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24 articles
Publication Received
Aspects of Abstraction 1952–2007. With an introduction by Margaret Garlake
06/2018 | 1383 | 160
Pages: 527
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
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media:
museums and institutions:
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Exhibition Review
William Scott. Wakefield
09/2013 | 1326 | 155
Pages: 640-642
related names
Reviewer:
Treves, Toby (Treves, Toby)
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dates:
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subjects:
Illustrations
Attributed works:
54. Harbour Port Menach, Brittany, by William Scott (William Scott Foundation; exh. Hepworth, Wakefield)
Attributed works:
55. Egypt series no.5, by William Scott (William Scott Foundation; exh. Hepworth, Wakefield)
Attributed works:
57. Still life with candlestick, by William Scott (Private collection; exh. Hepworth, Wakefield)
Exhibition Review
William Scott. Belfast
09/2013 | 1326 | 155
Pages: 640-642
related names
Reviewer:
Treves, Toby (Treves, Toby)
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dates:
museums and institutions:
subjects:
Exhibition Review
William Scott. Bath
09/2013 | 1326 | 155
Pages: 640-642
related names
Reviewer:
Treves, Toby (Treves, Toby)
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dates:
museums and institutions:
places:
subjects:
Exhibition Review
William Scott. London
09/2013 | 1326 | 155
Pages: 640-642
related names
Reviewer:
Treves, Toby (Treves, Toby)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
53. Untitled (nude), by William Scott (Estate of William Scott; exh. Karsten Schubert, London)
Exhibition Review
William Scott. Hastings
09/2013 | 1326 | 155
Pages: 640-642
related names
Reviewer:
Treves, Toby (Treves, Toby)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
56. Red figure, by William Scott (Estate of William Scott; exh. Jerwood Gallery, Hastings)
Exhibition Review
William Scott. St Ives
09/2013 | 1326 | 155
Pages: 640-642
related names
Reviewer:
Treves, Toby (Treves, Toby)
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dates:
museums and institutions:
places:
subjects:
Advertisements
Advertisements September 2013 (front)
09/2013 | 1326 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Alan Wheatley Art, London. Untitled (29.7.75), by John Hoyland (1934-2011). 1975. Signed and dated on the canvas overlap. Acrylic on canvas. 122 by 91.5 cm]
Attributed works:
[Austin/Desmond Fine Art, London. The garden, by Edward Burra (1905-76). 1927. Pencil, watercolour and bodycolour, 55.8 by 38.1 cm]
Attributed works:
[Beetles & Huxley, London. Julie Christie, by Terence Donovan (1936-96). 1962. From an edition of 50. Silver gelatin print. 50 by 60 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. William Scott RA (1913-1989). Cornish Harbour. Signed 'W.SCOTT' (lower right). Oil on board. 27 x 35 cm (10 5/8 x 13 3/4 in.)]
Attributed works:
[Boundary Gallery, London. Second portrait of Sunita, by Sir Jacob Epstein (1880-1959). 1925. Bronze. Height: 57 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Annibale Carracci (1560-1609), The Virgin in Prayer (detail), oil on canvas, 62.3 x 41.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Gaulli, called Il Baciccio. Genoa, 1639 - Rome, 1709. The Holy Family with the Young Saint John the Baptist and Saint Elizabeth. Oil on canvas, 47 x 30 cm (18 1/2 x 11 13/16 in)]
Attributed works:
[Gwen Hughes Modern British Art, London. Thus she would come, escaped, half-dead to my door, by Patrick Caulfield (1936-2005). 1973. Signed and numbered from an edition of 100. Screenprint, 40.5 by 35.5 cm
Attributed works:
[Jonathan Clark Fine Art, London. Still life gourds, by Graham Sutherland (1903-80). 1949. Oil on canvas, 48 by 54 cm]
Attributed works:
[Museum of The Order of St. John. London. Caravaggio. The Cardsharps]
Attributed works:
[Osborne Samuel, London. Mingulay, by William Scott (1913-89). This work is recorded in the William Scott archive as No. 2321. Original gouache for the lithograph, 49 by 61 cm]
