1. The Virgin and Child with St Barbara, St Elizabeth and Jan Vos,
by Jan van Eyck, possibly with workshop. c.1441–43. Oil on masonite,
transferred from panel, 47.3 by 61.3 cm. (Frick Collection, New York).
3. Virgin and Child with a kneeling cleric. South Netherlandish, 15th
century. Silverpoint on prepared paper with areas of light yellow
wash, 13.4 by 10.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
4. Virgin and Child with a kneeling cleric. South Netherlandish,
15th century. Silverpoint on prepared paper with areas of light yellow
wash, 27.8 by 18 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
5. Detail of Panoramic map of Bruges, by Marcus Gerards, showing the
city centre. ‘A’ marks the location of the Sint Gillisnieuwstraat (now
called the Gouden-Handstraat) and ‘B’ the location of the Oostmeers.
North is towards the lower left. 1562. Modern coloured offset of a
copper engraving assembled from ten sheets, 177 by 100 cm. (www.
kaartenhuisbrugge.be/Kaart).
Attributed works:
6. Detail of the map in Fig.5, showing Van Eyck’s house on the Sint
Gillisnieuwstraat, now called the Gouden-Handstraat.
8. Detail of the map in Fig.5, showing the Oostmeers. ‘A’ marks the row
of houses between the Zonnekemeers; ‘B’ marks the Cowgate; ‘C’ marks
the Wijngaard.
Book Review
Tra Fiandre e Italia: Rubens 1600–1608. Regesto biografico-critico. By Raffaella Morselli
7. Attack on the
French camp
and the flight of
the civilians, one
of the tapestries
of the Battle of
Pavia series,
designed by
Bernard van
Orley and woven
in the workshop
of Willem
Dermoyen.
1525–31. Wool,
silk and preciousmetal
wrapped
threads, 440
by 818 cm., 7–8
warp threads
per cm. (Museo
e Real Bosco di
Capodimonte,
Naples; exh.
Centre for Fine
Arts, Brussels).
Attributed works:
8. Head of a
dog, fragment
of a tapestry
cartoon, from
the workshop
of Bernard van
Orley. c.1525–31.
Bodycolour
heightened
with white
(partly oxidised)
on paper,
silhouetted,
17.1 by 17.9 cm.
(British Museum,
London).
Attributed works:
9. Execution of St
John the Baptist,
by Bernard van
Orley. c.1510.
Panel, 64.5 by
74.2 cm (Private
collection; exh.
Centre for Fine
Arts, Brussels).
9. A myth of
Pan, by Dosso
Dossi. c.1524.
Canvas, 163.8 by
145.4 cm. (J. Paul
Getty Museum,
Los Angeles; exh.
Royal Academy
of Arts, London).
Western art unattributed:
10. Elderly bather.
German, c.1480.
Boxwood with
some polychromy,
height 16.2 cm.
(Liebieghaus
Skulpturensammlung,
Frankfurt;
exh. Royal
Academy of Arts,
London).
Book Review
Joris and Jacob Hoefnagel: Art and Science around 1600
5. St Michael
triumphant
over the Devil
with the donor
Antoni Joan,
by Bartolomé
Bermejo. 1468.
Panel, 179.7 by
81.9 cm. (National
Gallery, London;
exh. Museu
Nacional d’Art
de Catalunya,
Barcelona).
Attributed works:
6. Triptych of
the Virgin of
Monterrat,
by Bartolomé
Bermejo. Panel,
156.5 by 100.5
(central panel);
156.5 by 50.2
(side panels).
(Cattedrale
Nostra Signora
Assunta,
Acqui Terme;
exh. Museu
Nacional d’Art
de Catalunya,
Barcelona).
Attributed works:
7. Desplà Pietà,
by Bartolomé
Bermejo. Panel,
175 by 189
cm. (Museo de
la Catedral,
Barcelona;
exh. Museu
Nacional d’Art
de Catalunya,
Barcelona).
Article
A portrait of Emanuel van Meteren and his wife, Hester van Corput, by Joris Hoefnagel
2. Emanuel van Meteren and his wife Hester van Corput, here
attributed to Joris Hoefnagel. 1576. Pen and ink, watercolour and
bodycolour on parchment, 19 by 27.8 cm. (From Comentarius by
Emanuel van Meteren; Sir George Grey Special Collections, Auckland
Public Library; MS 237).
Attributed works:
3. Petrus Gonsalvus and his wife, plate I from Animalia Rationalia
et Insecta (Fire), by Joris Hoefnagel. 1591–99. Watercolour and
bodycolour on parchment, 14.3 by 18.4 cm. (National Gallery of Art,
Washington).
Attributed works:
4. The daughter and son of Petrus Gonsalvus, plate II from Animalia
Rationalia et Insecta (Fire), by Joris Hoefnagel. 1591–99. Watercolour
and bodycolour on parchment, 14.3 by 18.4 cm. (National Gallery of Art,
Washington).
Attributed works:
5. Death’s head with ears of corn, by Joris Hoefnagel. 1575. Pen and
brown ink on paper, 19.1 by 12.2 cm. (From the Album Amicorum of
Emanuel van Meteren, Oxford, Bodleian Library, MS Douce 68).
Attributed works:
6. Struggle between Avarice and Ambition, by Joris Hoefnagel. 1571. Pen
and ink, with watercolour, bodycolour and gold on parchment laid down on
paper laid down on panel, 16.7 by 21.4 cm. (Phoebus Foundation, Belgium).
Attributed works:
7. Detail of Fig.2.
Attributed works:
8. Detail of Fig.6, showing a portrait of a man, possibly Emanuel
van Meteren.