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10/2012 | 1315 | 154
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Alfred Janniot (French, 1889-1969). Elégance, circa 1930. Plaster. 99 x 48 x 11 inches (253 x 118 x 28 cm)]
Attributed works:
[CG. Boerner, New York. Saint Eustace, by Albrecht Durer. Engraving. 36 by 26 cm. Bartsch 57; Meder 60b (of k); Schoch/Mende/Scherbaum 32.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Cesare Dandini (1596 - 1657). Portrait of a Young Man, oil on canvas, oval 62.5 x 50.5 cm]
Attributed works:
[Emanuel van Baeyer, London. L'Assemblée - Au Concert, by François Dequevauviller. 1783-84. Pendant to 'L'Assemblée - Au Salon'. After gouaches by Nicolas Laureince. Engraving, 58 by 68 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Guido Reni. Calvenzano, 1575 - Bologna, 1642. Saint Jerome. Oil on canvas, 65.1 x 50 cm (25 5/8 x 19 11/16 in)]
Attributed works:
[Galerie St. Etienne, New York. Male nude (self Portrait) 1, by Egon Schiele. 1912. Delteil 239. Signed, dated and with the signet of The Sema Association, lower left. Lithograph, 44.8 by 40 cm]
Attributed works:
[Galleria Russo, Rome and Milan. Impression de boulevard (Lady of the veil), by Medardo Rosso. Bronze. Height: 70 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Naum Gabo 1890-1977. Linear Construction in Space No.1, 1950. Perspex with nylon monofilament. 8 1/4 x 8 1/4 x 2 1/4 inches; 21 x 21 x 5.6 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Camille Pissarro (Charlotte Amalie, St. Thomas 1830-1902 Paris). FourBathers (Les quatre baigneuses). Etching; 1895. Delteil 118, the exceedingly rare first of two states before the reduction of the height of the plate. Delteil cites only two impressions of this state. A brilliant impression printed with rich plate tone]
Attributed works:
[Hill-Stone, New York. Jupiter and Juno on Mount Ida, by James Barry. 1777-90. Etching, engraving and aquatint, 26 by 19.6 cm]
Attributed works:
[ifpda|printfair|2012. Park Avenue Armory, New York. Cyril Power. The Tube Station, ca. 1932. Color linocut. Edition of 60.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Girolamo da Treviso (1497-1544). Virgin with the Child and Saint Catherine. Oil on panel, 103 x 83 cm]
Attributed works:
[Mazzoleni Galleria d'Arte, Turin. The comforter, by Giorgio de Chirico. 1958. Oil on canvas, 100 by 81 cm]
Attributed works:
[Moretti, Florence, London and New York. Virgin and Child with the young St. John, by Lorenzo Lippi (1606-56). Oil on canvas, 72.5 by 109 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Sybil Andrews. Rush Hour, 1930. Linocut, from the edition of 50, 20.9 x 25.1 cm]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Camille Pissarro. Market in Pontoise]
Attributed works:
[Paul Stolper Gallery, London. London, Abbey Road parade, by Peter Blake. 2012. Signed and numbered. Edition of 100. Silkscreen, 50 by 50 cm]
Attributed works:
[Piano Nobile. 129 Portland Road, London. The Violinist, 1912. Oil and tempera on board. 38 x 28 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Hugo Wilson, Dodus Dei, 2011. Etching and aquatint, 57.5 x 72.5 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. An ancient dark night descended upon my soul I, by Ana Maria Pacheco. 2010-12. Printed on Somerset satin white, 410 gsm, in an edition of 15. 99.7 by 57.8 cm]
Attributed works:
[Robilant + Voena, London and Milan. Penitent St. Peter, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Oil on canvas, 103.5 by 82 cm]
Attributed works:
[Simon Theobald Fine Art, London. Zwiesprache (Dialogue) by Max Pachstein. 1920. Woodcut printed in colours, 40 by 32 cm]
Attributed works:
[Sims Reeds, London. Marilyn, by Andy Warhol. 1967. Screenprint, 91.4 by 91.4 cm]
Attributed works:
[Sperone Westwater. Bruce Nauman Parallaz. Shell, 1971]
Attributed works:
[The Redfern Gallery, London. Jeu de Boules, by Lill Tschudi, 1934. Linocut, 58.4 x 83.8 cm]
Attributed works:
[The Redfern Gallery, London. Nudes, by Lill Tschudi, 1933. Linocut, 26 by 28 cm]
Attributed works:
[www.kunsthammer.at . Plankengasse . Wien. Josef Hoffman Wiener Werkstatte Beaten Silver, 1906]
Attributed works:
[www.kunsthammer.at . Plankengasse 7. Wien. Johan Loetz-Witwe sign. Phen gre. 356. Paris World Exhibition.]
Non-western art unattributed:
[Galleria Ajassa, Turin. One of a pair of imaginary animals. Chinese, Tang dynasty (618 - 907). Painted terracotta. Height: 58 and 65 cm]
Non-western art unattributed:
[Galleria Stanza Del Borgo. Via Turati 7. Milano. Hosonda Eishi 1756 - 1829. Morokoshi from the House of Echizenya. Mid 1790's. Oban: mm 350 x 247. Series: Seiro bijin rokkasen. Fine impression and colour with embossing in the kimono]
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Subjects
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Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
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10/2011 | 1303 | 153
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Subjects
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Illustrations
Attributed works:
[August Laube, Zurich. Martincho makes a bull turn in the Madrid ring, by Francisco de Goya (1746-1828). Delteil 239. Harris 219 III. I. Etching and Aquatint, 20.3 by 31.3 cm]
Attributed works:
[C.G. Boerner, New York. The Palais de Justice in Paris, seen from the Pont Notre-Dame, by Auguste Lepère. 1889. Colour woodcut on thin Japan paper, 19.2 x 30.2 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Massimo Stanzione (Orta di Atella, Campania c.1585 - 1656 Naples). The Madonna and Child. Oil on canvas, 50 1/5 x 39 2/3 (127.4 x 100.8 cm)]
Attributed works:
[Charles Beddington, London. An inlet near Naples with a castle and fisherfolk, by Charles-Joseph Vernet (1714-89). Oil on canvas, 63.3 by 98.8 cm]
Attributed works:
[David Koetser, Zurich and Amsterdam. An extensive landscape with travellers on a road, by Jan Brueghel the Elder (1568-1625). Signed and dated 1608. Oil on copper, 17.8 by 27.2 cm]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. Portrait of a young hunter, by Henri-Pierre Danloux (1753-1809). Signed and dated 1802. Oil on canvas, 75.5 by 63 cm]
Attributed works:
[Frederick Baker. 1230 W. Jackson Blvd. Chicago. Stow Wengenroth Manhattan Gateway]
Attributed works:
[Galerie Canesso, Paris. Vulcan in his forge, by Pompeo Batoni (1708-87). Monogrammed and dated 1750. Oil on canvas, 94.2 by 73.7 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jacopo dal Ponte, called Bassano. Bassano del Grappa, c. 1510 - 1592. Jacob'd Journey. Oil on canvas, 62.5 by 96 cm (24 5/8 x 37 13/16 in)]
Attributed works:
[Galerie Giovanni Sarti, Paris. Virgin and Child, by Andrea Di Nerio (c.1331-87). Tempera, gold and silver on panel, 80 by 62 cm]
Attributed works:
[Galerie Terrades. 8, rue d’Alger. Paris. Vicente Lopez Portana (1772-1850). Apollo and the Muses, Oil on canvas (detail)]
Attributed works:
[Haboldt & Co., Amsterdam, Paris, New York. Flora, by Vincenzo Mannozzi (1600-58). Oil on marble, 81.5 by 66.5 cm]
Attributed works:
