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28 articles
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03/2022 | 1428 | 164
Pages: IFC-viii
Subjects
Illustrations
Attributed works:
Fernando de Rojas, La Célestine. 1971. With 66 etchings by Pablo Picasso.[Venator and Hanstein]
Attributed works:
FRANCESCO TIRONI (c.1745–1797) The Piazza San Marco Decorated for the Festa della Sensa on Ascension Day Pen and brown ink, black and grey wash, heightened with white. 349 x 590 mm. (13¾ x 23¼ in.)[Stephen Ongpin]
Attributed works:
Giuseppe Costa Italian 1852-1912 The new arrival Oil on canvas Signed and inscribed ‘G Costa Firenze’ 73 x 106.5 cm. £8,000-12,000 [Roseberys, London]
Attributed works:
Jean Marc NATTIER (Paris 1685-1766) Portrait présumé de Philippine Élisabeth Charlotte d’Orléans dite Mademoiselle de Beaujolais (1714-1734) Canvas. 113 x 145,6 cm Estimate: 150 000/200 000 € (Drout, Paris]
Attributed works:
Lucas Cranach the Elder and Workshop (Kronach 1472 – 1553 Weimar) The Judgement of Paris Oil on panel, 24 ⅛ x 15 ⅝ inches (61.1 x 38.8 cm) [Robert Simon Fine Art]
Attributed works:
SEBASTIANO FILIPPI, CALLED “IL BASTIANINO” (Ferrara, circa 1532–1602) Portrait of Margherita Gonzaga D’Este, Duchess of Ferrara, with her dwarf Isabella Oil on canvas, 190 x 135 cm PROVENANCE: Private collection, northern Europe [Santa Tecla]
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02/2022 | 1427 | 164
Pages: OBC
Subjects
Illustrations
Attributed works:
Lucas Cranach the Elder and Workshop (Kronach 1472 – 1553 Weimar) The Judgement of Paris Oil on panel, 24 ⅛ x 15 ⅝ inches (61.1 x 38.8 cm) [Robert Simon Fine Art]
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01/2022 | 1426 | 164
Pages: OBC
Subjects
Illustrations
Attributed works:
BARTOLOMÉ ESTEBAN MURILLO (Seville, 1618 – 1682) Young Christ (Niño Jesús) Oil on canvas embellished with rock crystal and gilded decorations 373⁄8 x 23½ inches (95 x 59.8 cm) [Robert Simon Fine Art]
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01/2019 | 1390 | 161
Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
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01/2018 | 1378 | 160
Pages: n.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Anthony Grant, New York. Some flowers for Suzanne, by Cy Twombly (1928–2011). 1982. Oil, wax crayon and pencil on paper, 113.3 by 76.8 cm.]
Attributed works:
[Bernard de Leye, Brussels. Box in gold and coloured mother-of-pearl, Paris, 1743. Under the lid a portrait miniature of André Haudry de Soucy (1688-1769), by Claude Lefèvre d’Orgeval]
Attributed works:
[Bernard de Leye, Brussels. Exceptional golden and enamelled rectangular snuff box, Paris, 1727. The lid shows ‘The Virtue seducing Pomone’ from workshop Mussard of Geneva. Under the lid, a miniature attributed to Carl-Gustav Klingstedt]
Attributed works:
[Boon Gallery, Knokke. The Oracle, by René Magritte (1898–1967). c.1931. Canvas, 60 by 92 cm.]
Attributed works:
[Christopher Bishop Fine Art, Milford. Pontormo, Astrological allegories for Villa Castello]
Attributed works:
[Christopher Bishop Fine Art, Milford. Saturn and Ceres (detail) from the Astrological allegories for Villa Castello, by Jacopo Pontormo. c.1537. Pen and brown ink and black chalk on paper, 16.1 by 24.7 cm.]
Attributed works:
[Costermans, Brussels. Interior of Antwerp Cathedral, by Pieter Neeffs II (1620–75) and Frans Francken III (1607–67). Panel, 39 by 43 cm.]
Attributed works:
[David Tunick, New York. The eight hundred year old Cypress in the garden of the Franciscan monastery at Salerno, by John Robert Cozens (1752–97). Watercolour and pencil on paper, 45.5 by 30.5 cm.]
