By using this website you agree to our Cookie policy

Search

17 articles
Article
Moderno and Severo da Ravenna in the Duclaux collection, Angers
11/2022 | 1436 | 164
Pages: 1123-1125
related names
Author:
Lamouche, Emmanuel (Lamouche, Emmanuel)
Subjects
collectors and dealers:
dates:
museums and institutions:
Illustrations
Attributed works:
10. Hercules and the Nemean Lion, by Moderno (Galeazzo Mondella). c.1490–1505. Bronze, diameter 10.4 cm. (Musées des Beaux-arts d’Angers).
Attributed works:
11. Reproduction of Fig.10 in Trésor de numismatique et de glyptique, ou Recueil général de médailles, monnaies, pierres gravées, bas-reliefs tant anciens que modernes, Paris 1836, vol. XIX–XX, pl.X. (Bibliothèque Nationale de France, Paris).
Attributed works:
12. Young woman running with a shell and a candlestick, by the workshop of Severo da Ravenna (Severo Calzetta). After 1527. Bronze, height 22.1 cm. (with base), 18.4 cm. (without base), base diameter 12.8 cm. (Musées des Beaux-arts d’Angers).
Attributed works:
13. The back of the statue shown in Fig.12. (Photograph Centre de Recherche et de Restauration de Musées des France, Paris).
Attributed works:
14. Young woman running (now known as Thetis), by the workshop of Severo da Ravenna (Severo Calzetta). After 1527. Bronze, height 18.2 cm. (Cleveland Museum of Art).
Attributed works:
15. One side of the statue illustrated in Fig.12. (Photograph Centre de Recherche et de Restauration de Musées des France, Paris).
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
Advertisements
Advertisements April 2016 (front)
04/2017 | 1369 | 159
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Blue Crayola, by Anthony Frost. 2016. Screenprint with woodblock, 87.5 by 45.5 cm]
Attributed works:
[Andrew Edmunds, London. Enchantments lately seen upon the mountains of Wales, by James Gillray (1756-1815). Etching and engraving, 25.1 by 35.5 cm, with publisher's watercolour.]
Attributed works:
[Andrew Edmunds. London. James Gillray (1756-1815). The Marriage pf Cupid and Psyche 1797. Etching, aquatint and engraving 265 x 317 mm, with publisher's watercolour.]
Attributed works:
[Artchina Limited, Cambridge. Zhu Jianhui, Rope. 2010. Woodblock printed with water-soluble ink on xuan paper.]
Attributed works:
[Artchina, Cambridge. The winter at Lianghe village, by Yu Chengyou, 2011. Woodcut, 100 by 150 cm]
Attributed works:
[Christopher Mendez, London. Architectural ruins with birds, by Lorenz Stoer (c. 1529/1530 - 1599). Woodcut from two blocks, printed in green. Hollstein 5, the only recorded impression. 21 by 15.3 cm]
Attributed works:
[Christopher Mendez. Federico Barocci (c. 1535-1612). Virgin and child in the clouds. Etching and engraving, 154 x 109 mm, circa 1581. Bartsch 2, only state]
Attributed works:
[Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128 x 200 cm (detail)]
Attributed works:
[Elizabeth Harvey-Lee, Oxfordshire. The portico with the lantern, by Giovanni Antonio Canaletto (1697-1768). c. 1740 (final state). Etching. 30.1 by 43 cm]
Attributed works:
[Elizabeth Harvey-Lee. Oxon. Jean François Janinet: Venus dur les Eaux. Colour aquatint, c 1777, after a miniature by Charlier.]
Attributed works:
[Fine Art Society, London. Commander looking through a periscope, by Eric Ravilious (1903-42). Lithograph, 28 by 32 cm]
Attributed works:
[Flowers Gallery, London and New York. Terrestrial, by Tom Haddinck. 2017. Woodcut, 118 by 150 cm.]
Attributed works:
[Gilden's Art Gallery, London. May Salon, by René Magritte (1898-1967). Lithograph, 63 by 47 cm]
Attributed works:
[Hargesheimer. Dusseldorf. Moscow, Pavel Ovtschinnikov, 1890]
Attributed works:
[Im Kinsky. Auction House. Severo (Calzetta) da Ravenna. Faun holding a candlestick, Italy 16th century.]
