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36 articles
Exhibition Review
Art & War in the Renaissance: The Battle of Pavia Tapestries
01/2025 | 1462 | 167
Pages: 37-9
related names
Reviewer:
Cleland, Elizabeth A.H. (Cleland, Elizabeth A.H.)
Subjects
dates:
Reviewed Items
subjects:
Art & War in the Renaissance: The Battle of Pavia Tapestries de Young, Fine Arts Museums of San Francisco 19th October 2024–12th January 2025 | :
Illustrations
Attributed works:
7. Installation view of Art & War in the Renaissance: The Battle of Pavia Tapestries at the de Young, Fine Arts Museums of San Francisco, 2024.
Attributed works:
8. Detail from the Incursion of the imperial baggage train into the battlefield and surrender of the Swiss pikemen, designed by Bernard van Orley, woven under direction of Willem and Jan Dermoyen, Brussels. c.1528– 31. Wool, silk, metal-wrapped thread. (Museo e Real Bosco di Capodimonte, Naples; exh. Fine Arts Museums of San Francisco).
Attributed works:
9. Advance of the imperial army and counterattack of the French cavalry led by François I, by the workshop of Bernard van Orley. c.1526–28. Pen, ink and grey wash on paper, 37 by 77cm. (Musée du Louvre, Paris; exh. Fine Arts Museums of San Francisco).
Book Review
Raphael: Revolution in Tapestry Design
11/2024 | 1460 | 166
Pages: 1166-1169
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
Raphael: Revolution in Tapestry Design By Katja Schmitz-von Ledebur. 228 pp. incl. 145 col. ills. (Hannibal Books, Antwerp, 2024), €55. ISBN 978–94– 64666–59–5. | :
Illustrations
Attributed works:
11. Death of Ananias, from The Lives and the Acts of the Apostles Peter and Paul, designed by Raphael and his workshop, c.1515/16, and woven under the direction of Pieter van Aelst, Brussels, before 1521. Wool, silk and threads wrapped in precious metals, 488 by 631 cm. (Vatican Museums).
Attributed works:
12. St Paul defending himself before Agrippa, from Scenes from the Life of the Apostle Paul, designed by Pieter Coecke van Aelst and woven under the direction of Paulus van Oppenem (?), Brussels, c.1535. Wool, silk and threads wrapped in precious metals, 423 and 453 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. Lust (Luxuria), designed by Pieter Coecke van Aelst, c.1530 and woven by Willem de Pannemaker, c.1548/49. Wool, silk and threads wrapped in precious metals, 456 by 867 cm. (Kunsthistorisches Museum, Vienna).
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Exhibition Review
Bernard van Orley: Brussels and the Renaissance Centre for Fine Arts (BOZAR), Brussels
06/2019 | 1395 | 161
Pages: 499-502
related names
Reviewer:
Campbell, Lorne (Campbell, Lorne; C., L.)
Subjects
dates:
museums and institutions:
places:
styles:
Illustrations
Attributed works:
7. Attack on the French camp and the flight of the civilians, one of the tapestries of the Battle of Pavia series, designed by Bernard van Orley and woven in the workshop of Willem Dermoyen. 1525–31. Wool, silk and preciousmetal wrapped threads, 440 by 818 cm., 7–8 warp threads per cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Centre for Fine Arts, Brussels).
Attributed works:
8. Head of a dog, fragment of a tapestry cartoon, from the workshop of Bernard van Orley. c.1525–31. Bodycolour heightened with white (partly oxidised) on paper, silhouetted, 17.1 by 17.9 cm. (British Museum, London).
Attributed works:
9. Execution of St John the Baptist, by Bernard van Orley. c.1510. Panel, 64.5 by 74.2 cm (Private collection; exh. Centre for Fine Arts, Brussels).
Article
A re-assembled altarpiece by Bernard van Orley
02/2017 | 1367 | 159
Pages: 88-98
related names
Author:
Lootsma, Hilbert (Lootsma, Hilbert)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1. Apelles painting Campaspe, by Willem van Haecht. c.1630 (Mauritshuis, The Hague)
Attributed works:
11. The Holy Women and St John, by Bernard van Orley. c.1520 (Private collection, Antwerp)
Attributed works:
12. Stoning of St Stephen from the Acts of the Apostles, by Pieter van Aelst after Raphael. 1519 (Musei Vaticani, Vatican City)
Attributed works:
13. Figs.3 and 11 juxtaposed to show the alignment of the landscape
Attributed works:
14. The Circumcision (the front of a double-sided panel), by Bernard van Orley. c.1520(?) (Kunsthistorisches Museum, Vienna)
Attributed works:
15. Fragment of an Ecce Homo, the reverse of Fig.13, by Bernard van Orley. c.1520(?) (Kunsthistorisches Museum, Vienna)
Attributed works:
2. The left outer wing of the Job and Lazarus polyptych, by Bernard van Orley. 1521 (Royal Museums of Fine Arts, Brussels)
Attributed works:
3. Roman warrior and kneeling figure, by Bernard van Orley (and studio). c.1520 (Museum der bildenden Künste, Leipzig)
Attributed works:
4. The Crucifixion from the Alba Passion, by Pieter de Pannemaker after Bernard van Orley. c.1520 (National Gallery of Art, Washington)
Attributed works:
5. Frontispiece of vol. 2 of Franz-Xavier de Burtin's Traité, by Frédéric Théodore Faber. c.1808
Attributed works:
6. Detail of Fig.3
Attributed works:
7. Detail of Fig.4
Western art unattributed:
10. Infra-red photograph of Fig.11
Western art unattributed:
8. Infra-red photograph of Fig.3
Western art unattributed:
9. X-radiograph photograph of Fig.3
Book Review
Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. The Flemish Primitives VI: The Bernard van Orley Group, A. Galand
08/2014 | 1337 | 156
Pages: 535
Article
The 'Battle of Pavia' and the tapestry collection of Don Carlos: new documentation
06/2002 | 1191 | 144
Pages: 345-351
related names
Author:
Buchanan, Iain (Buchanan, Iain)
Subjects
dates:
places:
Illustrations
Attributed works:
16. The Invasion of the French Camp and the Flight of the Women and Civilians, Fifth Tapestry from a Seven-Piece Set of the Battle of Pavia, Designed by Bernard van Orley, Woven in the Dermoyen Workshop, Brussels, c.1528-31. Wool, Silk, Silver-and-Gilt-Metal-Wrapped Thread, 440 by 818 cm. (Museo e Gallerie Nazionale di Capodimonte, Naples).
