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35 articles
Book Review
Giovan Pietro Bellori: Das Leben des Domenico Zampieri, gen. Domenichino / Vita di Domenico Zampieri, Il Domenichino
12/2023 | 1449 | 165
Pages: 1375
related names
Reviewer:
Bell, Janis (Bell, Janis)
Subjects
art literature:
art literature:
artists:
Reviewed Items
artists:
Giovan Pietro Bellori: Das Leben des Domenico Zampieri, gen. Domenichino / Vita di Domenico Zampieri, Il Domenichino Edited by Marieke von Bernstorff. 480 pp. incl. 25 col. + 5 b. & w. ills. (Wallstein Verlag, Göttingen, 2022), €34. ISBN 978–3–8353–3983–5. | :
Book Review
Le vite degli artisti di Gaspare Celio: ‘Compendio delle Vite di Vasari con alcune aggiunte’ (Biblioteca dell’ ‘Archivum Romanicum’. Serie I: Storia, Letteratura, Paleografia, 504)
08/2021 | 1421 | 163
Pages: 762-763
related names
Reviewer:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
media:
Reviewed Items
subjects:
Le vite degli artisti di Gaspare Celio: ‘Compendio delle Vite di Vasari con alcune aggiunte’ (Biblioteca dell’ ‘Archivum Romanicum’. Serie I: Storia, Letteratura, Paleografia, 504) By Riccardo Gandolfi. 392 pp. incl. 32 col. ills. (Olschki, Florence, 2021), €48. ISBN 978–88–222–6702–3. | :
Illustrations
Attributed works:
1. Gaspare Celio, by Ottavio Leoni. 1614. Pencil and white chalk on blue paper, 23.2 by 16.3 cm. (École nationale supérieure des Beaux-Arts, Paris).
Article
Avatars of Antiquity I: From the nude warrior in Florence to the alien maiden in Piccadilly
11/2020 | 1412 | 162
Pages: 956-971
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Theseus and the minotaur, by Antoine-Louis Barye. Modelled 1841 or 1842. Bronze, height 45.9 cm., including the integral plinth. (Private collection).
Attributed works:
10. Bronze head, by John Samuel Agar. 1809. Stipple engraving of a marble copy of an archaic bronze head (from Specimens of Antient Sculpture published 1809).
Attributed works:
12. Detail of Lady Caroline Crichton and her Grandfather the 4th Earl of Bristol and Bishop of Derry, by Hugh Douglas Hamilton. 1790. Oil on canvas, 224.4 by 199.5 cm. (National Gallery of Ireland, Dublin).
Attributed works:
13. Speranza, by Bertel Thorvaldsen. 1859. Marble, height 160.5 cm. (Thorvaldsen Museum, Copenhagen).
Attributed works:
14. Detail of the sculpture in Fig.1, showing Theseus’s head.
Attributed works:
16. St Cecilia with angels, by Paul Delaroche. 1836. Oil on canvas, 202 by 162 cm. (Victoria and Albert Museum, London).
Attributed works:
17. Mrs Robert Hollond, by Ary Scheffer. 1851. Oil on canvas, 81.9 by 60.3 cm. (National Gallery, London).
Attributed works:
18. Preparatory painting for the St Pelagia in the frieze in Saint-Vincent-de- Paul, Paris, by Hippolyte Flandrin. c.1850. Oil on canvas, 73 by 60 cm. (Musée des Beaux Arts, Besançon).
Attributed works:
19. Rachel in the role of Phèdre, by Jean Jacques Barre. 1848. Ivory, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
2. Atalanta (right), by Pierre Lepautre. 1703–04. Carrara marble, height 126 cm.; with Hippomenes (left) by Guillaume Coustou I. 1711–12. Carrara marble, height 134 cm. (Both Musée du Louvre, Paris; photograph © RMN-Grand Palais/Tony Querrec).
Attributed works:
20. ‘Pourtalès Aphrodite’. Hellenistic, 200–100 BC. Bronze, height 25.4 cm. (British Museum, London).
Attributed works:
21. Gentle spring, by Frederick Sandys. 1864–65. Oil on canvas, 121 by 64 cm. (Ashmolean Museum, Oxford; Bridgeman Images).
Attributed works:
22. Salome, by Paul Manship. 1915. Bronze, height 47 cm. (Smithsonian Museum of American Art, Washington; SCALA Archives).
