Search

Article

St Cecilia and an Angel: 'The Heads by Gentileschi, the Rest by Lanfranco'

02/1994 | 1091 | 136

Pages: 73-78

Subscribe to read

related names

Author:

DeGrazia, Diane (DeGrazia, Diane; Bohlin, Diane DeGrazia; Grazia, Diane de)

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Gentileschi, Orazio

artists:

Lanfranco, Giovanni

dates:

1550-1649

museums and institutions:

Galleria Nazionale dell'Umbria, Perugia, Italy

museums and institutions:

National Gallery of Art, Washington, United States

subjects:

Italian painting / Attributions

subjects:

Cecilia, Saint

Illustrations

Attributed works:

3. St Cecilia and an Angel, Here Attributed to Orazio Gentileschi and Giovanni Lanfranco. c.1610. 87.8 by 108.1 cm. (National Gallery of Art, Washington).

Attributed works:

4. St Cecilia and an Angel, by or after Orazio Gentileschi. 89 by 107 cm. (Galleria Nazionale dell'Umbria, Perugia).

Attributed works:

5. X-Radiograph of Fig.3. [St Cecilia and an Angel, Here Attributed to Orazio Gentileschi and Giovanni Lanfranco. c.1610. 87.8 by 108.1 cm. (National Gallery of Art, Washington).]

Attributed works:

6. The Virgin Presenting the Christ Child to S. Francesca Romana, by Orazio Gentileschi. 270 by 157 cm. (Galleria Nazionale delle Marche, Urbino).

Attributed works:

7. St Cecilia, by Giovanni Lanfranco. 71 by 122 cm. (Bob Jones University Collection, Greenville SC).

Article

A Proposal for Mellan as a Painter: The 'St Bruno' for Cardinal Alphonse de Richelieu

08/1978 | 905 | 120

Pages: 511-515+517

Subscribe to read

related names

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Mellan, Claude

artists:

Mignard, Nicholas

dates:

1600-1699

patrons:

Du Plessis, Alphonse-Louis, Cardinal de Richelieu, 1582–1653

places:

France / Paris

subjects:

French painting / Patronage

subjects:

Bruno, Saint

Illustrations

Attributed works:

18. St Bruno. Here Attributed to Claude Mellan. 160 by 104 cm. (Private Collection).

Attributed works:

19. Detail of the St Bruno Illustrated in Fig.18. [Here Attributed to Claude Mellan. 160 by 104 cm. (Private Collection).]

Attributed works:

20. St Bruno. Illustrated in Fig.18 with Indication of the Later Insertion. [Here Attributed to Claude Mellan. 160 by 104 cm. (Private Collection).]

Attributed works:

21. St Bruno. By Nicolas Mignard. Signed and Dated 1638. 216 by 141 cm. (Musée Calvet, Avignon).

Attributed works:

22. Detail of the St Bruno Illustrated in Fig.18. [Here Attributed to Claude Mellan. 160 by 104 cm. (Private Collection).]

Attributed works:

23. Detail of the St Bruno Illustrated in Fig.18. [Here Attributed to Claude Mellan. 160 by 104 cm. (Private Collection).]

Attributed works:

24. St Bruno. By Claude Mellan. Engraving. 1638.

Attributed works:

25. Cardinal Alphonse de Richelieu. By Claude Mellan. Engraving. 1636.

Attributed works:

26. St Francis in Prayer. By Claude Mellan. Engraving. 1638.

Attributed works:

27. St Benedict. By Claude Mellan. Engraving.

Attributed works:

28. St Bruno. By Claude Mellan. Engraving. 1620.

Attributed works:

29. The Crucifixion. By Claude Mellan. Engraving. c.1635.

Short Notice

A Note on Claude's 'Pastoral Landscape' of 1642 in Berlin

07/1978 | 904 | 120

Pages: 460-463

Subscribe to read

related names

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Lorrain, Claude

dates:

1600-1649

museums and institutions:

Gemäldegalerie, Berlin, Germany

places:

France

places:

Germany / Berlin

subjects:

Landscapes (visual works) / French painting

subjects:

Arcadia (pastoral)

works:

Liber Veritatis (British Museum, London)

Illustrations

Attributed works:

21. Pastoral Scene. By Claude Lorrain. 1642. 97 by 131 cm. (Gemäldegalerie, Berlin).

Attributed works:

22. Detail from the Pastoral Scene Illustrated in Fig.21. [By Claude Lorrain. 1642. 97 by 131 cm. (Gemäldegalerie, Berlin).]

Attributed works:

23. Landscape with Figures (Here Identified as Judah and Tamar). By Claude Lorrain. [Pen and brown ink and brown wash, heightened with white; on blue paper.] Liber Veritatis 64 (British Museum).

Attributed works:

24. X-Ray of a Detail of the Landscape with Figures Illustrated in Fig.21. [Pastoral Scene. By Claude Lorrain. 1642. 97 by 131 cm. (Gemäldegalerie, Berlin).]

Attributed works:

25. Detail from Landscape with Figures Illustrated in Fig.23. [Landscape with Figures (Here Identified as Judah and Tamar). By Claude Lorrain. [Pen and brown ink and brown wash, heightened with white; on blue paper.] Liber Veritatis 64 (British Museum).]

Article

Charles Mellin and the Marchesi Muti

12/1976 | 885 | 118

Pages: 836-845

Subscribe to read

related names

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Mellin, Charles

artists:

Muti, Giovanni Battista

artists:

Muti, Prospero

artists:

Muti, Marcantonio

artists:

Vouet, Simon

buildings:

Palazzo Muti, Rome, Italy

dates:

1600-1649

places:

Italy / Rome

subjects:

French painting

subjects:

Italian painting

subjects:

Documents / Attributions

Illustrations

Attributed works:

69. St Francis of Paola in Prayer, by Charles Mellin. Canvas, 161.9 by 111.8 cm. (Private Collection).

Attributed works:

70. St Urban in Glory, by Giovanni Battista Muti and Charles Mellin. Canvas, 246.4 by 190.5 cm. (Galleria Nazionale d'Arte Antica, Rome).

Attributed works:

71. La Pazienza, by Cornelis Bloemaert. Engraving after Giovanni Battista Muti.

Attributed works:

72. St Francis of Paola in Prayer, by Charles Audran. Engraving after Mellin's Painting repr. in Fig.69.

Attributed works:

73. Detail of Fig.69.

Attributed works:

74. Detail of Fig.69.

Attributed works:

75. 'Liberalitas'. Here Attributed to Giovanni Lanfranco. Fresco. (Palazzo Lancellotti, Rome).

Attributed works:

76. Allegory of Peace, by Prospero or Marcantonio Muti. Canvas, 350 by 254 cm. (Galleria Nazionale d'Arte Antica, Rome).

Attributed works:

77. St Anne, by Giovanni Battista Muti and/or Charles Mellin. (London Art Market).

Attributed works:

78. Assumption of the Virgin. Anonymous Copyist after Mellin. Red Chalk, 40.3 by 26.8 cm. (Museum der bildenden Künste, Leipzig, Rensi coll. vol. 5, p.41 (NJ 7434)).

Attributed works:

79. Assumption of the Virgin. Anonymous Copyist after Mellin. Black and White Chalk, 21.3 by 24.8 cm. (Kupferstichkabinett. Staatliche Museen Preuss. Kulturbesitz, Berlin-Dahlem).

Attributed works:

80. St Dominic in Glory, Here Tentatively Attributed to Charles Mellin. Canvas, 340 by 200 cm. (Palazzo Vescovile, Viterbo).

Attributed works:

81. Assumption of the Virgin, by Charles Mellin. Canvas, 99.6 by 104.7 cm. (Museo de Arte. Fundación Luis. A. Ferré, Ponce, Puerto Rico).

Article

Some Unknown Works by Guglielmo Cortese

12/1973 | 849 | 115

Pages: 794-801+803

Subscribe to read

related names

Author:

Graf, Dieter (Graf, Dieter)

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Courtois, Guillaume, called Guglielmo Cortese

dates:

1650-1699

places:

Italy / Rome

subjects:

Italian painting / Attributions

subjects:

Isaac / Abraham

subjects:

Drawings / Formal analysis

subjects:

Portraits

Illustrations

Attributed works:

23. The Sacrifice of Isaac, Here Attributed to Guglielmo Cortese. Canvas, 119 by 105 cm. (Palazzo Durazzo-Pallavicini, Genoa.)

Attributed works:

24. Detail from Fig. 23. [The Sacrifice of Isaac, Here Attributed to Guglielmo Cortese. Canvas, 119 by 105 cm. (Palazzo Durazzo-Pallavicini, Genoa.)]

Attributed works:

25. Study for the Sacrifice of Isaac, by Guglielmo Cortese. Red Chalk on Yellowish Paper, 30.1 by 21 cm. (Gabinetto Nazionale delle Stampe, Rome No. F. C. 127121 v.)

Attributed works:

26. Study for the Sacrifice of Isaac, by Guglielmo Cortese. (Gabinetto Nazionale delle Stampe, Rome, No. F. C. 127121 r.)

Attributed works:

27. Study for the Figure of Abraham in the Sacrifice of Isaac, by Guglielmo Cortese. Red Chalk on Grey-Brownish Paper, 40.2 by 24.3 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 7777 r.)

Attributed works:

28. Study for the Arms of Abraham in the Sacrifice of Isaac, by Guglielmo Cortese. (Kunstmuseum, Düsseldorf, Inv. No. FP 7777 v.).

Attributed works:

29. Study for the Figure of Isaac in the Sacrifice of Isaac, by Guglielmo Cortese. Black Chalk Heightened with White, on Greenish Paper, 39.8 by 25.7 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 7874 v.)

Attributed works:

30. Study for the Figure of Isaac in the Sacrifice of Isaac, by Guglielmo Cortese. Red Chalk on Yellowish Paper, 38.4 by 24.9 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 7476.)

Attributed works:

31. Study for the Figure of Isaac in the Sacrifice of Isaac, by Guglielmo Cortese. Black Chalk Heightened with White, on Greenish Paper, 38.1 by 25.9 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 7877.)

Attributed works:

32. The Glory of S. Francesca Romana, Here Attributed to Guglielmo Cortese. (Private Collection, Rome.)

Attributed works:

33. Study for the Glory of S. Francesca Romana, by Guglielmo Cortese. Red Chalk on Yellowish Paper. (Kunstmuseum, Düsseldorf, Inv. No. FP 8084 r.)

Attributed works:

34. Study for the Glory of S. Francesca Romana, by Guglielmo Cortese. Red Chalk on Yellowish Paper, 30.6 by 19.9 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 11519.)

Attributed works:

35. Study for S. Francesca Romana, by Guglielmo Cortese. Red and Black Chalk, Heightened with White, on Brown Paper, (Kunstmuseum, Düsseldorf, Inv. No. FP 8161 r.)

Attributed works:

36. Study for S. Francesca Romana, by Guglielmo Cortese. Black Chalk, Heightened with White, on Green Paper, 38.1 by 25.9 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 8171 r.)

Attributed works:

37. Study for S. Francesca Romana, by Guglielmo Cortese. (Kunstmuseum, Düsseldorf, Inv. No. FP 8171 v.)

Attributed works:

38. Studies for the Figure of Habakkuk, by Guglielmo Cortese. Black Chalk, Heightened with White, on Greenish Paper, 40.9 by 26.7 cm. (Kunstmuseum, Düsseldorf, Inv. No. 8116 v.)

Attributed works:

39. Habakkuk Brought to Daniel by an Angel, Here Attributed to Guglielmo Cortese. Fresco, 9.80 by 2.60 m. (S. Carlo ai Catinari, Rome, Former Refectory, Ceiling.)

Attributed works:

40. Detail from Fig. 39. [Habakkuk Brought to Daniel by an Angel, Here Attributed to Guglielmo Cortese. Fresco, 9.80 by 2.60 m. (S. Carlo ai Catinari, Rome, Former Refectory, Ceiling.)]

Attributed works:

41. The Marriage of St Catherine, by Guglielmo Cortese. Red Chalk on White Paper, 24.1 by 18.9 cm. (Kunstmuseum, Düsseldorf, No. FP 4469 recto.)

Attributed works:

42. Detail from Fig. 39. [Habakkuk Brought to Daniel by an Angel, Here Attributed to Guglielmo Cortese. Fresco, 9.80 by 2.60 m. (S. Carlo ai Catinari, Rome, Former Refectory, Ceiling.)]

Attributed works:

44. Portrait of Nicolò Sagredo, Here Attributed to Guglielmo Cortese. (S. Marco, Rome, Sacristy.)

Attributed works:

45. St Augustine and the Child, by Gaspard Dughet and Guglielmo Cortese. (Palazzo Doria-Pamphili, Rome.)

Attributed works:

46. Portrait of a Cleric, Here Attributed to Guglielmo Cortese (?). (Kunsthistorisches Museum, Vienna.)

Attributed works:

47. Study for a Male Portrait, by Guglielmo Cortese. Red Chalk, 29.5 by 20 cm. (National Gallery of Scotland, Edinburgh, No. D 1623 v.)

Western art unattributed:

43. David Admonished by Nathan. Roman, End of Seventeenth Century, after Cortese. Pen and Brown Ink and Wash on White Paper. (Kunstmuseum, Düsseldorf, No. FP 10234.)

Short Notice

A Lost Baburen Rediscovered

11/1972 | 836 | 114

Pages: 787+789

Subscribe to read

related names

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Baburen, Dirck van

dates:

1550-1649

places:

Netherlands

subjects:

Dutch painting / Lost works / Attributions

Illustrations

Attributed works:

66. Portrait of Princess Anna Hercolani, née Jouberthon, by Clemente Alberi. 1828. (Museo Napoleonico, Rome.) 67. Apollo and Marsyas, Here Attributed to Dirck Van Baburen. Canvas. 192 by 160 cm. (Collection Fürst Schaumburg-Lippe, Bückeburg Castle.) 68. Portrait Group of the Lucien Bonaparte Family, by J. A. D. Ingres. Signed and Dated 1815. Drawing, 41 by 53.2 cm. (Fogg Art Museum, Cambridge, Mass.)

Short Notice

Two New Modelli for Vouet's St Peter Altarpiece

02/1972 | 827 | 114

Pages: 90-94

Subscribe to read

related names

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Vouet, Simon

buildings:

Basilica di San Pietro, Rome, Italy

buildings:

Hovingham Hall, North Yorkshire, Great Britain

dates:

1600-1649

places:

France / Italy / Rome

subjects:

Italian painting / Oil sketches / Modelli

subjects:

Altarpieces

Illustrations

Attributed works:

41. Detail from the Bozzetto by Vouet Illustrated in Fig.45. [The Angels Adoring the Holy Cross, Bozzetto for the Destroyed Altar-Piece of St Peter's, by Simon Vouet.]

Attributed works:

42. Detail from the Bozzetto by Vouet Illustrated in Fig.45. [The Angels Adoring the Holy Cross, Bozzetto for the Destroyed Altar-Piece of St Peter's, by Simon Vouet.]

Attributed works:

43. Modello for a Group of Angels in the St Peter Altar-Piece, by Simon Vouet. Canvas, 40.5 by 61.3 cm. (Private Collection, London.)

Attributed works:

44. Modello for a Group of Angels in the St Peter Altar-Piece, by Simon Vouet. Canvas, 40.5 by 61.3 cm. (Private Collection, London.)

Attributed works:

45. The Angels Adoring the Holy Cross, Bozzetto for the Destroyed Altar-Piece of St Peter's, by Simon Vouet. Canvas, 55.8 by 63.5 cm. (Collection Sir William Worsley, Hovingham Hall.)

