies of a man's left arm, by Carlo Maratta (1625-1713). Black, red and white chalk on blue paper, 260 x 343 mm. Inscribed 'di Carlo Maratti' on the mount.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A George III satinwood, Tulipwood, crossbanded demi-lune Commode possibly attributable to Mayhew and Ince.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Opposite above: Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Recto: The Return of the Prodigal Son. Verso: Sketches of clouds for an arched composition, 261 x 207 mm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Pictured: John Constable, RA. A sketch of East Bergholt from East Bergholt House, inscribed '10 augst 1811' (upper left), oil on canvas laid on panel, 12.5 x 19.5 cm]
Attributed works:
[Brian Haughton Antiques. A scalloped Worcester dessert plate, painted by Jeffryes Hammett O'Neale with the fable of the fox and the stork, c. 1768-70)]
Attributed works:
[Browse & Derby. Danseuse attachant le cordon de son maillot, by Edgar Degas (1834-1917). Bronze, stamped with signature and foundry mark A.A. Height: 431 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Giovanni Domenico Tiepolo (Venice 1727-1804). Punchinello's wedding procession. Black chalk, pen and brown ink, brown wash. 14 x 18 1/2 in. (354 x 472 mm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. La Scuola San Marco, by Francesco Guardi (1712-93).]
Attributed works:
[Crispian Riley-Smith. Exhibiting at John Mitchell & Son. A landscape with cattle, sheep and herders, by Jacob van Stry (1756-1815). Pencil, pen and black ink with framming lines, 350 x 472 mm. Signed 'J:van Stry']
Attributed works:
[David Jones Fine Art, exhibiting at Derek Johns Ltd, London. Two Nude Putti, by Bartholomé Esteban Murillo (1618-82). Pen and brown ink, 135 x 95mm.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Caspar Freisinger (1550/55-1599), Christ on the Road to Calvary. Pen and brown ink, brown and pink wash, 127 x 182 mm]
Attributed works:
[Dickinson & son. 108 Wigmore St., London, W. Caryatid, 1913, by Amedeo Modigliani (1884-1920). Signed and inscribed lower left 'à Tibaut bien amicalement / modigliani'. Wotercolour and pencil heightened with whiteon paper laid down on card, 432 x 264 mm]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Head of a Lady with a Diadem and strings of pearls tied to her hair' (recto): Head of a Lady looking to the left (verso), by Nicolas-Guy Brenet (1728-92). Black chalk heightned with white, 455 x 280 mm]
Attributed works:
[Dragesco Cramoisan, France. Very rare pair of Sévres hard-paste biscuit busts of King Louis XVI and Queen Marie-Antoniette, modelled in 1785 by the leading sculptor Louis-Simon Boizot. These examples can be dated c. 1785-90]
Attributed works:
[Felder. London. W1. Sir D.Y. Cameron RA, RSA (1865-1945). The Walds of Rannoch. Oil on canvas, 21x30 cm]
Attributed works:
[Garton & Co. Exhibiting at Pitcher / Brandt. Study for a mural in DIeter Keller's house in Stuttgart, No. 1, by Oskar Schlemmer (1888-1943). 1940. Crayon and pencil, 205 x 298 mm.]
Attributed works:
[H. Blairman & Sons Ltd. 119 Mount Street. London. Enamel vase on stand by Charles Lepec (born 1830). French (Paris), circa 1867.]
Attributed works:
[H. Blairman & Sons Ltd. A pair of bronze 'Atlas' candelabra, designed and manufactured by Benjamin Lewis Vulliamy. English, c. 1815.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Edward Burra. 1905-1975. Three Sailors at a Bar, 1930. Watercolour. 26x19 inches: 67.3 x 48.2 cm. Signed and dated]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Helicoid in Sphere, 1938, by Barbara Hepworth (1903-75). Lignum vitae on original base, Height: 25.5 cm]
Attributed works:
[James Hyman, Fine Art. 6 Manson’s yard. Duke Street, St. James’s. London. Patrick Heron (1920-1999). Blues with Brown Area. Oil on canvas. 1962. h 76.2 cm (30in) w 121.9 cm (48in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. The Arch of Janus, with the Church of San Giorgio in Velabro, by Giovanni Antonio Canal, called Canaletto. Pen, brown ink and grey wash over an underdrawing in graphite, 153 x 256 mm]
Attributed works:
[John Lishawa. 42 Vicarage Crescent, London. Dirk van Baburen (1595-1624). Taste. Oil on canvas: 104.4 x 84 cm]
Attributed works:
[John Whitehead. Sévres biscuit group La Fete au Chateau or La Fidélité Modéle. After Falconet. Incised B for Bachelier. c. 1767-73. Height: 8 inches (21cm)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Peter Codde. (1500-Amsterdam-1678). An interior with a Lady seated at a virginal, seen from behind, a viola da gamba resting beside her. On panel. 16 7/8 x 13 in. 42.8 x 32.9 cm]
Attributed works:
[Kate de Rothschild, exhibiting at Didier Aaron Ltd. Study of a lady reclining in a chair, by René-François-Xavier Prinet (1861-1946). Black, red and white chalks with Prinet's atelier stamp on the verso.]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A man in profile seen from above, by Adolph von Menzel (1815-1905). Carpenter's pencil and stumping, 311x234 mm. Signed and dated, lower left, A. Menzel / 86.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. William Turner of Oxford. 1789-1862. An April shower. Binsey Ferry near Oxford looking towards Port Meadow. Watercolour. 18 x 27 inches; 455 x 685 mm. Signed, also signed and inscribed recto.]