Attributed works:
[De Backker Medieval Art, Hoogstraten. Madonna Enthroned with Child, by the Master of the Aufkirchen Saint Peter Enthroned (active around South Tyrol, Tyrol and Salzburg, c.1320-30). Swiss pine, polychrome and gilding, 77 by 33.5 by 29 cm.]
Attributed works:
[Découvert Fine Art, Rockport. Two men and various creatures, by Aureliano Milani (1675–1749). Pen and brown ink on paper, 26.7 by 35.7 cm.]
Attributed works:
[Didier Aaron, Inc., New York. Communion, by François Marius Granet (1775–1849). 1836. Pen, brush, ink and ink wash on paper, 25 by 38 cm.]
Attributed works:
[Freeman’s, Philadelphia. Byam Shaw, ‘When alone she sits with her music and books’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Ghirlandaio Workshop. 16th century. Madonna and Child. Oil on panel]
Attributed works:
[Freeman’s, Philadelphia. Henry Moret, ‘Lorient’. Oil on canvas]
Attributed works:
[Freeman’s, Philadelphia. Pieter Nason, Portrait of a Commanding Officer. Oil on canvas]
Attributed works:
[Galerie Bernat, Barcelona and Madrid. Mary Magdalene, by Joan Reixach (1431–82). Panel, 97 by 59 cm.]
Attributed works:
[Galerie de la Présidence, Paris. Colour rythms n. 1444, by Sonia Delaunay (1885–1979). 1966. Gouache on paper, 75 by 56 cm.]
Attributed works:
[Galerie Philippe David, Zurich. The Church at Montigny, autumn, by Francis Picabia (1879–1953). 1908. Canvas, 65 by 81 cm.]
Attributed works:
[Galerie Schifferli, Geneva. Santa Conversazione, by Max Ernst (1891–1976). 1921. Photograph of a collage, 22.5 by 13.5 cm.]
Attributed works:
[Hazlitt Holland-Hibbert, London. Peter Lanyon, Inshore fishing. 1952. Oil on board]
Attributed works:
[Jill Newhouse Gallery, New York. Study for the second plate of ‘La Fée des Alpes’ (Manfred), by Henri Fantin-Latour (1836–1904). c.1885. Charcoal on paper, 62.5 by 46.5 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Diana and nymphs hunting deer, by Peter Paul Rubens (1577–1640), Paul de Vos (c.1571–1678) and Jan Wildens (1585–1653). Canvas, 155 by 199 cm.]
Attributed works:
[Klaas Muller Antiques, Brussels. Peter Paul Rubens, Diana and nymphs hunting deer (detail). Oil on canvas, 155 by 199 cm.]
Attributed works:
[Kraushaar Galleries, New York. Balloon ascension #3: dithyrambe played by the ashraf, by Dorothy Dehner (1901–94). 1947, ink on paper, 44.5 by 66 cm.]
Attributed works:
[Lampronti Gallery, London. Canaletto, A Capriccio of the Prisons of San Marco. Oil on canvas, 105.5 by 127.5cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Frans Pourbus I, Portrait of Lamoraal, Count of Egmont, wearing a linen ruff and a white and green silk sleeved doublet. Signed and dated 1579. Oil on panel, 48 by 34cm.]
Attributed works:
[Mullany Haute Epoque Fine Art, London. Landscape with Madonna and Child, Joseph with Mary Pregnant and Rest on the Flight into Egypt, by Adriaen Isenbrant (c.1485–1551) and Workshop. c.1520. Central panel with frame: 24 by 19 cm.]
Attributed works:
[Robert Simon Fine Art, New York. Domenico di Bartolomeo Ubaldini called Domenico Puligo (Florence, 1492–1527). Portrait of a Gentleman in a Gray Hat and Cloak. Oil on panel, 95.9 by 73.3 cm.]
