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9 articles
Editorial
A one billion pound gift
01/2025 | 1462 | 167
Pages: 3
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Advertisements June 2004 (Front)
06/2004 | 1215 | 146
Pages: i-xxx
Subjects
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subjects:
Illustrations
Attributed works:
[Adrian Sassoon, London. The Yellow Bedspread, 2002, by Michael Flynn. Waldenburg (Walbrzych) porcelain]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. François Boucher (1703-1770). Rest on the Flight into Egypt. Pen and brown ink with pink and brown washes, 209 x 245mm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The infant Romulus and two studies of a man's left arm, by Carlo Maratta (1625-1713). Black, red and white chalk on blue paper, 260 x 343 mm. Inscribed 'di Carlo Maratti' on the mount.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A George III satinwood, Tulipwood, crossbanded demi-lune Commode possibly attributable to Mayhew and Ince.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Opposite above: Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Recto: The Return of the Prodigal Son. Verso: Sketches of clouds for an arched composition, 261 x 207 mm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Pictured: John Constable, RA. A sketch of East Bergholt from East Bergholt House, inscribed '10 augst 1811' (upper left), oil on canvas laid on panel, 12.5 x 19.5 cm]
Attributed works:
[Brian Haughton Antiques. A scalloped Worcester dessert plate, painted by Jeffryes Hammett O'Neale with the fable of the fox and the stork, c. 1768-70)]
Attributed works:
[Browse & Derby. Danseuse attachant le cordon de son maillot, by Edgar Degas (1834-1917). Bronze, stamped with signature and foundry mark A.A. Height: 431 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Giovanni Domenico Tiepolo (Venice 1727-1804). Punchinello's wedding procession. Black chalk, pen and brown ink, brown wash. 14 x 18 1/2 in. (354 x 472 mm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. La Scuola San Marco, by Francesco Guardi (1712-93).]
Attributed works:
[Crispian Riley-Smith. Exhibiting at John Mitchell & Son. A landscape with cattle, sheep and herders, by Jacob van Stry (1756-1815). Pencil, pen and black ink with framming lines, 350 x 472 mm. Signed 'J:van Stry']
Attributed works:
[David Jones Fine Art, exhibiting at Derek Johns Ltd, London. Two Nude Putti, by Bartholomé Esteban Murillo (1618-82). Pen and brown ink, 135 x 95mm.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Caspar Freisinger (1550/55-1599), Christ on the Road to Calvary. Pen and brown ink, brown and pink wash, 127 x 182 mm]
Attributed works:
[Dickinson & son. 108 Wigmore St., London, W. Caryatid, 1913, by Amedeo Modigliani (1884-1920). Signed and inscribed lower left 'à Tibaut bien amicalement / modigliani'. Wotercolour and pencil heightened with whiteon paper laid down on card, 432 x 264 mm]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Head of a Lady with a Diadem and strings of pearls tied to her hair' (recto): Head of a Lady looking to the left (verso), by Nicolas-Guy Brenet (1728-92). Black chalk heightned with white, 455 x 280 mm]
Attributed works:
[Dragesco Cramoisan, France. Very rare pair of Sévres hard-paste biscuit busts of King Louis XVI and Queen Marie-Antoniette, modelled in 1785 by the leading sculptor Louis-Simon Boizot. These examples can be dated c. 1785-90]
Attributed works:
[Felder. London. W1. Sir D.Y. Cameron RA, RSA (1865-1945). The Walds of Rannoch. Oil on canvas, 21x30 cm]
Attributed works:
[Garton & Co. Exhibiting at Pitcher / Brandt. Study for a mural in DIeter Keller's house in Stuttgart, No. 1, by Oskar Schlemmer (1888-1943). 1940. Crayon and pencil, 205 x 298 mm.]
Attributed works:
[H. Blairman & Sons Ltd. 119 Mount Street. London. Enamel vase on stand by Charles Lepec (born 1830). French (Paris), circa 1867.]
