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68 articles
Article
Annibale Carracci and the forgotten Magdalene
10/2024 | 1459 | 166
Pages: 1028–35
related names
Author:
Willer, Jacob (Willer, Jacob)
Subjects
dates:
Illustrations
Attributed works:
1. Penitent Mary Magdalene in a landscape, here attributed to Annibale Carracci. c.1601-03. Oil on copper, 37.4 by 29.2 cm. (National Trust; Kedleston Hall, Derbyshire).
Attributed works:
10. Detail of Fig.9.
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of Fig.1, showing the face of the Magdalen.
Attributed works:
13. Detail of Fig.14, showing the face of the Virgin.
Attributed works:
14. Pietà with two angels, by Annibale Carracci. c.1603. Oil on copper, 41.3 by 60.7 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
2. Penitent Mary Magdalene, by Carlo Faucci. c.1758. Engraving, 39 by 30 cm. (Wellcome Collection, London).
Attributed works:
3. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on copper, 32.4 by 43 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
4. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on canvas, 51.5 by 67 cm. (Palazzo Doria Pamphilj, Rome).
Attributed works:
5. Penitent Mary Magdalene, copy after Annibale Carracci. 18th century? Oil on canvas, 41.9 by 32 cm. (Thorvaldsens Museum, Copenhagen).
Attributed works:
6. Detail of Fig.3, showing the pentimento around the Magdalene’s toes.
Attributed works:
7. Sleeping Ariadne. Roman, 1st century CE. Marble. (Vatican Museums, Vatican City; Photo Scala, Florence).
Attributed works:
8. The sleep of Venus, here attributed to the studio of Annibale (and Agostino?) Carracci. c.1600–02. Oil on canvas, 190 by 328 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
9. Christ appearing to St Peter on the Appian Way, by Annibale Carracci. 1601–02. oil on wood, 77.4 by 56.3 cm. (National Gallery, London; Bridgeman Images).
Book Review
Giovan Pietro Bellori: Das Leben des Domenico Zampieri, gen. Domenichino / Vita di Domenico Zampieri, Il Domenichino
12/2023 | 1449 | 165
Pages: 1375
related names
Reviewer:
Bell, Janis (Bell, Janis)
Subjects
art literature:
art literature:
artists:
Reviewed Items
artists:
Giovan Pietro Bellori: Das Leben des Domenico Zampieri, gen. Domenichino / Vita di Domenico Zampieri, Il Domenichino Edited by Marieke von Bernstorff. 480 pp. incl. 25 col. + 5 b. & w. ills. (Wallstein Verlag, Göttingen, 2022), €34. ISBN 978–3–8353–3983–5. | :
Article
Carlo Dolci’s Inscriptions 1 – Dolci’s signatures and prices in context
01/2022 | 1426 | 164
Pages: 4-15
related names
Author:
Spear, Richard E. (Spear, Richard E.)
Subjects
Illustrations
Attributed works:
1. Detail of Fig.10, showing Carlo Dolci’s self-portrait within a self-portrait, inscribed 1674.
Attributed works:
10. Self-portrait, by Carlo Dolci. 1674. Oil on canvas, 74.5 by 60.5 cm. (Galleria degli Uffizi, Florence).
Attributed works:
11. Inscription on the strainer of the painting illustrated in Fig.13.
Attributed works:
12. Christ Child with a garland of flowers, by Carlo Dolci. 1674. Canvas, 96.5 by 76.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. David with the head of Goliath, by Carlo Dolci. 1680. Canvas, 131.5 by 106 cm. (Museum of Fine Arts, Boston).
Attributed works:
2. Ecce Homo, by Carlo Dolci. 1681. Oil on canvas, 49 by 39 cm. (Galleria Corsini, Florence).
Attributed works:
3. Inscription on the strainer of the painting illustrated in Fig.5.
Attributed works:
4. St Agatha, by Carlo Dolci. 1664–65. Oil on canvas, 73 by 41 cm. (Private collection).
Attributed works:
5. St Philip Neri, by Carlo Dolci. 1645. Oil on canvas, 44.5 by 36.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6 and 7. Inscriptions on the strainer of the painting illustrated in Fig.4.
Attributed works:
8. Inscription on a wooden frame behind St John the Evangelist on Patmos, by Carlo Dolci. 1656. Oil on copper, 38 by 49 cm. (Palazzo Pitti, Florence).
