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01/2013 | 1318 | 150
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Christie's, 20 Rockefeller Plaza. The Madonna and Child with the infant St. John the Baptiste, by Alessandro Filipepi, called Sandro Botticelli. (1444/45 - 1510). Tempera on panel, 46.3 by 36.8 cm]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Jean-Auguste-Dominique Ingres (Montauban 1780 - 1865 Paris). Comtesse Charles d'Agoult, née Marie de Flavigny, and her daughter Claire d'Agoult (detail). Signed and dated 'J. Ingres Del/ 1849'. Pencil, heightened with white, touches of yellow bodycolour. 19 x 15 5/8 in. (48.4 x 39.6 cm)]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Federico Barocci (Urbino c.1533-1612). Study for the Head of Saint Dominic. c.1593-7. Black, red, peach, brown, ocre and traces of white chalk on blue paper, 23.7 cm x 24 cm. Watermark: Bunch of grapes.]
Attributed works:
[Christopher Bishop, Exhibited at: Dickinson Fine Art, 19 East 66th Street. Putti frolicking in the clouds, by Giovanni Domenico Tiepolo (1727-1804). Signed 'Dom. Tiepolo f.' lower left and numbered '37' upper right. Pen with brown and grey washes, 19 by 27 cm]
Attributed works:
[Didier Aaron, Inc., 32 East 67th Street. Study for a Scene from 'Regotin', by Jean Baptiste Oudry (1680-1755). Pen and ink and wash, heightened with gouache, on blue paper, 20.7 by 27.7 cm]
Attributed works:
[Francis Maere Fine Arts, Ghent. Girls in the field, by Emile Claus (1849-1924). Signed. Oil on canvas, 73.5 by 114 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battisti Langetti. Genoa, 1635 - Venice, 1676. Apollo and Marsyas. Oil on canvas, 108 x 126 cm (42 1/2 x 49 5/8 in)]
Attributed works:
[Guy Pieters Gallery, Knokke-Heist, Belgium. Shéhérazade, by René Magritte, 1947. Gouache on paper, 18 by 13 cm.]
Attributed works:
[Hélène Bailly Gallery, Paris. Cannes, by Francis Picabia (1879-1953). Oil and gouache on cardboard, 44.7 by 36.7 cm]
Attributed works:
[Margot Gordon Fine Art, Exhibiting at: Shepherd & Derom Galleries, 58 East 79 Street, 26 January - 27 Frabruary. Two Putti supporting a beam or a plaque, by Raffaello Sanzio, called Raphael (1483-1520). Pen and brown ink over black chalk, 11.4 by 6.9 cm]
Attributed works:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Pietro da Cortona (1596-1696). Rome. Study for the Sala di Apollo, Palazzo Pitti, (c.1646). Black chalk, traces of white heightening, 191 x 248 mm]
Attributed works:
[Maruani & Noirhomme Gallery, Brussels. Sleepy, by Gilbert & George. 1985. Signed, titled and dated 'SLEEPY Gilbert + George 1985'. Mixed media, 242 by 202 cm]
Attributed works:
[Mia N Weiner, Exhibiting at: L'Antiquaire and The Connoisseur, 36 East 73rd Street. St. Thomas the Apostle, by G.F. Barbieri, Il Guercino (1591-1666). Pen and ink, 20.5 x 26.1 cm]
Attributed works:
[Moeller Fine Art Ltd, 35 East 64th Street. The Academician (The Poet), by Richard Lindner (1901-1978). Signed and dated lower right 'Richard Lindner March 1954'. Oil pastel and ink on paper, 72.4 57.2 cm]
Attributed works:
[Monroe Warshaw, Exhibited at: Kraushaar Galleries, 74 East 79th Street. Maria with the four evangelists, by Jan Boeckhorst (1605-68). c.1659. Preliminary study for the 'Snyders' triptych. Pen and ink with wash, heightened with white, 19.7 by 25.4 cm]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Vierge d'Intercession. Attributed to Jean de la Huerta (active 1431 - 1462). Limestone (pierre d'Asnières-lès-Dijon), with traces of original polychrome France, Burgundy, probably between Dijon and Chalon-sur-Saône, circa 1445 - 1450. H. 112 x W. 43 x D. 26.5 cm]
Attributed works:
[Paolo Antonacci, Exhibiting at GRAHAM, 32 East 67th Street. Portrait of Ulysses, by Joann Heinrich Wilhelm Tischbein (1751-1829). Watercolour on paper, 38 by 49 mm]
Attributed works:
[Paolo Antonacci. Via del Babbuino 141/a. Rome. Giuseppe Cades (1750-1799), Paolo and Francesca surprised by Giangiotto Malatesta. Ink and brown wash on paper, 455 x 590 cm]
Attributed works:
[Robert Simon, Fine Art. Satis House. 53 Tower Hill Road East. Tuxedo Park. New York. 208A East 78th Street. New York. Giovanni Battista Langetti (Genoa 1635 - Venice 1676). Job Cursed by His wife. Oil on canvas, 44 x 34 1/2 in. (111.7 x 87.6 cm]
Attributed works:
[Sigrid Freundorfer Fine Art LLC, 790 Madison Avenue, Suite 602. Portrait of Albert Einstein, by Josef Scharl (1896-1954). 1950. Signed 'Jos. Scharl 1950', lower right and dated 'Princeton Febr. 9, 1950'. Signed by Einstein 'A. Einstein', lower centre. Ink on paper, 36.8 by 29.2 cm]
Attributed works:
[Sperone Westwater in New York. Francesco Calebrano (1729-1814), Colazione in campagna, Oil on canvas, 260 x 175 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Domenico Tintoretto. Portrait of Paolo Tiepolo (1523-1585)]
Attributed works:
[Stephen Ongpin, Exhibiting at: Mark Murray Fine Paintings, 39 East 72nd Street, Fifth Floor. The sleeping child, by Odilon Redon (1840-1916). Signed vertically in grey ink at the lower left. Watercolour, gouache and pencil on card, 17.8 by 25.7 cm]
Non-western art unattributed:
[Galerie Jacques Germain, Montreal, Canada. Punu mask of the Okouyi tribe. Light wood with pigment and kaolin. Gabon, the Ngounié region. Late nineteenth century.]
Non-western art unattributed:
[Joyce Nejad. Front and side. An Assyrian Royal Stele, in black basalt, depicting King Adad-Nerari III Dur-Kaltimmu in Syria, c.805 BC; H: 137.5 cm. W: 75 cm. D: 27 cm. 'The top of this fragment is kept at the British Museum'.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten, Belgium. Wrought-iron door with remains of polychrome decoration. Spain, Toledo, fifteenth century. Height: 204 cm. Width: 115 cm]
Western art unattributed:
[Klaas Muller, Brussels. Christ crowned with thorns. Austro-Bavarian school. c.1470/75. Oil on panel, 77 by 59.5 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Arts, London. A walnut table, Italy, Bologna, late 16th century. Height: 81.5 cm. Width: 181 cm. Depth: 75 cm]
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Advertisements July 2003 (front)
07/2003 | 1204 | 145
Pages: i-xii
Subjects
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Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
Publication Received
Giuseppe Cades 1750-1799 et la Rome de son temps
09/1995 | 1110 | 137
Pages: 631-632
related names
Reviewer:
Conisbee, Philip (Conisbee, Philip)
Subjects
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Reviewed Items
artists:
Giuseppe Cades 1750-1799 et la Rome de son temps | author: Caracciolo, Maria Teresa