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3 articles
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Advertisements January 2008 (Front)
01/2008 | 1258 | 150
Pages: [i-xviii]
Subjects
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Christie's Old Master & 19th Century Drawings, sale: 24 January, 2008] François Boucher (1703-1770). A seated female nude. Black, red and white chalk on buff paper, 36.4 by 29.2 cm.
Attributed works:
[Christie's Old Master and 19th Century Drawings, New York, 24 January 2008] Jean-Baptiste Hilair (Audun-Le-Tiche 1753-after 1822 Paris). Portrait of Sultan Ab-dul Hamid I. Signed and dated 'JB. Hilair 1788', bodycolor, 660 x 490 mm. $150,000-250,000.
Attributed works:
[David Tunick, Inc. 19 East 66th Street, 18-26 January, 2008] Circle of Marten van Heemskerck (1498-1574). Bust of a man with elaborate hair, seen in profile. Pen and brown ink, 8.8 by 6 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, France] Girolamo Genga (Urbino, circa 1476-1551). The Virgin suckling the Child, with the young St John the Baptist. Circa 1510. Oil on panel, 95 x 73 cm.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris, France] Paolo Gerolamo Piola (Genoa, 1666-1723). Salome with the Head of Saint John the Baptist. Oil on canvas, 132.5 x 102.5 cm
Attributed works:
[Galeries Dominique Hurtebize, Cannes, at Palm Beach Fine Art & Antiques Fair] Maurice de Vlaminck (1876-1958). Les maisons. Signed and dated at bottom right. Oil on canvas, 50 by 65 cm.
Attributed works:
[Hill-Stone Inc., Box 273, Gracie Station, New York] Carl Moser (Austrian, Bolzano 1873-1939 Bolzano). Young Breton Girl. Crayon, pastel and gouache. 1904. A study for the woodcut of the same subject. 273 x 195 mm. 10¾ x 7⅝ inches.
Attributed works:
[Hill-Stone Inc., exhibiting at: Winter Antiques Show, Seventh Regiment Armory, 17-27 January, 2008] Bernardino Gatti, called Sojaro (1495/1500-1576). A draped figure holding a spear, possibly from an Ascension. Drawing in black chalk, pen and brown ink.
Attributed works:
[Hollis Taggart Galleries, New York, at Palm Beach Fine Art & Antiques Fair] Oscar Bluemner (1867-1938). Still life. 1939. Signed and dated on verso: Hans Burkhardt 1939. Oil on canvas, 40.6 by 50.8 cm.
Attributed works:
[Jack Kilgore & Co., 154 East 71st Street, New York. Recent acquisitions January 14 to February 12, 2008. Exhibiting at The European Fine Art Fair, Maastricht, March 7 to 16] Ferdinand Bol (Dordrecht 1616-1680 Amsterdam). The Death of Dido. Oil on canvas, 66½ by 66 inches (169 by 167.5 cm).
Attributed works:
[L'Antiquaire & The Connoisseur Inc., 36 East 73rd Street, 18-26 January, 2008] Giovanni Benedetto Castiglione (1611-1670). Two camels. Oil and wash on paper, 35.5 by 27 cm.
Attributed works:
[Margot Gordon Fine Art, Master Drawings in New York, January 18-February 16, 2008, Shepherd & Derom Galleries, 58 East 79 Street, New York City] Bernardo Strozzi (Genoa 1581-1644 Venice). Allegory of Charity. Oil on paper, 31.5 x 27 cm
Attributed works:
[Mia N. Weiner, exhibiting at: L'Antiquaire and The Connoisseur, 36 East 73rd Street, 18-26 January, 2008] Abraham Bloemaert (1597-1671). A group of figures. Black chalk underdrawing, pen and dark brown ink, brush and brown wash, white gouache heightening, 15.2 by 11.8 cm.
Attributed works:
[Nathalie Motte Masselink, exhibiting at: Kate Ganz USA Ltd. 25 East 73rd Street, 18-26 January, 2008] Bartolomeo Biscaino (1632-1657). St Michael and the fall of the rebel angels. Red chalk on fine laid paper, 17.3 by 15.9 cm. Inscribed in brown ink at lower left: Biscaino, verso: Studies of a Virgin and Child.
Attributed works:
[Noortman Master Paintings, Maastricht, at Palm Beach Fine Art & Antiques Fair] Paul Cézanne. Paysage d'hiver. Oil on canvas, 58.8 by 72.5 cm.
Attributed works:
[Richard Green, London, at Palm Beach Fine Art & Antiques Fair]. Ben Nicholson (1894-1962). Painted relief [west Penwith]. Oil and gesso on carved relief, 52.7 by 84.8 cm. Signed, inscribed and dated 1946 on reverse.