Attributed works:
[H. Blairman & Sons Ltd. A pair of bronze 'Atlas' candelabra, designed and manufactured by Benjamin Lewis Vulliamy. English, c. 1815.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Edward Burra. 1905-1975. Three Sailors at a Bar, 1930. Watercolour. 26x19 inches: 67.3 x 48.2 cm. Signed and dated]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Helicoid in Sphere, 1938, by Barbara Hepworth (1903-75). Lignum vitae on original base, Height: 25.5 cm]
Attributed works:
[James Hyman, Fine Art. 6 Manson’s yard. Duke Street, St. James’s. London. Patrick Heron (1920-1999). Blues with Brown Area. Oil on canvas. 1962. h 76.2 cm (30in) w 121.9 cm (48in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. The Arch of Janus, with the Church of San Giorgio in Velabro, by Giovanni Antonio Canal, called Canaletto. Pen, brown ink and grey wash over an underdrawing in graphite, 153 x 256 mm]
Attributed works:
[John Lishawa. 42 Vicarage Crescent, London. Dirk van Baburen (1595-1624). Taste. Oil on canvas: 104.4 x 84 cm]
Attributed works:
[John Whitehead. Sévres biscuit group La Fete au Chateau or La Fidélité Modéle. After Falconet. Incised B for Bachelier. c. 1767-73. Height: 8 inches (21cm)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Peter Codde. (1500-Amsterdam-1678). An interior with a Lady seated at a virginal, seen from behind, a viola da gamba resting beside her. On panel. 16 7/8 x 13 in. 42.8 x 32.9 cm]
Attributed works:
[Kate de Rothschild, exhibiting at Didier Aaron Ltd. Study of a lady reclining in a chair, by René-François-Xavier Prinet (1861-1946). Black, red and white chalks with Prinet's atelier stamp on the verso.]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A man in profile seen from above, by Adolph von Menzel (1815-1905). Carpenter's pencil and stumping, 311x234 mm. Signed and dated, lower left, A. Menzel / 86.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. William Turner of Oxford. 1789-1862. An April shower. Binsey Ferry near Oxford looking towards Port Meadow. Watercolour. 18 x 27 inches; 455 x 685 mm. Signed, also signed and inscribed recto.]
Attributed works:
[Mallett, 40 New Bond St., London. An eighteenth-century green glass chandelier, attributed to John Blades. English, c. 1790. Height: 183cm. Width: 101.5 cm]
Attributed works:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres Seauz à Glaces, c. 1796. Soft-paste porcelain. Height: 9 inches (24.5 cm). Diameter: 8 inches (22 cm). Blue painted and gilt marks for Sévres, the painters Bouillat and Girard, the gilder Vincent.]
Attributed works:
[N & I Franklin. 11 Bury Street. St. James’s. London. A pair of George III Silver-gilt mounted ostrich egg cups and covers. Marker's mark John Robinson, the heraldic finials modelled as the crest of Greville for George 2nd Earl of Warwick made in London in 1812.]
Attributed works:
[Offer Waterman & Co. London. 2nd Bus, by Allen Jones (b 1937). Oil on canvas in three parts, 121.8 x 152.3 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A Trompe L'Oil of a leading staff, a partizan, a Matchlock musket, a longbow, a fowling piece and other weaponry hanging on a wall, by Jacobus Biltius (1633-81). Dutch school. Oil on canvas, 169.5 x 344 cm. Signed and dated 1666.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Flemish School, circa 1605. A highly important view of the between the English Fleet and the Spanish Armada the launching on English fireships on the Spanish Fleet off Calais, with troops holding an English standard in the foreground and Queen Elizabeth I on horseback attended by a Nobleman, possibly the Early of Leicester, beyond. Gouache on vellum heightened with gold: 14 x 35 cm (5 1/2 x 13 3/4 inches).]
Attributed works:
[Renaissance Bronzes. 77 Pimlico Road, London. The dancing faun. Massimiliano Soldani Benzi. Blenheim Palace. Date 1711. Height: 1.42 metres.]
Attributed works:
[Robilant + Voena. 13Dover Street, London W1S 4LN. Giovanni Migliara. Alessandria 1785-1837 Milan. Washerwomen and Gentleman Among Classical Ruins, A Church Beyond (detail). Oil on canvas. 47 x 89 cm, 18 1/2 x 35 in]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Sévres glass coolers from the Du Barry service, circa 1771.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Francesco Bertos, Italian, active 1693-1739. A pair of large venetian allegorical bronze groups. 112 cm. 44in. and 108cm. 42 1/2in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Madonna and Child, by Polidoro Caldara, called Polidoro da Caravaggio (1499-1543).]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Raffaello Sanzio, called Raphael. Urbino 1483-1520 Rome. Recto: Head of a child. Verso: study of a vessel, probably an incense burner. Red chalk over stylus (recto). Pen and brown ink (verso). Arched top. 114 by 93 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Frederico Barocci (Urbino 1535-1612). Study of the head of a child, with studies of the leg of a child and of a woman (recto); two studies of Psyche, after the Antique (verso). Black chalk and pastel (recto); pen and brown ink, brown wash (verso), 265 x 208 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Doge's Palace, Venice, by Edward Lear (1812-88). Pencil, pen and brown ink and watercolour, 295 x 485 mm. Signed, inscribed and dated: nov. 16. Sunset./ Venice. 1865 (27) (lower right), and with colour notes.]