Attributed works:
17. The Advance of the Imperial Army and Counter-Attack of the French Cavalry, First Tapestry from the Battle of Pavia, Designed by Bernard van Orley, Woven in the Dermoyen Workshop, Brussels, c.1528-31. Wool, Silk, Silver-and-Gilt-Metal-Wrapped Thread, 439 by 867 cm. (Museo e Gallerie Nazionale di Capodimonte, Naples).
Attributed works:
18. The Surrender of King Francis I, Fourth Tapestry from the Battle of Pavia, Designed by Bernard van Orley, Woven in the Dermoyen Workshop, Brussels, c.1528-31. Wool, Silk, Silver-and-Gilt-Metal-Wrapped Thread, 435 by 880 cm. (Museo e Gallerie Nazionale di Capodimonte, Naples).
Attributed works:
19. The Imperial Attack on the French Cavalry Led by the Marquis of Pescara and on the French Artillery by the Lansquenets under Georg von Frundsberg, Second Tapestry from the Battle of Pavia, Designed by Bernard van Orley, Woven in the Dermoyen Workshop, Brussels, c.1528-31. Wool, Silk, Silver-and-Gilt-Metal-Wrapped Thread, 439 by 867 cm. (Museo e Gallerie Nazionale di Capodimonte, Naples).
Attributed works:
20. The Sortie of the Besieged Imperial Troops and the Rout of the Swiss Guard, Seventh Tapestry from the Battle of Pavia, Designed by Bernard van Orley, Woven in the Dermoyen Workshop, Brussels, c.1528-31. Wool, Silk, Silver-and-Gilt-Metal-Wrapped Thread, 435 by 789 cm. (Museo e Gallerie Nazionale di Capodimonte, Naples).
Short Notice
Designers, Weavers and Entrepreneurs: Sixteenth-Century Flemish Tapestries in the Patrimonio Nacional
06/1992 | 1071 | 134
Pages: 380-384
related names
Author:
Buchanan, Iain (Buchanan, Iain)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
41. Fortune, First Tapestry from Los Honores, by the Workshop of Pieter van Aelst, after a Cartoon Attributed to Bernaert van Orley. Brussels, 1520-23. Gold, Silver, Silk and Wool, 490 by 860 cm. (Museo de Tapieces, Palacio de San Ildefonso, Segovia).
Attributed works:
42. The Battle of Zama, Fifth Tapestry from The Story of Scipio, Possibly by Balthazar van Vlierden, after a Cartoon by Giulio Romano. Brussels, before 1544. Silk and Wool, 480 by 902 cm. (Palacio Real, Madrid).
Attributed works:
43. The Review of the Troops at Barcelona, Second Tapestry from The Conquest of Tunis, by the Workshop of Willem de Pannemakere, after a Cartoon Designed by Jan Cornelisz. Vermeyen and Produced by Pieter Coecke van Aelst. Brussels, 1546-54. Gold, Silver, Silk and Wool, 525 by 712 cm. (Palacio Real, Madrid).
Attributed works:
44. Vertumnus as a Haymaker, First Tapestry from Vertumnus and Pomona, by the Workshop of Willem de Pannemakere, after a Cartoon Attributed Here to Jan Cornelisz. Vermeyen and Pieter Coecke van Aelst. Brussels, c. 1560. Gold, Silver, Silk and Wool, 430 by 648 cm. (Palacio Real, Madrid).
Attributed works:
45. Detail of Fig.44. [Vertumnus as a Haymaker, First Tapestry from Vertumnus and Pomona, by the Workshop of Willem de Pannemakere, after a Cartoon Attributed Here to Jan Cornelisz. Vermeyen and Pieter Coecke van Aelst. Brussels, c. 1560. Gold, Silver, Silk and Wool, 430 by 648 cm. (Palacio Real, Madrid).]
