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Book Review

Raphael: Revolution in Tapestry Design

11/2024 | 1460 | 166

Pages: 1166-1169

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related names

Reviewer:

Evans, Mark (Evans, Mark)

Subjects

art literature:

Exhibition catalogues

artists:

Raphael / Orley, Bernaert van / Coecke van Aelst, Pieter the elder, 1502-1550 / Coxie, Michiel, I, 1499-1592

dates:

2020-2030

museums and institutions:

Kunsthistorisches Museum, Vienna, Austria

subjects:

Tapestry (process) / Cartoons (working drawings) / Italian art / Flemish art

Reviewed Items

subjects:

Raphael: Revolution in Tapestry Design By Katja Schmitz-von Ledebur. 228 pp. incl. 145 col. ills. (Hannibal Books, Antwerp, 2024), €55. ISBN 978–94– 64666–59–5. | :

Illustrations

Attributed works:

11. Death of Ananias, from The Lives and the Acts of the Apostles Peter and Paul, designed by Raphael and his workshop, c.1515/16, and woven under the direction of Pieter van Aelst, Brussels, before 1521. Wool, silk and threads wrapped in precious metals, 488 by 631 cm. (Vatican Museums).

Attributed works:

12. St Paul defending himself before Agrippa, from Scenes from the Life of the Apostle Paul, designed by Pieter Coecke van Aelst and woven under the direction of Paulus van Oppenem (?), Brussels, c.1535. Wool, silk and threads wrapped in precious metals, 423 and 453 cm. (Kunsthistorisches Museum, Vienna).

Attributed works:

13. Lust (Luxuria), designed by Pieter Coecke van Aelst, c.1530 and woven by Willem de Pannemaker, c.1548/49. Wool, silk and threads wrapped in precious metals, 456 by 867 cm. (Kunsthistorisches Museum, Vienna).

Exhibition Review

Van Eyck: An Optical Revolution. Museum voor Schone Kunsten, Ghent

04/2020 | 1405 | 162

Pages: 328-332

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related names

Reviewer:

Campbell, Lorne (Campbell, Lorne; C., L.)

Subjects

artists:

Eyck, Jan van / and workshop / and follower / Eyck, Hubert van / David, Gerard / Christus, Petrus

artists:

Coxie, Michiel, I, 1499-1592 / Domenico Veneziano

dates:

2020-2030

museums and institutions:

Museum voor Schone Kunsten, Ghent, Belgium

subjects:

Conservation / Oil painting (technique) / Flemish painting / Polyptychs

works:

Adoration of the lamb (Saint Bavon, Ghent)

Reviewed Items

works:

Van Eyck: An Optical Revolution Museum voor Schone Kunsten, Ghent 1st February–30th April | :

Illustrations

Attributed works:

1. Adam, from the Ghent Altarpiece. 1432. Oil on panel, 212.9 by 37.1 cm. (St Bavo’s Cathedral, Ghent; exh. Museum voor Schone Kunsten, Ghent; Lukasweb.be-Art in Flanders vzw; photograph Dominique Provost).

Attributed works:

2. Portrait of a man (‘Leal Souvenir’), by Jan van Eyck (after cleaning). 1432. Oil on panel, 33.3 by 18.9 cm. (National Gallery, London; exh. Museum voor Schone Kunsten, Ghent).

Attributed works:

3. Cumaean Sibyl, detail from one of the exterior panels of the Ghent Altarpiece, by Hubert and Jan van Eyck. 1432. Oil on panel, 213.5 by 36.1 cm. (St Bavo’s Cathedral, Ghent; exh. Museum voor Schone Kunsten, Ghent; Lukasweb.be- Art in Flanders vzw; photograph Dominique Provost).

Western art unattributed:

4. Isabella of Portugal, copy after Jan van Eyck. 17th century. Pen and brush, ink and wash on paper, 34.5 by 30.4 cm. (Arquivo Nacional da Torre do Tombo, Lisbon; exh. Museum voor Schone Kunsten, Ghent).