[Harris Schrank FIne Prints, New York. Bullfighting, by Francisco de Goya (1746-1828). 1814-16. First edition. The complete set of 33 etchings with aquatint, drypoint and engraving.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. William Nicholson. The Silver Casket, 1919]
Attributed works:
[Jean-François Heim, Paris. The Velino above the Cascade of Terni, by Jean-Baptste- Camille Corot (1796-1875). 1826. Oil on paper laid down on canvas, 32.5 by 39 cm]
Attributed works:
[Osborne Samuel, London. The Eight, by Cyril Power. 1930. Signed, titled and numbered within the image. From an edition of 50. Linocut, 32.3 by 23.4 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. Hockey, 1931. Linocut. From the edition of 50. 16.8 x 28.9 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Gerolamo Genga (Urbino, 1476 - La Valle, 1551). The Madonna and Child with the Infant Saint John the Baptist and a monk (oil on canvas, 108 x 92 cm).]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Rembrandt, the fourth oriental head]
Attributed works:
[R.E. Lewis & Daughter, San Rafael, California. Maisons à Bougival, Maurice de Vlaminck. 1913. Signed and numbered '7', in pencil. From an edition of 30. Woodcut, 16.3 by 24.3 cm]
Attributed works:
[R.S. Johnson FIne Art, Chicago. Lucky chances of the swing, by Nicolas de Launay after Jean-Honoré Fragonard. Etching, 54.9 by 43.3 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Sybil Andrews, 1898-1992. Market Day, 1936. Linocut, 28 x 33.6 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Pablo Picasso. Visage Brun-Blu Ceramic Plate, 1947]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Annibale Carracci. Bologna 1560 - 1609 Roma. The Prodigal Son. Pen and brown ink and brown wash. 382 x 256 mm (15 1/8 x 10 in)]
Attributed works:
[Sims Reed, London. Petite Aurore, by Henri Matisse. 1923. Edition of 50. Lithograph, 28 by 37.5 cm]
Attributed works:
[Stair Sainty, London. Young woman in her boudoir, by Louis-Rolland Trinquesse (1746-c.1800). Oil on canvas, 80 by 62 cm]
Attributed works:
[Talabardon & Gautier, Paris. The Transporting of the orange tree, by Hubert Robert (1733-1808). Oil on canvas, 40.5 by 32.5 cm]
Attributed works:
[The Old Print Shop, New York. Lily, by Arthur Wesley Dow. 1893. Woodcut, 20.3 by 5.1 cm]
Attributed works:
[The Weiss Gallery, London. The carrying of the cross, by Nicolas Tournier (1590-1639). c.1632-35. Oil on canvas, 220 by 121 cm]
Attributed works:
[The Weiss Gallery. 59 Jermyn Street. London. Antonio David (1684-1750). Prince James Edward Stuart, The Old Pretender (1688-1766). Oil on canvas: 31 1/2 x 25 in. (80 x 63.5 cm.). Painted c. 1718]
Attributed works:
[William Weston Gallery, London. Construction, by Laszlo Moholy-Nagy (1895-1946). 1922-23. Signed in pencil. Annotated by Moholy-Nagy as: 'Probe' or trial proof. Lithograph, 59.5 by 36.1 cm]
Western art unattributed:
[Dorotheum. Dorotheergasse 17. Vienna. Circle of Piero di Cosimo (1462-1521), The Madonna and CHild with three Angels, oil on panel, tondo, diam. 89 cm, framed]
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04/2011 | 1297 | 153
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Subjects
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subjects:
Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
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Subjects
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Illustrations
Attributed works:
[Advanced Graphic, London. Thistle still life, by Craigie Aitchison. 2007. Screenprint, 30.5 by 25.5 cm.]
Attributed works:
[Alan Cristea Gallery, London. Star spangled, by Gilian Ayres. 2009-20. Sugarlift aquatint and carborundum, 78 by 104.5 cm]
Attributed works:
[Elizabeth Harvey-Lee, Oxford. Mars, Venus and Cupid, by Lucas van Leyden. 1530. Engraving, 19 by 24.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giulio Cesare Procaccini. Bologna, 1574 - Milan, 1625. The Holy Family with the Young Saint John the Baptist. Oil on walnut wood panel, 97 x 64,5 cm (38 3/16 x 25 3/8 in)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Lucas van Valckenborch the Elder. Leuven ca. 1533 - 1597 Frankfurt. The Babel Tower. Oil on copper, diameter: 27 cm (16. inches). Monogrammed and dated : L.V.V. 1584.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Robert Bevan. 1865-1925. Houses in Sunlight, 1915. Oil on canvas. 20 x 24 inches; 51 x 61 cm. Signed.]
Attributed works:
[Hill-Stone, New York. Salisbury cathedral: the large plate, David Lucas (1802-81) after John Constable (1776-1837). Mezzotint. Shirley 39. A progress proof close to Shirley, progress proof 'e', with the artists' names scratched below the framing line.]
Attributed works:
[Hill-Stone, New York. URS GRAF (Solothurn c.1485 - 1527/28 Basel). Two Mercenaries and a Woman with Death in a Tree. Woodcut, with extensive hand colouring of the period: 1524. Hollstein 28, only state; Major & Grandmann, Urs Graf, 151. A very fine impression in very good condition, trimmed to the border, and in places just shaved into the border. Of the greatest rarity; Hollstein cities only fourteen impressions in public collection.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Meister der Wenzel-Scheibe (active in Austria in the 1st third of the 15th C.). Flagellation of Christ. Tempera on wood, 55.5 x 51.5 cm]
Attributed works:
[Markus Nass, Berlin. The goldsmith, by Rembrandt van Rijn. 1655. Etching, 9 by 6.7 cm.]
Attributed works:
[Mary Ryan Gallery, New York. Afternoon swimming, by David Hockney. 1980. Lithograph, 80 by 100 cm.]
Attributed works:
[Musée National de la Renaissance. Chateau D'Ecouen. The portrait of the Trojan Prince Paris acquired at the Yves Saint Laurent / Pierre Bergé sale 2009 is now on display at the Chateu of Ecouen, along with other heroes from the set designed by Leonard Limosin after Ovid's 'Heroes'.]
Attributed works:
[Royal Academy of Arts. London. Paul Sandby. The North Terrace, Windsor Castle. Looking West (detail), c.1765. Bodycolour over graphite. 379 x 545 mm.]
Attributed works:
[Simms Reed, London. Just what was it that made yesterday's homes so different, so appealing? by Richard Hamilton. 1992. Laser print in colours, 42 by 29.7 cm]
Attributed works:
[Sims Reed. Turing 6, by Eduardo Paolozzi. 2000. Screenprint in colours, 76 by 56 cm.]
Attributed works:
[The 45th London Original Print Fair. Royal Academy of Arts. Burlington House. London.. Howard Hodgkin. Night Palm, 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Speed, by Claude Flight. c.1922. Linocut, 22.5 by 28.5 cm]
Attributed works:
[The Old Print Shop, New York. Little penthouse, by Martin Lewis. 1931. Drypoint, recorded impression, 25.2 by 17.3 cm.]
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Pages: s.p.
Subjects
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artists:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Bartolomeo Schedoni (1578-1615). The Holly Family with the infant St. John Baptist. Oil on walnut, 13 7/8 x 10 ins (35.5 x 25.5 cm)]
Attributed works:
[August Laube, Zurich. Old bearded man in a high fur cap, with eyes closed, by Rembrandt van Rijn (1606-69). Etching.]