Attributed works:
46. Hercules Supporting the Celestial Sphere, First Tapestry from The Spheres, by an Unknown Weaver, after a Cartoon Attributed to Bernaert van Orley. Brussels, c. 1520-30. Gold, Silver, Silk and Wool, 345 by 308 cm. (Palacio Real, Madrid).
Advertisements
Advertisements November 1985 (Front)
11/1985 | 992 | 127
Pages: i-liv
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein c/o Vic Pearson & Co Ltd, 7 Munton Road, London] Giovanni Battista Piranesi Title? Boy Standing. Pen and Brown Ink 90 × 108 × 58 mm
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Battista Foggini (1652-1725), Studies of the Mocking of Christ. Pen and Ink and Wash, 295 × 212 mm
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Oil on Canvas. Jan Siberechts, Antwerp 1627-c1703 London. 88 × 130 cms
Attributed works:
[Annamaria Edelstein at Robin Symes, 94 Jermyn Street, London] Ferrau Fenzoni. Faenza 1562-1645 Two Studies of Male Nudes: St Sebastian. Pen and Brown Ink over Black Chalk. 236 by 178 mm
Attributed works:
[Arnoldi-Livie, Maximilianstr. 36, Munich] Giovanni Paolo Schor 1615-1674, "Design for the Back of a Coach for the Spanish Ambassador in Rome with the Arms of Castile and Habsburg." 1673. Pen and Brown Ink with Grey Wash. 29.5 × 20 cm. Inscribed and Dated by the Artist: "facta per il S. marches de Lice Amb. Ventino di Spagna - l'anno 1673"
Attributed works:
[Artemis Fine Arts (UK) Ltd, 15 Duke Street, London] Rembrandt Harmensz. van Rijn, The Entombment, c. 1654, B.86, First State, Etching and Drypoint on Thin Oriental Paper, 212 × 163 mm., ex-colls. K. E. von Liphart, Carl Schlösser, Edward Smith, Paul Davidsohn and E. A. Seasongood.
Attributed works:
[Belle Etage, Mahlerstraße 15, Vienna] Display Cabinet. Height 191 cm, Width 90 cm. Designed by Otto Prutscher and Erwin Puchinger; Manufactured by S. Oppenheim. Exh. Winterausstellung des Österreichischen Landesmuseums 1901. Lit., Das Interieur, 1901.
Attributed works:
[Berko in Art Gallery, Berko-Kustlaan, Belgium] Charles Verlat (1824-1890). Canvas: 118 × 75 cm. Signed
Attributed works:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Easter Egg, Moscow, about 1905, Plique á Jour-Enamel, Made by the Master Iwan Petrowitsch Chlebnikow DM 85.000
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] D. M. Canuti (1620 Bologna-Rome 1684). Red Chalk and Brush in Brown and Rose, Heightened with White. 256: 350 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honoré, Paris] François Boucher "Les Grâces au tombeau de Watteau". Red Chalk. 255 mm × 215 mm. Engraved by Boucher in Reverse for the Title Page of Figures de Différents Caractères. (1728)
Attributed works:
[Colnaghi Usa Ltd, 26 East 80th Street, New York] Francesco Solimena 1657-1747, St. Peter. Oil on Canvas 39¼ × 28½ ins.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Pier Francesco Mola (Rome 1612-1666), Study of a Cellist. Red Chalk and Red Wash. 270 × 190 mm
Attributed works:
[David Jones, 109 rue Cardinet, Paris] Giovanni Maria Morandi Florence 1622-Rome 1717. "Death of the Virgin" Black Chalk with Brown and Grey Wash, Squared in Black Chalk. 28 cm × 41 cm. A Drawing Related to the Painting "Death of the Virgin" in S. Maria della Pace, Rome.
Attributed works:
[David Koester, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Dorotheum Kunstpalais, Dorotheergasse 11, Vienna] Egon Schiele, 48,2 × 31,8 cm, Rufpreis: öS 800.000,-
Attributed works:
[Electa, via Trentacoste, Milan] Raffaello Architetto by C. L. Frommel - S. Ray M. Tafuri
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Adriaen van de Venne (1589-1662). On Panel, Signed and Dated 1615, 16.5 × 24.5 cm.
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Workshop of Primaticcio: 'Ulysses and the Sirens' Oil on Canvas 151 × 208 cm.
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Govaert Flink (1615-1660)
Attributed works:
[Galerie F. Franco, Avenue Molière, Brussels] Bernard van Orley, Virgin Enthroned, Panel 31.5 × 35 cm.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse, Berlin] Andrea Salvatore Aglio (1736-1786, Arzo, Active in Dresden). Prospect of the Hofkirche in Dresden. Pen and Pencil, Grey Wash. 442 × 194mm. Signed. Coll. I. O. Wessner (Lugt 2562a).
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Camille Pissarro (1830-1903), Sur la rivière, c. 1872/75. Oil on Canvas, 19 × 24,5 cm, Signed Bottom Left.
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Gustav Klimt (1862-1918) "Adele Bloch-Bauer" 1903, Brown Coloured Pencil on Paper, 45 × 32 cm, 1903. Provenence: Present of Gustav Klimt to Adele Bloch-Bauer, Since Then in Property of the Family. Literature: Will Be Included in the Forthcoming Catalogue Raisonné by Dr. Alice Strobl, Gustav Klimt "The Drawings".