Attributed works:
[Robert Simon Fine Art, Satis House, Tower Hill Road, Tuxedo Park, New York] Lorenzo di Credi (Florence 1459/60-1537). Madonna and Child. Oil on panel, 78 x 58 cm.
Attributed works:
[Sotheby's Old Master Drawings. The Jeffrey E. Horvitz Collection of Italian Drawings, sale: 23 January, 2008] Giovanni Francesco Barbieri, called il Guercino. The head of a man in profile, looking up. Pen and brown ink and wash, 17.8 by 17.8 cm.
Attributed works:
[Sotheby's: The Jeffrey E. Horvitz Collection of Italian Drawings, auction in New York, 23 January 2008] Giovanni Battista Tiepolo. The Head of an Oriental with Large Moustache and a Turban. Estimate $80,000-120,000.
Attributed works:
[The Fine Art Society PLC, exhibiting at: Dickinson, 19 East 66th Street, 18-26 January, 2008] Charles Rennie Mackintosh (1868-1928). Yew blossom. 1915. Watercolour over pencil, 22.6 by 20.3 cm.
Attributed works:
[W.M. Brady & Co., 22 East 80th Street, New York. Old Master Drawings and Oil Sketches, January 22-February 14, 2008] Giovanni Francesco Barbieri, called Il Guercino (Cento 1591-1666 Bologna). A Boy and a Child. Red chalk and stumping, 6⅞ x 7⅞ inches (174 x 200 mm).
Attributed works:
[W.M. Brady Inc., New York, 22 East 80th Street, 22 January-14 February, 2008] John Flaxman RA. Scene from medieval history. Pen and gray ink and gray wash, over black chalk, 47 by 62 cm.
Attributed works:
[W.M.Brady Inc., 22 East 80th Street, 22 January-14 February, 2008] Carlo Maratti (1625-1713). A Triton holding a conch shell. Black and red chalk heightened with white, 310 by 253 cm. Inscribed on the old mount, verso: C. Maratti.
Non-western art unattributed:
[Royal-Athena Galleries, London, at Palm Beach Fine Art & Antiques Fair] Egyptian limestone relief of Sai-Em-Petref, XIXth Dynasty, c.1313-1185 BC. Height: 60 cm. Width: 37 cm.
Western art unattributed:
[Brenske Gallery, Munich, at Palm Beach Fine Art & Antiques Fair] Crete, 1st half 17th century. Birth of Christ. Egg tempera on gesso on wood, 34.7 by 28.9 cm.
Western art unattributed:
[Emanuel von Baeyer, exhibiting at: Stiebel Ltd. 252 East 68th Street, 18-26 January, 2008] French, first half of the eighteenth century. Mackerel. Black chalk, with traces of red chalk and graphite, oiled black chalk. Size of sheet: 11.4 by 31.2 cm.
Western art unattributed:
[Numisart Ancient Art, Maximiliansplatz 15, Munich, Germany, exhibiting at the Palm Beach Fine Art & Antique Fair, February 1-10, 2008] An unique Attic red-figured pelike depicting a bird man actor, circa late 5th century BC.
Western art unattributed:
[Numisart Ancient Art, Munich, at Palm Beach Fine Art & Antiques Fair] A Roman marble portrait head of Menander. Circa 2nd-3rd century AD.
Advertisements
Advertisements July 2003 (front)
07/2003 | 1204 | 145
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
Book Review
Draughtsmen from Parma
09/1968 | 786 | 110
Pages: 519-521
related names
Reviewer:
Bean, Jacob (Bean, Jacob; Bean, J.)
Subjects
artists:
artists:
artists:
artists:
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Italian Drawings in the Department of Prints and Drawings in the British Museum. Artists Working in Parma in the Sixteenth Century. Correggio, Anselmi, Rondani, Gatti, Gambara, Orsi, Parmigianino, Bedoli, Bertoja | author: Popham, A. E.
Illustrations
Attributed works:
40. Standing Apostle, Here Attributed to Bernardino Gatti. Brush, Brown Wash Heightened with Blue-Grey and White over Black Chalk, Squared off in Black and Red Chalk, on Blue-Green Paper, 36.9 by 21.4 cm. (Uffizi.) 41. The Conversion of St Paul, by Lelio Orsi. Pen and Brown Ink, Brown Wash, Heightened with White, 42.6 by 30.4 cm. (Cabinet des Dessins, Musée du Louvre.) 43. Head of a Man, Here Attributed to Parmigianino. Pen and Brown Ink, Brown Wash, 8.7 by 7.1 cm. (Museum of Art, Rhode Island School of Design, Providence, R. I.)