Attributed works:
23. Artemis (kneeling dancer), with a portion of its integral pedestal, by Elie Nadelman. 1916–18. Limestone, height 114.3 cm. (Chrysler Art Museum, Norfolk, VA).
Attributed works:
24. Figure V, by Barbara Hepworth. Cast 1925. Bronze, height 42 cm. (Daniel Katz Gallery, London).
Attributed works:
25. Peace, by Alfred F. Hardiman. 1946 (based on a model of 1920–24). Bronze, life-size. (Memorial Garden, St James’s Piccadilly, London).
Attributed works:
3. Princely glory, by Giovanni Baratta. Dated 1715. Carrara marble, 335.5 cm., excluding the later English pedestal. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. Detail of Marriage à-la-mode: Scene 2 The tête-à-tête, by William Hogarth, showing the mantel shelf. c.1743. (National Gallery, London; Bridgeman Images).
Attributed works:
5. Engraving after ‘Quonin Household God of the Chinese’, by Bernard Picart. (From B. Picart: Ceremonies et coutumes Religieuses des peoples idolatres, Amsterdam 1728, II, pp.222–23).
Attributed works:
6. Detail of Battle relief, by Bertoldo di Giovanni. 1480s. Bronze, 99 by 45 cm. (Museo Nazional del Bargello, Florence; Bridgeman Images).
Attributed works:
7. Warriors fighting, by Raphael. c.1510. Red chalk over stylus on paper, 37.9 by 28.1 cm. (Ashmolean Museum, Oxford; Bridgeman Images).
Attributed works:
9. Detail of The fire in the Borgo, by Raphael. 1516– 17. (Stanza dell’Incendio, Vatican; Bridgeman Images).
Western art unattributed:
11. Apollo of Piombino. Greek, First century BC. Bronze, height 115 cm. (Musée du Louvre, Paris; Bridgeman Images).
Western art unattributed:
15. Detail of a Greek or Etruscan statue of an athlete. c.Fifth century BC. Bronze, height 45.8 cm. (Musée du Louvre, Paris; Bridgeman Images).
Western art unattributed:
8. Juno Ludovisi (portrait of the deified Antonia Minor, mother of Emperor Claudius). First century AD. Luna marble, height 115 cm. (Palazzo Altemps, Rome; Bridgeman Images).
Article
New evidence for the ‘Barberini Apostles’ by Andrea Sacchi and Carlo Maratti
08/2019 | 1397 | 161
Pages: 653-659
related names
Author:
Fidanza, Giovan Battista (Fidanza, Giovan Battista)
Subjects
dates:
Illustrations
Attributed works:
1. St Peter, by Andrea Sacchi. 1631/44. Canvas, 223 by 151 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Attributed works:
2. St Matthew, by Carlo Maratti. 1660/61. Canvas, 223 by 151 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Attributed works:
3. St Matthias, by Carlo Maratti. 1696. Canvas, 221 by 152 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Book Review
Lives of Domenichino and Francesco Gessi (Carlo Cesare Malvasia’s ‘Felsina pittrice’: Lives of the Bolognese Painters, 13). Edited by Elizabeth Cropper and Lorenzo Pericolo
07/2019 | 1396 | 161
Pages: 610-612
related names
Reviewer:
Cappelletti, Francesca (Cappelletti, Francesca)
Subjects
dates:
styles:
subjects:
Reviewed Items
subjects:
Lives of Domenichino and Francesco Gessi (Carlo Cesare Malvasia’s ‘Felsina pittrice’: Lives of the Bolognese Painters, 13) Edited by Elizabeth Cropper and Lorenzo Pericolo. 414 pp. incl. 151 col. ills. (Harvey Miller, Turnhout, 2013), | :
Illustrations
Attributed works:
4. Flagellation of St Andrew, by Domenichino. 1607–08. Fresco. (S. Gregorio al Celio, Rome; Bridgeman Images).
Article
Caravaggio’s ‘Crucifixion of St Andrew’ and the problem of autograph replicas
06/2018 | 1383 | 160
Pages: 454-461
related names
Reviewer:
Spear, Richard E. (Spear, Richard E.)
Subjects
dates:
media:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the soldier’s armour.