Attributed works:
[Jennings Fine Art. Edward Gordon Craig (1872-1966). Stage Manager, 1909. Woodcut, 15.8 x 4.8 cm]
Attributed works:
[Karsten Schubert, London. United, by Bridget Riley. 1962. Screenprint, 50,8 by 50,8 cm]
Attributed works:
[Paragon. Glenn Brown. Half-life (after Rembrandt) 6. Etching. 2017]
Attributed works:
[Paul Stolper, London. Grapefruit, by Brian Eno. 2016. Etching, 63.5 by 63.5 cm]
Attributed works:
[Peter FIner. 38/39 Duke Street, St. Jemes's, London SW1Y 6DF. A Pair of French Flintlock Pocket Pistols. Made Enterely of Burnished Steel and Chiselled and Gilt After the Engraved Designs of Gilles de Marteau, by Blanc, Cont.Leur Des Armes Pour Le Roy a St. Etienne, c. 1763-5]
Attributed works:
[Pratt Contemporary. Anna Maria Pacheco. Burial, 2014. Drypoint; plate 80.6 x 60.7 cm]
Attributed works:
[Sarah Sauvin, Paris. Ecce Homo, by Martin Schongauer (1445-91). c.1480. Engraving, 16.1 by 11.2 cm]
Attributed works:
[Sarah Sauvin. Paris. Rembrandt Harmenszoon van Rijn (1606-1669). A scholar in his Study - Faust, c.1652. Etching and drypoint, NH 270, 1st state (of 7). Early impression on oatmeal paper with strong burr.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Sr. London W8 7 LP. Noel Hallé. The Child of a Savoyard being Entertained by a Pinwheel (detail)]
Attributed works:
[The London Original Print Fair. Piccadilly. London. Brian Eno. Grapefruit. Agate. Eclipse. Sunburnt, 2016. Etchings. 63.5 x 63.5 cm.]
Attributed works:
[The Nationa Gallery. London. Sebastiano del Piombo, after partial designs by Michelangelo. Lamentation over the Dead Christ (Pietà) (detail). About 1512-16. Museo Civico, Viterbo.]
Attributed works:
[Venduehuis The Hague. Alexander Calder (1898 - 1976). From the Series: The Bicentennial Tapestries. The Pear, the Cheese, and the Serpent, 1975. Handwoven wool Aubusson tapestry, 105 x 150 cm]
Attributed works:
[Venduehuis The Hague. Keith Haring (1958-1990). Container for the Channel Surf Club Knobble, 1987. Sea-Container painted in lacquer. 250 x 1250 x 240 cm]
Attributed works:
[Venduehuis The Hague. Pierre Alechinsky (1927), à l'Aveuglette, 1974. Etching and aquatint on paper mounted on canvas, 185 x 275 cm]
Western art unattributed:
[Im Kinsky. Auction House. Foot, Roman. 2nd century AD]
Western art unattributed:
[Im Kinsky. Auction House. Head, Roman. 2nd century AD.]
Advertisements
Advertisements September 2009 (back)
09/2009 | 1278 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Severo di Domenico di Calzetta, called Severo da Ravenna. Ravenna, active by 1496 - died 1538. Kneeling Satyr. Bronze, height: 19.4 cm excluding later marble base.]
Advertisements
Advertisements June 2009 (front)
06/2009 | 1275 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Abbott and Holder Ltd. 30 Museum Street. By Keith Vaughan (1912-1977). Dated: '8/3 Nov / 73'. Studio stamped verso. Pencil, 380 by 30 cm]
Attributed works:
[Agnew's, London. Helmet head no.3, Henry Moore (1898-1986). Bronze, 29.5 cm high.]
Attributed works:
[Agnew's, London. Pulteney Bridge, Bath, by Walter Richard Sickert (1860-1942). Signed, inscribed and dated 1918. Oil on canvas, 25.4 by 30 cm.]
Attributed works:
[Agnew's. The Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578-1615). Oil on panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew’s. 8 Grafton Street. London. Study of Angels, by Charles de La Fosse (1636-1716). Verso: Study of an angel. Red and black chalks, 18.8 by 22.4 cm]
Attributed works:
[Bel Elwes Fine Art. View of Parc d'Ermenonville, by Alexandre-Hyacinthe Dunouy (1757-1841). Oil on canvas, 32 by 41 cm.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Louis-Ernest Barrias, French (1841-1905). A bronze entitled 'La Nature se devoilant devant la Sciance']
Attributed works:
[Charles Beddington Ltd. Portrait of the sculptor Martin Desjardins (1637-94), by Hyacinthe Rigaud (1659-1743). Oil on paper laid down on canvas, 25 by 20.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. James Forbes (1749-1819). Lapis Lazuli. Original mount by the artist. Bodycolour with gold on paper. Height: 27.5 cm. Width: 31 cm]
Attributed works:
[Christie's. A Blackberry pie, a nautilus cup, a salt cellar, a silver ewer, a roemer, a knife and a knife case, all on a partly draped table, by Willem Claesz Heda (1594-1640). Oil on panel, 71.1 by 91.4 cm]
Attributed works:
[Colnaghi. David and Bathsheba, by Lucas Cranach the Elder (1472-1553). 1534. Oil on limewood panel, 115 by 79.3 cm.]
Attributed works:
[Didier Aaron (London) Ltd. Clifford House, 15 Clifford Street. Hector's farewell to Andromache, by Pietro Antonio Novelli (1729-1804). Signed lower left: 'Petrus Ant. Novelli / venetus pinxit / Anno MXCCLXXII', Inscribed in the upper and lower margin. Pen with brown and chalk ink and grey wash, 35.2 by 44 cm]
Attributed works:
[Fergus Hall Master Paintings. A dune landscape with travellers resting on a path, by Jan Wijnants (1631/32-84). Oil on canvas, 43 by 35 cm.]
Attributed works:
[Fergus Hall. 38 Old Bond Street. London. Anthonie Palamedesz. (Delft 1601-1673 Amsterdam). A Guardroom Interior. Oil on panel, 37.5 x 49.7 cm, Signed A. Palamedes (lower left)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Angelo Caroselli. Rome, 1585-1652. The Holy family with Saint Dorothy. Oil on wood panel, 53 x 45.5 cm (20 7/8 x 17 13/16 cm)]
Attributed works:
[Godson & Coles, London. Red circle and black, by Sir Terry Frost R.A. (1915-2003). 1963. Signed, titled and dated 'May 63' on the reverse. Oil on canvas with collage, 143.5 by 143.5cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Duncan Grant. 1885-1978. Omega Paper Flowers on a Mantlepiece, circa 1914. Oil on canvas. 21 3/4 x 29 7/8 inches; 55.2 x 75.9 cm]
Attributed works:
[Hill-Stone Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Roman Charity, by Giovanni Francesco Barbieri, called Guercino (1591-1666). Drawing in red chalk with some stumping, 23.9 by 18.7 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Carle Vernet (Bordeaux 1758 - 1836 Paris). A Woman Wearing a Chapeu Casque and a Tablier à Fichu. Drawing in sanguigne chalk. Apparently the preparatory drawing for Plate 105 in Costumes Parisiens, Vol. II (1797-1836). 20 1/8 x 15 1/16 inches. (511 x 382 mm)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Studio of Raphael, Pietro or Pedro Serafi (Serafin), called The Greek (Active Rome c. 1520 and Brussels c. 1530 - Barcellona 1567). Two Soldiers, a Portion of a Tapestry Cartoon. Gouache over black chalk. Part of a larger cartoon preparatory for a tapestry The Triumphal Procession of Scipio Africanus. The tapestry was part of a great cycle of 22 pieces, from designs by Giulio Romano and Gianfranco Penni. Following its acquisition by Francois I, it enjoyed enormous celebrity under the name the "Great Scipio". 14 13/16 x 9 13/16 inches. (380 x 253 mm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. A mother with a child at her breast; verso: A young woman, seated, with a book open on her lap, by Girolamo Francesco Maria Mazzola, called Parmigianino (1503-40). Recto and verso: Red chalk, 15.8 by 11.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giuseppe Bernardino Bison. Palmanova 1762 - 1844 Milan. A Capriccio with Boatmen by a Lake, a Church and other Buildings on the Shore and Mountains in the Distance. Gouache on paper. 430 by 592 mm. (17 by 23 1/4 in)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Pieter Lastman (1583-Amsterdam-1633). The Baptism of Christ. Oil on panel. Signed and dated 1629. 32 1/4 x 22 5/8 ins. 82 x 57.5 cm]
Attributed works:
[Johnny van Haeften Ltd. A still life of flowers in a blue and white vase, by Jan Brueghel the Elder (1569-1685). Oil on panel, 47 by 34 cm]
Attributed works:
[Jorn Gunther Rare Books, Hamburg. The Pontifical of Ferry de Clugny, Bishop of Tournai. Illuminated by Loyset Liédet and Lieven van Lathem. Bruges, c.1475-76. On vellum, 30.5 by 22.4 cm.]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The baptism of Christ, by Giovanni Domenico Tiepolo (1724-1804). Pen and brown ink and brown wash over black chalk, 28.8 by 19.7 cm]
Attributed works:
[Koopman Rare Art, London. A silver-gilt royal presentation tray. London, 1805. Maker's mark of Digby Scott & Benjamin Smith. Lenght (across handles): 75 cm. Width: 55 cm. Weight: 250.5 ounces.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The Isle of Elba from the sea, by Alexander Cozens (c.1717-86). Signed on the artist's original backing sheet. Pen and ink grey wash heightened with black chalk, 28 by 44.5 cm]
Attributed works:
[Michal Tollemache Fine Art. A kermesse or village festival (detail), by David Teniers the Younger (1610-90). Oil on canvas, 97.7 by 131.4 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Severo di Domenico di Calzetta, called Severo da Ravenna. Ravenna, active by 1496 - died 1538. Kneeling Satyr. Bronze, height: 19.4 cm excluding later marble base.]