Attributed works:
[C. & J. Goodfriend, New York. Standard bearer in a landscape, Heinrich Aldegrever (1502-58/61). 1540. Engraving, 118 by 77 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Anton Maria Vassallo. Genoa 1617/1618 - Milan 1680. Medea rejuvenating Esone. Oil on canvas, 60 x 81 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino. Saint John the Evangelist. Oil on canvas, 102 x 78 1/2 in. (259x199.4 cm)]
Attributed works:
[Courtesy of Hill-Stone, Inc, New York. Evening thou bringest all, by Henry Fuseli (1741-1825). 1802. Pen lithograph, 22.3 by 31.5 cm]
Attributed works:
[David Tunick, New York. Engraved passion, by Albrecht Durer (1471-1528). 1507-12 (1513 for no.16, Meder 18). Complete set of sixteen engravings, each 11.7 x 7.4 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576 - 1602. Portrait of Virginio Guicciardini. Oil on canvas, 90 x 80,5 cm (39 x 31 11/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Francesco Monti (1685-1768). A Sketch for a ceiling. Oil on canvas, 39.5 x 57 cm (15 1/2 x 22 1/2 in)]
Attributed works:
[Joseph Friedman Ltd. Sir Thomas Lawrance, P.R.A. (1769-1830). John Philip Kemble as Cato (1812). Oil on canvas. 104 x 70 1/2 in (254 x 177.8 cm)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Giovanni Bettista Tiepolo (1696-1770). Presentation of the Rosary. Oil on cardboard, 72x34 cm. Modelletto for the ceiling of the Gesuati church in Venice.]
Attributed works:
[Paul McCarron Fine Prints and Drawings. New Jersey. Five butterflies, by Wenceslaus Hollar (1607-77). 1646. Etching, 8.1 by 11.9 cm]
Attributed works:
[Paul Prouté, Paris. Le coiffeur, programme from "Le Théatre Libre", by Henri Toulouse Lautrec (1864-1901). 1893. Lithograph, 22.4 by 16.1 cm.]
Attributed works:
[Pia Gallo, New York. Westminster Bridge, by Felix Buhot, (1847-98). 1884. Etching and drypoint, 28 by 39.4 cm]
Attributed works:
[Sims Reed, London. Le Lézard aux plumes d'or, by Joan Mirò. 1971. Edition of 150. Lithograph printed in colours.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Anthony Van Dyck. Self Portrait.]
Attributed works:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of boxwood and ebony consoles attributed to Andrea Brustolon (1662-1732). Italy, Venice, early 18th century. Height: 88 cm (34 1/2 in). Width: 99 cm (39 in). Depth: 56 cm (22 in).]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Detail of the monument of Mary Victoria and George Nathaniel Curzon, by Bertram Mackennal. 1907-13. Serravezza marble on black marble plinth. c. 200 by 160 by 130 cm. (All Saint's Church, Kadlestone, Derbyshire.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Madonna della Misericordia, attributed to Bartolomeo Bon and workshop. c. 1440-41. Istrian stone with traces of paint and gilding. 251.5 by 208.3 cm (Victoria and Albert Museum, London.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Scandal relief, by Charles Sargeant Jagger. 1930. Bronze, 161 by 149 cm (Victoria and Albert Museum)]
Attributed works:
[The Fine Art Society, London. Returning to the trenches, by C.R.W. Nevison (1889-1946). Edition of 75. Drypoint, 51.2 by 76.8 cm]
Attributed works:
[The International Art Fair for FIne Prints. The Park Avenue Armory. New York. Augustin Hirschvogel (1503-1553), Courtyard of a Castle. Etching. 1546.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giambologna (1529-1608). Prometheus. Gilt bronze.]
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Subjects
advertisements:
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Illustrations
Attributed works:
[Abbott and Holder Ltd. 30 Museum Street. By Keith Vaughan (1912-1977). Dated: '8/3 Nov / 73'. Studio stamped verso. Pencil, 380 by 30 cm]
Attributed works:
[Agnew's, London. Helmet head no.3, Henry Moore (1898-1986). Bronze, 29.5 cm high.]
Attributed works:
[Agnew's, London. Pulteney Bridge, Bath, by Walter Richard Sickert (1860-1942). Signed, inscribed and dated 1918. Oil on canvas, 25.4 by 30 cm.]
Attributed works:
[Agnew's. The Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578-1615). Oil on panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew’s. 8 Grafton Street. London. Study of Angels, by Charles de La Fosse (1636-1716). Verso: Study of an angel. Red and black chalks, 18.8 by 22.4 cm]
Attributed works:
[Bel Elwes Fine Art. View of Parc d'Ermenonville, by Alexandre-Hyacinthe Dunouy (1757-1841). Oil on canvas, 32 by 41 cm.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Louis-Ernest Barrias, French (1841-1905). A bronze entitled 'La Nature se devoilant devant la Sciance']
Attributed works:
[Charles Beddington Ltd. Portrait of the sculptor Martin Desjardins (1637-94), by Hyacinthe Rigaud (1659-1743). Oil on paper laid down on canvas, 25 by 20.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. James Forbes (1749-1819). Lapis Lazuli. Original mount by the artist. Bodycolour with gold on paper. Height: 27.5 cm. Width: 31 cm]
Attributed works:
[Christie's. A Blackberry pie, a nautilus cup, a salt cellar, a silver ewer, a roemer, a knife and a knife case, all on a partly draped table, by Willem Claesz Heda (1594-1640). Oil on panel, 71.1 by 91.4 cm]
Attributed works:
[Colnaghi. David and Bathsheba, by Lucas Cranach the Elder (1472-1553). 1534. Oil on limewood panel, 115 by 79.3 cm.]
Attributed works:
[Didier Aaron (London) Ltd. Clifford House, 15 Clifford Street. Hector's farewell to Andromache, by Pietro Antonio Novelli (1729-1804). Signed lower left: 'Petrus Ant. Novelli / venetus pinxit / Anno MXCCLXXII', Inscribed in the upper and lower margin. Pen with brown and chalk ink and grey wash, 35.2 by 44 cm]
Attributed works:
[Fergus Hall Master Paintings. A dune landscape with travellers resting on a path, by Jan Wijnants (1631/32-84). Oil on canvas, 43 by 35 cm.]
