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34 articles
Exhibition Review
Winslow Homer: Crosscurrents Winslow Homer: Force of Nature
09/2022 | 1434 | 164
Pages: 919-922
related names
Reviewer:
Robbins, Nicholas (Robbins, Nicholas)
Subjects
artists:
dates:
Reviewed Items
subjects:
Winslow Homer: Crosscurrents Metropolitan Museum of Art, New York 11th April–31st July | :
subjects:
Winslow Homer: Force of Nature National Gallery, London 10th September 2022– 8th January 2023 | :
Illustrations
Attributed works:
17. The Gulf Stream, by Winslow Homer. 1899, reworked by 1906. Oil on canvas, 71.4 by 124.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
18. Hurricane, Bahamas, by Winslow Homer. 1898. Watercolour and graphite on wove paper, 36.7 by 53.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Snap the whip, by Winslow Homer. 1872. Oil on canvas, 30.5 by 50.8 cm. (Metropolitan Museum of Art, New York).
Article
Eugène Boudin’s beach scenes at the Salon during the 1860s
05/2019 | 1394 | 161
Pages: 374-387
related names
Author:
Manoeuvre, Laurent (Manoeuvre, Laurent)
Subjects
dates:
Illustrations
Attributed works:
1. Detail of Fig.23.
Attributed works:
10. Beach scene, by Eugène Boudin, here identified as A meeting on a beach. 1866. Canvas, 73.5 by 104 cm. (Private collection).
Attributed works:
11. Caricature of The beach at Trouville by Eugène Boudin, exhibited at the Salon in 1866, by ‘Bertall’, published in ‘Le Salon de 1866’, Le Journal Amusant, no.545 (9th June 1866).
Attributed works:
12. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 17.4 by 13.7 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
13. Beach scene, by Eugène Boudin. 1865. Pencil and watercolour on paper, 13 by 19.4 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
14. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 14 by 18.2 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
15. Children on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 10.6 by 14.6 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
16. Bathers, by Eugène Boudin. 1865. Pencil and watercolour on paper, 9.2 by 17.3 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
17. Study of a dog, by Eugène Boudin. 1865. Pencil on paper, 8.2 by 11 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
18. The jetty, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
19. Beach scene, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
2. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 67.5 by 104 cm. (Art Gallery of Ontario, Toronto).
Attributed works:
20. The jetty at Le Havre, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
21. Leaving for the pardon, Finistère, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
22. Beach scene, by Eugène Boudin. 1867. Canvas, 63 by 89 cm. (National Museum of Western Art, Tokyo).
Attributed works:
23. Beach scene, by Eugène Boudin, here identified as Beach near Trouville, painted in 1864 and reworked in 1869. Canvas, 67.3 by 104.1 cm. (Minneapolis Institute of Art).
Attributed works:
24. Reading on the beach, by Eugène Boudin. 1869. Pencil and watercolour on paper, 12.5 by 18.5 cm. (Private collection).
Attributed works:
25 and 26. Beach scenes, by Eugène Boudin (recto and verso of a single sheet). 1868. Pencil and watercolour on paper, 13.2 by 21 cm. (Private collection).
Attributed works:
3. Concert at Deauville casino, by Eugène Boudin. 1865. Canvas, 41 by 73 cm. (National Gallery of Art, Washington).
Attributed works:
4. Drawing by Eugène Boudin after Fig.2, illustrated in L’Autographe au Salon et dans les Ateliers (13th May 1865), p.27.
Attributed works:
5. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 31.1 by 48.5 cm. (Private collection).
Attributed works:
6. Bathing hour at Trouville beach, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
7. Bathing hour at Trouville beach, by Emile Vernier after Eugène Boudin. c.1865. Lithograph. (Musée Villa Montebello, Trouville).
Attributed works:
8. Beach scene, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
9. Beach scene, by Eugène Boudin. 1866. Watercolour over pencil on paper, 13.5 by 25.7 cm. (Private collection).
Book Review
Art and the War at Sea, 1914–1945, edited by Christine Riding
12/2016 | 1365 | 158
Pages: 986
related names
Reviewer:
Russell, James (Russell, James)
Subjects
Illustrations
Attributed works:
47. Diver, from The Submarine Series, by Eric Ravilious. 1941 (National Maritime Museum, London)
Book Review
Empire to Nation. Art History and the Visualization of Maritime Britain 1768–1829
04/2013 | 1321 | 155
Pages: 263-264
related names
Reviewer:
Costello, Leo (Costello, Leo)
Subjects
dates:
Article
Benjamin West, Raphael West and the floating batteries
04/2013 | 1321 | 155
Pages: 243-246
related names
Author:
Staley, Allen (Staley, Allen)
Subjects
dates:
Illustrations
Attributed works:
33. Naval battle (destruction of the floating batteries before Gibraltar), by Benjamin West. c.1782-83. Black chalk, 7.7 by 14.7 cm. (Morgan Library & Museum, New York).