Attributed works:
[Philip Mould Historical Portraits, London. Portrait of a Lady, by Joseph Wright of Derby (1734-97). c.1760. Oil on canvas, 76 by 64.5 cm.]
Attributed works:
[Sims Reed, London. Lithograph of water, by David Hockney. 1980. Signed in pencil and inscribed: AP IX. Lithograph printed in colors, 75.4 by 87.7 cm]
Attributed works:
[Sotheby's. Prometheus, by Jusepe de Ribera (1591-1652). Oil on canvas, 192.5 by 156 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Master of Rimini. Alabaster Pietà.]
Attributed works:
[Sphinx Fine Art Exhibiting at: The Gallery, 28 Cork Street. Death of Seneca, by Giovanni Battista Tiepolo (1697-1770). Pen and brown ink and grey wash over black chalk, 42.8 by 28.2 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Michele Tosini, called Michele di Ridolfo del Ghirlandaio (Florence 1503 - Florence 1577). An Allegory of Fortitude. Oil on panel, 73 x 54.7 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Illustrated letter to Albert Hecht, with a still-life of plums and cherries, by Edouard Manet (1832-83). Watercolour, with writing in pen and brown ink, 24.5 by 15.6 cm.]
Attributed works:
[The FIne Art Society, London. White lilies, by Samuel Peploe (1871-1935). c. 1926. Signed 'S J Peploe', at lower right. Oil on canvas, 61 by 51 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Hans von Aachen (1552-1615). Portrait of Adriaen de Vries. Oil on canvas. 50.3 x 40.4 cms.]
Attributed works:
[Trafalgar Galleries. The Emperor Claudius mounted on a white charger, by Giulio Romano (1499-1546). c. 1536. Oil on panel, 83 by 54 cm]
Attributed works:
[Trinity Contemporary. 29 Bruton Street. London. Head (Drawing 137), by Claude Heath. 1995. Signed, numbered and dated lower right: '137 24.2.95 C HEATH'. Coloured biro on paper, 70 by 50 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Manno Sbarri (Florence 1494-1553) and Guglielmo Della Porta (circa 1500-1577). The Infant Hercules Strangling the Serpents. One of a pair of models for the scenes on the lif of the Farnese Casket. Red wax, patinated in black/brown; modelled in relief on slightly curved timber boards. 16.5x28 cm (the wax)]
Attributed works:
[W/S Fine Art / Andrew Wyld. 27 Dover Street. London. An open landscape with bright clouds and two figures, by William Callow (1812-1908). Signed with initials: W.C. Watercolour and bodycolour, 95 by 13.3 cm]
Attributed works:
[Whitfield Fine Art Ltd. Madonna and CHild, St. John the Baptist, St. Elizabeth and St. Joseph, by Rosso Fiorentino (1494-1540). c. 1513. Oil on panel, 92 by 71.8 cm]
Non-western art unattributed:
[Susan Ollemans, London. A pair of gold and gem-set bangles. Indian, Jaipur, nineteenth century. Length: 20 cm. Width: 6.8 cm.]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. An important Gueridon with Winged Lion Décor. French, circa 1815-1820. Chased, patinated and gilded bronze, precious marble top. Height: 85 cm (33 1/2 in). Diameter: 91 cm (35 3/4 in)]
Western art unattributed:
[Joanna Booth. PO Box 50886. London. Tapestry fragment of the figure of Penelope taken from the Triumph of Chastity over Love. Brussels, circa 1510, probably from cartoons created by the Van Orley studio. Woven in wool and silk mounted on modern linen, 147 x 96 cm (58 x 38 in)]
Western art unattributed:
[Lebrun. 155 rue du Faubourg Saint-Honorè. Italian carved and gilded wood frame, early 16th century.]
