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03/2013 | 1320 | 155
Pages: s.p.
Subjects
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museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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Advertisements March 2012 (front)
03/2012 | 1308 | 154
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Subjects
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subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
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Advertisements June 2001 (front)
06/2001 | 1179 | 143
Pages: i-xxviii
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
Trilobed Basin, Urbino Workshop (Fontana?). 1560-80. Maiolica, Maximum Width 47 cm. (Ashmolean Museum, Oxford. Acquired in 2001 with the Help of the Re:source/V. & A. Purchase Grant Fund, the National Art Collections Fund, and Private Donations)
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Set of Four Extremely Rare Embroidered Silk Wall Hangings. To Designs by Jean-Baptiste Pillement. Lyon. Circa 1755-60.
Attributed works:
[Chanel advertisement] "Matelassée" Collection "Cosmos" Watch in 18ct White Gold and Diamonds
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Antonio Tempesta (1555-1630). The Death of Absalom. Oil on Dendritic Stone. 31 × 37.5 cm (One of a Pair)
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Hilly Landscape with a Fortified Monastery and Figures. by Giuseppe Zocchi. Oil on Canvas. 83 × 53.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Bookcase, Designed by E. W. Godwin, Manufacture Attributed to Reuben Burkitt, 1869. Oak, 220.5 × 124 × 54.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Landscape with Figures on a Wooded Path. by Jan Brueghel the Elder. Oil on Copper. 21.5 × 31 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Mother and Child, Crossed feet, by Henry Moore. Bronze, 23 × 11 × 8.3 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Oval Mirror. Attributed to John Linnell. c.1765. Carved Giltwood. 42 × 107 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Quarter-Repeating Spring Table Clock, by Thomas Tompion c.1705. Ebony Veneered Case with Brass dial. ht. 42 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Retour de la pêche à Berck, by Eugène Boudin. Oil on Panel, 14.4 × 25.8 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Still Life of Two Dead Birds, a Dragonfly and Other Insects,. by Jean-Baptiste Oudry, 1713. Oil on Canvas, 32.5 × 25 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Téte penchée, by Julio González. Beaten Copper, 26.7 cm. High
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Through the Trees, South of France, by J. D. Fergusson, c.1924. Oil on Canvas. 55.5 × 61 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Travellers Passing a Village, by Thomas Gainsborough. Pen and Ink with Black Chalk and Water-Colour, Heightened with White Paint. 21.9 × 30.8 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Alexander the Great Receiving the Keys of a City, Brussels, c.1560. Tapestry, 274 × 224 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dante Gabriel Rossetti (1828-1882) Fair Rosamund, Oil, 1868, National Museum of Wales
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dessert Stand and Cover, by Paul Storr, London, 1808. Silver, ht. 29.5 cm. Weight 4014 Grams.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] George IV when Prince of Wales, by Richard Cosway, c.1804. Watercolour on Ivory, ht. 6.9 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Spring and Winter, Meissen, Models by F. Meyer, c.1755. Porcelain, ht. 21 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Trompe l'oeil of the Back of a Cradled Painting with a Framed Engraving, Feather etc., by Gabriel-Germain Joncherie, 1842. Oil on Canvas, 65,5 × 81.2 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Urn, Probably by Joseph Bancroft, Derby, c.1810. Porcelain.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Vase, Attributed to Thomas Hope, c.1800, from the Collections of the Earl of Warwick. Black basalt.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antoine Watteau (Valenciennes 1684 - 1721 Nogent-sur-Marne) Le Conteur ("The Romancer"). Oil on Panel, 34.3 × 27.3 cm (13½ × 10 3/4 ins). Engraved: C.-N. Cochin, December 1727
Attributed works:
[Hotspur Ltd., 14 Lowndes Street, London, UK] A Highly Important 18th Century George III Serpentine Commode, Circa 1765, Attributed to the Royal Cabinetmaker John Cobb.