Attributed works:
34. Destruction of the floating batteries before Gibraltar, by Raphael Lamar West. Exhibited RA 1783. Canvas, 160.9 by 234.7 cm. (Agnes Etherington Art Centre, Queen's University, Kingston, Ontario).
Attributed works:
35. A view of Gibraltar with the Spanish battering ships on fire, by John Keyse Sherwin. Published 14th September 1784. Engraving. 46.2 by 60.6 cm. (British Museum, London).
Attributed works:
36. Battle of La Hogue, by Benjamin West, Raphael West and John Trumbull. Signed 'B. West. 1778. Retouched 1806'. Canvas, 164 by 244 cm. (Yale Center for British Art, New Haven).
Article
Harold Gilman’s ‘Halifax Harbour’ (1918): a wartime Canadian episode
10/2012 | 1315 | 154
Pages: 689-693
related names
Author:
Rolfe, John (Rolfe, John)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
16. Halifax Harbour at sunset, by Harold Gilman. 1918. Canvas, 198 by 335.8 cm. (National Gallery of Canada, Ottawa).
Attributed works:
18. Halifax Harbour, by Harold Gilman. 1918. Pen and ink on paper, 40.5 by 52 cm. (British Council Collection).
Attributed works:
19. Photograph of Harold Gilman in Halifax, by Arthur Lismer. 1918. (Estate of Arthur Lismer).
Attributed works:
20. A house in Halifax, Nova Scotia, by Harold Gilman. 1918. Pen and ink on paper, 41.8 by 54 cm. (Cecil Higgins Art Gallery, Bedford).
Attributed works:
21. Study for Halifax Harbour, by Harold Gilman. 1918. Pen and black ink and watercolour, squared for transfer, 40.5 by 68 cm. (Private collection).
Western art unattributed:
17. Map of Halifax Harbour showing three viewpoints (VP 1, 2 and 3) adopted by Gilman.
Book Review
Segeln, was das Zeug hält. Niederländ­ische Gemälde des Goldenen Zeitalters
02/2012 | 1307 | 154
Pages: 129
related names
Reviewer:
Spaans, Erik (Spaans, Erik)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Segeln, was das Zeug hält. Niederländ­ische Gemälde des Goldenen Zeitalters | editor: Gassner, Herbertus , editor: Sitt, Martina
Publication Received
Impressionists by the Sea
05/2009 | 1274 | 151
Pages: 326
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
print:
Reviewed Items
subjects:
Impressionists by the Sea | author: House, John
Article
John Brett’s ‘Christmas morning, 1866'
12/2008 | 1269 | 150
Pages: 813-820
related names
Author:
Payne, Christiana (Payne, Christiana)
Subjects
artists:
collectors and dealers:
dates:
print:
subjects:
Illustrations
Attributed works:
10. Christmas morning, 1866, by John Brett. 1868. Canvas, 152.4 by 243.8 cm. (Russell-Cotes Art Gallery and Museum, Bournemouth).
Attributed works:
11. Deatil of Fig.10.
Attributed works:
12. Sunrise, Xmas Day, Beaumaris, 1866, by John Brett. 1866. Graphite on paper, page from Sketchbook no.21, ‘Towyn 1866–67’, PAF 9179–80v. (National Maritime Museum, Greenwich, London).
Attributed works:
14. Study of a rough sea, by John Brett. Dated 22nd July 1867. Graphite and white chalk on grey paper, 14 by 35.6 cm. (Private collection).
Attributed works:
15. Sketch for Christmas morning, 1866, by John Brett. 1868. Monochrome wash and white chalk on grey paper, 19 by 29.2 cm. (Private collection).
Attributed works:
16. Photograph of the Music Room, Fonthill Abbey. 1890s. (National Monuments Record, English Heritage, Swindon). Christmas morning, 1866 is hanging over the fireplace on the right-hand wall.
Attributed works:
17. The British Channel seen from the Dorsetshire cliffs, by John Brett. 1871. Canvas, 106 by 212.7 cm. (Tate, London).
Attributed works:
18. Britannia’s realm, by John Brett. 1880. Canvas, 105 by 212 cm. (Tate, London).
Western art unattributed:
13. ‘Foundering of the Australian Screw Steamer, “London”, in the Bay of Biscay, on the 11th of January, 1866’. Engraving from The Life-boat Journal (2nd July 1866), facing p.196. (Bodleian Library, Oxford).
Short Notice
A major Jan van de Cappelle for the Mauritshuis, The Hague
02/2008 | 1259 | 150
Pages: 105-106
related names
Author:
Buvelot, Quentin (Buvelot, Quentin)
Author:
Duparc, Frits (Duparc, Frits)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
43. Seascape with ships, by Jan van de Cappelle. c.1660. Canvas, 88.5 by 113.5 cm. (Mauritshuis, The Hague).
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