Attributed works:
[Galleria Gilli, Via Gesù, Milan] Bernadino Campi, Cremona 1522-1590/95. St. Stephen. Black & Red Chalk, Heightened with White, Squared in Red Chalk. 390 × 230 mm. Preparatory Drawing for the Dome of S. Sigismondo, Cremona.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Gustave Doré 1832-1883, La France protège ses enfants. Pen and Ink over Pencil and Black Chalk, with Grey and Brown Washes, Heightened with White Gouache, 73.7 × 55.9 cm. Signed and Dated 1871
Attributed works:
[Jacques Fischer - Chantal Kiener 46 rue de Verneuil Paris] Alphonse Perin (1798-1874), D'un ensemble de neuf cartons et sept dessins pour la décoration de la chapelle de l'Eucharistie à Notre-Dame de Lorette à Paris. 1835-1852. Carton de "La Cène". Tympan au-dessus de la porte de la sacristie. Détail. Dimensions du carton: 200 × 400 cm. Dimensions du détail: 58 × 83 cm environ. Fusain, crayon bleu, sanguine, craie blanche et lavis bleu.
Attributed works:
[Jacques van Rijn Fine Art O.L., Vrouweplein 28, Maastricht] Pieter de Bloot 1602-1658, 'A Village Scene with Drinking and Dancing Peasants'. Panel, 49½ × 74½ cm. Signed with Monogram
Attributed works:
[Jean Willems, rue Ernest Allard, Brussels] Pietro Dandini, Firenze 1646-1712. The Multiplication of the Loaves. Brown Ink and Wash 212 × 388 mm. Provenance: Coll. G. Vallardi (L. 1223).
Attributed works:
[Joanna Booth, 247 Kings Road, London] Attributed to Georg Frederic Wille (1715-1808), Head of a Boy. Red Chalk 458 mm by 322 mm. Provenance: Vallardi (L. 1223)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] The Jewish Rider 1984-85 Oil on Canvas 60 × 60 in./152.4 × 152.4 cm.
Attributed works:
[Matthiesen in association with Stair Sainty Matthiesen, 7-8 Mason's Yard, Duke Street, London] Giovanni Boldini. The Countess of Rasty
Attributed works:
[Me Hubert Le Blanc, 32 avenue de L'Opera, Paris] Jan Steen, Le souper fin. Canvas, Signed on the Left Towards the Bottom of the Table Base. 48.5 × 64.5cm
Attributed works:
[Mia N. Weiner at Piero Corsini Inc., 162 East 63rd Street, New York] Giulio Romano, Bacchanale. Pen & Brown Ink & Wash. 8¼ × 11¾ ″
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Jean-Honoré Fragonard "Le Verrou". Red Chalk, Pen and Brown Ink, and Brown Wash: 9½ × 14½ Inches
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Joachim Wtewael 1566-1638, Saint Sebastian. On Canvas, 169.5 × 124.8 cm. Signed and Dated 1600
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Simon Vouet, (Paris 1590-1649 Paris). Head of an Old Man. Black and White Chalk on Beige Paper. 5 × $4frac{15}{16}$ in. (128 × 126 mm.). A Preparatory Study for the Figure of Time in the Painting Time, Venus, Mars and Amor in The John and Mabel Ringling Museum, Sarasota
Attributed works:
[Pat Coombs, London] Palma Vecchio (1480?-1528)
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Luca Giordano, "The Penitent Magdalen", Oil on Canvas, 72″ × 71″.
Attributed works:
[Phillips, Blenstock House, 7 Blenstock Street, London] Armand Guillaumin, "Bord de Rivière", Signed, Oil on Canvas, 54 cm. × 65 cm.
Attributed works:
[Pietro Scarpa, Via XXII Marzo, Venice] Parmigianino: St. John the Baptist (Actual Size)
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Henry Tonks Neac (1862-1937), A Conversation, Betteshanger Barn. Oil on Canvas 24 × 20 ins. Ins. H. Tonks, 1927-8
Attributed works:
[Richard Green, 4 New Bond Street, London] James Tissot (1836-1902), Jeune Femme chantant à l'Orgue. Signed. Canvas: 42¼ × 28¼ in/105 × 72 cm
Attributed works:
[Richard Green, 4 New Bond Street, London] John Cleveley Snr. (1712-1777). The 'Amazon' with the 'Caroline' at a Distance. Signed, Titled and Dated 1750. Canvas 35¾ × 51 in 91 × 129.5 cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jacques-Louis David, "Cupid and Psyche," 1813 Black, Grey and Sepia Inks with White Gouache over Black Chalk, 16.8 by 22.6 cm. Signed, Lower Right: "L. David 1813"
Attributed works:
[Shaunagh Fitzgerald Ltd at Baskett & Day, 173 New Bond Street, London] Circle of Albrecht Dürer
Attributed works:
[Society Portraits 1850-1939 a joint exhibition held at Colnaghi, 14 Old Bond Street, London and Clarendon Gallery, 8 Viggo Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An Italian Marble Group of Aeneas and Anchise by Antonio Carra, Signed, Venetian, Late 16th Century, Height 87.6 cm. £15,000-20,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Christoffer Wilhelm Eckersberg, Sailing Ships, Dated 1825, Oil on Canvas, 38.5 by 54 cm.