Article

The Art of Conservation XV. The conservation history of the Ghent Altarpiece

09/2018 | 1386 | 160

Pages: 754-765

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related names

Author:

Dubois, Hélène (Dubois, Hélène)

Subjects

art literature:

Friedländer, Max J. / Coremans, Paul B. / Schryver, Antoine de / Marijnissen, R.-H. / Heere, Lucas de / Mander, Karel van, I, 1548-1606 / Waagen, Gustav Friedrich, 1794-1868 / Bode, Wilhelm von / Puyvelde, Leo van / Hulin de Loo, Georges / Vanderveken, Jef / Gettens, R. J. / Stout, George L. / Asperen de Boer, J. R. J. van / Spronk, Ron

art literature:

Vaernewijck, Marcus van / Hauser, Aloïs, the younger / Grevenstein, Anne van

artists:

Eyck, Jan van / Eyck, Hubert van / Blondeel, Lancelot / Scorel, Jan van / Coxie, Michiel, I, 1499-1592 / Coxie, Raphael / Bruyn, Jan Baptist de / Heuvel, Anton van den / Schlesinger, Johann / Schinkel, Karl Friedrich / Lagye, Victor / Bouts, Dieric

collectors and dealers:

Nieuwenhuys, L.J. / Solly, Edward

dates:

1400-1499 / 1500-1599 / 1600-1699 / 1700-1799 / 1800-1899 / 1900-1999 / 2000-2009 / 2010-2019

media:

Paintings / Displays / Radiographs / Infrared photography

museums and institutions:

Royal Institute for Cultural Heritage (KIK-IRPA), Brussels, Belgium / Musée du Louvre, Paris, France / Altes Museum, Berlin, Germany / Musées royaux des Beaux-Arts de Belgique, Brussels, Belgium / Museum voor Schone Kunsten, Ghent, Belgium / International Council of Museums (ICOM)

museums and institutions:

Getty Foundation, Los Angeles, United States

patrons:

Vijd, Joos / Borluut, Elisabeth / Philip II, King of Spain, 1527-1598

places:

Netherlands / Belgium / Brussels / Ghent / France / Paris / Germany / Berlin

subjects:

Netherlandish painting / Conservation / Restoration (process) / Scientific analysis / Technical analysis / Provenance / Iconoclasm / Damage to works of art / Stolen works of art / Alterations / Altarpieces / Panel paintings / Polyptychs / Collecting / Patronage / Retables / Feasts / Religious ceremonies / Glazes / Varnish / Pigments / Colour / Commissions / Archives / Style / Council of Trent (1545-1563) / Calvinism / Revolution (France: 1789-1799) / Restitution / Repatriation / Polychromy / Copies / World War (1914-1918) / World War (1939-1945) / Nazism / Exhibitions / Curators / Art historians / Conservators / Restorers / Science

Illustrations

Attributed works:

1. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown open, 375 by 514 cm. Before restora- tion. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).

Attributed works:

2. Diagram showing the extent of mid-sixteenth century overpaint on the outside wings of the polyptych. (©KIK-IRPA, Brussels).

Attributed works:

3. Detail of Fig.4, showing Joos Vijd’s right eye after varnish removal. The pink scumbles around the eyes, which cover the original eyelashes, are typical of the mid-sixteenth-century overpainting campaign. (©KIKIRPA, Brussels).

Attributed works:

4. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown closed, 375 by 257 cm. Photographed after restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).

Attributed works:

5. Detail of Fig.4, showing Elisabeth Borluut’s drapery before the removal of varnish and overpaint. (Cathedral of St Bavo, Ghent).

Attributed works:

6. Fig.5 after the removal of overpaint and restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).

Attributed works:

7. The Virgin Annunciate and Angel musicians (recto and verso of the same panel), by Hubert and Jan van Eyck. Photographs taken in Berlin before the restoration of 1894. Original hinges are present on the left side of the frame of the Virgin’s panel. Metal reinforcements were added to the extremities of the crossbar. Later, wrought metal hinged braces were attached by large screws fitted through the frame and visible on the front of the Angels panel. (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg).

Attributed works:

8. The prophet Micah, detail of Fig.4, shown in the frame designed by Karl Friedrich Schinkel with a hatch covering the inscription beneath the prophet. Photograph, before 1878. (RKD, Netherlands Institute for Art History, M.J. Friedländer Archive, The Hague).

Attributed works:

9. The Ghent Altarpiece as installed in the Vijd chapel between 1865 and 1920. It comprises Eyckian central panels, Lagye’s fur-clothed Adam and Eve and Coxcie’s copies of the other shutters. Photograph, c.1910–13. (© Stadsarchief, Ghent).

Western art unattributed:

10. Jef Van der Veken in his studio in Brussels. Photograph, before 1929. (RKD, Netherlands Institute for Art History, Jef Van der Veken Archive, The Hague).