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Gerard ter Borch. (Zwolle 1617 - 1681 Deventer). Portrait of a Lady, Three Quarter Length Seated, Wearing Black and Holding a Tortoise-Shell Fan in Her Left Hand. Oil on Panel. 14¼ × 11¼ in. (36.2 × 30 cm)
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Taddeo Zuccaro. S. Angelo in Vado 1529 - 1566 Rome. Adoration of the Magi. Pen and Brown Ink, Brown Wash, over Red Chalk; Indented for Transfer; inscribed on the Verso: SR 119. 385 × 274 mm.
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Louis-François Cassas (1756 - 1827) Capriccio («Colonnacce» in the Forum of Nerva), ca. 1787-97 Pen and Black Ink, Watercolour, 42 × 31.5 cm.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] A Fine Regency Patented Dining Table by B. P. Titter. First Half of 19th Century. Mahogany, Extendible, Length Maximally about 146 in. On Centre of Both Short Sides an Engraved Brass Plate »B. P. Titter & Co. Inventors & Manufacturers Norwich«. 28 3/4 × 44½ × 58 4/16 in.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A 19th Century French Bronze Model of a Woman, Cast from a Model by Aimé Jules Dalou.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Giovanni Francesco Barbieri, Called Guercino (1591-1666). Rest on the Flight into Egypt. Red Chalk, 277 × 415 mm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Jan Brueghel the Younger (Antwerp 1601-1678). Landscape with Travellers on a Path, a Town beyond. Signed and Dated 1623. Oil on Panel, 37.5 × 52 cm (14 3/4 × 20 ½ in). Estimate: £400,000-600,000.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Melchior D'Hondecoeter (1636-1695). Dutch School. Bantams and Pigeons in a Classical Landscape. Oil on Canvas. 32 × 31 Inches (81.5 × 78.8 cms). Signed.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Attributed to the Circle of Germain Pilon. French, Circa 1590 Bronze Figures of the Virgin and St. John from a Crucifixion Group 17 and 18cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Michelangelo Buonarroti (Caprese 1475 - 1564 Rome) A Mourning Woman. Pen and Two Shades of Brown Ink, Heightened with White 26 by 16.4cm. Estimate on Request
Non-western art unattributed:
[British Museum, Great Russell Street, London, UK] Contemporary Black Basalt Statue of Cleopatra c. 51-30 BC. The Three Cobras on Her Headdress are a Sign of Royalty Unique to Cleopatra. Courtesy of The Hermitage Museum, St. Petersburg
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Table Fountain Incorporating a Chinese Famille verte Covered Vase Flanked by Vincennes Bullfinches. Porcelain with Ormolu Mounts, 30.5 × 30 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Throne, Indian c.1885. Gilt and Silvered Metal.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Triangular Plate with Four Bodhicharmas on Lotus Thrones, Early Ming Dynasty (14th Century). Bronze, ht. 56.3 cm.
Western art unattributed:
[Chanel advertisement] "Comètes" Collection "Nuit Étoilée" Ring and Bracelet in 18ct White Gold, Sapphires and Diamonds
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Portrait of Louis de Buurbon, 'Le Grand Dauphin' (1661-1711). French, Louis XIV (r. 1643-1715). White Marble against an Oval in Grey 'Sainte Anne' Marble Height: 56 cm. Width: 46 cm.
Western art unattributed:
[Hotspur Ltd., 14 Lowndes Street, London, UK] A Very Rare Set of Three George III torchères in Yew Wood and Padouk, Based upon Plate CXX in Thomas Chippendale's, 'The Gentleman & Cabinetmaker's Director', 1st edition
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London, UK] An Extremely Rare and Fine Quality Pembroke Table in Beautifully Figured Mahogany. Circa 1775. Width 39 3/4 ins (101 cms). Depth 27½ ins (70 cms). Height 28 3/4 ins (73 cms).
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A Fine Serpentine Side Table, in the Chinese Chippendale Manner.
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07/1985 | 988 | 127
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
artists:
artists:
artists:
artists:
artists:
artists:
Illustrations
Attributed works:
The Incredulity of Thomas, by Dirk Barendsz. Oil on Paper. (British Museum; Exh. Colnaghi London).