Attributed works:
[Piano Nobile, London. Blue Harbour, Sir Terry Frost (1915-2003). 1989. Oil on canvas, 66 by 67 cm]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Palazzo Cicogna. Via San Damiano 2. Milano. Domenico Fetti (Rome 1589 - 1623 Venice). Portrait of Francesco Andreini. Red chalk, over traces of black chalk heightened with white on paper, watermark, "Letters LD", 417 x 264 mm. (16 7/16 x 10 3/8)]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Peter Gallis. A Swag of flowers in a iche (detail)]
Attributed works:
[Whittford Fine Art, London. Janus IV, by Jeff Lowe (b.1952). 1982. Mild Steel, zinc coated and painted. Height: 146 cm. Width: 64 cm. Depth: 40 cm]
Attributed works:
[Whittford Fine Art, London. Thrill me, by Allen Jones (b. 1937). Signed and dated centre right. Countersigned by James Wedge centre left. Lithograph, 70.8 by 103.7 cm]
Attributed works:
[William Weston Gallery, London. Figure writing, reflected in a mirror. The writer, by Francis Bacon (1909-92). 1976. Signed in pencil. Lithograph in colours, 85 by 64 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. A pair of Angels Holding Candlesticks. Poplar, with the original polychrome and gilding. Italy, Naples, circa 1630-1640. H. 49 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Breviary, in Latin, Illumanted manuscript on vellum Italy, fifteenth century]
Article
An unpublished letter from William Scott
04/2009 | 1273 | 151
Pages: 231-233
related names
Author:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
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dates:
places:
print:
Illustrations
Attributed works:
36. Portrait of William Scott, by Harry Hicken. 1933. Ink on paper, 13.4 by 16.8 cm. (Estate of William Scott; photograph courtesy of the William Scott Archive, London).
Attributed works:
37. William Scott feigning exhaustion, by Harry Hicken. 1933. Ink on paper, 16.6 by 14.5 cm. (Estate of Harry Hicken).
Attributed works:
38. Untitled (female nude), by William Scott. c.1933. Bog oak, dimensions unknown. (Private collection; photograph courtesy of Adrian Hicken, London).
Attributed works:
39. Untitled (seated woman and child), by William Scott. c.1933. Plaster, 45 cm. high. (Whereabouts unknown; formerly the collection of Harry Hicken; photograph courtesy of the William Scott Archive, London).
Attributed works:
40. Untitled (Susanna and the elders?), by William Scott. 1934. Oil on plyboard, 45 by 55.5 cm. (Estate of William Scott; photograph courtesy of the William Scott Archive, London).
Article
William Scott’s war
04/2008 | 1261 | 150
Pages: 232-237
related names
Author:
Inglis, Lucy (Inglis, Lucy)
Author:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
dates:
places:
Illustrations
Attributed works:
13. Figures in a Welsh village, by William Scott. 1945. Canvas, 101.6 by 122 cm. (Private collection; © Estate of William Scott 2008)
Attributed works:
14. The artist’s wife, by William Scott. 1943. Canvas, 46 by 60 cm. (Private collection; © Estate of William Scott 2008)
Attributed works:
15. Untitled, by William Scott. 1945. Watercolour on paper, 23 by 29 cm. (Private collection; © Estate of William Scott 2008)
Attributed works:
16. Untitled, by William Scott. c.1946. Watercolour on paper, 29 by 37.5 cm. (Private collection; © Estate of William Scott 2008)
Attributed works:
17. Mother and child, by William Scott. 1942. Canvas, 51 by 61 cm. (Private collection; © Estate of William Scott 2008)
Attributed works:
18. Soldier and girl sleeping, by William Scott. 1942. Canvas, 40.6 by 50.8 cm. (Imperial War Museum, London; © Estate of William Scott 2008)
Attributed works:
19. Sardine factory in Brittany, by William Scott. c.1946. Canvas, 85 by 110.5 cm. (Whereabouts unknown; © Estate of William Scott 2008)
Attributed works:
20. Eggs and ivy leaves, by William Scott. 1942. Watercolour and gouache on paper, 39 by 51 cm. (Private collection; © Estate of William Scott 2008)
Attributed works:
21. Mackerel with plate and paper, by William Scott. 1946. Canvas, 40.8 by 50.8 cm. (Private collection; © Estate of William Scott 2008)
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