Western art unattributed:

11. Albert Philipott applies wax to the surface of Eve in order to consolidate the paint layers. Photograph, 1951. (© KIK-IRPA, Brussels).

Western art unattributed:

12. Albert Philipott removes the overpainted clouds around the dove in The Adoration of the Lamb. Photograph, 1951. (© KIK-IRPA, Brussels).

Article

New documentation for Duke Albrecht V of Bavaria's tapestries of 'The seven planets' and 'The life of St Paul'

10/2016 | 1363 | 158

Pages: 777-783

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Author:

Buchanan, Iain (Buchanan, Iain)

Subjects

artists:

Bos, Michiel de / Floris, Frans, the Elder, 1519-1570 / Coxie, Michiel, I, 1499-1592 / Bossche, Frans van den / Coecke van Aelst, Pieter the elder, 1502-1550

collectors and dealers:

Fugger family

dates:

1550-1599

museums and institutions:

Bayerisches Nationalmuseum, Munich, Germany

museums and institutions:

Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, Munich, Germany

patrons:

Albrecht V, Duke of Bavaria, 1528-1579

subjects:

Tapestries / Textiles / Collections, Private / Collections, Public / Provenance / Estate inventories / Documentation

Illustrations

Attributed works:

1. Hercules and the centaurs, from The labours of Hercules, from the workshop of Michiel de Bos, after a painting by Frans Floris. Antwerp, 1565-66 (Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, Munich, BSV, WA 0067)

Attributed works:

10. The martyrdom of St Paul, cartoon, by Pieter Coecke van Aelst and workshop. c.1535 (Musée de la Ville, Brussels)

Attributed works:

2. Hercules and the Hydra of Lerna, from The labours of Hercules, from the workshop of Michiel de Bos, after a painting by Frans Floris. Antwerp, 1565-66 (Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, Munich, BSV, WA 0067)

Attributed works:

3. Sol, from The seven planets, unknown weaver's mark, after a design attributed to Michiel Coxcie. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3848)

Attributed works:

4. Venus, from The seven planets, unknown weaver's mark, after a design attributed to Michiel Coxcie. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3853)

Attributed works:

5. The stoning of St Stephen, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T71/8)

Attributed works:

6. The conversion of Saul, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3844.1)

Attributed works:

7. The burning of the heathen books, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T71/10)

Attributed works:

8. The martyrdom of St Paul, from the life of St Paul, from the workshop of Frans van den Bossche(?), after a design by Pieter Coecke van Aelst. Brussels, 1560-63 (Bayerisches Nationalmuseum, Munich, T3856)

Attributed works:

9. The martyrdom of St Paul, by Pieter Coecke van Aelst. c.1529-30 (Kunsthalle, Hamburg, 921544)

Exhibition Review

Michiel Coxie

03/2014 | 1332 | 156

Pages: 190-192

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Reviewer:

Ainsworth, Maryan W. (Ainsworth, Maryan W.; Ainsworth, Maryan)

Subjects

artists:

Coxie, Michiel, I, 1499-1592

dates:

2010-2019

museums and institutions:

M [letter M] Museum, Leuven, Belgium

places:

Louvain / Belgium

subjects:

Reviews / Exhibitions

Illustrations

Attributed works:

42. Christ carrying the cross, by Michiel Coxie (Patrimonio Nacional, Real Monasterio de El Escorial, Madrid; exh. Museum M, Leuven)

Attributed works:

43. Holy kinship altarpiece, by Michiel Coxie (Benediktinerstift, Stiftssammlung, Kremsmünster; exh. Museum M, Leuven)

Attributed works:

44. David and Goliath, by Michiel Coxie (Patrimonio Nacional, Real Monasterio de El Escorial, Madrid; exh. Museum M, Leuven)

Article

The contract for King Philip II’s tapestries of the ‘History of Noah’

06/2006 | 1239 | 148

Pages: 406-415

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Author:

Buchanan, Iain (Buchanan, Iain)

Subjects

artists:

Pannemaker, Willem de / workshop of

artists:

Coxie, Michiel, I, 1499-1592

museums and institutions:

Museo de Tapices del Palacio Real de La Granja, San Ildefonso, Segovia, Spain

patrons:

Philip II, King of Spain, 1527-1598

print:

Pannemaker, Willem de

print:

Philip II, King of Spain, 1527-1598

print:

Tapestries

subjects:

Contracts / Tapestries / Textiles / Noah / Collections, Public

subjects:

Commissions

Illustrations

Attributed works:

43. God orders Noah to construct the ark, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, 1562–65. Gold, silver, silk and wool, 433 by 433 cm. (Patrimonio Nacional de España, Museo de Tapices, Palacio de San Ildefonso, Segovia).