Attributed works:
[6th International Biennial Fair & Exhibition of Antique dealers, jewellers & art galleries, Monte Carlo] Le Gascon Puni, by Nicolas Vleughels (1668-1737). On Metal, Monogrammed and Dated Lower Right - N. V. 1728. 36 by 29 cm. Patrick G Perrin. Pietà. Stone Sculpture. Auvergne, Thirteenth Century. L'Antiquaire du Paradou. Saint Tropez, la ville et les pins, by Paul Signac 1902. Oil on Canvas. 65.4 by 81.5 cm. Galerie Daniel Malingue. Feuille de Choux with Monkeys. Manufactures de Grammont. c.1540. 275 by 215 cm Dario Boccara. Stool, Gilt and Carved Wood, Stamped Jacob Desmalter. First Empire, 62 by 90.5 by 44 cm Provenance: Chateau de Saint-Cloud. Maurice Segoura. Occasional Table. Russian, Nineteenth Century. Attributed to A M Operkouchin, 80.5 cm High by 72.5 cm Diameter. Provenance: Grand Duc Nicholas-Nicholaïevitch. Tzigany. The Caravan by Jules van Biesbroeck (1873-1965). Panel, 98 by 122 cm. Signed Lower Right. Berko. Mantel Clock, White Marble and Chased Gilt Bronze, Louis XVI (1754-1793), 44 by 35 by 12 cm Provenance: Collection de Monsieur C... Galerie Perrin. Diamond and Emerald Tiara. Approximately 500 Carats. Probable Provenance: The French Imperial Crown Jewels. Alexandre Reza
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Antonio Canaletto. Warwick Castle, The South Front. Canvas: 28½ × 47½ ins
Attributed works:
[Anthony Dallas & Sons Ltd, 17 Clifford Street, London] James Norie the Elder (1684-1757). A Romantic Coastal Landscape. 10½ × 12½ in. (26.8 by 32 cm)
Attributed works:
[Athenaeum, 5 Avenue Princesse Alice, Monte Carlo] Guiseppe Sanmartino. Napoli 1723-1793. Bronze: H cm 76.
Attributed works:
[Berko fine paintings, Kustlaan 163, Belgium] Thomas Jones Barker (Bath 1815-Haverstock Hill 1882; English School). Departure of the Regiment. Canvas. Signed, 41 × 22in (102 × 55cm)
Attributed works:
[Bernard Baruch Steinitz, 4 rue Drouot, Paris] A Mechanical Automaton Silver Teapot in the Shape of a Camel, Bearing a Rider with Two Drums, One for Tea and the Other for Milk. By Omarsée & Sons, Baroda. Second Half of the Nineteenth Century. Height 53 cm, Length 44 cm, Weight 5,000 gr. A Similar Piece was Recorded at the Hotel Lambert in the Rothschild/Baron Rédé Collections.
Attributed works:
[Bernheimer, Lenbachplatz 3, Munich] Commode, by Roger Vandercruse, Called Lacroix. Stamped R. V. L. C. Louis XV/XVI Transition Period, c.1770-75. Rosewood Veneer on Oak with Very Fine Floral Marquetry with Three Drawers in the Frieze and Two Deep Drawers below.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Gaetano Gandolfi - S. Matteo Della Decima. 1734 - Bologna 1802. Cain and Abel. Black Chalk, with Touches of White and Red Chalk, on Brown Paper. 497 × 360 mm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Giovanni Battista Tiepolo. Venice 1696 - Madrid 1770. A Magician Pointing Out a Burning Head to Two Youths. Etching. De Vesme 16, Rizzi 7, Proof State, First State of Three, before the Plate Was Reduced in Size. (226 × 186 mm.)