Attributed works:
[Fergus Hall. 38 Old Bond Street. London. Anthonie Palamedesz. (Delft 1601-1673 Amsterdam). A Guardroom Interior. Oil on panel, 37.5 x 49.7 cm, Signed A. Palamedes (lower left)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Angelo Caroselli. Rome, 1585-1652. The Holy family with Saint Dorothy. Oil on wood panel, 53 x 45.5 cm (20 7/8 x 17 13/16 cm)]
Attributed works:
[Godson & Coles, London. Red circle and black, by Sir Terry Frost R.A. (1915-2003). 1963. Signed, titled and dated 'May 63' on the reverse. Oil on canvas with collage, 143.5 by 143.5cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Duncan Grant. 1885-1978. Omega Paper Flowers on a Mantlepiece, circa 1914. Oil on canvas. 21 3/4 x 29 7/8 inches; 55.2 x 75.9 cm]
Attributed works:
[Hill-Stone Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Roman Charity, by Giovanni Francesco Barbieri, called Guercino (1591-1666). Drawing in red chalk with some stumping, 23.9 by 18.7 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Carle Vernet (Bordeaux 1758 - 1836 Paris). A Woman Wearing a Chapeu Casque and a Tablier à Fichu. Drawing in sanguigne chalk. Apparently the preparatory drawing for Plate 105 in Costumes Parisiens, Vol. II (1797-1836). 20 1/8 x 15 1/16 inches. (511 x 382 mm)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Studio of Raphael, Pietro or Pedro Serafi (Serafin), called The Greek (Active Rome c. 1520 and Brussels c. 1530 - Barcellona 1567). Two Soldiers, a Portion of a Tapestry Cartoon. Gouache over black chalk. Part of a larger cartoon preparatory for a tapestry The Triumphal Procession of Scipio Africanus. The tapestry was part of a great cycle of 22 pieces, from designs by Giulio Romano and Gianfranco Penni. Following its acquisition by Francois I, it enjoyed enormous celebrity under the name the "Great Scipio". 14 13/16 x 9 13/16 inches. (380 x 253 mm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. A mother with a child at her breast; verso: A young woman, seated, with a book open on her lap, by Girolamo Francesco Maria Mazzola, called Parmigianino (1503-40). Recto and verso: Red chalk, 15.8 by 11.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giuseppe Bernardino Bison. Palmanova 1762 - 1844 Milan. A Capriccio with Boatmen by a Lake, a Church and other Buildings on the Shore and Mountains in the Distance. Gouache on paper. 430 by 592 mm. (17 by 23 1/4 in)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Pieter Lastman (1583-Amsterdam-1633). The Baptism of Christ. Oil on panel. Signed and dated 1629. 32 1/4 x 22 5/8 ins. 82 x 57.5 cm]
Attributed works:
[Johnny van Haeften Ltd. A still life of flowers in a blue and white vase, by Jan Brueghel the Elder (1569-1685). Oil on panel, 47 by 34 cm]
Attributed works:
[Jorn Gunther Rare Books, Hamburg. The Pontifical of Ferry de Clugny, Bishop of Tournai. Illuminated by Loyset Liédet and Lieven van Lathem. Bruges, c.1475-76. On vellum, 30.5 by 22.4 cm.]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The baptism of Christ, by Giovanni Domenico Tiepolo (1724-1804). Pen and brown ink and brown wash over black chalk, 28.8 by 19.7 cm]
Attributed works:
[Koopman Rare Art, London. A silver-gilt royal presentation tray. London, 1805. Maker's mark of Digby Scott & Benjamin Smith. Lenght (across handles): 75 cm. Width: 55 cm. Weight: 250.5 ounces.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The Isle of Elba from the sea, by Alexander Cozens (c.1717-86). Signed on the artist's original backing sheet. Pen and ink grey wash heightened with black chalk, 28 by 44.5 cm]
Attributed works:
[Michal Tollemache Fine Art. A kermesse or village festival (detail), by David Teniers the Younger (1610-90). Oil on canvas, 97.7 by 131.4 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Severo di Domenico di Calzetta, called Severo da Ravenna. Ravenna, active by 1496 - died 1538. Kneeling Satyr. Bronze, height: 19.4 cm excluding later marble base.]
Attributed works:
[Philip Mould Historical Portraits, London. Portrait of a Lady, by Joseph Wright of Derby (1734-97). c.1760. Oil on canvas, 76 by 64.5 cm.]
Attributed works:
[Sims Reed, London. Lithograph of water, by David Hockney. 1980. Signed in pencil and inscribed: AP IX. Lithograph printed in colors, 75.4 by 87.7 cm]
Attributed works:
[Sotheby's. Prometheus, by Jusepe de Ribera (1591-1652). Oil on canvas, 192.5 by 156 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Master of Rimini. Alabaster Pietà.]
Attributed works:
[Sphinx Fine Art Exhibiting at: The Gallery, 28 Cork Street. Death of Seneca, by Giovanni Battista Tiepolo (1697-1770). Pen and brown ink and grey wash over black chalk, 42.8 by 28.2 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Michele Tosini, called Michele di Ridolfo del Ghirlandaio (Florence 1503 - Florence 1577). An Allegory of Fortitude. Oil on panel, 73 x 54.7 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Illustrated letter to Albert Hecht, with a still-life of plums and cherries, by Edouard Manet (1832-83). Watercolour, with writing in pen and brown ink, 24.5 by 15.6 cm.]
Attributed works:
[The FIne Art Society, London. White lilies, by Samuel Peploe (1871-1935). c. 1926. Signed 'S J Peploe', at lower right. Oil on canvas, 61 by 51 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Hans von Aachen (1552-1615). Portrait of Adriaen de Vries. Oil on canvas. 50.3 x 40.4 cms.]
Attributed works:
[Trafalgar Galleries. The Emperor Claudius mounted on a white charger, by Giulio Romano (1499-1546). c. 1536. Oil on panel, 83 by 54 cm]
Attributed works:
[Trinity Contemporary. 29 Bruton Street. London. Head (Drawing 137), by Claude Heath. 1995. Signed, numbered and dated lower right: '137 24.2.95 C HEATH'. Coloured biro on paper, 70 by 50 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Manno Sbarri (Florence 1494-1553) and Guglielmo Della Porta (circa 1500-1577). The Infant Hercules Strangling the Serpents. One of a pair of models for the scenes on the lif of the Farnese Casket. Red wax, patinated in black/brown; modelled in relief on slightly curved timber boards. 16.5x28 cm (the wax)]
Attributed works:
[W/S Fine Art / Andrew Wyld. 27 Dover Street. London. An open landscape with bright clouds and two figures, by William Callow (1812-1908). Signed with initials: W.C. Watercolour and bodycolour, 95 by 13.3 cm]
Attributed works:
[Whitfield Fine Art Ltd. Madonna and CHild, St. John the Baptist, St. Elizabeth and St. Joseph, by Rosso Fiorentino (1494-1540). c. 1513. Oil on panel, 92 by 71.8 cm]
Non-western art unattributed:
[Susan Ollemans, London. A pair of gold and gem-set bangles. Indian, Jaipur, nineteenth century. Length: 20 cm. Width: 6.8 cm.]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. An important Gueridon with Winged Lion Décor. French, circa 1815-1820. Chased, patinated and gilded bronze, precious marble top. Height: 85 cm (33 1/2 in). Diameter: 91 cm (35 3/4 in)]
Western art unattributed:
[Joanna Booth. PO Box 50886. London. Tapestry fragment of the figure of Penelope taken from the Triumph of Chastity over Love. Brussels, circa 1510, probably from cartoons created by the Van Orley studio. Woven in wool and silk mounted on modern linen, 147 x 96 cm (58 x 38 in)]
Western art unattributed:
[Lebrun. 155 rue du Faubourg Saint-Honorè. Italian carved and gilded wood frame, early 16th century.]
Western art unattributed:
[Mallett, London. An early eighteenth-century red japanned cabinet on a Regency gilt stand carved to simulate an early eighteenth-century stand. English, cabinet c. 1730; stand c. 1820. Height: 182 cm. Width: 106 cm. Depth: 55 cm]
Western art unattributed:
[Richard Philp, London. An alabaster relief of the Gates of Heaven. 15th century. Nottingham Alabaster. Height: 30.5 cm.]
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Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Ben Nicholson (1894-1982). 1940-1942 (Painting) Gouache, 9x9 in (23 x 23 cm)]
Attributed works:
[Andrew Edmunds. London. Gin Lane and Beer Street (detail), by William Hogarth. 1751. Etching and engraving on paper, 39 by 32.6 cm]
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare cabinet à hauteur d'appui with Ceres and Bacchus inspired marquetry panels in pewter, ebony and amaranth. Supporting an exceptional pair of paragon marble busts featuring young Moors. Marquetry panels by André-Charles Boulle (1642-1732), late 17th century. Cabinet, France, second half of 18th century. Busts, Venice, 17th century.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Victor Pasmore R.A. (1908-1998). Linear projection. Oil, collage and wood relief on panel. 62.5 x 62.5 cm (24 1/2 x 24 1/2 in)]
Attributed works:
[Christopher Mendez. London. Peasant with hands behind his back, by Rembrandt van Rijn. 1631. Bartsch 135, fourth state. Etching and engraving, 5.6 by 4.5 cm]
Attributed works:
[David Case Fine Art. Norfolk. Tampere mirror, by Sean Scully. 2003. Etching and aquatint, 32 by 28 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellammare di Stabia, 1707 - Naples, 1789. Huntsmen at Rest. Oil on canvas, 167 x 234 cm (65 3/4 x 92 1/8 cm)]
Attributed works:
[Galerie Fetzer. Sontheim an der Brenz. Amière-saison en Nouvelle Angleterre, by Roy Lichtenstein. 1992. Etching and aquatint in colours, 27.9 by 37.5 cm]
Attributed works:
[Ingleby Gallery. Edinburgh. Untitled, by Rachel Whiteread. 2008. From the 'Billboard for Edinburgh' series. Edition of 50, signed numbered and dated by the artist. Archival digital inkjet print, 25.4 by 33.9 cm (image size): 38.2 by 45.8 cm. (paper image)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (active in Munich 1470/1480). Crowning with Thorns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Marlborough Graphic, London. Spider, by Paula Rego. 2008-09. Edition of 35. Etching and aquatint, 63 by 49 cm.]
Attributed works:
[Pratt Contemporary Art. Kent. A modern bestiary: Dachsund, by Ana Maria Pacheco. Screenprint, 24 by 19.5 cm]
Attributed works:
[Redfern Gallery. London. Ploughing pasture, by Sybil Andrews. 1955. Linocut, 29.1 by 37.5 cm]
Attributed works:
[Sims Reed Gallery, London. Flumequine, by Damien Hirst. 2007. Each signed in pencil and numbered from an edition of 75. Etching printed in colours, 139.7 by 107.5 cm]
Attributed works:
[The Fine Art Society. London. Noctes Ambrosianae, by Walter Sickert. c. 1908. Etching and aquatint, printed in black ink on wove paper, 22.8 by 25.8 cm]
Attributed works:
[Wolseley Fine Arts. Horefordshire. Self portrait no. 9 the turban, by Edgar Holloway. 1937. Etching, 12.6 by 10.2 cm]
Attributed works:
[Yale Centre for British Art. 1080 Chapel Street. New Haven, CT. William Powell Frith, The Railway Station (detail), 1862, oil on canvas. Courtesy of Royal Holloway, University of London.]
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06/2008 | 1263 | 150
Pages: i-xx
Subjects
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collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London, at Master Drawings London, 5 July-11 July 2008] Claude Lorrain (1600-1682). Rural dance. Verso: Study of a man's legs. Black chalk, red chalk, brown and grey wash, 16.4 by 22.2 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London, exhibiting at Master Drawings London, July 5th-11th] Paul Bril (1554-1626). October, Stag Hunting. Signed. Pen and brown ink with wash heightened with white over black chalk, 198 x 332 mm.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, at Master Drawings London, 5 July-11 July 2008] Richard Dadd (1817-1886) Crazy Jane. Watercolour, 36 by 25.6 cm.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] A photograph of Richard Dadd painting Contradiction; Oberon and Titania, at Bethlem Hospital, c.1856. Bethlem Art and History Collections Trust.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] Richard Dadd. Crazy Jane. Watercolour, 14⅛ x 10 in. (36 x 25.6 cm.). Bethlem Art and History Collections Trust.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] Richard Dadd. Jerusalem from the House of Herod. Watercolour, 6½ x 10 in. (16.5 x 26 cm.). Private collection.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] Richard Dadd. Sir Thomas Phillips in Eastern Dress. Watercolour heightened with white, 9½ x 6½ in. (24.1 x 16.5 cm.). Bethlem Art and History Collections Trust.
Attributed works:
[Andrew Clayton-Payne, 14 Old Bond Street, London, Richard Dadd (1817-1886) Dreams of Fancy: a loan exhibition, Wednesday 2nd July-Friday 11th July 2008] Richard Dadd. Sketch to Illustrate the Passions: Insignificance or Self Contempt. Watercolour, 14 x 9⅞ in. (35.6 x 25.3 cm.). Bethlem Art and History Collections Trust.
Attributed works:
[Bonhams Fine English Furniture and Works of Art, New Bond Street, Wednesday 16 July] An important set of twelve George III Scottish carved mahogany Open Armchairs, attributed to William Hamilton of Edinburgh. Estimate £150,000-250,000.
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue Marignon, 11 quai Voltaire, Paris] Laurent de La Hyre (1606-Paris-1656). La Madeleine Pénitente. Oil on canvas (relined), 102 by 95 cm.
Attributed works:
[Christie's Old Master & British Pictures, auction London 8 & 9 July 2008] Francis Cotes RA (London 1726-1770). The Young Cricketer: Portrait of Lewis Cage. Signed, inscribed and dated '1768'. Oil on canvas, 67¼ x 44 in. (170.7 x 111.7 cm.). Estimate £700,000-1,000,000.
Attributed works:
[Colnaghi, Katrin Bellinger, 15 Old Bond Street, London, exhibiting at Master Drawings in London 2008] Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne). A Man seen en face, pulling a Curtain, a young Woman posing on the right, and two Studies of Hands holding a Bow and a Fingerboard, respectively. Red and white chalk on buff paper, 229 x 355 mm.
Attributed works:
[Conchita Romero, Salustiano Olózaga, 5, Madrid] Vicente Vitoria (Denia, 1650-Rome, 1709). Mary Magdalene. Signed and dated 'Vicente Canonig Vitoria fct 1690'. Oil on canvas, 50 x 65 cm.
Attributed works:
[Daniel Katz, 13 Old Bond Street, London, at London Sculpture Week 2008] Jean-Baptiste Giraud (1752-1830) Achilles wounded. Plaster, 55 by 39 cm.
Attributed works:
[Daniella Luxembourg, 13 Old Bond Street, London, at London Sculpture Week 2008] Oskar Schlemmer (1888-1943) Ornamental plastic. Conceived in 1919, cast before 1926. Plaster, 48 by 21 by 9 cm.
Attributed works:
[David Koetser, Zürich, at The Grosvenor House Art & Antiques Fair 2008] Jan Davidsz. de Heem (1606-1683/4). A still-life with oranges, dates, figs, a sprig of laurel in a wanli bowl, with a peeled lemon, a knife, bread and a façon de venise of white wine on a draped table. Oil on canvas, 37 by 47.4 cm.
Attributed works:
[Didier Aaron, 15 Clifford Street, London, at Master Drawings London, 5 July-11 July 2008] Jean-François de Troy (1679-1752). Study of a draped female figure. Red chalk heightened with white on blue paper, 47.3 by 35.5 cm.
Attributed works:
[Emanuel von Baeyer, exhibiting at Rafael Valls, 6 Ryder Street, London, at Master Drawings London, 5 July-11 July 2008] Thomas Kerrich (1748-1828). Self-portrait in four different expressions. Pencil, size of sheet, 32.5 by 19.8 cm.
Attributed works:
[Flavia Ormond Fine Arts, London, at The Grosvenor House Art & Antiques Fair 2008] Alexandre Benois (1870-1960) Set for the ballet Giselle. Watercolour, ink and ink wash, 49 by 63 cm.
Attributed works:
[Flavia Ormond Fine Arts, London, at The Grosvenor House Art & Antiques Fair, 2008] David Bomberg (1890-1957). Bomb store. 1942. Oil on paper, 28 by 38 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris] Master of the Liverpool Madonna (active in Rome and Umbria between 1490 and 1500). Virgin and Child with St. Catherine of Alexandria, St. John the Baptist and an angel with a crown. Circa 1490-1495. Tempera on panel, gold ground, 54.5 x 39 cm. (21½ x 15⅜ in.)
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Giuseppe Antonio Pianca (Agnona di Borgosesia/Vercelli 1703-après 1757). The Pinch of Snuff. Oil on canvas, 103 x 82 cm. (40 9/16 x 32 5/16 in.)
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, St James's, London] Barbara Hepworth (1903-1975). Sculpture for Waterloo Bridge. Portland Stone, width: 16¾ inches (42.5 cm.)
Attributed works:
[Hazlitt Holland-Hibbert, London, at The Grosvenor House Art & Antiques Fair, 2008] Barbara Hepworth (1903-1975). Pierced form (santorin) opus 33. Marble on original wooden base. Height: 43 cm.
Attributed works:
[Jean-Luc Baroni Ltd., 7/8 Mason's Yard, Duke Street, St James's, London, at Master Drawings London 2008] Auguste Rodin (Paris 1840-1917 Meudon). A Nude Woman Standing in the Sea, Holding her Hair in her Right Hand. Annotated Corail at upper right by the artist. Monogrammed A R in lead pencil, at upper left. Lead pencil and watercolour, 492 x 322 mm. (19 5/16 x 12 11/16 inc.)
Attributed works:
[Katrin Bellinger, 15 Old Bond Street, London, at Master Drawings London, 5 July-11 July 2008] Claude Gillot (1673-1772). Four commedia dell'arte figures: three gentlemen and pierrot. Pen and black ink, grey and red wash, 11.7 by 19 cm.
Attributed works:
[Lowell Libson, 3 Clifford Street, London, at Master Drawings London, 5 July-11 July 2008] Francis Towne (1740-1816). A ruin on the road going to Ponte Lamentana in the neighbourhood of Rome. Signed and dated 1786. Watercolour, 32 x 47 cm.
Attributed works:
[Moretti Fine Art, London, Paris & New York, at The Grosvenor House Art & Antiques Fair 2008] Giovanni di Marco, called Giovanni dal Ponte (1385-1437). Madonna and Child enthroned between Saints Lawrence and Anastasia. Panel, 90.5 x 51 cm.
Attributed works:
[Museo Thyssen-Bornemisza, Madrid, Arikha, 10 June-7 September 2008] Avigdor Arikha. Pears, 18th September 1974. Private collection, New York.
Attributed works:
[Patricia Wengraf Ltd., PO box 31067, London] Attributed to Johann Ignaz Bendl (Vienna before 1682-1730). St John the Baptist preaching to the multitude. Ivory relief, dimensions: 13.6 by 27.5 by 2.0 cm.
Attributed works:
[Piacenti Art Gallery, 8 Duke Street, St James's, London] Daniele Crespi (Busto Arsizio 1597/98-Milano 1630). The Sacrifice of Isaac. Oil on panel, 45.5 by 35.5 cm.
Attributed works:
[Richard Green, London, at The Grosvenor House Art & Antiques Fair 2008] Pierre-Auguste Renoir (1841-1919). Chapeau au ruban rouge. Signed. Canvas, 33 by 25.4 cm.
Attributed works:
[Robin Katz, 13 Old Bond Street, London, at London Sculpture Week 2008] Conrad Shawcross. Loop system - major third 5:4, 4 part counterpoint. 2006. Mixed media, 225 by 300 by 250 cm.
Attributed works:
[Sam Fogg Ltd, 15D Clifford Street, London, at London Sculpture Week 2008] Attributed to Erasmus Grasser (1450-1518). A holy knight. Germany, 1470-1515. Limewood, 121 by 23 cm.
Attributed works:
[Sims Reed, London, at The Grosvenor House Art & Antiques Fair, 2008] Pablo Picasso (1881-1973). Portrait of Jacqueline. Signed in pencil and inscribed: Epreuve d'artiste. Linoleum cut printed in colours, 75 by 81.8 cm.
Attributed works:
[Sotheby's European Sculpture and Works of Art, auction in London, 9 July 2008] Niccolò dell'Arca. A 15th-century Italian terracotta relief of the Virgin. Estimate £200,000-300,000.
Attributed works:
[Stephen Ongpin Fine Art, London, at Master Drawings London, 5 July-11 July 2008] Giovanni Domenico Tiepolo (1727-1804) God the father in glory. Signed: 'Domo. Tiepolo' in brown ink at the lower right. Pen and brown ink and brown wash, backed. 28.7 by 20 cm.
Attributed works:
[Stephen Ongpin Fine Art, Riverwide House, 6 Mason's Yard, Duke Street, St James's, London] Edouard Manet (1832-1883). An Illustrated Letter to Albert Hecht, with a Still Life of Plums and Cherries. Watercolour, with a letter written in pen and brown ink, 245 x 156 mm. (9⅝ x 6⅛ in.)
Attributed works:
[Stoppenback & Delestre, 25 Cork Street, London, at Master Drawings London, 5 July-11 July 2008] Hippolyte Petitjean (1834-1929). Au bord de la rivière. Signed lower right: Hipp. Petitjean. Watercolour, 36.5 by 26.7 cm.
Attributed works:
[Theobald Jennings Ltd., 37 Albemarle Street, London, at Master Drawings London, 5 July-11 July 2008] George Grosz. Sitting female nude. 1945. Charcoal and wash, 62 by 47.3 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 22 Old Bond Street, London, at Master Drawings London, 5 July-11 July 2008] Hans Bol (1534-1593). Landscape with a town in the distance, in a border of flowers and animals. Signed and dated: HBol /1584. Pen and brown ink and wash over traces of black chalk, the outlines incised, 144 by 211 cm.
Attributed works:
[Tomasso Brothers, Bardon Hall, Weetwood Lane, Leeds] Giovanni Battista Foggini (1652-1725). 'Il Pasquino'. 50 cms high.
Attributed works:
[Trinity Fine Art, 29 Bruton Street, London, at London Sculpture Week 2008] Andrea della Robbia (1435-1525). Maiolica relief pane from the outer frame of a tabernacle, c. 1500, 48 by 37 cm.
Attributed works:
[W/S Fine Art Ltd., 27 Dover Street, London, at Master Drawings London, 5 July-11 July 2008] William Alexander (1767-1816) A scene in an historical play exhibited on the Chinese stage. Watercolour over traces of pencil, 23.9 by 35.5.cm.
Attributed works:
[Whitfield Fine Art at Partridge Fine Art, 144-146 New Bond Street, London]Titian (c.1490-1576). Saint Sebastian (detail). Oil on canvas, 190 x 95.5 cm. Painted c.1530-35. Signed lower left: TICIANUS.
Attributed works:
[Wildenstein, 19 East 64th Street, New York] François Hubert Drouais. Portrait of the Artist's Father, Hubert Drouais, c.1760. Oil on canvas, 130 x 97 cm.
Attributed works:
[Woolley & Wallis, Salisbury, 18th and 19th Century Oil Paintings, Watercolours, Prints and Miniatures, auction, 16th July 2008] Frans Breuhaus de Groot (Dutch 1796-1875). Extensive winter landscape with numerous figures on a frozen lake by a pavilion. Signed and dated 1837. Oil on canvas, 55 x 76 cm. (21½ x 30 in.). Estimate: £8000-12000.
Attributed works:
[Woolley & Wallis, Salisbury, 18th and 19th Century Oil Paintings, Watercolours, Prints and Miniatures, auction, 16th July 2008] John Smart (1742-1811). Portrait of a gentleman wearing a brown coat. Signed with initials and dated 1768. Oval, in an ebonized frame, 37 x 33 mm. (1½ x 1¼ in.). Estimate: £1000-1500.
Attributed works:
[Woolley & Wallis, Salisbury, 20th Century and Contemporary Art, auction, 16th July 2008] Louis Le Brocquy (Irish b. 1916). Man Turning. Signed. Oil on canvas, 61 x 51 cm. (24 x 20 in.). Estimate: £20000-30000.
Attributed works:
[Woolley & Wallis, Salisbury, 20th Century and Contemporary Art, auction, 16th July 2008] Salvador Dalì (Spanish 1904-1989). Hommage à Terpsichore (La Dance). Numbered 114/350 on Certificate of Authenticity. Bronze sculpture in two parts published in 1984 after the design on 1977, 44 x 70.5 cm. (17¼ x 27¾ in.). Estimate: £5000-8000.
Non-western art unattributed:
[Gregg Baker Asian Art, London, at The Grosvenor House Art & Antiques Fair 2008] A six-fold paper screen painted in ink and colour on a gold ground with numerous cranes. Japan, Meiji period, 19th century. 169 by 375 cm.
Non-western art unattributed:
[Rossi & Rossi Ltd., 16 Clifford Street, London, at London Sculpture Week 2008] Buddha Shakyamuni. Central Tibet, c.14th century. Bronze, height: 48 cm.
Western art unattributed:
[Apter-Fredericks, London, at The Grosvenor House Art & Antiques Fair, 2008] A George II carved walnut armchair. English, c.1735.
Western art unattributed:
[B.B. Steinitz, Paris, at The Grosvenor House Art & Antiques Fair, 2008] A pair of cassolettes with musical mermaid figures. White marble, chased, patinated and gilded bronze. Height: 45 cm, width: 27.5 cm., depth: 21.5 cm.
Western art unattributed:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] Important Gueridon with Winged Lion Décor. France, circa 1815-1820. Chased, patinated and gilded bronze, top of precious marbles, H. 85 cm. (33½ in.), Diam. 91 cm. (35¼ in.)
Western art unattributed:
[Christie's, 8 King Street, London, auction, Simon Sainsbury: The Creation of an English Arcadia, 18 June 2008] English School, circa 1590-1600. Triple portrait of three girls, three-quarter-length, in green silk dresses with lace embroidery, holding yellow and white feathered fans. Oil on canvas, 51¾ x 50⅞ in. (131.5 x 129.2 cm.), in a Sunderland frame. £150,000-250,000.
Western art unattributed:
[Richard Philip, 7 Ravenscourt Square, London] Adoration of the Magi (detail). East Anglian School, c.1460. Oil and tempera on course linen, 1.93 x 1.6 m.
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Advertisements November 1987 (front)
11/1987 | 1016 | 129
Pages: i-lii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Anna Maria Edelstein, at Robin Symes, 94 Jermyn Street, London ] Francois Marius Granet. (Aix 1775-1849). A Standing Cleric. Gall Ink on Buff Paper. Signed Lower Left. 184 by 120 mm
Attributed works:
[ Carton & Cooke, 39-42 New Bond Street, London ] C. R. W. Nevinson (1889-1946). 'A Dawn, 1914'. 1916. Drypoint. 201 by 151 mm
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 23 rue de Beaune, Paris ] Milon de Crotone. Terre cuite. Italie XVIIe siècle. Hauteur: 42 cm
Attributed works:
[ Christie's, 8 King Street, St. James's, London ] This Painting is the Only Authentic Portrait of the Marquis Ambrogio Spinola, Born in 1588, Painted by Van Dyck in Gênes in 1627. It Has Been in the Plasse Family Collection for at Least 150 years.
Attributed works:
[ Christie's, 8 King Street, St. James, London / Christie's Park Palace, Monte Carlo ] Important French Marble Bust of Voltaire by Jean-Antoine Houdon, Signed and Dated 1778, 47 cm. High.
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Sir Anthony Van Dyck: Portrait of Prince Charles Louis. The Elector Palatine (1617-80). Oil on Canvas, 86 × 49 in. (Detail).
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Jean-Baptiste van Loo. 1685-Aix-1745. Portrait of Owen McSwiny. Canvas 112 × 84.5 cms
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Louis Marin Bonnet. Paris 1736-1793. Tête de flore (Madame Deshayes), after F. Boucher. Pastel Manner, in Colours, 1769. Herold 192, Proof Printed in Brown. Rose-Pink and White Tones. 392 × 312 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Orazio de Santis. Active 1568-1577. Cartouche with Two Angles, after Pompeo Aquilano. Engraving. Bartsch XVII, 14, 17, Only State. 287 × 412 mm.
Attributed works:
[ Connaught Brown, 2 Albemarle Street, London ] Mogens Ballin (1871-1914). Young Breton Girl. Gouache on Paper. $14frac{3}{4}$ × 10¼ ins Painted in 1892
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Jacob van Ruisdael (1628-Haarlem-1682). Canvas, 63 × 78.5 cm. Signed
Attributed works:
[ Drouot Montaigne, 9 rue Drouot, Paris ] Cezanne Paul. «Groupe d'arbres». (environs de Vichy 1877-80). Watercolor 46,5 × 30,5 cm.
Attributed works:
[ Drouot Montaigne, 9 rue Drouot, Paris ] Seurat Georges «Une Périssoire» - Etude pour " Bords de la Seine à l'ile de la Grande Jatte ". Executed Circa 1887. Oil on Panel Signed at the Bottom Right. H. 17,5 × 26,5 cm.
Attributed works:
[ Editions Graphiques Gallery, 3 Clifford Street, London ] Paul César Helleu · Portrait of Montesquiou · Drypoint
Attributed works:
[ Etude Couturier Nicolay, 51 rue de Bellechasse, Paris ] Dirck van Baburen. "The Death of Uriah" On Canvas, 204×287 cm (80 1/4 × 113 in).
Attributed works:
[ Faustus Fine Art Ltd, 90 Jermyn Street, London ] Self Portrait in Cap and Scarf. 2nd state. Collection: P. Gellatty (L.1185)
Attributed works:
[ Frederick Mulder, 83 Belsize Park Gardens, London ] Pablo Picasso. Le Repas frugal. Etching 1904
Attributed works:
[ Galerie d' Art St. Honoré, 267 Rue St. Honoré, Paris ] Cornelis de Heem (Leiden 1631-1695) "Flowers and Fruit with Venetian Glass". Oil on Canvas 41.2 × 55.5 cm. Signed. Expertise: Prof. Bergstöm A Chef D'œuvre by Cornelis de Heem.
Attributed works:
[ Galerie H. Odermatt - Ph. Cazeau, 85 bis, rue du Faubourg St. Honoré, Paris ] Marc Chagall: "Les amoureux au bouquet", gouache et crayons de couleurs sur papier japon. Dimensions: 94×64 cm. Exécuté vers 1959-61
Attributed works:
[ Gallery Lingard, 50 Pall Mall, London ] Frederick Napoleon Shepherd 1819-1878. A View of the Duke of York Steps, c. 1865. Pen & Brown Wash. Signed: Fred Shepherd. 4 × $5frac{3}{4}$ Inches (10 × 14.5 cms)
Attributed works:
[ Garton & Cooke, 39-42 New Bond Street, London ] C. R. W. Nevinson: Banking at 4000 Feet. Lithograph. 1917. $15frac{3}{4}^{prime prime}times 12frac{3}{8}^{prime prime}$
Attributed works:
[ Goltzius B. V., Nieuwe Spiegelstraat 37, Amsterdam ] Portrait of Adriaen van Swieten?. Engraving by Hendrik Goltzius (1558-1617).