Attributed works:
[Mallett, 40 New Bond St., London. An eighteenth-century green glass chandelier, attributed to John Blades. English, c. 1790. Height: 183cm. Width: 101.5 cm]
Attributed works:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres Seauz à Glaces, c. 1796. Soft-paste porcelain. Height: 9 inches (24.5 cm). Diameter: 8 inches (22 cm). Blue painted and gilt marks for Sévres, the painters Bouillat and Girard, the gilder Vincent.]
Attributed works:
[N & I Franklin. 11 Bury Street. St. James’s. London. A pair of George III Silver-gilt mounted ostrich egg cups and covers. Marker's mark John Robinson, the heraldic finials modelled as the crest of Greville for George 2nd Earl of Warwick made in London in 1812.]
Attributed works:
[Offer Waterman & Co. London. 2nd Bus, by Allen Jones (b 1937). Oil on canvas in three parts, 121.8 x 152.3 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A Trompe L'Oil of a leading staff, a partizan, a Matchlock musket, a longbow, a fowling piece and other weaponry hanging on a wall, by Jacobus Biltius (1633-81). Dutch school. Oil on canvas, 169.5 x 344 cm. Signed and dated 1666.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Flemish School, circa 1605. A highly important view of the between the English Fleet and the Spanish Armada the launching on English fireships on the Spanish Fleet off Calais, with troops holding an English standard in the foreground and Queen Elizabeth I on horseback attended by a Nobleman, possibly the Early of Leicester, beyond. Gouache on vellum heightened with gold: 14 x 35 cm (5 1/2 x 13 3/4 inches).]
Attributed works:
[Renaissance Bronzes. 77 Pimlico Road, London. The dancing faun. Massimiliano Soldani Benzi. Blenheim Palace. Date 1711. Height: 1.42 metres.]
Attributed works:
[Robilant + Voena. 13Dover Street, London W1S 4LN. Giovanni Migliara. Alessandria 1785-1837 Milan. Washerwomen and Gentleman Among Classical Ruins, A Church Beyond (detail). Oil on canvas. 47 x 89 cm, 18 1/2 x 35 in]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Sévres glass coolers from the Du Barry service, circa 1771.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Francesco Bertos, Italian, active 1693-1739. A pair of large venetian allegorical bronze groups. 112 cm. 44in. and 108cm. 42 1/2in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Madonna and Child, by Polidoro Caldara, called Polidoro da Caravaggio (1499-1543).]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Raffaello Sanzio, called Raphael. Urbino 1483-1520 Rome. Recto: Head of a child. Verso: study of a vessel, probably an incense burner. Red chalk over stylus (recto). Pen and brown ink (verso). Arched top. 114 by 93 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Frederico Barocci (Urbino 1535-1612). Study of the head of a child, with studies of the leg of a child and of a woman (recto); two studies of Psyche, after the Antique (verso). Black chalk and pastel (recto); pen and brown ink, brown wash (verso), 265 x 208 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Doge's Palace, Venice, by Edward Lear (1812-88). Pencil, pen and brown ink and watercolour, 295 x 485 mm. Signed, inscribed and dated: nov. 16. Sunset./ Venice. 1865 (27) (lower right), and with colour notes.]
Non-western art unattributed:
[Gregg Baker Asian Art. A six-fold paper screen painted in ink and colour on a gold ground with insects and pampas grass amongst which the sun is setting. Japan, Edo period, 17th century, 110.5 x 245cm]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Sévres Royal plate from the 'Service arabesque', 1783. 9 7/8 in. (25.1 cm.) wide]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres biscuit group of 'Africa'. Designed in 1791, dated 1817. Height: 15 ins (36cm). Diameter: 9 ins (22cm). Marks: impressed 'Sévres' on base, front. incised 'Mas 11.av.DS' on base rear.]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. St. Cloud Hound, c. 1735. Height: 4 inches (12.2 cm). Depth: 3 inches (8.5 cm)]
Exhibition Review
Heron, Hilton, Frost, Vaughan. London
01/2001 | 1174 | 143
Pages: 42-44
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
42. Figure in Harbour Room - Orange and Grey: 1952-1954, by Patrick Heron. 91.4 by 45.7 cm. (Exh. Waddington Galleries, London).
Attributed works:
43. Christmas Eve: 1951, by Patrick Heron. 182.9 by 304.8 cm. (Exh. Waddington Galleries, London).
Attributed works:
44. Blue Winter, by Terry Frost. 1956. Oil on Board, 121 by 190.5 cm. (British Council; Exh. Royal Academy of Arts, London).
Attributed works:
45. Nude, by Roger Hilton. 1962. Oil and Charcoal on Canvas, 91.5 by 76 cm. (Exh. Jonathan Clark Fine Art, London).
Attributed works:
46. Walk along the Quay, by Terry Frost. 1950. 152.5 by 56 cm. (Private Collection; Exh. Royal Academy of Arts, London).
Attributed works:
47. Interior with Nude Figures, by Keith Vaughan. 1949. 71.1 by 91.4 cm. (Exh. Julian Lax, London).
Exhibition Review
Patrick Heron. London, Tate Gallery
09/1998 | 1146 | 140
Pages: 631-632
related names
Reviewer:
Morley, Simon (Morley, Simon)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
38. Scarlet, Lemon and Ultramarine: March 1957, by Patrick Heron. 61 by 182.9 cm. (Tate Gallery, London).
Attributed works:
39. Yellow Painting: October 1958-May/June 1959, by Patrick Heron. 152.4 by 213.4 cm. (Private Collection; Exh. Tate Gallery, London).
Attributed works:
40. Yellows and Reds with Violet Edge: April 1965, by Patrick Heron. 152.4 by 167.6 cm. (Katherine Heron Collection; Exh. Tate Gallery, London).
Attributed works:
41. Big Purple Garden Painting: July 1983-June 1984, by Patrick Heron. 208.3 by 335.3 cm. (David Thomson; Exh. Tate Gallery, London).
Advertisements
Advertisements October 1997 (front)
10/1997 | 1135 | 139
Pages: i-xxiv
Subjects
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St. James, London / C. G. Boerner, Kasernenstrasse 13, Dusseldorf ] Karl Friedrich Schinkel (Neurupin 1781 - 1841 Berlin). Lake Traun near Gmunden in Austria. Pen Lithograph Printed in Grey and Black. (Ca. 1811). Winkler 14. 532 × 643 mm. One of Probably Only Two Known Impressions. From C. G. Boerner's Neue Lagerliste 109.
Attributed works:
[ Bassenge, Erdener Strasse, 5 A, Berlin ] Johann König (ca 1586-1642, Nuremberg) Josua's Victory over the Amorites at Gibeon. Signed and Dated 1615. Bodycolour on Vellum. 14.5 × 18.5 cm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Ubaldo Gandolfi (1728-1781). Education of the Virgin Pen and Brown Ink, Brown Wash, 158 × 113 mm. A Very Similar Painting in the Church of San Lorenzo in Budrio Is Dated Circa 1750-1755.
Attributed works:
[ Christie's, 502 Park Avenue, New York ] The Pavlovsk Palace Secretaire, a Highly Important Louis XVI Sevres Porcelain-Mounted Secretaire Cabinet from the Boudoir of Empress Maria Feodorovna at Pavlovsk Palace, circa 1780, by Adam Weisweiler. Estimate: $2,500,000-$4,000,000 (£1,500,000-£2,500,000)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Pietro Fabris. Active in Naples between 1754 and 1804 The Entrance to the Grotto of Posilippo from Naples Gouache: 388 × 551 mm Signed in Black Ink at the Lower Left: Fabris P.
Attributed works:
[ cover ] Trompe l'œil with a Bust of Venus, by Caesar van Everdingen. 1665. 74 by 60.8 cm. (Mauritshuis, The Hague; Gift of Mrs. J. H. M. Staring-de Mol van Otterloo, 1992)
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Cornelis Mahu, Antwerpen ca. 1613-1689. A Breakfast Still Life with Lemon, Pomegranate, Grapes, Oysters and a Glided Cup, Oil on Panel, 48×37,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Tiepolo. Venice 1737 - 1776 Madrid. The Triumph of Mars. Etching, after Giambattista Tiepolo; c.1759. Rizzi 229, the Second State of Three with the Number But before the Inscription. Watermark: Three Crescents with Letter W. A Brilliant Impression with Full Deckle Edges All around.
Attributed works:
[ Jack Kilgore & Co., Inc., 154 East 71st Street, New York ] Joachim Beuckelaer. (Circa 1530/33-Antwerp-1573/4). Golgotha. Signed with Monogram and Dated '1567 JB'. Oil on Panel, 22¼ by $22frac{1}{8}$ Inches (56.5 by 56 cm.)
