50. Imogen, by Julian Opie. 2013. Continuous digital animation on a 55 inch LCD screen. (Courtest of the artist; exh. Holburne Museum Bath).
Attributed works:
51. Portrait bust of Christoph Willibald von Gluck, from the studio of Jean-Antoine Houdon. 1775. Terracotta, 52.7 cm. high. (Julian Opie collection; exh. Holburne Museum, Bath).
Attributed works:
52. At home with Maria II, by Julian Opie. 2011. Inkjet print on canvas, 202 by 141 cm. (Courtesy of the artist; exh. Holburne Museum, Bath).
Attributed works:
53. Portrait of Wilson Gale Braddyll, by Joshua Reynolds. 1788. Panel, 76 by 63.4 cm. (Julian Opie collection; exh. Holburne Museum, Bath).
Attributed works:
54. Unwelcome visitors, by Tessa Farmer. 2014. Dessicated insect remains and dried plant root. (Courtesy of the artist; exh. Holburne Museum, Bath).
53. Maria, from Sterne, by Joseph Wright of Derby (Private collection; exh. Holburne Museum, Bath)
Attributed works:
54. View of Cicero's villa, Pozzuoli, by Joseph Wright of Derby (Private collection, on loan to the Trustees of the Barber Institute, Birmingham; exh. Holburne Museum, Bath)
Attributed works:
55. The Rev. Henry Case, later Case-Morewood, by Joseph Wright of Derby (National Trust, Hatchlands Park, Guildford; exh. Holburne Museum, Bath)
55. Mask II, by Ron Mueck. 2001-02. Mixed media, 77 by 118 by 85 cm. (Anthony d'Offay, London; exh. Holburne Museum, Bath).
Western art unattributed:
56. Plaster cast of the death mask of Sir Thomas Lawrence, by an unknown artist. 1830. Plaster, 44.5 by 51.5 cm. (National Portrait Gallery, London; exh. Holburne Museum, Bath).
Exhibition Review
Gainsborough’s landscapes. Bath and Compton Verney
67. Wooded landscape with figure and cattle, by Thomas Gainsborough. 1770–75. Watercolour and oil on two sheets of paper laid down on canvas, 43 by 58 cm. (The Hepworth Wakefield; exh. Holburne Museum, Bath).
Attributed works:
68. Wooded landscape with horseman travelling along a country track, by Thomas Gainsborough. 1775–80. Black, white and coloured chalks on blue-grey paper, 25.4 by 31.4 cm. (Tate, London; exh. Holburne Museum, Bath).
Attributed works:
69. Two girls with bundles of sticks, by Thomas Gainsborough. 1785–88. Black and white chalk
with stump, 25.4 by 30.5 cm. (Private collection; exh. Holburne Museum, Bath).
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight |
institution: Norwich Castle Museum and Art Gallery
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
61. Sir Robert and Lady Buxton with their daughter Anne, by Henry Walton. 1786. 73.6 by 92.5 cm. (Norwich Castle Museum and Art Gallery: exh. Abbot Hall Art Gallery, Kendal).
Attributed works:
62. A boy reading, by Joshua Reynolds. 1777. 76.2 by 36.5 cm. (Private collection; exh. Abbiot Hall Art Gallery, Kendal).