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Didier Aaron Ltd, 21 Ryder Street, London] Portrait of Olympia and Marie Mancini. Attributed to Pierre Mignard (1612-1695). Oil on Canvas. 1.38 m × 1.66 m. (54¼″ × 65½″)
Attributed works:
[E.F.J. Stender, 5271 Ab sint Michielsgestel, Holland] Antide Janvier (1751-1835). Mahogany Month Long Case Clock with Striking Work and Year Calendar. The Dial is Signed: Coteau. (1770-1812)
Attributed works:
[Fischer Fine Art Limited, 30 King Street, London] Window, Leaded Glass, 1904, 40 × 27¼ ins
Attributed works:
[Galerie Sanct Lucas, Josefsplatz 5, Vienna] Theodor Rombouts. A Musical Party. Canvas, 130: 162 cm
Attributed works:
[Hill-Stone Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a boat beside a canal. Etching and drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A brilliant impression with much burr. From the collections of J. D. Böhm(Lugt 271, 272, and 1442), Samuel, Graf von Festetits(Lugt 926) and Friedrich Kalle(Lugt 1021).
Attributed works:
[Ivo Bouwman, Lange Vijverberg, The Hague] Odilon Redon (Bordeaux 1840 - Paris 1916). Flowerstill-Life. Oil on Canvas, 33.4 × 33.5 cm. Signed Lower Left
Attributed works:
[J.H. Bourdon-Smith Ltd, 24 Masons Yard, London] A Fine Wirework Basket. A Good Wirework Table Basket with a Woven Rope Edge and Twisted Rope Handle. It Was Made in London 1780 by John Wakelin and William Taylor. It Measures 10.75 Inches (27.3 cm) across and Weighs 40 Ounces (1244 gm).
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] Gerrit Berckheyde (1638 - Haarlem - 1698). A View of the Kloveniersburgwal, Amsterdam, with the Waag in the Background and the Trippenhuis to the Right. Signed and Dated 1685. On Canvas - 21 × 25 Inches (53 × 63 cms)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Henry Moore. Figure in a Shelter, 1984, Bronze, Height 72 in/183 cm, Edition of 6.
Attributed works:
[Pelham Galleries, 163 & 165 Fulham Road, London] A magnificent late eighteenth century Roman Tapestry Picture of "Cleopatra" after Carlo Maratta in its original carved giltwood and simulated marble frame which bears the arms of Pope Pius VI. The Tapestry was woven in the workshops of San Michele a Ripa which were founded by Pope Clement XI at the beginning of the eighteenth century. It is in perfect unfaded condition. Height-5′7″ Width-3′1½″
Attributed works:
[Phillips, 7 Blenheim Street, London] Emile Claus, the Embankment, Hungerford Bridge. Oil on Canvas, Signed and Dated '16, 78cm. × 65cm.
Attributed works:
[Richard L. Feigen & Company, 620 N. Michigan Avenue, Chicago] Giovanni Cariani, "Portrait of Dominicho Radise," Oil on Canvas, 100.4 by 75 cm.
Attributed works:
[Sotheby's, 102 Rokin, Amsterdam] Sir Pieter Paul Rubens, Landsknechts Fighting Around a Table; Figures at a Table in an Inn, a Pair, Both Pen and Brown Ink and Wash. Each c. 13.3 by 17.4 cm. Provenance: P. J. Mariette; Comte Moritz von Fries.
Attributed works:
[Steppes Hill Farm Antiques, The Hill Farm, Stockbury] A Very Rare First Period Worcester Inverted Pear Shape Milk Jug and Cover on Claret Ground, Painted in the Ciselé Gilt Enriched Reserve with an Exotic Bird on Fruit and Foliage, in the Atelier of James Giles of London. c.1768.