Attributed works:
[Spencer A. Samuels 11 East 57th Street New York] Domenico Campagnola, Study of Candlesticks. Pen & Brown Ink, 11¾ × 7¼″
Attributed works:
[Spink & Son Ltd, King Street, London] Walter Richard Sickert, R. A., 1860-1942. The Hat Shop. Oils on Canvas. 13 × 16 Inches. Signed.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69 Street, New York] Louis de Boullongne II, Rinaldo and Armida. Oil on Canvas. 38 × 51½ Inches. Signed: L. de Boullogne 1704. Exhibited: Paris. Salon. 1704.
Attributed works:
[Stanze del Borgo, via Puccini 5, Milan] Bernardo Strozzi - Genoa 1581 - Venice 1644, "Testa di Fanciullo". Charcoal, White Touches on Chamois Paper - 144 x 131 mm. From the S. Varni Collection The Drawing is Dated ca. 1610, during the Artist's Genoa Period.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Thomas Shotter Boys. A View of Paris near the Jardin des Tuileries. Size: 14 × 10 Inches. Signed and Dated 1832
Attributed works:
[Thomas le Claire Adickesstraße 40 Hamburg] Cornelis Saftleven (1607 Gorkum - Rotterdam 1681): "Landscape with Shepherd and Cattle", Black Chalk, Grey Washes; Monogrammed and Dated > 1659 <; 159: 197 mm.
Attributed works:
[Wiener Kunst und Antiquitatenmesse] Belle Etage Left: Table. Height 75cm, diameter 115cm. Design attributed to Adolf Loos. Vienna c. 1900. Below left: Brass Lamp. Design attributed to Josef Hoffmann. Vienna 1903. Galerie bei der Albertina Below: Garden bench. 1906-1908. Softwood painted white. Larger variant of the bench, which was exhibited at the "Kunstschau 1908" and in the Austrian pavilion in Rome 1911. Provenance: Dr Hugo Koller House. Height: 105cm, length 200cm, width 54cm. Right: Dancer. Painted plaster. 53cm high. On a highly polished wooden pedestal, 141cm high. Attributed to Richard Teschner, Vienna c. 1909.
Attributed works:
[William H. Schab Gallery, 11 East 57th Street, New York] Carletto Caliari, Study of Hands
Attributed works:
[Yvonne Tan Bunzl, London] Carlo Dolci. Red and Black Chalk 255 × 190 mm
Western art unattributed:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Lion-Gilded-Aquamanile, Hildesheim, 14./15. Century 13 × 11,5 cm
Western art unattributed:
[Glassgallery Michael Kovacek, Vienna] Bohemian Goblets c. 1840-50. Left: Colourless Glass with White and Blue Overlays, Painted in Gold and Silver. Height 14.5 cm. Centre: Colourless Glass, Gold-Ruby Overlay on Interior. Painted in Gold, Silver and Enamels. Height 24.5 cm. Right: Colourless Glass, Gold-Ruby Overlay, Painted in Gold, Silver and Enamels. Height 15.3 cm
Western art unattributed:
[Phillips, Blenstock House, 7 Blenheim Street, London] An Important Roman Figure of Hercules, 2nd Century AD., 176 cm. High. Estimate: Refer to Department.
Advertisements
Advertisements October 1977 (Front)
10/1977 | 895 | 119
Pages: i-lviii
Subjects
advertisements:
artists:
Illustrations
Attributed works:
Detail from Susanna at the Bath, by Giuseppe Cesari. (Private Collection, Stockport).
Attributed works:
[Auktionshaus Wendt - Numismatica, Schottenrign 17, Vienna] Wilhelm Steinfeld (Wien 1816-1854). Oil on Canvas, 70 by 102 cm.
Attributed works:
[Colnaghi's, 14 Old Bond Street, London] Gerrit Pietersz. (Sweelinck): St. John the Baptist Preaching. Hollstein I, IV/6, Etching
Attributed works:
[David M. Koetser Gallery, 37 Talstrasse, Zurich] Francesco Guardi, p. 7½ by 5¾ Inches.
Attributed works:
[Herbert E. Feist, 1125 Madison Avenue, (84 St.) New York] "Rubens"
Attributed works:
[Kunsthalle, Köln] P. P. Rubens, Self-Portrait of the Artist among His Mantuan Friends. An exhibition of the Wallraf Richartz Museum, Cologne in the Kunsthalle, Köln.
Attributed works:
[Kunsthandel Xaver Scheidwimmer, 3 Ottostrasse, Munich] Lucas Van Gassel (Helmont c. 1480 - c. 1555 Brüssel). A Mountainous Landscape with a Gothie Castle. On Panel, 6¾ by 10¼ Inches (17.5 × 26 cm).
Attributed works:
[Kunsthaus am Museum, Drususgasse 1-5, Cologne] Gustave Courbet (1819-1877) Signed Bottom Right G Courbet Oil on Wood, 68 by 56 cm.