Western art unattributed:
[Mallett, London. An early eighteenth-century red japanned cabinet on a Regency gilt stand carved to simulate an early eighteenth-century stand. English, cabinet c. 1730; stand c. 1820. Height: 182 cm. Width: 106 cm. Depth: 55 cm]
Western art unattributed:
[Richard Philp, London. An alabaster relief of the Gates of Heaven. 15th century. Nottingham Alabaster. Height: 30.5 cm.]
Article
Severo Calzetta da Ravenna and the indirectly cast bronze
12/2006 | 1245 | 148
Pages: 810-819
related names
Author:
Stone, Richard E. (Stone, Richard E.)
Subjects
dates:
Illustrations
Attributed works:
1. Tomyris with the head of Cyrus, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, 30.8 cm. high. (Frick Collection, New York; photograph by Michael Bodycomb).
Attributed works:
10. Candlestick in the form of a siren, by Severo Calzetta da Ravenna. First half of the sixteenth century. Bronze, 24 cm. high. (National Gallery of Art, Washington; photograph by Dylan Smith).
Attributed works:
11. Radiograph of Fig.10 (radiograph by Dylan Smith, digitally enhanced by the author).
Attributed works:
12. Sea monster, by Severo Calzetta da Ravenna. Detail of the monster’s face showing a surviving iron nail as seen through the open mouth. First half of the sixteenth century. Bronze. (National Gallery of Art, Washington; photograph by Dylan Smith).
Attributed works:
13. Sea monster, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, 11.4 by 24.7 cm. (Frick Collection, New York; photograph by Michael Bodycomb).
Attributed works:
14. Detail of the radiograph of Fig.2, showing the threaded connection between the proper right foot and the base (author’s radiograph, digitally enhanced).
Attributed works:
15. The inkpot in Fig.13, showing integral mounting screw. (Photograph by Michael Bodycomb).
Attributed works:
16. Detail of Fig.13, showing Severo’s signature and hole threaded to receive the inkpot screw. (Photograph by Michael Bodycomb).
Attributed works:
2. Radiograph of Fig.1 (author’s radiograph, digitally enhanced).
Attributed works:
3. Neptune on a sea-monster, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, height of the figure, excluding trident: 33.9 cm. (Frick Collection, New York; photograph by Michael Bodycomb).
Attributed works:
4. Radiograph of Fig.3 (author’s radiograph, digitally enhanced).
Attributed works:
5. Cleopatra, by Severo Calzetta da Ravenna. First half of the sixteenth century. (Two versions.) Bronze, both 26.4 cm. high. (Metropolitan Museum of Art, New York).
Attributed works:
6. Radiograph of both bronzes in Fig.5 (author’s radiograph, digitally enhanced).
Attributed works:
7. David with the head of Goliath, by Severo Calzetta da Ravenna. First half of the sixteenth century. Bronze, 24.1 cm. high. (Metropolitan Museum of Art, New York).
Attributed works:
8. Radiograph of Fig.7. Overlay showing the probable positions of the iron nails and the central armature wire (author’s radiograph, digitally enhanced).
Attributed works:
9. Radiograph of Fig.1, three-quarters view. Overlay showing the probable positions of the nails in forearms and the central armature wire (author’s radiograph, digitally enhanced).
Advertisements
Advertisements November 2006 (Front)
11/2006 | 1244 | 148
Pages: i-xx
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Alexander Gallery. 942 Madison Avenue, New York. Bernardino Nocchi. Four Evangelists. Modelli for Heavens Ceiling, Palazzo Vidani-Caffarelli, Rome, 1773-1774]
Attributed works:
[André Lemaire – Albéric Froisssart. 4, rue Drouot. Paris. Felicie de Fauveau (Livourne, 1799 - Florence, 1886). Hausse-col de la duchesse de Berry. Bronze doré. L.: 28,5 cm]
Attributed works:
[André Lemaire – Albéric Froisssart. 4, rue Drouot. Paris. Francis van Bossuit. (Bruxelles, 1635 - Amsterdam, 1692). Loth et ses filles. Bas-relief en ivoire. H.: 14,1 cm; L.: 22,6 cm; P.: 2,8 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: an important Regency mahogany, crossbanded and ebony marquetry four-sided Partners Desk. 191 cm wide, 125 cm deep, 79 cm high.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Alessandro di Filipepi, called Sandro Botticelli (Florence 1445? - 1510). The Madonna and Child. Oil and tempera on panel, arched. 39 3/8 x 25 5/8 (100x65.1 cm)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Albrecht Durer (1471-1528). Adam and Eve (B. 1; M. 1). Engraving, 1504, Meder IIIb (of IIId), a fine, evenly printed impression. P.252x194 mm.]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Rembrandt Harmensz. van Rijn (1606-1669). The Three Trees (B.212). Etching, engraving and drypoint, 1643, a fine impression. P. 213x279 mm, S. 219 x 286 mm.]