Attributed works:
9. Luigi Gualtieri at the age of three, by Carlo Dolci. 1674. Black, red and blue chalk with blue watercolour on white paper, 20.8 by 14.2 cm. (Galleria degli Uffizi, Florence).
Article
Avatars of Antiquity III: Reading the Passions
01/2021 | 1414 | 163
Pages: 40-51
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Dead Christ mourned (‘The three Maries’), by Annibale Carracci. c.1603 or c.1606. Oil on canvas, 92.8 by 103.2 cm. (National Gallery, London).
Attributed works:
10. An experiment with an air pump, by Joseph Wright of Derby. 1768. Oil on canvas, 183 by 244 cm. (National Gallery, London).
Attributed works:
11. Virgin Mary with the infant Christ, attributed to Leonardo da Vinci. c.1472. Terracotta, height 49 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Self-portrait, attributed to Nicolas Poussin. c.1630. Red chalk on paper, 25.6 by 19.7 cm. (British Museum, London).
Attributed works:
13. Detail of The Lamentation, by Giotto, showing a grieving angel. c.1304. Fresco. (Arena Chapel, Padua).
Attributed works:
14. Detail of The School of Athens, by Raphael, showing Euclid with pupils. c.1510. Fresco. (Vatican Museums).
Attributed works:
15. Preparatory study for head of St John the Evangelist, by Domenichino. c.1622–25. (Royal Library, Windsor; Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020).
Attributed works:
16. The dying Alexander, Roman copy of c.AD 100 of a Hellenistic sculpture of c.200 BC. Marble, height 72 cm, including modern bust. (Gallerie degli Uffizi, Florence).
Attributed works:
17. Niobe and her daughter, Roman, c.AD 100, after a Hellenistic sculpture of c.300 BC. Pentelic marble, height 228 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Marsyas by Balthasar Permoser. c.1680–85. Marble, height 68.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Massacre of the Innocents, by Guido Reni. 1611–12. Oil on canvas, 268 by 170 cm. (Pinacoteca Nazionale, Bologna).
Attributed works:
20. Bust of Caracalla. c.AD 212. Marble, height 65 cm. (Museo Archeologico Nazionale, Naples).
Attributed works:
22. Death of Cleopatra, by Henri-Joseph-François Baron de Triqueti. 1859. Ivory with bronze, height including base 38 cm. (Private collection, London).
Attributed works:
3. Drawing illustrating Horror, by Charles Le Brun. c.1667. Black chalk on paper, 20.5 by 18.4 cm. (Musée du Louvre, Paris).
Attributed works:
4. Detail of Moses defending the daughters of Jethro, by Charles Le Brun. 1686. Oil on canvas, 113 by 122 cm. (Galleria Estense, Modena).
Attributed works:
5. Detail of The penitent Magdalen, by Charles Le Brun. c.1656–57. (Musée du Louvre, Paris).
Attributed works:
6. Chelsea Pensioners receiving the London Gazette Extraordinary of Thursday, 22nd June 1815, announcing the Battle of Waterloo, by David Wilkie. 1816–22. Oil on panel, 97.2 by 158.1 cm. (Wellington Museum, Apsley House, London).
Attributed works:
7. Detail of Fig.6, showing the face of the woman reading the list of the dead.
Attributed works:
8. Woman with a mania for gambling, by Théodore Géricault. c.1822. Oil on canvas, 77 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
9. Marriage à-la-Mode: 2, The tête à tête, by William Hogarth. c.1743. Oil on canvas, 69.9 by 90.8 cm. (National Gallery, London).
Western art unattributed:
2. Detail of the Laocoön group, showing the face of Laocoön. (Museo Pio-Clementino, Vatican; Scala Archive).
Western art unattributed:
21. Fragmentary metope relief from the Temple of Zeus, Olympia, showing Athena receiving slain monster birds. c.460–50 BC. Marble, height 157 cm. (Musée du Louvre, Paris).
Book Review
Lives of Domenichino and Francesco Gessi (Carlo Cesare Malvasia’s ‘Felsina pittrice’: Lives of the Bolognese Painters, 13). Edited by Elizabeth Cropper and Lorenzo Pericolo
07/2019 | 1396 | 161
Pages: 610-612
related names
Reviewer:
Cappelletti, Francesca (Cappelletti, Francesca)
Subjects
dates:
styles:
subjects:
Reviewed Items
subjects:
Lives of Domenichino and Francesco Gessi (Carlo Cesare Malvasia’s ‘Felsina pittrice’: Lives of the Bolognese Painters, 13) Edited by Elizabeth Cropper and Lorenzo Pericolo. 414 pp. incl. 151 col. ills. (Harvey Miller, Turnhout, 2013), | :
Illustrations
Attributed works:
4. Flagellation of St Andrew, by Domenichino. 1607–08. Fresco. (S. Gregorio al Celio, Rome; Bridgeman Images).
Exhibition Review
The Orléans Collection. New Orleans Museum of Art
01/2019 | 1390 | 161
Pages: 67-69
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
13. The Meeting of David and Abigail, by Guido Reni. c.1615–20, Canvas, 155.5 by 163.8 cm. (Chrysler Museum of Art, Norfolk VA; exh. New Orleans Museum of Art).
Attributed works:
14. Allegory of Philippe II, duc d’Orléans, Regent of the Realm, by Antoine Dieu. 1718. Canvas, 106 by 77 cm. (Musée National du Château de Versailles; exh. New Orleans Museum of Art).
Attributed works:
15. Preciosa recognised, by Godfried Schalcken. Late 1660s. Panel, 44.2 by 31.2 cm. (National Gallery of Ireland, Dublin; exh. New Orleans Museum of Art).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Article
‘Almost her creation’: Georgiana, Duchess of Devonshire, and the decoration of Chiswick House
03/2018 | 1380 | 160
Pages: 217-225
related names
Author:
Whittaker, Esmé (Whittaker, Esmé)
Subjects
dates:
places:
Illustrations
Attributed works:
1. North-west view of Chiswick House, Middlesex, by J.C. Buckler. 1822. Watercolour on paper. 33.7 by 47 cm. (London Metropolitan Archives).
Attributed works:
2. Georgiana, Duchess of Devonshire, by Thomas Gainsborough. 1783. Canvas, 235.6 by 146.5 cm. (National Gallery of Art, Washington).
Attributed works:
4. West saloon at Chiswick House, by William Henry Hunt. 1828. Watercolour on paper. 29.6 by 23.7 cm. (Chatsworth House, Derbyshire).
Attributed works:
8. Fauteuil, by Jean-Baptiste Tilliard. Paris, c.1755–65. Parcel-gilt and painted beechwood, with modern silk and cotton upholstery. (English Heritage Trust/Chiswick House, London).
Western art unattributed:
10. East Saloon, Chiswick House. c.1890. Photograph. (Historic England Archive, Swindon).
Western art unattributed:
3. Plan of the first floor of Chiswick House. The shaded areas were added in the late 1780s.
Western art unattributed:
5. The Duke of Devonshire’s house at Chiswick. 1795. Engraving, 16.5 by 21.2 cm. (English Heritage Trust/Kenwood, London); reproduced on p.195 of D. Lysons: The Environs of London, II: County of Middlesex, London 1795.
Western art unattributed:
6. East wing staircase, Chiswick House. Early twentieth century. Photograph. (Historic England Archive, Swindon).
Western art unattributed:
7. West Saloon, Chiswick House. c.1890. Photograph. (Historic England Archive, Swindon)
Western art unattributed:
9. Side chair. England, c.1790s. Parcel-gilt and painted beechwood with cane back and seat, 82 by 46 by 40 cm. (English Heritage Trust/Chiswick House, London.
Advertisements
Advertisements October 2009 (front)
10/2009 | 1279 | 151
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Bartolomeo Schedoni (1578-1615). The Holly Family with the infant St. John Baptist. Oil on walnut, 13 7/8 x 10 ins (35.5 x 25.5 cm)]
Attributed works:
[August Laube, Zurich. Old bearded man in a high fur cap, with eyes closed, by Rembrandt van Rijn (1606-69). Etching.]
Attributed works:
[C. & J. Goodfriend, New York. Standard bearer in a landscape, Heinrich Aldegrever (1502-58/61). 1540. Engraving, 118 by 77 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Anton Maria Vassallo. Genoa 1617/1618 - Milan 1680. Medea rejuvenating Esone. Oil on canvas, 60 x 81 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino. Saint John the Evangelist. Oil on canvas, 102 x 78 1/2 in. (259x199.4 cm)]
Attributed works:
[Courtesy of Hill-Stone, Inc, New York. Evening thou bringest all, by Henry Fuseli (1741-1825). 1802. Pen lithograph, 22.3 by 31.5 cm]
Attributed works:
[David Tunick, New York. Engraved passion, by Albrecht Durer (1471-1528). 1507-12 (1513 for no.16, Meder 18). Complete set of sixteen engravings, each 11.7 x 7.4 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576 - 1602. Portrait of Virginio Guicciardini. Oil on canvas, 90 x 80,5 cm (39 x 31 11/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Francesco Monti (1685-1768). A Sketch for a ceiling. Oil on canvas, 39.5 x 57 cm (15 1/2 x 22 1/2 in)]
Attributed works:
[Joseph Friedman Ltd. Sir Thomas Lawrance, P.R.A. (1769-1830). John Philip Kemble as Cato (1812). Oil on canvas. 104 x 70 1/2 in (254 x 177.8 cm)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Giovanni Bettista Tiepolo (1696-1770). Presentation of the Rosary. Oil on cardboard, 72x34 cm. Modelletto for the ceiling of the Gesuati church in Venice.]