Non-western art unattributed:
[Gregg Baker Asian Art. A six-fold paper screen painted in ink and colour on a gold ground with insects and pampas grass amongst which the sun is setting. Japan, Edo period, 17th century, 110.5 x 245cm]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Sévres Royal plate from the 'Service arabesque', 1783. 9 7/8 in. (25.1 cm.) wide]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres biscuit group of 'Africa'. Designed in 1791, dated 1817. Height: 15 ins (36cm). Diameter: 9 ins (22cm). Marks: impressed 'Sévres' on base, front. incised 'Mas 11.av.DS' on base rear.]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. St. Cloud Hound, c. 1735. Height: 4 inches (12.2 cm). Depth: 3 inches (8.5 cm)]
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Advertisements July 2003 (front)
07/2003 | 1204 | 145
Pages: i-xii
Subjects
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Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
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Advertisements April 1999 (front)
04/1999 | 1153 | 141
Pages: i-xx
Subjects
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Illustrations
Attributed works:
St John the Baptist, by Ercole de' Roberti. c.1478. Oil and Oil/Tempera Emulsion on Panel, 54 by 31 cm. (Gemäldegalerie, Berlin; Exh. The J. Paul Getty Museum, Los Angeles)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Louis Leopold Boilly (1761-1845). La Folie du Jour. Black Chalk, Pen and Brown Ink and Watercolour. 320 × 400 mm
Attributed works:
[Aldega-Gordon, New York, New York]. Sketch. Giuseppino Galliari, 1752-1817
Attributed works:
[Arnoldi-Livie, Munich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptist Isabey: Portrait of a Young Lady Sitting on a Verandah, c.1810. Black Chalk with Stumping, Heightened with White, 28 × 23 cm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Christoffer Wilhelm Eckersberg (1783-1853), A Brig under Sail in Fair Weather, Oil on Canvas, 1844-45, 18½ × 26 3/4 Inches (47 × 68 cm.)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Wilhelm Schadow (Berlin 1788 - 1862 Düsseldorf). Portrait of Friedrich Gottlieb Schadow. Black Chalk, Heightened with White. Signed 1808. 32.2 × 27 cm. Portrait of the Berlin Court-Architect Friedrich Gottlieb Schadow (1761-1831).
Attributed works:
[Arturo Cuellar, Zurich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Johann Gottfried Schadow: Portrait of Charlotte Susanna Juliane Schadow, née Hielkert. Signed. Chalk, 33.5 × 27.6 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] School of Cremona, XVth Century. The Sacrifice of Isaac. Tempera on Panel, 27.5 × 19 cm
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Luigi Miradori Called Genovesino. Genoa c.1605 - Cremona after 1654. Portrait of a Youth. Oil on Canvas: 122 × 90.2 mm
Attributed works:
[Colnaghi, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Francesco Guardi: View of the Rialto and the Riva del Vin. Signed Lower Left. Pen and Brown Ink with Brown and Grey Washes, 24.7 × 42.3 cm.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Battista Tiepolo. Venice 1696∼1770 Madrid. The Madonna and Child with Angels Appearing to a Kneeling Pilgrim and a Seated Saint. Black Chalk, Pen and Brown Ink, Brown Wash 12¼ × 8 7/8 Inches (310 × 226 mm)
Attributed works:
[Flavia Ormond, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giacomo Cavedone: Madonna and Child Seated on Clouds (Recto); Study of Hands (Verso), c.1620. Black Chalk on Blue Paper, 37.8 × 27.3 cm.
Attributed works:
[Galerie Antoine Laurentin, 65 rue Sainte-Anne, Paris, France] François Bonvin. Paris 1817 - 1887 Saint-Germain-en Laye. Falaise de Mers près du Tréport. Aquarelle, Gouache et lavis d'encre brune. Porte une trace de signature en bas, à droite. 223 × 330 mm
Attributed works:
[Galerie du Bayser, 69 rue Sainte-Anne, Paris, France] Jean-Honoré Fragonard (1732-1806). Portrait of a Seated Man. Black Chalk. 33 × 25 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hanns Lautensack. Bamberg 1524 - 1566 Vienna. A View of Steyr on Enns. Etching; 1544. Hollstein 28, Only State. A Fine, Atmospheric Impression.