Attributed works:
[Fuondling Museum. 40 Brunswick Square - London. Saint Francis receiving the stigmata. Guercino.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Calling of Simon. Tondo (one of a pair). Oil on panel, diam. 58,5 cm]
Attributed works:
[Galerie Terrades. 8, rue d’Alger. Paris. Jean JOUVENET. Rouen, 1644 - Paris, 1717. L'Adoration de l'Agneau mystique. Oil on canvas, 129x96 cm]
Attributed works:
[National Gallery of Ireland. Exhibition. Muriel Brandt (1909-81), Procession Day (detail).]
Attributed works:
[Piasa. 5, rue Drouot. Paris. Jacques-Louis DAVID. (Paris 1748-Bruxelles 1825). Portrait of général baron Claude Marie Maunier Jacques Louis David's son in law. On its original canvas. 72,5 x 58 cm.]
Attributed works:
[Robert Simon, Fine Art. Satis House. Tower Hill Road. Tuxedo Park. New York. Bernardino di Betto di Biaggio, called il Pinturicchio (1454-1513). Virgin and CHild. Tempera and oil on panel, 20 1/4 x 16 inches (51.4 x 40.6 cm)]
Attributed works:
[Robilant – Voena. 38 Dover Street, London W1S 4LN. A View of Paestum, (detail). Antonio Joli.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Bernardo Bellotto (Venice 1722-1780 Warsow). Venice, A view of S. Giorgio Maggiore and the Bacino from the Molo [detail].]
Attributed works:
[The Burlington Magazine. Tomyris with the head of Cyrus, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, height 30.8 cm. (The Frick Collection, New York. Photographed by Michael Bodycomb).]
Attributed works:
[Trafalgar Galleries. 35 Bur Street, St. James’s. London. David Teniers the Elder (Antwerp 1582-1649). St. John the Baptist preaching to a group of elegant figures and horsemen in a wooded landscape. Oil on copper panel, 51.9 x 66.8 cm (20 1/4 x 26 1/4 inches)]
Attributed works:
[Yale Center for British art. 1080 Chapel Street. Canaletto, Westminster Bridge, with the Lord Mayor's Procession on the Thames (detail), 1747, Oil on canvas. Yale Center for British art, Paul Mellon Collection.]
Advertisements
Advertisements July 2003 (front)
07/2003 | 1204 | 145
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
Advertisements
Advertisements December 2001 (front)
12/2001 | 1185 | 143
Pages: i-xxviii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Antonio Tantardini (1829-1879). A Late 19th Century Italian White Carved Marble Figure of Marguerite
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Gregorio de' Ferrari (1647-1726). The Apotheosis of Hercules. Oil on Canvas, 189.5 × 148.5 cm. Estimate: £200,000-300,000
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Attributed to Dominique Florentin (Domenico del Barbiere, 1506-1565). A Woman with Three Children: Allegory of Charity. Marble with Traces of Gold Paint. Height: 41 cm. Length: 16 cm. Depth: 12 cm. Dated Circa 1550-1551
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Jean-Baptiste (dit Auguste) Clésinger (Besançon 1814 - 1883 Paris). Alba. Marble, 28 3/8 Inches (72cm). Signed A. Clésinger and Dated 1868
Attributed works:
[Galleria Nella Longari, Via Bigli 15, 20121, Milan, Italy] Puer Mingens. Matteo Ferrucci. Fiesole 1570-? Marmo. 54cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giovanni Girolamo Savoldo (Active 1508-Brescia-After 1548). The Death of St. Peter Martyr. Oil on Canvas, 117.6 × 140.9 cm (56 5/16 × 55½ Inches)
Attributed works:
[Hilary Chelminski, 616 King's Road, London, UK] The Archangel Michael Overcoming Evil by Henry Hugh Armstead R. A. (1825-1905). One of the Limited Edition of Five Bronze Sculptures Entitled Satan Dismayed. Made for the Art Union of London. 1852. Height 38 in (96.5 cm)
Attributed works:
[James Graham & Sons, 1014 Madison Avenue, New York, New York] Pierre Jules Mene (French 1810-1879) Roi de Thulé. Bronze, 16½ × 18 × 5½ Inches. Brown Patina. Signed on Base: P. J. Mêne
Attributed works:
[Michael Hall Fine Arts, Inc., 49 82nd Street, New York, New York] Severo Calzetta Called Severo da Ravenna, (b. Ravenna 1465-1538). Rearing Stallion and Rider (Separately Cast). Bronze 21 × 24 cm
Attributed works:
[Patricia Wengraf, The Old Knoll, Eliot Hill, London, UK] Antonio Susini (Active c. 1580-1624). Cristo Morto (Christ Crucified, Dead). Bronze Statuette, c. 1609-1615. Overall Height: 9¼ in: 23.5 cm; Span of Hands: 8¼ in: 21 cm
Attributed works:
[Sladmore Gallery, 32 Bruton Place, off Berkley Square, London, UK] Jean-Louis-Ernest Meissonier (French 1815-1891). Horseman in a Storm (Retreat of Marshal Ney) c.1878. Bronze. Height 18 3/4 Inches. Fine Original Brown Patina.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] A Bronze Group of the Scythian Slave Cast from a Model by Massimiliano Soldani-Benzi (1656-1740) Florentine Circa 1700 Height 33.5cm. 13¼in. Estimate: £15,000 - 20,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Lucas Cranach the Elder (1472-1553). Phyllis and Aristotle Signed Lower Left with the Serpent Device and Dated: 1530. Oil on Panel 22 3/4 by 15¼ in. 57.5 by 37.9 cm. Estimate: £1,500,000 - 2,000,000 ($2,200,000 - 2,800,000)
Attributed works:
[Tate Gallery, Millbank, London, UK] John Singer Sargent, Carnation, Lily, Lily, Rose 1885-6
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Leonardo Bistolfi (Casale Monferrato 1859-Turin 1933), An Allegory of Grief (Il dolore- I genitori), Stucco Relief Panel for the Toscanini Monument, Incised with the Artist's Monogram, 52.5 × 42.8 cms.
Western art unattributed:
Tree of Jesse. Fifteenth-century. Wood, 89 by 293 by 58 cm. (St Mary Priory Church, Abergavenny; Exh. Tate Britain, London).
Western art unattributed:
[Colnaghi, 15 Old Bond Street, London, UK] Florentine School Circa 1600. The Head of a Young Boy, Resting his Chin on His Hand. Black and Red Chalk: 154 × 118 mm. Actual Size.
Western art unattributed:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] Netherlands, Antwerp. The Mourning Virgin with the Three Marys. Early 16th Century. Polychrome Wood. Height: 37cm
Western art unattributed:
[Joanna Booth, 247 King's Road, London, UK] Head of a King, French Circa 1350. Limestone. Height 37 cms (14½ Inches)
Western art unattributed:
[Valentine Walsh Restorations] 15th Century Tuscan Christ Child
Advertisements
Advertisements December 1991 (front)
12/1991 | 1065 | 133
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Severo Calzetta da Ravenna 'A Boat-Shaped Oil Lamp and Stand' Bronze: Height: 29 cm
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Charles Meryon. La Galerie, Notre-Dame, Paris. Etching and Drypoint. (1853). Delteil-Wright 26 before I (Of V).
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Giuseppe Cesari Called Cavaliere D'Arpino. Arpino 1568-1640 Rome. The Virgin and Child with Saints Peter and Paul. Oil on Canvas: 173 × 118 Centimeters
Attributed works:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] St. Joseph of Arimathea, North Italian (Bologna), Circa 1750 by Ubaldo Gandophi. Height: 24½ Inches
Attributed works:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Venus, French (Limoges) Plaque, 16th Century by Leonard Limousin. Diameter: 13½ Inches Ex-Coll: J. P. Morgan
Attributed works:
[Emmanuel Moatti, 77 Rue des Saint - Peres, Paris] Domenico Rietti Called Lo Zaga (Known between 1543 and 1581) 'Perseus Freeing Andromeda'. Pen and Brown Ink, Brown Wȧsh Heightened with White. 23 × 38,5 cm. Preparatory for the Fresco at Castel Sant'Angelo in Rome c. 1543-1548. Provenance: Collection Jabach, Exhibited at "Gli Affreschi di Paolo III a Castel Sant'Angelo 1543-1548" Rome 1981-1982, No 50.
Attributed works:
[Francois Antonovich, Le Louvre des Antiquaires, 2 place du Palais Royal, Paris] Ivory Attributed to Balthasar Permoser (Kammer 1651-Dresden 1732). Height 34 cm.
Attributed works:
[Front cover] Samson and the Philistines, by Vincenzo Foggini. 1749. Marble, 233 cm. High. (Victoria and Albert Museum, London).
Attributed works:
[L'arte Antica Silverio Salamon, Via A. Volta, Turin] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[M. L. Wurfbain Fine Art, Dorpsstraat 67, Oegstgeest] Adriaen Verboom (1627/28-1673?) with Figures by Jan Lingelbach (1622-1674) An Italianate Landscape with Travellers. Oil on Canvas, 76 by 67 cm. Signed:...Boom (See Our Catalogue p. 137; Available at 25 Guilders)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Oskar Kokoschka (1886-1980) Hockende (Madchenakt) - Crouching Nude, c.1913. Ink and Watercolour on Paper. $17frac{3}{4}times 12frac{1}{8}$ in./45 × 30.8 cm.
Attributed works:
[Olimpia Theodoli, 55 Cambridge Street, London] Hendrik Goltzius (Mühlbrecht 1558-Haarlem 1617). Persephone. Chiaroscuro Woodcut Printed from Three Blocks, in Black, Ochre and Brown. Bartsch 236, Hirschmann 370, Strauss 424, Only State. 348 × 258 mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Nicholas Poussin (1594-1655), "A Mythological Scene; Jupiter and Eurynome (?)", Pen and Ink with Bistre Wash over Traces of Black Chalk, 21.7cm × 38.7cm. Estimate: £25,000-£35,000.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London] Bartholomeus Breenbergh, View of Bomarzo, Circa 1625. Oil on Canvas, 97 × 135 cm. ($38frac{3}{16}times 53frac{1}{8}$ Inches) On Loan.
Attributed works:
[Richard Reed Armstrong, Chicago] Francoise Gilot, Tulips. 1991. Color Lithograph. 578 × 470 mm. Edition of 50. Signed in Pencil.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Gustave Courbet (1819-1877). La Vague, temps d'orage, Oil on Canvas, 65 × 81 cm. Signed Lower Left 'G. Courbet', and Painted in 1869 at Etretat
Attributed works:
[The London Original Print Fair, London] Henri de Toulouse-Lautrec, La Clownesse Assise, Lithograph, 1896
Attributed works:
[W.M. Brady & Co, 3 East 77th Street, New York] Filippo Baldinucci (Florence ca. 1624-1696) Portrait of a Young Man. Black and Red Chalks, 230 × 165 mm
Western art unattributed:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux-Arts, Monaco] 'Charity' Exceptional Wood Sculpture (Height: 167cm.) Italy, Piedmont(?) First Quarter of XVIth Century Comparison: Victoria & Albert Museum, London - "Hall 20 'Crucifixion' No. 137 - 1891"
Western art unattributed:
[Bresset, 5 quai Voltaire and 179 bd Saint Germain, Paris] Saint-Jean Baptiste bois de chene Allemagne, Region de Kalkar vers 1480. H.69 cm
Western art unattributed:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] GERMAN, 16th Century. SISYPHUS, Brown Ink and Sepia over Pencil. 15.3 by 10.2cm.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris] Terracotta modello of the Head of Hygieia for the Monument in Honour of Louis XV in the Hôtel de Ville, Rennes. Height, Including Plinth: 51 cm.
Western art unattributed:
[Daedalus Ancient Art, 41 East 57th Street, New York] Roman, 2nd Century A. D. Height 49 cm
Western art unattributed:
[Donati Arte Classica, Via Peri 9, Lugano] Marble Head Representing 'Hermes', h: 30 cm Roman Copy of a Greek Original 4th Century B. C.
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Arrival of the Sabines, French (Lyons) Maiolica Plate, Late 16th Century. Fleischer, Nurnberg Coat-of-Arms. Diameter: $18frac{1}{8}$ Inches
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] Lion Aquamanile, North German, Early 13th Century. Height: 8½ Inches
Western art unattributed:
[Edward R. Lubin exh. in The European Fine Art Fair, Maastricht] St. Joseph and Christ Child, Austrian, Circa 1700-10 by Meinrad Guggenbichler. Height: 23½ Inches
Western art unattributed:
[Gallery Gunter Puhze Ancient Art, Stadstr. 28, Freiburg] Rhodian Amphora, Fikellura, End 7th cent. BC. H: 34 cm
Western art unattributed:
[Jacqueline Boccador, 1 Quai Voltaire, Paris/ 6 Rue du Commandant Guichard, Saint - Tropez] Tapestry. Audenarde. End of the XVIth Century. The Meeting of Solomon and the Queen of Sheba. Height: 340 cm. Width: 385 cm.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Miniatore Toscano" Initial "M": "Due Santi". XIII cent. Tempera on Vellum. 100 × 125 mm.
load more