Attributed works:
[ Guy van Hoorebeke, Boomgaardstraat 7, Brugge ] Leendert van der Cooghen 1610-1681. A Warrior Seated, Seen from behind. Etching, from Studies of Warriors, 1666. Bartsch, Hollstein 7.
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St. James's, London ] Francesco Furini (Florence 1603-1646). Adam and Eve. Oil on Canvas. 150 by 170 cm
Attributed works:
[ J. J. Matthias, Nouveau Drouot, 9 rue Drouot, Paris ] Redoute Pierre Joseph: «Bouquet de fleurs dans un vase, sur un entablement» Watercolor and Gouache on Parchment. 58 × 45 cm.
Attributed works:
[ J.P.L., Fine Arts, 26 Davies Street, London ] Albert Dubois-Pillet Falaises à Yport c. 1888. Oil on Canvas. 26 × 42 cm
Attributed works:
[ John Mitchell & Son, 8 New Bond Street, London ] Pietro Rotari 1707-1762. Oil on Canvas. 17 × 13 Inches. 43 × 33 cms
Attributed works:
[ Judith L. Pillsbury, 1100 Park Avenue, New York / 104 rue du Bac, Paris ] Edouard Manet, Raven's Head in Profile. (Slipcase and Cover) from The Raven, 1875. H83a G85 B89
Attributed works:
[ K. Barlow Ltd decorative arts, 27 Conduit Street, London ] Charles d'Orville Pilkington Jackson (1887-1973). Isadora Duncan. Dated 1922. Bronze. Height 80.50 cm
Attributed works:
[ Kunsthandel Bellinger Katrin Krass, 12 Duke Street, St. James's, London ] Johann Heinrich Füssli. Zurich 1741-1823 Putney Hill, London. 'Second Allegory of Painting'. Pen and Brown Ink over Pencil, Inscribed Bottom Left: Da Fuzely 1777, Verso: Woman with a Dagger. 303 by 212 mm
Attributed works:
[ Lefevre, 39 Bruton Street, London ] Harlem Scene. Watercolour. $30frac{3}{4}$ in × 22 in. 78 cm × 56 cm
Attributed works:
[ Lumley Cazalet Ltd, 24 Davies Street, London ] Paul Helleu, La Femme à l'Harpe, Drypoint, ca. 1898
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Lyonel Feininger, 'Der Pfingstausflug' 1908 Pen and Ink $12frac{1}{16}$ × 9¼in./30.6 × 23.5 cm.
Attributed works:
[ Matthiesen, 7-8 Mason's Yard, Duke street, St. James's, London ] Giandomenico Tiepolo 1927-1804. Angelika and Medoro. Oil on Canvas 41.5 × 21 cms.
Attributed works:
[ Oscar and Peter Johnson Limited, Lowndes Lodge Gallery, 27 Lowndes Street, London ] John Glover (1767-1849). A Swiss View. Looking Towards the Bernese Oberland (Val d'Aosta). Oil Painting; Paper on Canvas. 42×$59frac{3}{4}$ Inches; Framed
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Bernard Buffet, Mon Circque. The Forty-Four Signed Lithographs' 1968, with Accompanying Text and Forty-Four Unsigned Lithographs en Suite, Numbered 43 from the Edition of 120. (Sorlier 140-185) Estimate £30,000 - £50,000
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Jacobus Biltius, "A Still Life of Game," Signed and Dated 1672, Oil on Canvas, 116.5 cm × 91.5 cm.
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] Theo van Rysselberghe, "A l'ombre des Pins," Signed with Monogram, Oil on Canvas, 92 cm x 116 cm. Estimate: £120,000 - £140,000.
Attributed works:
[ Richard L. Feigen & Company, 325 Huron Street, Chicago ] Max Beckmann Self-Portrait, 1936. Bronze (One of Six Casts) 35.2 by 21.7 by 26.5 cm
Attributed works:
[ Schuster Gallery, 14 Maddox Street, London ] Flight Into Egypt, from a French Book of Hours, Rouen, c.1510 (193 × 130 mm)
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Roman White Marble Group of the Infant Hercules, Mid 17th Century, by Ercole Ferrata, Signed, 25½ by 22½ Inches.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Anders Zorn, A Portrait of Sir Ernest Cassel, Signed and Dated 'Juni '86', Watercolour, 38 by 55 cm (15 by $21frac{3}{4}$ in).
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Attributed to the Master of the Monogram AC, Portrait of a Lady, Oil on Panel, 35 × 26.5cm, in a Period Wood Frame with an Embossed Fillet of Silvered Lead. Estimate: FF300,000-500,000 (£30,000-50,000)
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Bartolomé Estéban Murillo, Saint Anthony of Padua and Christ Child, Oil on Canvas, 161 × 205cm. Estimate: £150,000-200,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Crucifixion, Antoine Coypel (1661-1722), Oil on Canvas, 111 × 168cm.
Attributed works:
[ Spencer A. Samuels Gallery, 39 East 72nd Street, New York ] Anton Raphael Mengs (1728-1779). Portrait of Maria Josepha of Austria, Queen of Poland and Electress of Saxony (1699-1757). Oil on Canvas 46.5 × 38.2 cm.
Attributed works:
[ Stanza del Borgo, Via Puccini 5, Milan ] Jacopo Zanguidi. Called il Bertoia. Parma 1544-1573-74. 'Mythological Scene'. 194 by 169 mm. Pen and Brown Ink with Wash; Datable January 1573
Attributed works:
[ The Leger Galleries Ltd, 13, Old Bond Street, London ] Francis Towne (1740-1816). Executed Circa 1790. Dunsmoor, nr. Exeter. $6frac{7}{8}$ × 15½ Inches
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James's, London ] Hendrick Van Somer (Amsterdam 1607-1684/5 St Jerome in the Wilderness with Books, a Skull and an Inkwell before Him. Oil on Canvas, 101 × 126 cm. ($39frac{3}{4}$ × 49½ in.) signed with monogram H. S. f. on the inkwell and dated 1651 above the text on the book
Attributed works:
[ William H. Schab Gallery, 11 East 57th Street, New York ] Goya, Tauromaquia: pl. 30, 1816
Attributed works:
[ Williams, Smithson, 10 Exhibition Road, London ] Pieter van Bloemen (1657-1720). Study for 'Capriccio View of the Campo Vaccino, Rome'
Attributed works:
[Cover] Ercole Roberti, Brutus and Portia c 1490. Tempera and oil on panel 48.7 by 34.3 cm.
Western art unattributed:
[ Axel Vervoordt, St. Jobsteenweg 2232 Gravenwezel, Antwerp ] Exceptionally We Have on Offer This Very Fine Front of a Liège Régence Mansion, Dating c.1720 and Measuring 53 ft Wide by 36 ft High (16.14 by 11 Metres) Carefully Taken Apart and Numbered Stone by Stone for Easy Reconstruction.
Western art unattributed:
[ Christie's, 8 King Street, St. James, London / Christie's Park Palace, Monte Carlo ] The Crozat Suite. Régence Giltwood Canapé from a Suite of Four Fauteuils and a Canapé.
Western art unattributed:
[ Paul Mitchell, 99 New Bond Street, London ] Centre Detail of Important French Early Régence Frame, Corners Bearing the Royal Cipher. Sight Size 138×109 cm, Width 15 cm
Western art unattributed:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Venetian School About 1500: 'Praying Hands (Study for an Apostle)'. Black and White Chalk on Blue Grayish Paper. Inscribed on Verso 'Andrea Mantegna' and 'Cangiasi'. 225 × 190 mm.
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