Attributed works:
[Kunsthaus Lempertz, Neumarkt 3, Cologne] Sir Peter Paul Rubens. St Cecilia (Helene Fourment), about 1638. Oil on Oak Panel, 76 by 58 cm. An
Attributed works:
[Neumeister KG, Briennerstr. 14, Munich] Teapot with Rechaud, Meissen 18th Century, Total Height 30 cm.
Attributed works:
[Plaza Art Galleries, Inc., 406 East 79th St., New York] Thomas Gainsborough 1727-1788 "John and Henry Truman-Villebois" Oil on Canvas (ca. 1783), 61″ × 51″
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York] Dirck van Baburen, "Christ Among the Doctors". Oil on Canvas, 170.2 × 210.2 cm.
Attributed works:
[Schmit, 396 rue Saint-Honoré, Paris] Degas. "Grande Arabesque. Deuxième Temps". Bronze - H. 42.5 cm - L. 63 cm.-ex. n° 15 Her. Hébrard Cast.
Attributed works:
[Somerville & Simpson Ltd, 11 Saville Road, London] Stefano Della Bella 1610-1664 Trois Têtes de Chameau, from Têtes de Différents Animaux (De Vesme 726) Etching.
Attributed works:
[Sotheby & Co A. G., Zurich] A Louis XV Gold Snuff Box by Jean-Baptiste Devos, Paris, 1730, 7.6 cm. Wide
Attributed works:
[Sotheby Parke Bernet, Italia s.r.l.] Andrea del Brescianino, Adam and Eve, on Panel, 74 by 137 cm.
Attributed works:
[Sotheby Parke Bernet, Italia s.r.l.] Sebastiano Conca, The Nativity, 96.5 by 72.5 cm.
Attributed works:
[Sotheby Parke Bernet, New York] Albert Eeckhout, Portrait of an African Chief, Oil on Canvas, 193 by 136.5 cm.
Attributed works:
[Sotheby Parke Bernet, New York] Amedeo Modigliani, Jeanne Hebuterne, Signed, Painted in 1919, Oil on Canvas, 129.5 by 82 cm.
Attributed works:
[Sotheby Parke Bernet, South Africa (Pty) Ltd., Lawsons Corner 9th Floor, 11/17 Jorissen Street, Braamanfontein, Johannesburg] One of a Pair of Entrée Dishes and Covers by John S. Hunt, London, 1852, Fully Marked, 35.5 cm. Wide
Attributed works:
[Sotheby Parke Bernet, South Africa (Pty) Ltd., Lawsons Corner 9th Floor, 11/17 Jorissen Street, Braamanfontein, Johannesburg] One of a Pair of Sauce Tureens and Covers by Paul Storr, London, 1804 (One Cover 1803), 16.5 cm. High
Attributed works:
[Sotheby Parke Bernet, South Africa (Pty) Ltd., Lawsons Corner 9th Floor, 11/17 Jorissen Street, Braamanfontein, Johannesburg] One of a Pair of Silver-Gilt Wine Coasters, Probably by William Elliott, London, 1819, 18.5 cm.
Attributed works:
[Sotheby Parke Bernet] A Gobelins Tapestry of July from the Series of the Months, or Royal Residences, by Jean de la Croix, after Charles le Brun, with Weaver's Mark JDL, c.1680, 335 by 345 cm., £10,500, 1.VII.77
Attributed works:
[Sotheby Parke Bernet] A Silver-Gilt Centrepiece by Paul Storr, Fully Marked, London, 1809, also Numbered 345, 44.5 cm., £15,000, 9.XII.76
Attributed works:
[Sotheby Parke Bernet] Barend van Orley, The Virgin and Child Adored by St Martin, 70 by 76 cm., Sotheby Mak van Waay, Dfl 760,000 (£176,744), 9.VI.77
Attributed works:
[Sotheby Parke Bernet] Edgar Degas, Le Client Serieux, Monotype, 21.1 by 16 cm., £26,000, 27.IV.77
Attributed works:
[Sotheby Parke Bernet] J. van Huysum, A Flower Piece, Inscribed, on Panel, 77.5 by 55.5 cm., £34,000, 6.IV.77
Attributed works:
[Sotheby Parke Bernet] Winslow Homer, The Croquet Match, Signed with Initials, Oil on Board, Painted c.1868-1869, 24.9 by 39.4 cm., New York, $210,000 (£122,093), 21.IV.77
Attributed works:
[Sotheby's Belgravia] Augustus E. Mulready, Her First Earnings, Signed and Dated 1875, Inscribed on the Reverse, on Panel, 39.5 by 28.5 cm.
Attributed works:
[Sotheby's Belgravia] Edward George Handel Lucas, A Song Without Words, Signed, Inscribed and Dated 1909 on the Reverse, on Panel, Circular, 27 cm. Diameter
Attributed works:
[Sotheby's Belgravia] Frederic Lord Leighton, P. R. A., On the Nile, 26 by 39 cm.
Attributed works:
[Sotheby's Belgravia] Frederic Lord Leighton, P. R. A., Portrait of a Man, Half Length, Pencil, Signed with Monogram and Dated 1857, 19.5 by 15 cm.