Attributed works:
[Paul McCarron Fine Prints and Drawings. New Jersey. Five butterflies, by Wenceslaus Hollar (1607-77). 1646. Etching, 8.1 by 11.9 cm]
Attributed works:
[Paul Prouté, Paris. Le coiffeur, programme from "Le Théatre Libre", by Henri Toulouse Lautrec (1864-1901). 1893. Lithograph, 22.4 by 16.1 cm.]
Attributed works:
[Pia Gallo, New York. Westminster Bridge, by Felix Buhot, (1847-98). 1884. Etching and drypoint, 28 by 39.4 cm]
Attributed works:
[Sims Reed, London. Le Lézard aux plumes d'or, by Joan Mirò. 1971. Edition of 150. Lithograph printed in colours.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Anthony Van Dyck. Self Portrait.]
Attributed works:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of boxwood and ebony consoles attributed to Andrea Brustolon (1662-1732). Italy, Venice, early 18th century. Height: 88 cm (34 1/2 in). Width: 99 cm (39 in). Depth: 56 cm (22 in).]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Detail of the monument of Mary Victoria and George Nathaniel Curzon, by Bertram Mackennal. 1907-13. Serravezza marble on black marble plinth. c. 200 by 160 by 130 cm. (All Saint's Church, Kadlestone, Derbyshire.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Madonna della Misericordia, attributed to Bartolomeo Bon and workshop. c. 1440-41. Istrian stone with traces of paint and gilding. 251.5 by 208.3 cm (Victoria and Albert Museum, London.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Scandal relief, by Charles Sargeant Jagger. 1930. Bronze, 161 by 149 cm (Victoria and Albert Museum)]
Attributed works:
[The Fine Art Society, London. Returning to the trenches, by C.R.W. Nevison (1889-1946). Edition of 75. Drypoint, 51.2 by 76.8 cm]
Attributed works:
[The International Art Fair for FIne Prints. The Park Avenue Armory. New York. Augustin Hirschvogel (1503-1553), Courtyard of a Castle. Etching. 1546.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giambologna (1529-1608). Prometheus. Gilt bronze.]
Advertisements
Advertisements March 2008 (Front)
03/2008 | 1260 | 150
Pages: i-xxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's London, at Salon du Dessin 2008] Giovanni Francesco Barbieri, called Il Guercino (1591-1666). A seated man training a dog. Pen, brown ink and wash, 12.2 by 18.5 cm.
Attributed works:
[Agnew's London, at TEFAF Maastricht 08] Alexandre-François Desportes (1661-1743). Four studies of kittens. Oil on light brown paper, 32 by 50 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London, exhibiting at TEFAF, Maastricht, March 7th-March 16th and at the Salon du Dessin, Palais de la Bourse, Paris, April 8th-April 13th] Jacob Jordaens (1593-1678). Esau selling his birthright to Jacob. Black and red chalk, pen and brown ink, brown wash, heightened with white, 191-204 mm.
Attributed works:
[Alan Cristea Gallery at The London Original Print Fair, Wednesday 23 to Sunday 27 April 2008, Royal Academy of Arts, Burlington Gardens, London] Michael Craig Martin. Intimate Relations, Safety Pin. 2001. Screenprint.
Attributed works:
[Annely Juda Fine Art, London at TEFAF Maastricht 08] Kazuo Shiraga. Tenku. 2003. Oil on canvas, 161 by 130 cm.
Attributed works:
[Arturo Cuéllar, Bürglistrasse 18, Zürich, Switzerland, exhibiting at the Salon du Dessin, Paris, 9-13th April 2008] Giovanni Battista Piazzetta (1682 Venedig 1754). Head of a Turk, c.1740. Black chalk, heightened with white, 35.5 by 24.5 cm. On the reverse, bottom right the number '29' is inscribed in pencil.
