Sheila Hicks: Off-Grid
The Hepworth Wakefield
7th April–25th September |
:
Illustrations
Attributed works:
26. Installation
view of Sheila
Hicks: Off-Grid
at the Hepworth
Wakefield, 2022,
showing in the
foreground La
mer (the sea).
1976/2022. Linen
and synthetic
rafia, 470
cm. (Private
collection;
courtesy
Hepworth
Wakefield;
photograph Tom
Bird).
Attributed works:
27. Installation
view of Sheila
Hicks: Off-Grid
at the Hepworth
Wakefield, 2022,
showing on the
right Nowhere
to Go. 2022.
Pigmented
acrylic fibre,
dimensions
variable; and
on the wall
Peace Barrier.
2018. Linen and
wood, 150 by
300 cm.; and
Ripe rip. 2019.
Linen, wood
and aluminium,
130 by 170 cm.
(All private
collection;
courtesy
Hepworth
Wakefield;
photograph
Tom Bird).
Attributed works:
28. Calligraphy
sauvages, by
Sheila Hicks.
Cotton, wool,
linen, silk,
bamboo and
synthetic fibre,
231 by 162 by 34
cm. (Courtesy
Alison Jacques,
London; exh.
Hepworth
Wakefield).
2. Fenestration
of the ear (The
microscope),
by Barbara
Hepworth.
1948. Oil and
pencil on board,
34.5 by 44.5
cm. (Courtesy
Ingram Collection;
photograph J.P.
Bland).
Attributed works:
3. Installation
view of Barbara
Hepworth:
Art & Life at
the Hepworth
Wakefield, 2021,
showing in the
foregroud Oval
form (Trezion),
by Barbara
Hepworth.
1961–63. Bronze,
94 by 144 by 87
cm. (Courtesy
Hepworth
Wakefield;
photograph
Lewis Ronald).
Bill Brandt / Henry Moore
The Hepworth Wakefield
7th February–1st November |
:
Illustrations
Attributed works:
1. Liverpool
Street extension,
by Bill Brandt.
1940, printed
c.1948. Gelatin
silver print,
24.4 by 19.3
cm. (Edwynn
Houk Gallery,
New York; exh.
The Hepworth
Wakefield).
Attributed works:
2. Tube shelter
perspective: the
Liverpool Street
extension, by
Henry Moore.
1941. Pencil,
wax crayon,
coloured crayon,
watercolour,
wash, pen and
ink on paper, 48
by 43.5 cm.
(Tate, London;
exh. The
Hepworth
Wakefield).
Attributed works:
3. Contact sheet
for details of
Auguste Rodin’s
Walking man
(1877–78), by
Henry Moore.
1967. 25.2
by 20.3 cm.
(Henry Moore
Foundation; exh.
The Hepworth
Wakefield).
Attributed works:
4. Nude, Baie
des Anges, by
Bill Brandt. 1959.
Gelatin silver
print, 61.6 by
52.1 cm. ( Bill
Brandt Archive
Ltd, London; exh.
The Hepworth
Wakefield).
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
The Hepworth, Wakefield |
institution: The Hepworth
Illustrations
Attributed works:
83. Horn of plenty, by Eva Rothschild. 2011. Gold leaf, jesmonite and steel stand, 220 by 85 by 80 cm. (Courtesy of the artist and The Hepworth, Wakefield).