Attributed works:
[Sotheby's Belgravia] George William Mote, Glovemaking, 50 by 45 cm.
Attributed works:
[Sotheby's Belgravia] James Doyle Penrose, Lady Jane Beaufort and James I, Signed and Dated 1906, 129 by 74 cm.
Attributed works:
[Sotheby's Belgravia] Simeon Solomon, A Happy Daydream, Red Chalks Signed with Monogram and Dated 1892, 53 by 38 cm.
Attributed works:
[Sotheby's Belgravia] Thomas Francis Dicksee, Marguerite, Signed and Dated '91, 60 by 50 cm.
Attributed works:
[Sotheby's Belgravia] Thursday 13th October, at 10.30 am. An Unusual Martin, Hall & Co. Ltd. Christening Can, Chased with Scenes from Robinson Crusoe, London, 1884, 11.5 cm. High
Attributed works:
[Sotheby's Belgravia] Thursday 27th October, at 10.30 am. A Rare Read & Clementson Mug Made on the Occasion of the Coronation of Queen Victoria, 1838, 8.8 cm.
Attributed works:
[Sotheby's Belgravia] William Huggins, Ruins of St John's Priory, Chester, Signed and Dated 1874, 94 by 79 cm.
Attributed works:
[Sotheby's] A Meissen Teabowl and Saucer with 'Hausmaler' Decoration, c.1740
Attributed works:
[Sotheby's] A Rare Meissen Teabowl and Saucer with Augsburg 'Hausmaler', 1730-40
Attributed works:
[Sotheby's] A Set of Four Table Candlesticks by Paul de Lamerie, London, 1731, 16.5 cm. High
Attributed works:
[Sotheby's] A Small Burr-Walnut Quarter-Repeating Bracket Clock by Daniel Delauder, 13in. High (33 cm.)
Attributed works:
[Sotheby's] A Soup Tureen and Cover by Robert Garrard, London, 1814, 38 cm. Wide
Attributed works:
[Sotheby's] Jacopo Negretti Called Palma Giovane, Joseph and Potiphar's Wife, 86 by 75 cm.
Attributed works:
[Sotheby's] Ludolf Bakhuizen, Merchants on Horseback Inspecting Cargo, 50 by 65 cm.
Attributed works:
[Sotheby's] One from a Set of Twelve Dinner Plates, by Edward Cornock, London, 1724-25, 23.5 cm. Diameter
Attributed works:
[Sotheby's] One of a Pair of Wine Coolers by Paul Storr, London, 1812, 24.7 cm. High
Attributed works:
[Sotheby's] Six Salt Cellars, Two by J. Cradock and W. K. Reid, Four by J. Cradock, London, 1825
Attributed works:
[Sotheby's] Suzuki Harunobu, Autumn Moon of the Mirror, Chuban Size
Attributed works:
[Sotheby's] Suzuki Harunobu, Oban, Chuban Size
Attributed works:
[Stanhope Shelton, Cobbolds Mill, Monks Eleigh, Suffolk] Creti (Detail)
Attributed works:
[William Drummond, Covent Garden Gallery Ltd, 20 Russell Street, London] Martin Rudolf Heland 1765-1814 'Vue de la Mine de Dannemora Prise de Storrymnings Schacktet' The Iron Mine North of Uppsala in Sweden Watercolour Pen and Grey Ink 59.5 × 35.5 cm. Signed and Inscribed on the Original Mount 'Desiné D'Après Nature Par M. R. Heland'
Non-western art unattributed:
[Galleria dell'Angelo, Piazza Cioccaro 11, Lugano] Santiago Matamoros, Peru, eighteenth Century. Oil on Canvas, 83 by 63.5 cm. Cf. 'Barocke Malerei aus den Anden', Städtische Kunsthalle, Düsseldorf Exhibition, 1976-77
Non-western art unattributed:
[Sotheby Parke Bernet, South Africa (Pty) Ltd., Lawsons Corner 9th Floor, 11/17 Jorissen Street, Braamanfontein, Johannesburg] An Entrée Dish and Cover, Moscow, 1786, 34.5 cm. Wide
Non-western art unattributed:
[Sotheby's Belgravia] Wednesday 19th October, at 11 am and 2.30 pm. A Large Pair of Canton Vases
Non-western art unattributed:
[Sotheby's] A Haida Argillite Figure of a European Maritime Officer, 38.5 cm.
Non-western art unattributed:
[Sotheby's] A Haida Argillite Figure of a European Maritime Officer, Queen Charlotte Islands, British Columbia, 49.9 cm.
Non-western art unattributed:
[Sotheby's] A Haida Wood Frontlet, 19.5 cm. High Excluding Attachments
Non-western art unattributed:
[Sotheby's] A Pair of Pacific Northwest Coast Ivory Knife Finials, 15.5 cm. and 15 cm. High
Non-western art unattributed:
[Sotheby's] A Tsimshian Wood Chief's Frontlet, 27 cm. High Excluding Attachment
Non-western art unattributed:
[Sotheby's] An Anatolian Terra-Cotta Figure of a Woman, 6th Millennium B. C., 8.4 cm. Long
Non-western art unattributed:
[Sotheby's] An Egyptian Limestone Head of an Amarna Princess, from Tel-el-Amarna, XVIIIth Dynasty, 21 cm.
