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4 articles
Article
Benjamin West, Raphael West and the floating batteries
04/2013 | 1321 | 155
Pages: 243-246
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related names
Author:
Staley, Allen (Staley, Allen)
Subjects
artists:
West, Benjamin / West, Raphael Lamar
dates:
1780-1789
museums and institutions:
Morgan Library and Museum, New York, United States / Royal Academy of Arts, London, Great Britain
subjects:
Drawings / American (United States of America) / Collections, Public / American painting (United States of America) / Composition (artistic arrangement) / Naval Ships / Seascapes / Battles / Provenance
Illustrations
Attributed works:
33. Naval battle (destruction of the floating batteries before Gibraltar), by Benjamin West. c.1782-83. Black chalk, 7.7 by 14.7 cm. (Morgan Library & Museum, New York).
Attributed works:
34. Destruction of the floating batteries before Gibraltar, by Raphael Lamar West. Exhibited RA 1783. Canvas, 160.9 by 234.7 cm. (Agnes Etherington Art Centre, Queen's University, Kingston, Ontario).
Attributed works:
35. A view of Gibraltar with the Spanish battering ships on fire, by John Keyse Sherwin. Published 14th September 1784. Engraving. 46.2 by 60.6 cm. (British Museum, London).
Attributed works:
36. Battle of La Hogue, by Benjamin West, Raphael West and John Trumbull. Signed 'B. West. 1778. Retouched 1806'. Canvas, 164 by 244 cm. (Yale Center for British Art, New Haven).
Obituary
Anne d’Harnoncourt (1943–2008)
09/2008 | 1266 | 150
Pages: 615
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Author:
Staley, Allen (Staley, Allen)
Subjects
art literature:
d'Harnoncourt, Anne
dates:
1940-1959 / 1960-1979 / 1980-1989 / 1990-2009
museums and institutions:
Philadelphia Museum of Art, Philadelphia, United States
print:
d'Harnoncourt, Anne
subjects:
Obituaries / Art historians / Museum directors
Article
Some Water-Colours by John Brett
02/1973 | 839 | 115
Pages: 86+88-91+93
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Author:
Staley, Allen (Staley, Allen)
Subjects
art literature:
Ruskin, John
artists:
Brett, John
dates:
1850-1899
museums and institutions:
Royal Academy of Arts, London, Great Britain
patrons:
Ruskin, John
places:
England / Switzerland / Italy
places:
Florence
subjects:
British painting / Watercolours
subjects:
Landscapes (visual works)
subjects:
Pre-Raphaelite
subjects:
Topographical views
Illustrations
Attributed works:
19. View in the Val d'Aosta, by John Brett. Signed and Dated 1858. Water-Colour and Body-Colour, 10.2 by 21.6 cm. (Private Collection.)
Attributed works:
20. Mountains of St Gingough, by John Brett. Signed and Dated 1861. Water-Colour and Body-Colour, 15.2 by 34.3 cm. (P. & D. Colnaghi & Co. Ltd., London.)
Attributed works:
21. Casa di Castella, by John Brett. 1864-66. Water-Colour and Body-Colour, 27 by 44.8 cm. (Private Collection.)
Attributed works:
22. Yarmouth, by John Brett. Signed and Dated 1868. Water-Colour and Body-Colour, 33 by 48.3 cm. (Private Collection.)
Attributed works:
23. The Ponte Vecchio, Florence, by John Brett. Signed and Dated 1862. Water-Colour and Body-Colour, 23.2 by 29.8 cm. (Private Collection.)
Attributed works:
24. Near Sorrento, by John Brett. Signed and Dated 1863. Water-Colour and Body-Colour, 23.5 by 31.2 cm. (City Art Gallery, Birmingham.)
Article
William Dyce and Outdoor Naturalism
11/1963 | 728 | 105
Pages: 470-477
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related names
Author:
Staley, Allen (Staley, Allen)
Subjects
artists:
Dyce, William
dates:
1800-1899
places:
England
places:
Italy
subjects:
British painting / Landscapes (visual works) / Nature
subjects:
Pre-Raphaelite / Visual sources
subjects:
Italian painting / Influence / Travel accounts
subjects:
Naturalism
Illustrations
Attributed works:
2. Westburn, by William Dyce. Canvas, 74.3 by 149.2 cm. (Aberdeen Art Gallery.)
Attributed works:
3. Rhone at Avignon, by William Dyce. Dated 1832. Water-Colour, 18.4 by 31 cm. (British Museum.) Reproduced by Permission of the Trustees of the British Museum.
Attributed works:
4. The Flight into Egypt, by William Dyce. Panel, 28.6 by 39.4 cm. (By Permission of David Stewart, Esq., O. B. E. From the Original Painting in His Possession.)
Attributed works:
5. Scene in Arran, by William Dyce. 1859. Panel, 35 by 50.2 cm. (Aberdeen Art Gallery.)
Attributed works:
6. The Man of Sorrows, by William Dyce. c.1859. Exhibited R. A. 1860. Panel, 35.2 by 50.4 cm. (By Permission of David Stewart, Esq., O. B. E. From the Original Painting in His Possession.)
Attributed works:
7. David in the Wilderness, by William Dyce. c.1859. Panel, 35.2 by 50.4 cm. (By Permission of David Stewart, Esq., O. B. E. From the Original Painting in His Possession.)