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Aimé Jules Dalou (1838-1902). "Portrait of Mademoiselle Vuillier" Also Called "Candeur" Bronze. Height: 37.3 cm ($14frac{11}{16}$ in). Cire Perdue: A. A. Hebrard. Stand No 31
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] A Large Chased Sideboard Dish Monogrammed in the Centre 'E. E'. Made in London in 1868 by George Fox. J. H. Bourdon-Smith, London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Louis XV Commode by Jean Desforges, maître ébéniste in Paris, 1739. Japanese Black and Gold Lacquer Panels Framed by Elaborate Bronze Doré Mounts Which Continue Down Legs to Form Intricate Sabots. Didier Aaron, Paris and USA.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Mid-Eighteenth Century Hurdy-Gurdy by Nicholas Lambert of Paris. Circa 1750. Pelham Galleries, London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Pair of Louis XVI Ormulu-Mounted Rose Granite des Vosges urns, Mounted with Gilt Bronze Putti, Frieze and Laurel Swags. The Model is Attributed to Thomas Duplessis after a Design by Juste Francois Boucher (1736-1781). Bernard Steinitz. Paris and London.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Terrace on the Roof with View on Liège, by Evariste Carpentier, Kuurne 1845, Belgium School. Berko, Belgium.
Attributed works:
[The Burlington house Fair at Royal Academy of Arts, London] Venus at the Forge of Vulcan by Gaetano Gandolfi. Oil. Trafalgar Galleries, London.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] William Hogarth 9½ × 12 15/16 Inches. Hudibras Vanquished by Trulla. Pen and Ink and Grey Washes.
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Gerrit Van Honthorst (Utrecht 1590-1656). A Musical Party. Oil on Canvas 51¾ Inches × 71½ Inches (131 × 182 cms)
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London] Michele Desubleo (Mauberge Circa 1601- Parma 1676). Jacob's Dream. Oil on Canvas 60 × 83 Inches (153 × 210 cms)
Attributed works:
[William Drummond, 11 Bury Street, London] William Hoare of Bath R. A. 1706-1792. A Sleeping Nymph. Pastel Oval 18¼ × 26 Inches. 45.6 × 66 cms. Painted Circa 1760
Non-western art unattributed:
[Vanderven & Vanderven, Peperstraat 6, 's-Hertogenbosch] A Pair of 18th Century Chinese Large Famille Rose Mandarin Jars and Covers. Chien Lung Period, 1736-1795
Western art unattributed:
[Anthony Woodburn, High Street, Leigh] George Graham. An Important Walnut Longcase Clock from the George I Period. Both Movement and Case are Numbered
Western art unattributed:
[de Havilland (antiques) Ltd, 48 Sloane Street, London] George III Ebony Musical Regulator Spring Clock, Six Dials, Centre Second Hand, ½ Second Dead Beat Escapement, with Chinoiserie Decoration, Signed Simpson, London. Height 28 Inches (71 cms.)
Western art unattributed:
[Galerie Perrin, 3 quai Voltaire, Paris] Outstanding 'Chinoiserie' Clock. Chased, Gilt Bronze. Mark: 'Saint Germain' Struck on the Base. On a Convoluted Base, Adorned with Rocaille Decoration, Foliage and a Pierced Balustrade, Two Half-Kneeling Chinese Figures Support the Clock. The Dial is Signed Vandercruse a Paris. Height 55 cm. Width 53 cm.
Western art unattributed:
[Graham and Oxley Antiques Ltd, 101 Kensington Church Street, London] A Fine Pair of 1st Period Worcester Heart Shaped Dishes Decorated with Hop Trellis Pattern. Circa 1770. Mint Condition.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] 17th Century Japanese Blue-White Dish with the Monogram of the Dutch East India Company. Van der Ven & Van der Ven, The Netherlands.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Clock in verre opaline of Deep Lavender Blue with Ormulu Mounts in Original State. French, Circa 1825. Delomosne, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Delftware Plate Decorated with a Portrait of George III, Circa 1761. Jonathan Horne, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Early 18th Century George I Walnut Bureau - Circa 1725. Hotspur, London.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Louis XV Commode. Gallerie Perrin, Paris.
Western art unattributed:
[The Burlington house Fair at Royal Academy of Arts, London] Pair of Worcester Heart Shaped Dishes Decorated with Hop Trellis Pattern. Circa 1770. Graham & Oxley, London.
Western art unattributed:
[Wartski, 14 Grafton Street, London] An Articulated Diamond Aigrette Mounted in Gold and Set in Silver. English c.1780. (This Jewel is Shown Actual Size)