Attributed works:
[Rubenshuis, Antwerp. Titian, Portrait of a lady and her daughter]
Attributed works:
[Sotheby’s New York. Giovanni Bilivert, Venus, Cupid and Pan]
Attributed works:
[Sotheby’s, New York. A wooded river landscape with a landing stage, boats, various figures and a village beyond, by Jan Brueghel the Elder (1568–1625). 1614. Oil on copper, 25.9 by 37 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Godfried Maes, The Head of Medusa]
Attributed works:
[Stephen Ongpin Fine Art, London. The presentation of the Virgin in the temple, by Niccolò Martinelli, called Il Trometta (c.1540–1611). Pen and brown ink and wash over black chalk, heightened with white, 31.1 by 22.8 cm.]
Attributed works:
[Stephen Ongpin Fine Art, London. Ubaldo Gandolfi (1728-81), Three men playing dice in a landscape. Pen and brown ink and brown wash over an underdrawing in black chalk, with framing lines in brown ink, 21.1 by 29 cm.]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, Allegory of winter, by Giovanni Bonazza (1654–1736). c.1710. Terracotta, 33.5 cm. high]
Attributed works:
[Wienerroither & Kohlbacher, New York. Nude woman, by Egon Schiele, 1911]
Attributed works:
[Wienerroither & Kohlbacher, New York. Seated woman, by Egon Schiele (1890–1918). 1916. Pencil on paper, 45.2 by 28.8 cm.]
Non-western art unattributed:
[Galerie Bertrand de Lavergne, Paris. Smiling boy. Chinese, Kangxi period (1662–1722). c.1700. Famille verte porcelain, height: 23 cm.]
Western art unattributed:
[Axel Vervoordt, Wijnegem, Antwerp. Ibis sarcophagus. Egypt, late Ptolemaic period. Wood and bronze with traces of painted gesso, width: 37 cm.]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Christ at rest. Burgundy or Upper Rhine, second half of the 15th century. Walnut, height: 69 cm.]
Western art unattributed:
[Peter Finer, London. A crossbowman’s quiver, Italian or German, c.1540-50. Wood, leather, boarskin, iron]
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05/2016 | 1358 | 158
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Agnew’s. 6 St. James Place. London. Paolo Uccello (Florence, 1397-1475). The Crucifixion, tempera and gold on panel, 23 5/8 x 13 3/8 inches (60 x 34 cm). Painted circa 1423]
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Marco Antonio Franceschini (1648-1729). Mary Magdalene Receiving the Crown of Thorns from an Angal. Oil on canvas, 58.9 x 51. 6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Francesco Barbieri, called Guercino. Cento, 1591 - Bologna, 1666. L'Amore Virtuoso or Allegory of the Arts. Oil on canvas, 105.3 x 152 cm (41 7/16 x 59 7/8 in)]
Attributed works:
[Museo Nacional del Prado. Madrid. Spain. Bosch. Adoration of the Magi (detail). c. 1494. Madrid. Museo Nacional del Prado]
Attributed works:
[Robert Simon. 22 East 80th Street. Fourth Floor. New York. Michele Rocca (Parma 1666 - Venice, after 1751). The Expulsion from Paradise, One of a pair with The Temptation. Oil on canvas, 18 3/8 x 13 1/2 inches (46.7 x 34.3 cm)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin, Fragments, 2015 a series of six screenprints. © Michael Craig-Martin and Alan Cristea Gallery, London]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. P.C. Skovgaard (1817-1875). Twig with berries, 1853. Oil on canvas, 27 x 31 cm]
Attributed works:
[Whitford Fine Art. 6 Duke Street, St, James’s. London. Clive Barker. Coke and Fallen Straw (Ivor), 1968]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An Austrian Archer's Pavise, Klausen, mid 18th century]
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01/2016 | 1354 | 158
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Boon Gallery, Knokke-Zoute. Bust of a woman, by Alberto Giacometti (1902-66). Bronze with patina. Height: 47.7 cm. Width: 13.1 cm. Diameter: 13 cm.]
Attributed works:
[Christopher Bishop FIne Art Exhibiting at: Leslie Feely Fine Art, 5th floor, 33 East 68th Street. Holy family, by Luigi Garzi (1638-1721). Pen and brown in highlighted in white on blue paper, 18.7 by 14.8 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut exhibiting at Leslie Feely Fine Art. 33 East 68th Street. New York. Giuseppe Bernardino Bison (1762-1844) The Holy Family. Pen and brown washes over traces of black chalk, highlighted in white pink paper. 5 3/4 x 7 3/16 in. - 136 x 186 mm (oval)]
Attributed works:
[Didier Aaron, Inc. 32 East 67th Street. The father's curse - the punished son, by Jean-Baptiste Greuze (1725-1805). Grey brown ink over graphite, 24.5 by 36.5 cm]
Attributed works:
[Douwes Fine Art BV, Amsterdam. Flower piece with roses, tulips, and other flowers in a cylindrical glass on a stone ledge with a pansy and a red admiral butterfly, by Ambrosius Bosschaert the Younger (1609-45). c.1625. Oil on panel, 32.5 by 20.3 cm]
Attributed works:
[Eric Coatalem, Paris. Studies for river Gods, traditionally identified as the Rhône and the Rhine, by François Boucher (1703-70). Oil on canvas, 91.5 by 73.7 cm]
Attributed works:
[Galerie Boulakia, Paris. Bride and groom, by Marc Chagall (1897-1985). 1979. Tempera on masonite, 110 by 80 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Alessandro Magnasco. Genoa, 1667-1749. Teaching a Magpie to sing. Oil on canvas, 48.5 x 38.5 cm (19 1/18 x 15 13/16 in)]
Attributed works:
[Gallery Mathiev, Paris. Low table, by André Groult (1884-1966). c. 1912. Pylma and ebonised wood. Height: 51 cm. Width: 90 cm. Diameter: 59.5 cm]
Attributed works:
[Guy Peppiatt Fine Art. Exhibiting at: Arader Galleries, 1st Floor, 1016 Madison Avenue. Ludlow Castle, Shropshire, by Francis Towne (1740-1816). Signed lower left: F. Towne/delt. 1777/no 46, and inscribed verso: a view of Ludlow Castle, Shrospshire./ Drawn on thespot/ by /FrancisTowne July 21st 1777. Pen and grey ink and watercolour on five sheets of paper joined on original washline mount, 30 by 57 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London. Edward Lear (1812-1888). View of Capri from Massa, Italy. Signed and dated 1840, black and white chalk on grey paper, 255 by 422 mm., 10 by 16 1/2 in.]
Attributed works:
[Jablonka Maruani Marcier Gallery, Brussels. Robert Mapplethorpe, by Andy Warhol (1928-87). 1983. Screenprint on lenox museum board, 102 by 102 cm]
Attributed works:
[Lowell Libson Ltd Exhibiting at: Stellan Holm Gallery, 1018 Madison Avenue at 78th Street. Sunset: a stormy evening, by John Constable (1776-1837). Painted in the early 1820s. Oil on paper laid down on panel, 7.7 by 11.7 cm]
Attributed works:
[Mia N Weiner Exhibiting at: L'Antiquaire and the Connoisseur, 36 East 73rd Street. Design for a reliquary for Pope Innocent X, by Alessandro Algardi (1598-1654). c.1644. Black chalk under drawing, pen and brown ink, brush and blue-grey wash, 37.5 by 27.5 cm]
Attributed works:
[Otto Naumann, Ltd and Robert Simon. 22 East 80th Street. New York. Palma Il Vecchio (Bergamo ca. 1480-1528 Venice). A Shepherd and Two Women. Oil on panel, 27 1/4 x 37 1/4 in. (69.2 x 94.6 cm)]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Nanda Vigo. Early Works]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Jan Brueghel I & Joos de Momper II. A Costal Landscape with Fishermen with their Catch by a Ruined Tower (detail)]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting Roundell Inc., 19 East 66th Street. Portrait of a child, by Egon Schiele (1890-1918). Black crayon, 38.1 by 28.3 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Francesco Monti (1683-1768). Study of a Male Nude Holding a Pole. Black chalk and charcoal, with stumping. 420 x 293 mm (16 1/2 x 11 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London at Dickinson Roundell Inc. 19 East 66th Street. New York. Odilon Redon (1840-1916). The Crucifixion. Pastel and chalk on paper, laid down on board. 488 x 372 mm. (19 1/4 x 14 5/8 in.)]
Attributed works:
[Stern Pissarro, London. Guitar on the table, by Pablo Picasso (1881-1973). Pastel and pencil on paper, 32.5 by 25 cm]
Non-western art unattributed:
[Eric Pouillot, Paris. Pair of ladies, China, Tang Dynasty. Coated salmon terracotta with traces of polychrome. Height: 59 cm]
Western art unattributed:
[De Backker Medieval Art, Grote Plaats 31. Hoogstraten, Belgium. Corpus [detail], gilt bronze, Paris, 3rd quarter 13th century, h: 20 cm]
Western art unattributed:
[De Wit Fine Tapestries, Mechelen. Pastoral life. Southern Netherlands. c.1530. Wool and silk, 225 by 202 cm]
Western art unattributed:
[Fortuna Fine Arts, Ltd. 13 East 69th Street. New York. A Roman Glass and Strone Mosaic Panel with Theatre Masks of a Meaned and a Silenus by a Wonderful Guilloche Pattern. Date: 2nd Century AD; Dimensions: 27 x 32 7/8" (68.5 x 83.5 cm)]
Western art unattributed:
[Mullany Haute Epoch Fine Art, London. Relief with the ascension of Christ. English, Nottingham, 15th century. Alabaster with original polychrome and gilding. Height: 39.5 cm. Width: 24 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Salome with the head of Saint John the Baptist. Oak. Netherlandish, Antwerp. circa 1510-1521. H. 44.5 x W. 31 x D. 7.5 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A "Corinthian" Helmet, circa 580-520 B.C.]
Western art unattributed:
[Safani Gallery Inc, New York. Statue of Dionysos, Roman, 1st to 2nd century AD. Marble. Height: 46.5 cm]
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Advertisements December 2013 (back)
12/2013 | 1329 | 155
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Chanel Fine Jewellery. 173 New Bond Street. London. "Plume de Chanel". Ring and jewelled headpiece white gold and diamonds.]
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Advertisements August 2013 (back)
08/2013 | 1325 | 155
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Chanel. Le Montre Premiére. 18K yellow gold and diamonds]
Attributed works:
[Robert Simon, Fine Art. Satis House. 53 Tower Hill Road East. Tuxedo Park. New York. 208A East 78th Street. New York. Corrado Giaquinto (Molfetta 1703 - 1766 Naples). The Mystic Marriage of St. Catherine of Alexandria. Oil on tin. 21 7/8 x 16 inches (55.6 x 40.6 cm.)]
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Advertisements July 2013 (front)
07/2013 | 1324 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[20/21 British Art Fair. Royal College of Art. Kensington Gore. London. Duncan Grant (1885-1978). 'Still life with Fruit, c.1930, oil on canvas, 38 x 43 cms, signed. From: The Court Gallery]
Attributed works:
[Fundacion Focus-Abengoa. Hospital de los Venerables. Plaza de los Venerables, 8. Sevilla. Jusepe de Ribera. St. Jerome Hearing the trumpet of the Last Judgment (detail), etching, 1621.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo Robusti, called Il Tintoretto. Venice, 1518-1594. Portrait of a Man with a Scarf on his right Cheek. Oil on canvas, 49 x 37.5 cm (19 2/8 x 14 6/8 in)]
Attributed works:
[Robert Simon, Fine Art. Satis House. 53 Tower Hill Road East. Tuxedo Park. New York. 208A East 78th Street. New York. Corrado Giaquinto (Molfetta 1703 - 1766 Naples). The Mystic Marriage of St. Catherine of Alexandria. Oil on tin. 21 7/8 x 16 inches (55.6 x 40.6 cm)]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Circle of Jan Wellens de Cock. The Fight into Egypt (detail)]
Attributed works:
[Thomas Colville. 111 Old Quarry Road. Connecticut. 1000 Madison Avenue. New York. James Abbott McNeill Whistler. American (1834-1903). Mother and Child, circa 1890. Pastel on brown paper. Sight Size: 91/2 x 7 inches. Late 19th-Century Whistler style Frame]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched North Italian light calvary half-armour, circa 1570]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Florentine. Early 19th century. A life-size bronze group of a Satyr with the young Bacchus. 187 cm high]
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