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9 articles
Article
An 'Adoration of the shepherds' by Simon Vouet in Saint-Pierre-et-Saint-Paul, Evry
03/2017 | 1368 | 159
Pages: 187-191
related names
Author:
Sarant, Mylène (Sarant, Mylène)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
10. Nativity with angels, by Pierre Daret after Simon Vouet. 1639 (Bibliothèque nationale de France, Paris)
Attributed works:
12. Adoration of the Magi, by Simon Vouet. c.1635 (Fogg Museum, Harvard Art Museums, Cambridge MA)
Attributed works:
3. Presentation in the Temple, by Simon Vouet. 1640-41 (Musée du Louvre, Paris)
Attributed works:
4. Angel turning to the right, by Simon Vouet (Musée du Louvre, Paris)
Attributed works:
5. Adoration of the shepherds, by Simon Vouet (Fogg Museum, Harvard Art Museums, Cambridge MA)
Attributed works:
6. Kneeling Virgin, by Simon Vouet (Bayerische Staatsbibliothek, Munich)
Attributed works:
7. Adoration of the shepherds, by Simon Vouet. c.1640 (Saint-Pierre-et-Saint-Paul, Evry)
Attributed works:
8. Adoration of the shepherds, by François Perrier after Simon Vouet. 1633 (Bibliothèque nationale de France, Paris)
Attributed works:
9. Nativity with angels, by Michel Dorigny after Simon Vouet. 1638 (Bibliothèque nationale de France, Paris)
Western art unattributed:
11. The church of Saint-Pierre-et-Saint-Paul, Evry. Postcard, late nineteenth or early twentieth century (Archives départementales de l'Essonne, Chamarande)
Article
An ‘Adoration of the shepherds’ by Taddeo Zuccari at Palazzo Pitti, Florence
03/2016 | 1356 | 158
Pages: 178-181
related names
Author:
Chiarini, Marco (Chiarini, Marco)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
10. Adoration of the shepherds, by Taddeo Zuccari. c.1550 (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
11. Adoration of the shepherds, by Taddeo Zuccari. c.1553 (The Devonshire Collections, Chatsworth)
Attributed works:
12. Detail of the Study for the Cappella Mattei by Taddeo Zuccari. c.1553 (British Museum, London)
Attributed works:
13. Adoration of the shepherds, by Taddeo Zuccari. c.1553 (Istituto Nazionale per la Grafica, Rome)
Attributed works:
7. Fig.9 before restoration
Attributed works:
8. Infra-red reflectography of Fig.9
Attributed works:
9. Adoration of the shepherds, after restoration, here attributed to Taddeo Zuccari. c.1553? (Palazzo Pitti, Florence, depository)
Book Review
Caravaggio. Adorazione dei pastori
09/2012 | 1314 | 154
Pages: 637-639
related names
Reviewer:
Gash, John (Gash, John)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Caravaggio. Adorazione dei pastori | editor: Merlini, Valeria , editor: Storti, Daniela
Illustrations
Attributed works:
27. Adoration of the shepherds, by Caravaggio. 1609. Canvas, 314 by 211 cm. (Museo Regionale, Messina).
Article
Two Altar-Pieces by Philippe de Champaigne: Their History and Technique
06/1989 | 1035 | 131
Pages: 395-406
related names
Author:
Allden, Mary (Allden, Mary)
Author:
Beresford, Richard (Beresford, Richard)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
1. Detail from the Annunciation, by Philippe de Champaigne, Fig.8, after Cleaning, Showing Part of Mary's Blue Drapery.
Attributed works:
10. Annunciation, by Michailoff and Klauber after Philippe de Champaigne.
Attributed works:
11. Flight into Egypt, by Sébastien Bourdon. 70 by 61 cm. (Musée du Louvre, Paris).
Attributed works:
12. Presentation in the Temple, by Sébastien Bourdon. 71. by 61 cm. (Musée du Louvre, Paris).
Attributed works:
13. Marriage of the Virgin, by Philippe de Champaigne. 71.5 by 143.4 cm. (Wallace Collection, London).
Attributed works:
15. Annunciation, by Nicolas Pitau after Philippe de Champaigne. Engraving, c.1656. (Bibliothèque Nationale, Paris).
Attributed works:
16. Annunciation, by Philippe de Champaigne or His Workshop. 72.9 by 51.3 cm. (Ferens Art Gallery, Kingston-upon-Hull).
Attributed works:
17. Detail Showing Canvas Insert in Top Left-Hand Corner of Fig.8. [ Annunciation, by Philippe de Champaigne, after Cleaning and Restoration, 334.3 by 214.5 cm. (Wallace Collection, London).]
Attributed works:
18. Detail Showing Canvas Insert in Top Right-Hand Corner of Fig.8. [ Annunciation, by Philippe de Champaigne, after Cleaning and Restoration, 334.3 by 214.5 cm. (Wallace Collection, London).]
Attributed works:
19. Detail Showing Background during Removal of Repaints of Fig.8. Black Repaint Covers Most of the Original Paint Surface; on Top of This Are Further Discoloured Retouchings. [ Annunciation, by Philippe de Champaigne, after Cleaning and Restoration, 334.3 by 214.5 cm. (Wallace Collection, London).]
Attributed works:
2. Detail Showing Part of the Angel's Blue Drapery in Fig.8. [ Annunciation, by Philippe de Champaigne, after Cleaning and Restoration, 334.3 by 214.5 cm. (Wallace Collection, London).]
Attributed works:
20. Adoration of the Shepherds, by Philippe de Champaigne, after Cleaning and Restoration. 232.5 by 161.5 cm. (Wallace Collection, London).
Attributed works:
21. Detail of Fig.8 after Cleaning and before Restoration. [Annunciation, by Philippe de Champaigne, 334.3 by 214.5 cm. (Wallace Collection, London).]
Attributed works:
22. Detail of Fig.8 after Cleaning and before Restoration.
Attributed works:
23. Adoration of the Shepherds, by Philippe de Champaigne. 390 by 246 cm. (Musée des Beaux-Arts, Lyon).
Attributed works:
24. Nativity, by Philippe de Champaigne. 208 by 115 cm. (Musée des Beaux-Arts, Lille).
Attributed works:
25. Adoration of the Shepherds, by Philippe de Champaigne. 340 by 220 cm. (Rouen Cathedral).
Attributed works:
26. Adoration of the Shepherds, by Philippe de Champaigne, after Cleaning and before Restoration. 232.5 by 161.5 cm. (Wallace Collection, London).
Attributed works:
27. Portrait of François I de Mesgrigny? Here Attributed to the Circle or Possibly the Workshop of Philippe de Champaigne. 1656. 73 by 59 cm. (Musée des Beaux-Arts, Troyes).
Attributed works:
28. Paint Cross-Section (c.400x) from Mary's Blue Drapery in the Adoration of the Shepherds, Fig.20.
Attributed works:
29. Paint Cross-Section (c.400x) from Flesh of Mary's Hand in Fig.20.
Attributed works:
3. Paint Cross-Section (c.400x) from Mary's Blue Drapery in Fig.8.
Attributed works:
30. Paint Cross-Section (c.400x) from the Upper Pink Area of Mary's Dress in Fig.20.
Attributed works:
31. Paint Cross-Section (c.220x) from the Lower Brown Area of Mary's Dress in Fig.20.
Attributed works:
32. Photomacrograph of Drapery in the Left Group of Cherubs in the Annunciation Fig.8.
Attributed works:
33. Detail from Fig.20 Showing the Face of the Kneeling Shepherd.
Attributed works:
34. Adoration of the Shepherds, by Philippe de Champaigne or His Workshop. 102 by 58 cm. (Portland Art Museum, Portland, Oregon).
Attributed works:
35. Adoration of the Shepherds, by Philippe de Champaigne or His Workshop. Black Chalk with White Heightening on Grey Paper. 49 by 35.5 cm. (Bibliothèque Nationale, Cabinet des Estampes, Paris).
Attributed works:
4. Paint Cross-Section (c.400x) from the Angel's Blue Drapery in Fig.8.
Attributed works:
5. Photomacrograph Showing a Damaged Area in the Angel's Blue Drapery in Fig.8. A Lower Modelled Grey Layer is Visible.
Attributed works:
6. Paint Cross-Section (c.400x) from the Angel's Wrist in Fig.8.
Attributed works:
7. Paint Cross-Section (c.400x) from the Green Curtain in Fig.8.
Attributed works:
8. Annunciation, by Philippe de Champaigne, after Cleaning and Restoration, 334.3 by 214.5 cm. (Wallace Collection, London).
Attributed works:
9. Assumption of the Virgin, by Simon Vouet. 195 by 129 cm. (Musée des Beaux-Arts, Reims).
Western art unattributed:
14. First Floor Plan of the Palais Royal of 1745 (Detail), Showing Anne of Austria's Apartment. Her Oratory Is at the North-West Corner of the 'Cour de Cardinal', Marked 'Cabinet'; The Neighbouring 'Antichambre' Is Probably Her 'Chambre'. (Bibliothèque Nationale, Paris).
Short Notice
Unpublished Works by Matthias Stomer
05/1976 | 878 | 118
Pages: 307-309
related names
Author:
Bodart, Didier (Bodart, Didier)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
58. Adoration of the Shepherds, by Matthias Stomer. Canvas, 130 by 178 cm. (Casadei Collection, Rome).
Attributed works:
59. Annunciation, by Matthias Stomer. Canvas, 111 by 165 cm. (Casadei Collection, Rome).
Attributed works:
60. The Healing of Tobit, by Matthias Stomer. Canvas, 118 by 173 cm. (Bartolini Collection. Florence).
Article
An Unknown Early Work by the Le Nain Brothers
04/1969 | 793 | 111
Pages: 178-183+185
related names
Author:
Oertel, Robert (Oertel, Robert)
Subjects
artists:
artists:
artists:
artists:
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
1. Adoration of the Shepherds, by the Le Nain Brothers. Canvas, 159 by 111 cm. (Gemäldegalerie der Staatlichen Museen, Berlin-Dahlem.)
Attributed works:
2. X-Ray Showing the Right-Hand Top Corner of the Adoration of the Shepherds Illustrated in Fig.1. [by the Le Nain Brothers. Canvas, 159 by 111 cm. (Gemäldegalerie der Staatlichen Museen, Berlin-Dahlem.)]
Attributed works:
3. Detail from the Adoration of the Shepherds Illustrated in Fig.1. [by the Le Nain Brothers. Canvas, 159 by 111 cm. (Gemäldegalerie der Staatlichen Museen, Berlin-Dahlem.)]
Attributed works:
4. Adoration of the Shepherds. Engraving by François Perrier after a Lost Painting by Simon Vouet. Dated 1633.
Attributed works:
5. Infra-Red Photograph Showing Praying Hands in the Adoration of the Shepherds Illustrated in Fig.1. [by the Le Nain Brothers. Canvas, 159 by 111 cm. (Gemäldegalerie der Staatlichen Museen, Berlin-Dahlem.)]
Article
The Early Style of Murillo
09/1965 | 750 | 107
Pages: 444-451+453
related names
Author:
Braham, Allan (Braham, Allan; Braham, A. J.; Braham, Mr.)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. The Adoration of the Shepherds, Here Attributed to Murillo and Dated about 1640. Canvas, 227 by 164 cm. (National Gallery, London.)
Attributed works:
10. Detail of Fig.1. [The Adoration of the Shepherds, Here Attributed to Murillo and Dated about 1640. Canvas, 227 by 164 cm. (National Gallery, London.)]
Attributed works:
11. Detail of Fig.5. [The Holy Family, by Murillo. c.1647. Canvas, 222 by 162 cm. (Nationalmuseum, Stockholm.)]
Attributed works:
12. Detail of Fig.6. [The Flight into Egypt, by Murillo. c.1647. Canvas, 210 by 166 cm. (Institute of Arts, Detroit.)]
Attributed works:
13. Detail of Fig.1. [The Adoration of the Shepherds, Here Attributed to Murillo and Dated about 1640. Canvas, 227 by 164 cm. (National Gallery, London.)]
Attributed works:
14. Detail of Fig.7. [Young Peasant Boy, by Murillo. c.1644. Canvas, 137 by 115 cm. (Musée du Louvre.)]
Attributed works:
15. Detail of Fig.1. [The Adoration of the Shepherds, Here Attributed to Murillo and Dated about 1640. Canvas, 227 by 164 cm. (National Gallery, London.)]
Attributed works:
16. Detail of Fig.5. [The Holy Family, by Murillo. c.1647. Canvas, 222 by 162 cm. (Nationalmuseum, Stockholm.)]
Attributed works:
17. Detail of Fig.1. [The Adoration of the Shepherds, Here Attributed to Murillo and Dated about 1640. Canvas, 227 by 164 cm. (National Gallery, London.)]
Attributed works:
18. Detail of Fig 3. [The Angels' Kitchen, by Murillo. 1646. Canvas, 180 by 450 cm. (Musée du Louvre.)]
Attributed works:
2. The Adoration of the Shepherds, by Francisco de Zurbarán. Signed and Dated 1638. Canvas, 261 by 175 cm. (Musée, Grenoble.)
Attributed works:
3. The Angels' Kitchen, by Murillo. 1646. Canvas, 180 by 450 cm. (Musée du Louvre.)
Attributed works:
4. The Adoration of the Shepherds, by Murillo. Canvas, 187 by 228 cm. (Museo del Prado.)
Attributed works:
5. The Holy Family, by Murillo. c.1647. Canvas, 222 by 162 cm. (Nationalmuseum, Stockholm.)
Attributed works:
6. The Flight into Egypt, by Murillo. c.1647. Canvas, 210 by 166 cm. (Institute of Arts, Detroit.)
Attributed works:
7. Young Peasant Boy, by Murillo. c.1644. Canvas, 137 by 115 cm. (Musée du Louvre.)
Attributed works:
8. The Vision of Fray Lauterio, Generally Attributed to Murillo and Dated to c.1640. Canvas, 218 by 172 cm. (Fitzwilliam Museum, Cambridge.)
Attributed works:
9. Detail of Fig.2 (Zurbarán). [The Adoration of the Shepherds. Signed and Dated 1638. Canvas, 261 by 175 cm. (Musée, Grenoble.)]
Article
Le Nain Studies 1: Three Rediscovered Pictures
02/1958 | 659 | 100
Pages: 54-61+63
related names
Author:
Thuillier, Jacques (Thuillier, Jacques; Thuillier, J.)
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
15. Presentation of the Virgin in the Temple, by Le Nain. Canvas, 276 by 138 cm. (Abbaye St Louis du Temple (Dames du Saint-Sacrement), Limon, Nr Vauhallan, Seine-et-Oise.)
Attributed works:
16. Adoration of the Shepherds, by Le Nain. Canvas, 286 by 139 cm. (Louvre.)
Attributed works:
17. Visitation, by Le Nain. Canvas, 276 by 138 cm. (St Denis de Piles, Nr Libourne.)
Attributed works:
18. St Michael Presenting His Arms to the Virgin Mary, by Le Nain. Canvas, 287 by 157 cm. (St Pierre, Nevers.)
Attributed works:
19. Detail from Birth of the Virgin, by Le Nain. (St Etienne du Mont, Paris.)
Attributed works:
20. Detail from the Le Nain Altar-Piece Reproduced in Fig. 18.
Attributed works:
21. Detail from the Le Nain Altar-Piece Reproduced in Fig. 17.
Attributed works:
22. Detail from the Le Nain Altar-Piece Reproduced in Fig. 18.
Attributed works:
25. Detail from Charity, by Jacques Blanchard. Signed and Dated 1637. (Viscountess Lee of Fareham.)
Attributed works:
26. Detail from the Le Nain Altar-Piece Reproduced in Fig. 18.
Article
Leonardo's Adoration of the Shepherds and Dragon Fight
01/1933 | 358 | 62
Pages: 20-23+25-26
related names
Author:
Clark, Kenneth (Clark, Kenneth; C., K.; Clark, Kenneth Mackenzie; Clark of Saltwood, Kenneth)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
Plate I. A and B-Studies of Horses, by Leonardo da Vinci (Windsor Castle). Leonardo's Adoration of the Shepherds and Dragon Fight
Attributed works:
Plate I. C-Studies of Horses, by Leonardo da Vinci (Windsor Castle). Leonardo's Adoration of the Shepherds and Dragon Fight
Attributed works:
Plate I. D-Study of an Ox and Asses, by Leonardo da Vinci (Windsor Castle). Leonardo's Adoration of the Shepherds and Dragon Fight
Attributed works:
Plate II. A-Studies for the Adoration of the Shepherds, by Leonardo da Vinci (The Bonnat Collection, Bayonne). Leonardo's Adoration of the Shepherds and Dragon Fight
Attributed works:
Plate II. B-Studies for the Dragon Fight, by Leonardo da Vinci (Windsor Castle). Leonardo's Adoration of the Shepherds and Dragon Fight