Attributed works:

44. The building of the ark, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, 1562–65. Gold, silver, silk and wool, 433 by 660 cm. (Patrimonio Nacional de España, Museo de Tapices, Palacio de San Ildefonso, Segovia).

Attributed works:

45. The disembarkation from the ark, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, 1562–65. Gold, silver, silk and wool, 430 by 705 cm. (Patrimonio Nacional de España, Museo de Tapices, Palacio de San Ildefonso, Segovia).

Attributed works:

46. The flood, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, c.1567. Silk and wool, 374 by 780 cm. (Wawel Royal Castle, Cracow).

Attributed works:

47. God establishes his covenant with Noah, from the History of Noah, workshop of Willem de Pannemaker, after a cartoon attributed to Michiel Coxcie. Brussels, c.1567. Silk and wool, 431 by 560 cm. (Rijksmuseum, Amsterdam).

Attributed works:

48. God orders Noah to construct the ark, from the History of Noah, workshop of Pieter van Aelst the Younger, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 472 by 525 cm. (Wawel Royal Castle, Cracow).

Attributed works:

49. The building of the ark, from the History of Noah, workshops of Pieter van Aelst the Younger and Willem de Kempeneer, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 483 by 784 cm. (Wawel Royal Castle, Cracow).

Attributed works:

50. The animals enter the ark, from the History of Noah, workshop of Jan van Tieghem, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 474 by 784 cm. (Wawel Royal Castle, Cracow).

Attributed works:

51. The flood, from the History of Noah, unidentified Brussels workshop, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 477 by 835 cm. (Wawel Royal Castle, Cracow).

Attributed works:

52. God establishes his covenant with Noah, from the History of Noah, workshop of Jan van Tieghem and Jan de Kempeneer, after a cartoon attributed to Michiel Coxcie. Brussels, c.1550. Gold, silver, silk and wool, 467 by 604 cm. (Wawel Royal Castle, Cracow).

Publication Received

Michel Coxcie, pictor regis (1499-1593). (Proceedings of an Internationaal Colloquium Held at Mechelen, 1992)

03/1996 | 1116 | 138

Pages: 206

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Subjects

artists:

Coxie, Michiel, I, 1499-1592

Reviewed Items

artists:

Michel Coxcie, pictor regis (1499-1593). (Proceedings of an Internationaal Colloquium Held at Mechelen, 1992) | :

Article

The Representation of Martyrdoms during The Early Counter-Reformation in Antwerp

03/1976 | 876 | 118

Pages: 128-138

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Author:

Freedberg, David (Freedberg, David)

Subjects

artists:

Francken family

artists:

Francken, Ambrosius I

artists:

Mander, Karel van, I, 1548-1606

artists:

Coxie, Michiel, I, 1499-1592

artists:

Vos, Maarten de

artists:

Veen, Otto van

artists:

Cobergher, Wenceslas

dates:

1550-1599

places:

Flanders / Netherlands / Antwerp

subjects:

Flemish painting / Netherlandish painting

subjects:

Martyrs

subjects:

Counter Reformation

subjects:

Martyrdoms

subjects:

Calvinism

subjects:

Saints / Iconography

Illustrations

Attributed works:

10. Scenes from the Martyrdom of St George, by A. Francken. Panel, Each 270 by 90 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Attributed works:

11. The Martyrdom of St Sebastian, by Michael Coxcie. Panel, 267.2 by 235 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Attributed works:

12. Triptych of the Holy Sacrament, by A. Francken. Panel, Centre, 275 by 240 cm.; Wings, 255 by 115 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Attributed works:

13. The Miracle of the Loaves and Fishes, by A. Francken. Panel, 280 by 212 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Attributed works:

14. The Martyrdom of St George, by Michael Coxcie. Panel. (St Romuald, Malines).

Attributed works:

15. The Martyrdom of St James the Greater, by Martin de Vos. Panel. (Formerly St James, Antwerp).

Attributed works:

16. The Martyrdom of St Andrew, by Otto van Veen. Panel, 437 by 287 cm. (St Andrew, Antwerp).

Attributed works:

2. Martyrdom of Saints Crispin and Crispinian, by A.(?) Francken. Panel, 271 by 217 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Attributed works:

3. The Charity and Martydom of Saints Cosmas and Damian, by A. Francken. Panel, Each 237 by 89 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Attributed works:

4, 5. Scenes from the Martyrdom of Saints Crispin and Crispinian, by A. (?) Francken. Panels. (St Charles Borromeo, Antwerp).

Attributed works:

6. St Sebastian Exhorting Marcus and Marcellinus, by A. Francken. Panel, 283 by 112 cm. (Koninklijk Museum voor Schone Kunsten, Antwerp).

Attributed works:

7. The Miraculous Healing of Zoe, by A. Francken. Panel, 283 by 112 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Attributed works:

8. Diocletian Condemning St Sebastian, by A. Francken. Panel, 283 by 112 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Attributed works:

9. St Sebastian Beaten with Rods, by A. Francken. Panel, 283 by 112 cm. (Koninklijk Museum Voor Schone Kunsten, Antwerp).

Article

Two Sixteenth-Century Exhibitions in Holland

10/1955 | 631 | 97

Pages: 315-319

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Author:

Altena, I. Q. van Regteren (Altena, I. Q. van Regteren; Regteren Altena, I. Q. van; Regteren Altena, Johan Quirijn van; Altena, J. Q. van Regteren)

Subjects

artists:

Scorel, Jan van

artists:

Coxie, Michiel, I, 1499-1592

artists:

Heemskerck, Maarten van

dates:

1950-1959

dates:

1500-1549

museums and institutions:

Rijksmuseum, Amsterdam, Netherlands

museums and institutions:

Council of Europe

places:

Netherlands / Utrecht / Amsterdam

subjects:

French painting / Italian painting / Netherlandish painting / British painting

subjects:

Mannerism / Exhibitions

Illustrations

Attributed works:

15. Portraits of Guillaume de Bourgoing and His Wife Philippa le Clerc du Tremblay, by Michiel van Cocxie. Dated 1536. Panel, 71 by 108 cm. (Comte de Bourgoing, Paris.)

Attributed works:

16. Nativity, by Michiel van Cocxie. On Reverse of Double Portrait Reproduced in Fig.15.

Attributed works:

17. Detail of landscape in the Story of Bathsheba, by Jan van Scorel. (Rijksmuseum, Amsterdam.)

Attributed works:

18. Vision of St John, by El Greco. Canvas, 225 by 195 cm. (Museo Zuloaga, Zumaya.)

Article

English Wall-Paintings after Italian Engravings

03/1941 | 456 | 78

Pages: 86-87+90-92

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Author:

Roberts, J. F. A. (Roberts, J. F. A.; Roberts, John Frank Arnold; R., J. F. A.)

Subjects

artists:

Master of the Die

artists:

Coxie, Michiel, I, 1499-1592

artists:

Du Cerceau, Jacques Androuet, the elder, ca. 1515-1584

buildings:

Hill Hall, Essex, Great Britain

dates:

1500-1599

places:

Italy / England

sources:

Apuleius

subjects:

Italian painting / Prints / Influence

subjects:

Cupid / Psyche / Iconography

subjects:

Wall paintings / British painting

works:

Apuleius / Metamorphoses

Illustrations

Attributed works:

Plate I. B-Psyche Giving Presents to Her Sisters. Engraving by the Master of the Die after Michiel Coxie. (Victoria and Albert Museum). English Wall-Paintings after Italian Engravings

Attributed works:

"Psyche at Her Toilet." Engraving by the Master of the Die after Michiel Coxie. (Victoria and Albert Museum)

Western art unattributed:

Plate I. A-Psyche at Her Toilet and Psyche Giving Presents to Her Sisters. Paintings on Plaster, about 1570. (Formerly at Hill Hall, Essex). English Wall-Paintings after Italian Engravings

Western art unattributed:

Plate II. A-Section of Wall-Painting from Hill Hall, Psyche Giving Presents to Her Sisters. (Victoria and Albert Museum). English Wall-Paintings after Italian Engravings

Western art unattributed:

Plate II. B-Section of Wall-Painting from Hill Hall, Psyche at Her Toilet. (Victoria and Albert Museum). English Wall-Paintings after Italian Engravings

Western art unattributed:

Plate II. C-Section of Border of Wall-Painting from Hill Hall. (Victoria and Albert Museum). English Wall-Paintings after Italian Engravings

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