Attributed works:
[Arturo Cuéllar, Zürich, at Salon du Dessin 2008] Giovanni Battista Tiepolo (1696-1770). Head of a young man facing left, looking upward. Red chalk, highlighted with white chalk on paper. 23 by 19 cm.
Attributed works:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] A rare pair of gilded wood consoles. Italy, circa 1750-1760. H. 94 cm. (37 in.), W. 181 cm. (71½ in.), D. 86.5 cm. (34 in.). An important pair of patinated vases by Lechesne. France, circa 1850-1860. H. 96 cm. (37½ in.), W. 87 cm. (34½ in.)
Attributed works:
[Bonhams, 101 New Bond Street, London. The Sculpture Sale, Tuesday 15 April] Sir Alfred Gilbert, MVO, RA (English, 1854-1934). An important patinated bronze bust of Ignace Jan Paderewski, 1891, cast 1934. Estimate: £40,000-60,000.
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, Paris, 11 quai Voltaire, Paris] Polidoro da Caravaggio (c.1499-c.1543). A view of the Basilica of Maxentius and Constantine in Rome. Brown wash and pencil, 19.7 by 26.3 cm.
Attributed works:
[David & Constance Yates, New York at TEFAF Maastricht 08] Wilhelm Pascal (1813-after 1848). Funerary monument. Inscribed front edge of gase: RUDOLPHE BENECKE VON GROEDITZBERG / GEB: DEN 10 AUGUST 1809 IN BERLIN / GEST: DEN 15 DECEMBER 1832 IN PIZA. Inscribed rear edge of base: W.P.f.1834. Marble, 34.3 by 43.6 cm.
Attributed works:
[Dickinson, New York & London at TEFAF Maastricht 08] Joan Miró. Personnages dans un paysage. Signed centre righ: Miró. Inscribed on verso: personnages/dans/un/paysage, and dated in pencil on stretcher: 26/VII/73. Oil on canvas, 89 by 116 cm.
Attributed works:
[Didier Aaron & Cie., Paris, London & New York, at TEFAF Maastricht 08] Jacques-Charles Oudry (1720-1778). Hunting still life with game overlooked by a dog. Signed and dated lower right: J.C.Oudry./F.1764. Oil on canvas, 130 by 99 cm.
Attributed works:
[Flavia Ormond Fine Arts, 3 Netherton Grove, London, at Salon du Dessin, 9th-13th April, 2008, Palais de la Bourse, Place de la Bourse, Paris and The Grosvenor House Art & Antiques Fair, 12th-18th June, 2008, Grosvenor House, Park Lane, London] Ben Nicholson (Denham, Buckinghamshire 1894-1982 London). Palazzo Ducale, Urbino, 1959. Pencil and pink wash on paper, 620 x 470 mm. (24⅔ x 18½ inches).
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, exhibiting at TEFAF Maastricht, 7-16 March 2008] Andrea di Nerio (Arezzo, documented from 1331-† before 1387). Virgin and Child. Circa 1331. Tempera, gold and silver on panel. 80 x 62 cm. (picture surface: 62.5 x 51.5 cm.). Original engaged frame.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris, exhibiting at TEFAF, Maastricht 7-17 March 2008] Giacomo Francesco Cipper called Il Todeschini (Feldkirch, Voralberg, 1664-Milan 1736). Peasants' Banquet with Young Flute Player. Oil on canvas, 144 x 114 cm. (56 11/16 x 44⅞ in.)
Attributed works:
[Galerie G. Sarti, Paris at TEFAF Maastricht 08] Liberale da Verona (Verona, circa 1445-between 1527 and 1529). Christ at the column. Tempera and oil on panel, 55.4 by 45.2 cm.
Attributed works:
[Galleria Silvano Lodi & Due, Milan at TEFAF Maastricht 08] Sebastiano Ricci (1659-1734) David with the head of Goliath (detail). Oil on canvas, 118.5 by 90 cm.
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, St James's, London] Christopher Nevinson (1889-1946). Night Arrivals. Autumn 1915. Ink and grey wash, 6⅝ x 9⅞ inches (16.8 x 25.3 cm.). Signed.
Attributed works:
[Ketterer Kunst, Prinzregentenstr. 61, München, Germany. Auction on 5 April in Hamburg] Lady Laura Theresa Alma-Tadema. Satisfaction. Oil on panel, 65 x 44.5 cm. (25.5 x 17.5 in.) Estimate: €15,000-20,000, US$ 22,000-29,000, £11,000-15,000.
Attributed works:
[López de Aragón, Madrid at TEFAF Maastricht 08] Jan Brueghel the Younger (1601-1678) and Hendrick van Balen (1575-1632) Allegory of Air and Fire. Oil on panel, 46.3 by 59.7 cm.
Attributed works:
[Marlborough Fine Art, London & Zürich at TEFAF Maastricht 08] Frank Auerbach (born 1931). To the Studios II. 1985. Oil on canvas, 121.9 by 121.9 cm.
Attributed works:
[Moretti, Piazza degli Ottaviani, 17/r, Firenze, recently acquired by the Museo di San Marco in Florence] Guido di Pietro, called Fra Angelico (Vicchio del Mugelli, c.1395-Rome, 1455). St Vincent Ferrer and a Dominican Saint.
Attributed works:
[Otto Naumann Ltd., New York, at TEFAF Maastricht 08] Domenico Zampieri, il Domenichino (1581-1641). The Pietà. Dated lower left: m.dciii. Inscribed on versoL NANN{?}. Oil on copper, 52.4 by 39.1 cm.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris, exhibiting at the Salon du Dessin, Paris, 9-13 April 2008] Salvator Rosa (Arnella 1615-Rome 1673). A wooded landscape with travellers on a path. Pen and ink, 210 x 291 mm.
Attributed works:
[Paul Prouté, Paris, at Salon du Dessin 2008] Hubert Robert (1733-1808). Park with an Italian villa. Red chalk, 43.8 by 33.8 cm.
Attributed works:
[Sotheby's Important Furniture, Sculptures & Works of Art. Auction in Paris, 9 April 2008] An important giltbronze-mounted Chinese lacquer and Vernis Martin bureau plat stamped I.DUBOIS. Louis XV, circa 1745-1750. Estimate: €700,000-900,000.
Attributed works:
[The Burlington Magazine] Jean-Auguste-Dominique Ingres. Portrait of Cornélie Bonnard. 1828. Pencil, 32.6 by 24.4 cm. (Louvre, Paris)
Attributed works:
[The Burlington Magazine] William Scott. Soldier and girl sleeping (detail). 1942. Canvas, 40.6 by 50.8 cm. (Imperial War Museum, London).
Attributed works:
[Thomas Le Claire, Elbchausee 386, Hamburg, exhibiting at the Salon du Dessin, April 9-13, 2008, Palais de la Bourse, Paris] Andrea Sacchi (1599 Nettuno-Rome 1661). Virgin and Child with Seven Saints. Red chalk, heightened with white, and squared with black chalk, 315 x 243 mm.
Attributed works:
[Thomas Le Claire, Hamburg, at Salon du Dessin 2008] John Russell RA (1745-1806). Portrait of Francesco Bartolozzi, RA (1727-1815). 1789. Pastel, 59.8 x 44.5 cm.
Attributed works:
[W.M.Brady & Co., 22 East 80th Street, New York, exhibiting at the Salon du Dessin, April 9-13, 2008] Emilie Mediz-Pelikan (Vöcklabruck 1861-1908 Dresden). Donauschiffer (Sailor on the Danube). 1900. Signed and dated, lover right, 10. Oktober 1900 / E. Pelikan. Pencil. colored chalks and gouache on green paper. 19½ x 19⅞ inches (495 x 520 mm).
Attributed works:
[W.M.Brady & Co., New York, at Salon du Dessin 2008] Simone Cantarini (1612-1648). Jupiter, Neptune and Pluto paying homage to the Borghese coat of arms. Red chalk, 29.5 by 43 cm.
Attributed works:
[Waddington Galleries Ltd., London at TEFAF Maastricht 08] Patrick Caulfield (1936-2005). Still life on a table. 1964. Oil on board, 121.9 by 160 cm.
Non-western art unattributed:
[Rupert Wace Ancient Art Ltd., London at TEFAF Maastricht 08] An Egyptian wood and bronze striding Ibis. Late Dynastic Period, 664-332 BC. Height: 34 cm.
Western art unattributed:
[Flavia Ormond Fine Arts, London, at Salon du Dessin 2008] Roman school, late 17th century. Mercury and Argos. Inscribed in pen and brown ink on the verso: Orig. di Carlo Marati n. 353, and numbered: R. 33-2d. Pen and brown ink, brown wash, over black chalk, 21 by 25.9 cm.
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