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Richard Green, 44 Dover Street, London ] Sawrey Gilpin, RA (1733-1807). A Grey Horse, a Pomeranian and a Hound in a Rocky Landscape. Signed and Dated 1791. Canvas: 53¼ × 68 in / 135.2 × 172.7 cm
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jacob Jordaens (1593-1678). "There Is No Point in Closing the Cage Once the Bird Has Flown" Bears Signature: Jordaens, Pen and Brown Ink and Watercolour, over Black Chalk. On Three Joined Sheets of Paper 232 by 293mm. Estimate: Dfl. 80,000-120,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Gable-Shaped Plaque of Two Martyred Saints, Limoges, Circa 1200-1210. 24.4 × 18.2 cm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jan Gossaert, Called Mabuse ca. 1478-ca 1536. The Madonna and Child Enthroned, with Angels Making Music Panel: 14 × 11 inches (35.5 × 28 c.m.) Painted Circa 1510. Estimate: $1,500,000-2,000,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Joseph Mallord William Turner, R. A. (1775-1851) View of Stoke House near Bristol, the Seat of Lady Lippincote Signed l.r.: William Turner Delin, Pen and Grey Ink and Watercolour 29.5 by 41 cm.; 11½ by 16 in. Estimate: £40,000-60,000
Attributed works:
[ Spink-Leger, 13 Old Bond Street, London ] Sir Peter Lely 1618-1680. The Hon Leonard Grey. Oil Painting on Canvas. Signed with the Artist's Monogram Size: $29frac{3}{4}$ × 25 Inches Painted Circa 1646
Attributed works:
[ Tate Gallery, Millbank, London (Bp) ] Patrick Heron, Horizontal Stripe Painting: November 1957 - January 1958, 1957-8
Western art unattributed:
[ Bruun Rasmussen auctioneers, Bredgate 33, Copenhagen ] Russian Mahogany Writing-Commode. Early 19th Century
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] A Highly Important Royal Silver Cistern and Wine Fountain Commissioned by George, Elector of Hanover and King of England, Maker's Mark of Lewis Dedeke, Circa 1710. The Oval Cistern, 27 in. (68.7 cm.) Long, 12 in. (30.5 cm.) High; The Fountain, 15 in. (38 cm.) Diameter, 28 in. (71 cm.) High.
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] The Tucker-Dayrell Cup: An Important Elizabeth I Parcel-Gilt Silver Cup and Cover, London, 1598, Maker's Mark IE, above Three Pellets - $14frac{3}{4}$ in. (37.5cm.) High.
Exhibition Review
Current and Forthcoming Exhibitions: London
01/1978 | 898 | 120
Pages: 34+37+39-40+43
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
34. Triptych May-June 1974 - Left Hand Panel, by Francis Bacon. Signed and Dated 1974 on Reverse. Oil and Pastel on Canvas, 198 by 147.5 cm. (Artist's Collection; Exh. Marlborough Fine Art (London) Ltd., London).
Attributed works:
35. Triptych May-June 1974 - Centre Panel, by Francis Bacon. Signed and Dated 1974 on Reverse. Repainted by the Artist July 1977. Oil and Pastel on Canvas, 198 by 147.5 cm. (Artist's Collection; Exh. Marlborough Fine Art (London) Ltd., London).
Attributed works:
36. Triptych May-June 1974 - Right Hand Panel, by Francis Bacon. Signed and Dated 1974 on Reverse. Oil and Pastel on Canvas, 198 by 147.5 cm. (Artist's Collection; Exh. Marlborough Fine Art (London) Ltd., London).
Attributed works:
38. A Flying Bomb Depot, by Graham Sutherland. Gouache, 29.2 by 46.3 cm. (Imperial War Museum, London).
Attributed works:
39. The Toy Shop, by T. B. Kennington. Signed and Dated 1891. Canvas, 139.7 by 116.5 cm. (Exh. Fine Art Society Ltd., London).
Attributed works:
40. St Francis of Assisi and the Heavenly Melody, by Frank Cadogan Cowper. R. A. 1904. Canvas, 92.7 by 75.2 cm. (Exh. Fine Art Society Ltd., London).
Attributed works:
41. Photograph of Ivor Novello by Angus McBean, Published in the Tatler and Byslander, July 1947. (Exh. National Theatre, Southbank).
Attributed works:
42. Pozières, British Cemetery and Memorial to the Missing. Somme, France. W. H. Cowlishaw Architect, Laurence Turner Sculptor. 1930. (Exh. R. I. B. A., Heinz Gallery, Portman Square, London).
Western art unattributed:
37. Two Greyhounds. Found at Monte Cagnolo, near the Ancient Lanuvium. Roman, First-Second Century A. D. (British Museum).
load more