Western art unattributed:
[Albrecht Neuhaus, 9 Heinestrasse, Würzburg] Ivory Group of Amor Riding a Rampant Lion. South German c.1660. Height 22 cm. On Ebony Base Applied with Ivory Garlands of Fruit and Flowers. Another Ivory of This Model Slightly Different Probably by the Same Artist in Bayerisches Nationalmuseum, München.
Western art unattributed:
[Bridger & Kay Ltd, 24 Pall Mall, London] New Brunswick 1853 "The Boyd Dale" Cover to Hungary. Superb Strip of Three 1/-, Fine Clear Margins All round, Also Single 3d. St Johns (Au. 30 1853) via Liverpool (4 SP 53). A Unique BNA Classic Item. Reference See "Argenti" Page 49.
Western art unattributed:
[McDougall Palmer Ltd, 38 New Bond Street, London] Metal Statues of Substantial Size from the Parthian Period Are Exceptionally Rare. Depicting the Wife of a High Official, a Royal Personage, or a Goddess, This Unique Head Is Broadly Based on Greek Models. Yet Its Large Eyes and Boldly Altered Proportions Convey an Impression Which is Different from the Naturalism of Hellenistic Art. A Layer of Tin, Still Partly Intact, Once Covered the Face, Leaving the Copper Metal, in Which the Statue Was Cast, Exposed for the Hair. By the Use of Two Metals, and the Intense Unfocused Expression, the Statue Must Have Produced a Sumptuous and Startling Effect. 1st Century B. C. to 1st Century A. D. Height 9.5 cm.
Western art unattributed:
[Sotheby Parke Bernet, International Realty] Caribbean Island Property
Western art unattributed:
[Sotheby Parke Bernet, International Realty] Mediterranean Villa
Western art unattributed:
[Sotheby Parke Bernet, International Realty] Palladian Villa
Western art unattributed:
[Sotheby Parke Bernet, International Realty] Regency Villa
Western art unattributed:
[Sotheby Parke Bernet, International Realty] Waterfront Estate
Western art unattributed:
[Sotheby Parke Bernet, Italia s.r.l.] A Large Faenza Dish, Late 16th Century, 46 cm.
Western art unattributed:
[Sotheby Parke Bernet, Italia s.r.l.] A Lodi Sauce Boat and Stand, Part of a Service, c.1770
Western art unattributed:
[Sotheby Parke Bernet, Italia s.r.l.] A Pair of Ivory Groups, from a Set of Four Representing the Seasons, Flemish, Mid 18th Century, 12.5 cm. High
Western art unattributed:
[Sotheby Parke Bernet, Italia s.r.l.] A Pair of Turin Painted and Giltwood Corner Cabinets, Mid 18th Century, 196 cm. High
Western art unattributed:
[Sotheby Parke Bernet, Italia s.r.l.] A Rare Angarano Dish Decorated in Blue, Late 17th Century, 47 cm.
Western art unattributed:
[Sotheby Parke Bernet, Italia s.r.l.] A Terracotta Bust of a Cleric, Lombard, c.1600, 69.5 cm.
Western art unattributed:
[Sotheby Parke Bernet, Italia s.r.l.] One of a Pair of Wood Figures of Evangelists, North Italian, Probably Venetian, 15th Century, 128 cm.
Western art unattributed:
[Sotheby Parke Bernet, New York] A German Jet Carving of a Negro boy, 18th Century, 20.3 cm.
Western art unattributed:
[Sotheby Parke Bernet, New York] A Group of Works of Art from the Lane Collection
Western art unattributed:
[Sotheby Parke Bernet, New York] A Superb Pear-Shaped 50-Carat Diamond (Accompanied by a Gemological Certificate) A Diamond and Emerald Palm-Tree Brooch A Diamond and Sapphire Boat-Shaped Brooch A Diamond and Platinum Bracelet
Western art unattributed:
[Sotheby Parke Bernet, New York] An Italian Carved Ivory Skull, Early 16th Century, 15.2 cm.
Western art unattributed:
[Sotheby's] A Collection of Eighteenth-Century Dutch Toys
Western art unattributed:
[Sotheby's] A Greek Bronze Figure of an Athlete, 5th Century B. C., 13.3 cm.
Western art unattributed:
[Sotheby's] A Large Portuguese Blue and White Tile Panel, 18th Century, 98 by 273 cm.
Western art unattributed:
[Sotheby's] A Roman Bronze Figure of Jupiter or Neptune, 1st Century A. D., 23.5 cm.
Western art unattributed:
[Sotheby's] A Sardinian Bronze Figure of an Archer, c. 7th-6th Century B. C., 17.2 cm.
Western art unattributed:
[Sotheby's] A Very Rare Vezzi Venice Teapot and Cover, 1723-27, 15 cm.
Western art unattributed:
[Sotheby's] An Etruscan Bronze Figure of a Reclining Satyr, Second Half of the 6th Century B. C., 4.4 by 7.5 cm.
Western art unattributed:
[Sotheby's] An Umbrian Bronze Figure of a Warrior, 5th Century B. C., 22.9 cm.
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