Attributed works:

46. Two Musician Angels, by Simon Vouet. Ceiling Fresco. (Alaleona Chapel S. Lorenzo in Lucina, Rome.)

Attributed works:

47. Assumption of the Virgin, by Simon Vouet. Ceiling fresco. (Alaleona Chapel, S. Lorenzo in Lucina, Rome.)

Attributed works:

48. St Sebastian in Glory, by Giovanni Lanfranco. (Present Whereabouts Unknown.)

Article

Innocenzo Tacconi 1603

11/1971 | 824 | 113

Pages: 661-667+669

Subscribe to read

related names

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Tacconi, Innocenzo

artists:

Panico, Antonio Maria

artists:

Carracci, Annibale

artists:

Domenichino

artists:

Lanfranco, Giovanni

artists:

Badalocchio, Sisto

artists:

Albani, Francesco

buildings:

Sant'Alessandro Maggiore, Lucca, Italy

dates:

1590-1609

museums and institutions:

Walker Art Gallery, Liverpool, Great Britain

places:

Italy / Bologna

places:

Lucca

sources:

Malvasia, Carlo Cesare

sources:

Bellori, Giovanni Pietro

sources:

Baglione, Giovanni

subjects:

Mary, Virgin

subjects:

Biographies / Sources

subjects:

Italian painting / Attributions

Illustrations

Attributed works:

29. Assumption of the Virgin, Here Attributed to Innocenzo Tacconi. 1603. Canvas, 232.5 by 161 cm. (Walker Art Gallery, Liverpool.)

Attributed works:

30. Assumption of the Virgin, by Innocenzo Tacconi (?Copy). 1603. Canvas, 236 by 150 cm. (S. Alessandro Maggiore, Lucca.)

Attributed works:

31. Detail from the Tacconi Assumption Illustrated in Fig.29.

Attributed works:

32. Ceiling Frescoes, by Innocenzo Tacconi. (Cerasi Chapel, S. Maria del Popolo, Rome.)

Attributed works:

33. Virgin in Glory with a View of Bologna, by Annibale Carracci. Pen and Wash. (Albertina, Vienna No.2135.)

Attributed works:

34. Coronation of the Virgin, by Innocenzo Tacconi. (Cappella Bambaci, S. Caterina dei Funari, Rome.)

Attributed works:

35. Virgin in Glory with Saints in Adoration, by Innocenzo Tacconi. (Cathedral, Spoleto.)

Attributed works:

36. Assumption of the Virgin, by Innocenzo Tacconi? (Ex-Holford Collection, London.)

Article

An Unnoticed Early Work by Pietro da Cortona

11/1970 | 812 | 112

Pages: 752-757+759

Subscribe to read

related names

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Subjects

artists:

Cortona, Pietro da

dates:

1600-1649

museums and institutions:

National Gallery, London, Great Britain

places:

Italy / Rome

subjects:

Italian painting / Early works / Attributions

subjects:

Cecilia, Saint

subjects:

Formal analysis / Visual sources

Illustrations

Attributed works:

37. St Cecilia, Here Attributed to Pietro da Cortona. Canvas, 143.5 by 109 cm. (National Gallery, London.)

Attributed works:

38. Aurora, by Pietro da Cortona. Tempera on Canvas. (Palazzo Senatorio, Rome.)

Attributed works:

39. The Sacrifice of Solomon, by Pietro da Cortona. Fresco. (Palazzo Mattei, Rome.)

Attributed works:

40. The Oath of Semiramis, by Pietro da Cortona. (Collection Mr Denis Mahon, London.)

Attributed works:

41. St Peter Visiting St Agatha in Prison, by Pietro da Cortona. (Private Collection, Cortona.)

Attributed works:

42. Detail from the Sacrifice of Solomon Illustrated in Fig.39. [by Pietro da Cortona. Fresco. (Palazzo Mattei, Rome.)]

Attributed works:

43. Detail from the Sacrifice of Solomon Illustrated in Fig.39. [by Pietro da Cortona. Fresco. (Palazzo Mattei, Rome.)]

Attributed works:

44. The Crossing of the Red Sea, by Pietro da Cortona. Fresco. (Villa Muti, Frascati.)

Attributed works:

45. The Fall of Manna, by Pietro Cortona. Fresco. (Villa Muti, Frascati.)

Letter

Perrier or Camassei?

11/1970 | 812 | 112

Pages: 760-761

Subscribe to read

related names

Author:

Schleier, Erich (Schleier, Erich; Schleier, Eric)

Author:

Vitzthum, Walter (W. V.) (Vitzthum, Walter (W. V.); Vitzthum, Dr.)

Subjects

artists:

Perrier, François

artists:

Camassei, Andrea

subjects:

Italian painting / Attributions

Sign up to our newsletter