Attributed works:
[Joanna Booth, 247 King's Road, London, UK] Belisario Corenzio (1560-1640). Study of Horses' Heads, Brush and Blue Wash, 183 × 178mm
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Jacques le Moyne de Morgues. Dieppe c.1533 - 1588 London. Peaches. Gouache and Gold Leaf on Vellum; Inscribed Verso: 35. 152 × 113 mm.
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Aenea Vico, Vase from the Antique. Engraving, 1542
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Fra Semplice DA Verona. Verona? c.1589 - 1654. Seated Woman in Profile Turned to the Right. Black and Red Chalk with White Heightening on Grey-Blue Paper
Attributed works:
[Sotheby's, International Realty, 123 Sloane Street, London, UK] Images of: painting by Thomas Gainsborough, R. A. Gilt Bronze Mythical Beast - Han Dynasty. painting by John Frederick Lewis and photo of Lyall Mews, London.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Jean-Baptiste Greuze (1725-1805). Bourgeoise de Florence. 1755. Pen, Black Ink and Wash. Signed and Dated Lower Left. Engraved by F.-A. Moitte in 1768. 19.8 × 13.4 CM
Attributed works:
[Talabardon & Gautier, Paris. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: The Denial of St Peter. Pen and Brown Ink, 12.4 × 16.5 cm.
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Karl Friedrich Schinkel. 1781 Neuruppin - Berlin 1841. Design for the Title Page of Fairy Tales by Clemens Brentano. Gouache over Pen and Ink. 180 × 120 mm. Signed and Dated Bottom Right: Schinkel 1815.
Attributed works:
[Thomas Le Clare, Hamburg. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Michel Moreau, Called Moreau le Jeune: Scene from Virgil's Aeneid, Pen and Brown Ink with Brown Wash. 22.3 × 15.6 cm.
Attributed works:
[Yvonne Tan Bunzl, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France]Luigi Sabatelli: The Crucifixion. Black Chalk, Pen and Brown Ink Heightened with White on Prepared Paper. 52.9 × 36.4 cm.
Non-western art unattributed:
[British Museum, London] The British Museum's Head of Organic Artefacts Conservation, Allyson Rae, Is Helping Preserve a 1980s Papua New Guinea Festival Head Dress.
Short Notice
Recent Museum Acquisitions: Percival David Foundation
05/1972 | 830 | 114
Pages: 333+335
related names
Author:
Medley, Margaret (Medley, Margaret)
Subjects
dates:
places:
subjects:
Illustrations
Non-western art unattributed:
88. Dish. Swatow, Sixteenth Century. Blue Glazed, Painted in White, Brown and Dark Blue. (Percival David Foundation, London.)
Non-western art unattributed:
89. Dish. Chinese, Early Sixteenth Century. Porcelain, with Red Enamelled Decoration. (Percival David Foundation, London.)
Non-western art unattributed:
90. Jar. Chinese, T'ang Dynasty. Stoneware with Brown Glaze. (Percival David Foundation, London.)
Non-western art unattributed:
91. Wine Pot. Chinese, Early Seventeenth Century. Porcelain Painted in Underglaze Blue and Overglaze Polychrome Enamels. (Percival David Foundation, London.)
Editorial
Museum Catalogues - London
06/1970 | 807 | 112
Pages: 349-350
Book Review
Illustrated Catalogue of Porcelains Decorated in Underglaze Blue and Copper-Red in the Percival David Foundation of Chinese Art. Section 3, 1963
01/1966 | 754 | 108
Pages: 45
related names
Author:
N.-H., W. B. R. (N.-H., W. B. R.)
Subjects
collectors and dealers:
places:
subjects:
subjects:
Reviewed Items
subjects:
Illustrated Catalogue of Porcelains Decorated in Underglaze Blue and Copper-Red in the Percival David Foundation of Chinese Art. Section 3, 1963 | author: Medley, Margaret
Book Review
Percival David Foundation of Chinese Art. Illustrated Catalogue Section 2: Ch'ing Enamelled Wares
10/1959 | 678/679 | 101
Pages: 363-364
related names
Author:
Ayers, John (Ayers, John; Ayers, John Gilbert; A., J. G.)
Subjects
collectors and dealers:
dates:
places:
Reviewed Items
subjects:
Percival David Foundation of Chinese Art. Illustrated Catalogue Section 2: Ch'ing Enamelled Wares | author: David, Sheila
Letter
Tung Ware in the Percival David Foundation
07/1955 | 628 | 97
Pages: 225
related names
Author:
David, Sheila (David, Sheila; Hardy, Sheila Yorke; David, Lady)
Author:
Garner, Harry M. (Garner, Harry M.; Garner, Harry. M.; Garner, Harry)
Subjects
collectors and dealers:
subjects: