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2 articles
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Advertisements September 1986 (Back)
09/1986 | 1002 | 128
Pages: nil
Subjects
artists:
Illustrations
Attributed works:
[Christie's, 8 King Street, London] Carl Vilhelm Holso̵e: Woman in an Interior, Signed, Oil on Canvas, 20¼ × 16 in.
Attributed works:
[E.F.J. Stender, Nieuwstraat 1017, Amsterdam] An 18th Century Oriental Export China Porcelain Service with a Flower Decoration Consisting of 155 Pieces. Table Clock, Signed: "Composé et Executé par a. Janvier Paris 1821" Graham Escapement, 5-Seconds Remontoir, One Month Going, Perpetual Calendar, Equation of Time, World Time.
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Advertisements July 1985 (Front)
07/1985 | 988 | 127
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
artists:
artists:
artists:
artists:
artists:
artists:
Illustrations
Attributed works:
The Incredulity of Thomas, by Dirk Barendsz. Oil on Paper. (British Museum; Exh. Colnaghi London).
Attributed works:
[6th International Biennial Fair & Exhibition of Antique dealers, jewellers & art galleries, Monte Carlo] Le Gascon Puni, by Nicolas Vleughels (1668-1737). On Metal, Monogrammed and Dated Lower Right - N. V. 1728. 36 by 29 cm. Patrick G Perrin. Pietà. Stone Sculpture. Auvergne, Thirteenth Century. L'Antiquaire du Paradou. Saint Tropez, la ville et les pins, by Paul Signac 1902. Oil on Canvas. 65.4 by 81.5 cm. Galerie Daniel Malingue. Feuille de Choux with Monkeys. Manufactures de Grammont. c.1540. 275 by 215 cm Dario Boccara. Stool, Gilt and Carved Wood, Stamped Jacob Desmalter. First Empire, 62 by 90.5 by 44 cm Provenance: Chateau de Saint-Cloud. Maurice Segoura. Occasional Table. Russian, Nineteenth Century. Attributed to A M Operkouchin, 80.5 cm High by 72.5 cm Diameter. Provenance: Grand Duc Nicholas-Nicholaïevitch. Tzigany. The Caravan by Jules van Biesbroeck (1873-1965). Panel, 98 by 122 cm. Signed Lower Right. Berko. Mantel Clock, White Marble and Chased Gilt Bronze, Louis XVI (1754-1793), 44 by 35 by 12 cm Provenance: Collection de Monsieur C... Galerie Perrin. Diamond and Emerald Tiara. Approximately 500 Carats. Probable Provenance: The French Imperial Crown Jewels. Alexandre Reza
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Antonio Canaletto. Warwick Castle, The South Front. Canvas: 28½ × 47½ ins
Attributed works:
[Anthony Dallas & Sons Ltd, 17 Clifford Street, London] James Norie the Elder (1684-1757). A Romantic Coastal Landscape. 10½ × 12½ in. (26.8 by 32 cm)
Attributed works:
[Athenaeum, 5 Avenue Princesse Alice, Monte Carlo] Guiseppe Sanmartino. Napoli 1723-1793. Bronze: H cm 76.
Attributed works:
[Berko fine paintings, Kustlaan 163, Belgium] Thomas Jones Barker (Bath 1815-Haverstock Hill 1882; English School). Departure of the Regiment. Canvas. Signed, 41 × 22in (102 × 55cm)
Attributed works:
[Bernard Baruch Steinitz, 4 rue Drouot, Paris] A Mechanical Automaton Silver Teapot in the Shape of a Camel, Bearing a Rider with Two Drums, One for Tea and the Other for Milk. By Omarsée & Sons, Baroda. Second Half of the Nineteenth Century. Height 53 cm, Length 44 cm, Weight 5,000 gr. A Similar Piece was Recorded at the Hotel Lambert in the Rothschild/Baron Rédé Collections.
Attributed works:
[Bernheimer, Lenbachplatz 3, Munich] Commode, by Roger Vandercruse, Called Lacroix. Stamped R. V. L. C. Louis XV/XVI Transition Period, c.1770-75. Rosewood Veneer on Oak with Very Fine Floral Marquetry with Three Drawers in the Frieze and Two Deep Drawers below.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Gaetano Gandolfi - S. Matteo Della Decima. 1734 - Bologna 1802. Cain and Abel. Black Chalk, with Touches of White and Red Chalk, on Brown Paper. 497 × 360 mm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Giovanni Battista Tiepolo. Venice 1696 - Madrid 1770. A Magician Pointing Out a Burning Head to Two Youths. Etching. De Vesme 16, Rizzi 7, Proof State, First State of Three, before the Plate Was Reduced in Size. (226 × 186 mm.)
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Didier Aaron Ltd, 21 Ryder Street, London] Portrait of Olympia and Marie Mancini. Attributed to Pierre Mignard (1612-1695). Oil on Canvas. 1.38 m × 1.66 m. (54¼″ × 65½″)
Attributed works:
[E.F.J. Stender, 5271 Ab sint Michielsgestel, Holland] Antide Janvier (1751-1835). Mahogany Month Long Case Clock with Striking Work and Year Calendar. The Dial is Signed: Coteau. (1770-1812)
Attributed works:
[Fischer Fine Art Limited, 30 King Street, London] Window, Leaded Glass, 1904, 40 × 27¼ ins
Attributed works:
[Galerie Sanct Lucas, Josefsplatz 5, Vienna] Theodor Rombouts. A Musical Party. Canvas, 130: 162 cm
Attributed works:
[Hill-Stone Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a boat beside a canal. Etching and drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A brilliant impression with much burr. From the collections of J. D. Böhm(Lugt 271, 272, and 1442), Samuel, Graf von Festetits(Lugt 926) and Friedrich Kalle(Lugt 1021).
Attributed works:
[Ivo Bouwman, Lange Vijverberg, The Hague] Odilon Redon (Bordeaux 1840 - Paris 1916). Flowerstill-Life. Oil on Canvas, 33.4 × 33.5 cm. Signed Lower Left
Attributed works:
[J.H. Bourdon-Smith Ltd, 24 Masons Yard, London] A Fine Wirework Basket. A Good Wirework Table Basket with a Woven Rope Edge and Twisted Rope Handle. It Was Made in London 1780 by John Wakelin and William Taylor. It Measures 10.75 Inches (27.3 cm) across and Weighs 40 Ounces (1244 gm).
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Gerrit Berckheyde (1638 - Haarlem - 1698). A View of the Kloveniersburgwal, Amsterdam, with the Waag in the Background and the Trippenhuis to the Right. Signed and Dated 1685. On Canvas - 21 × 25 Inches (53 × 63 cms)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Henry Moore. Figure in a Shelter, 1984, Bronze, Height 72 in/183 cm, Edition of 6.
Attributed works:
[Pelham Galleries, 163 & 165 Fulham Road, London] A magnificent late eighteenth century Roman Tapestry Picture of "Cleopatra" after Carlo Maratta in its original carved giltwood and simulated marble frame which bears the arms of Pope Pius VI. The Tapestry was woven in the workshops of San Michele a Ripa which were founded by Pope Clement XI at the beginning of the eighteenth century. It is in perfect unfaded condition. Height-5′7″ Width-3′1½″
Attributed works:
[Phillips, 7 Blenheim Street, London] Emile Claus, the Embankment, Hungerford Bridge. Oil on Canvas, Signed and Dated '16, 78cm. × 65cm.
Attributed works:
[Richard L. Feigen & Company, 620 N. Michigan Avenue, Chicago] Giovanni Cariani, "Portrait of Dominicho Radise," Oil on Canvas, 100.4 by 75 cm.
Attributed works:
[Sotheby's, 102 Rokin, Amsterdam] Sir Pieter Paul Rubens, Landsknechts Fighting Around a Table; Figures at a Table in an Inn, a Pair, Both Pen and Brown Ink and Wash. Each c. 13.3 by 17.4 cm. Provenance: P. J. Mariette; Comte Moritz von Fries.
Attributed works:
[Steppes Hill Farm Antiques, The Hill Farm, Stockbury] A Very Rare First Period Worcester Inverted Pear Shape Milk Jug and Cover on Claret Ground, Painted in the Ciselé Gilt Enriched Reserve with an Exotic Bird on Fruit and Foliage, in the Atelier of James Giles of London. c.1768.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Aimé Jules Dalou (1838-1902). "Portrait of Mademoiselle Vuillier" Also Called "Candeur" Bronze. Height: 37.3 cm ($14frac{11}{16}$ in). Cire Perdue: A. A. Hebrard. Stand No 31
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] A Large Chased Sideboard Dish Monogrammed in the Centre 'E. E'. Made in London in 1868 by George Fox. J. H. Bourdon-Smith, London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Louis XV Commode by Jean Desforges, maître ébéniste in Paris, 1739. Japanese Black and Gold Lacquer Panels Framed by Elaborate Bronze Doré Mounts Which Continue Down Legs to Form Intricate Sabots. Didier Aaron, Paris and USA.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Mid-Eighteenth Century Hurdy-Gurdy by Nicholas Lambert of Paris. Circa 1750. Pelham Galleries, London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Pair of Louis XVI Ormulu-Mounted Rose Granite des Vosges urns, Mounted with Gilt Bronze Putti, Frieze and Laurel Swags. The Model is Attributed to Thomas Duplessis after a Design by Juste Francois Boucher (1736-1781). Bernard Steinitz. Paris and London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Terrace on the Roof with View on Liège, by Evariste Carpentier, Kuurne 1845, Belgium School. Berko, Belgium.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Venus at the Forge of Vulcan by Gaetano Gandolfi. Oil. Trafalgar Galleries, London.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] William Hogarth 9½ × 12 15/16 Inches. Hudibras Vanquished by Trulla. Pen and Ink and Grey Washes.
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Gerrit Van Honthorst (Utrecht 1590-1656). A Musical Party. Oil on Canvas 51¾ Inches × 71½ Inches (131 × 182 cms)
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Michele Desubleo (Mauberge Circa 1601- Parma 1676). Jacob's Dream. Oil on Canvas 60 × 83 Inches (153 × 210 cms)
Attributed works:
[William Drummond, 11 Bury Street, London] William Hoare of Bath R. A. 1706-1792. A Sleeping Nymph. Pastel Oval 18¼ × 26 Inches. 45.6 × 66 cms. Painted Circa 1760
Non-western art unattributed:
[Vanderven & Vanderven, Peperstraat 6, 's-Hertogenbosch] A Pair of 18th Century Chinese Large Famille Rose Mandarin Jars and Covers. Chien Lung Period, 1736-1795
Western art unattributed:
[Anthony Woodburn, High Street, Leigh] George Graham. An Important Walnut Longcase Clock from the George I Period. Both Movement and Case are Numbered
Western art unattributed:
[de Havilland (antiques) Ltd, 48 Sloane Street, London] George III Ebony Musical Regulator Spring Clock, Six Dials, Centre Second Hand, ½ Second Dead Beat Escapement, with Chinoiserie Decoration, Signed Simpson, London. Height 28 Inches (71 cms.)
Western art unattributed:
[Galerie Perrin, 3 quai Voltaire, Paris] Outstanding 'Chinoiserie' Clock. Chased, Gilt Bronze. Mark: 'Saint Germain' Struck on the Base. On a Convoluted Base, Adorned with Rocaille Decoration, Foliage and a Pierced Balustrade, Two Half-Kneeling Chinese Figures Support the Clock. The Dial is Signed Vandercruse a Paris. Height 55 cm. Width 53 cm.
Western art unattributed:
[Graham and Oxley Antiques Ltd, 101 Kensington Church Street, London] A Fine Pair of 1st Period Worcester Heart Shaped Dishes Decorated with Hop Trellis Pattern. Circa 1770. Mint Condition.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] 17th Century Japanese Blue-White Dish with the Monogram of the Dutch East India Company. Van der Ven & Van der Ven, The Netherlands.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Clock in verre opaline of Deep Lavender Blue with Ormulu Mounts in Original State. French, Circa 1825. Delomosne, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Delftware Plate Decorated with a Portrait of George III, Circa 1761. Jonathan Horne, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Early 18th Century George I Walnut Bureau - Circa 1725. Hotspur, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Louis XV Commode. Gallerie Perrin, Paris.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Pair of Worcester Heart Shaped Dishes Decorated with Hop Trellis Pattern. Circa 1770. Graham & Oxley, London.
Western art unattributed:
[Wartski, 14 Grafton Street, London] An Articulated Diamond Aigrette Mounted in Gold and Set in Silver. English c.1780. (This Jewel is Shown Actual Size)