Attributed works:
2. Detail of Fig.4, showing the soldier’s armour.
Attributed works:
3. Crucifixion of St Andrew, by Caravaggio. 1606–07. Canvas, 202.5 by 152.7 cm. (Cleveland Museum of Art; Leonard C. Hanna Jr. Fund, 1976.2).
Attributed works:
4. Crucifixion of St Andrew, here identified as a copy after Caravaggio. Canvas, 198 by 148.5 cm. (Spier Collection, London).
Attributed works:
5. Detail of Fig.3, showing St Andrew’s head.
Attributed works:
6. Detail of Fig.4, showing St Andrew’s head.
Attributed works:
7. Detail of Fig.3, showing St Andrew’s right foot (Photograph author).
Attributed works:
8. Detail of Fig.4, showing St Andrew’s right foot (Photograph author)
Attributed works:
9. Overlay of the contours of Flagellation, by Caravaggio (Museo Nazionale di Capodimonte, Naples) in green, onto a copy of Flagellation in S. Domenico Maggiore, Naples, in red. From G.S. Ghia and C. Strinati, eds.: Caravaggio nel patrimonio del Fondo Edifici di Culto. Il Doppio e la Copia, Rome 2017.
Book Review
Luke Wadding’s Art: Irish Franciscan Patronage in Seventeenth-Century Rome. By Giovan Battista Fidanza
01/2018 | 1378 | 160
Pages: 66-67
related names
Reviewer:
Sparti, Donatella Livia (Sparti, Donatella Livia; Sparti, Donatella L.)
Subjects
art literature:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
3. Luke Wadding, by Carlo Maratti. 1657. (College of S. Isidore, Rome; photograph Zeno Colantoni).
Article
Nicolas Poussin and the King’s mathematician
10/2017 | 1375 | 159
Pages: 772-777
related names
Author:
Batalla-Lagleyre, Gabriel (Batalla-Lagleyre, Gabriel)
Subjects
Illustrations
Attributed works:
1. St Dionysus the Areopagite, by Nicolas Poussin. 1610s (Musée des beaux-arts de Rouen).
Attributed works:
2. Detail of Fig. 1.
Attributed works:
3. Frontispiece of the Plans des villes frontières de Picardie, by Jacques Aleaume. c. 1610 (Bibliothèque nationale de France, Paris).
Article
Gasparo Marcaccioni (1620–74), his portrait by Carlo Maratti and his chapel
09/2012 | 1314 | 154
Pages: 629-636
related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
art literature:
artists:
subjects:
subjects:
Illustrations
Attributed works:
17. Cardinal Antonio Barberini, by Carlo Maratti. c.1670–71. Canvas, 254 by 162 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
18. Gasparo Marcaccioni, by Carlo Maratti. c.1672–74. Canvas, 98 by 72 cm. (Private collection).
Attributed works:
19. Andrea Sacchi, by Carlo Maratti. c.1661–62. Canvas, 67 by 50 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
21. Monument to Gasparo Marcaccioni, by Paolo Naldini. 1674–77. Marble. (S. Maria del Suffragio, Rome).
Attributed works:
22. Stuccowork, Marcaccioni Chapel, by Paolo Naldini. 1674–76. (S. Maria del Suffragio, Rome).
Attributed works:
24. Gasparo Marcaccioni, by Paolo Naldini. 1674–77. Marble. (S. Maria del Suffragio, Rome).
Attributed works:
26. Annibale Carracci, by Paolo Naldini. 1674. Marble, 88 cm. high. (Protomoteca Capitolina, Rome).
Attributed works:
Giovan Pietro Bellori, by Carlo Maratti. c. 1672-73. Canvas, 97 by 72.5 cm. (Private collection, Rome)
Western art unattributed:
23. Marcaccioni Chapel. 1674–80s. (S. Maria del Suffragio, Rome).
Western art unattributed:
25. Elena Pozzi, by an anonymous sculptor. c.1703. Marble. (S. Maria del Suffragio, Rome).
Book Review
Giovan Pietro Bellori, The Lives of the Modern Painters, Sculptors and Architects: A New Translation and Critical Edition
12/2006 | 1245 | 148
Pages: 854
related names
Reviewer:
Cropper, Elizabeth (Cropper, Elizabeth; Cropper, E.)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Giovan Pietro Bellori, The Lives of the Modern Painters, Sculptors and Architects: A New Translation and Critical Edition | author: Bellori, Giovanni Pietro
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