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57 articles
Article
Biagio Rebecca draws the London Opera House: London’s King’s Theatre in the 1790s
05/2019 | 1394 | 161
Pages: 364-373
related names
Author:
Burden, Michael (Burden, Michael)
Subjects
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. The auditorium of the Opera House, London, by Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 66.5 by 54 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
2. An Inside View of the Opera House, by J. Page after R. Arnold, published in Carlton House Magazine (1792). Engraving, 12.4 by 20.6 cm. (Victoria and Albert Museum, London).
Attributed works:
3. The Opera House, by A.C. Pugin after Thomas Rowlandson, hand coloured by J. Black, published in R. Ackermann: Microcosm of London, London 1808–10 (1809). Engraving with acquatint, 26.6 by 33.3 cm. (The Bodleian Library, Oxford).
Attributed works:
4. Opera House or King’s Theatre at the Hay-Market, by James Storer after Anthony van Assen, published by Harrison & Co. 1795. Etching, 10.5 by 14 cm. (Victoria and Albert Museum, London).
Attributed works:
5. The Concert Room, The Opera House, London, attributed to Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 59.9 by 79.5 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019)
Attributed works:
7. The Prince of Wales as ‘The Modern Atlas’, by Isaac Cruikshank, published by S.W. Fores. 1791. Hand coloured etching, 25.3 by 37.6 cm. (Victoria and Albert Museum, London).
Attributed works:
8. The Opera House and the Concert Room, London, as completed 1794, by J. Willis after A.C. Pugin, published by John Weale, c.1800. Engraving, 13 by 22.3 cm. (Private collection).
Western art unattributed:
6. The Opera House, Haymarket, London. After 1794. Watercolour on paper, 20.6 by 32.7 cm. (British Museum, London).
Book Review
Benjamin West and the Struggle to be Modern, by L. Grossman
05/2016 | 1358 | 158
Pages: 371
related names
Reviewer:
Fox, Abram (Fox, Abram)
Subjects
artists:
subjects:
Article
Benjamin West, Raphael West and the floating batteries
04/2013 | 1321 | 155
Pages: 243-246
related names
Author:
Staley, Allen (Staley, Allen)
Subjects
dates:
Illustrations
Attributed works:
33. Naval battle (destruction of the floating batteries before Gibraltar), by Benjamin West. c.1782-83. Black chalk, 7.7 by 14.7 cm. (Morgan Library & Museum, New York).
Attributed works:
34. Destruction of the floating batteries before Gibraltar, by Raphael Lamar West. Exhibited RA 1783. Canvas, 160.9 by 234.7 cm. (Agnes Etherington Art Centre, Queen's University, Kingston, Ontario).
Attributed works:
35. A view of Gibraltar with the Spanish battering ships on fire, by John Keyse Sherwin. Published 14th September 1784. Engraving. 46.2 by 60.6 cm. (British Museum, London).
Attributed works:
36. Battle of La Hogue, by Benjamin West, Raphael West and John Trumbull. Signed 'B. West. 1778. Retouched 1806'. Canvas, 164 by 244 cm. (Yale Center for British Art, New Haven).
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Advertisements June 2010 (front)
06/2010 | 1287 | 152
Pages: s.p.
Subjects
advertisements:
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advertisements:
artists:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, Exhibiting at Tryon Gallery, 7 Bury Street, St. James's. The launch of a galleon, by Teodoro Filippo di Liagno called Filippo Napoletano (1587-1629). Pen and brown ink and brown wash over black chalk, 29.2 by 53.4 cm]
Attributed works:
[Agnew's. Cupid and Psyche, by Benjamin West (1738-1820). Oil on canvas, 137.8 by 142.9 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Leon de Troy (French, 1857-1955). Head of an African Man. Circa 1880. 19 1/2 x 15 3/8 inches (49.5 x 39 cm)]
Attributed works:
[Ben Elws Fine Art. Portrait of a young artist, attributed to Anne-Louis Girodet de Roussy-Trioson (1767-1824). Oil on canvas, 33.5 by 21.5 cm]
Attributed works:
[Bonhams. The head of a bearded man, a sketch for 'the visitation', by Federico Barocci (c.1526-1612). Oil on paper, laid down on canvas, 39.5 by 31.25 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Peter Paul Rubens (Siegen 1577 - 1640 Antwerp). Portrait of a commander, three-quarter-length, being dressed for battle. Oil on panel. 48 1/4 x 38 3/8 in. (122.6 x 98.2 cm)]
Attributed works:
[Deborah Gage. The Holy family in the carpenter's shop, by Bartolomé Estaban Murillo (1618-82). Signed: Bar.me Murillo. Oil on canvas, 214.5 by 166.5 cm]
Attributed works:
[Derek Johns Ltd. Sylvia freed by Amyntas, by Willem van Mieris (1662-1747). Oil on panel, 37 by 44 cm]
Attributed works:
[Dickinson, London and New York. Citrons at verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso and dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Wall decorations, by François-Joseph Bélanger (1744-1818). c. 1785-89.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano near Rome, 1578 - Rome, 1644. A Shipyard. Oil on canvas, 74,5 x 98,5 cm (29 5/16 x 38 3/4 in). One of a pair (with The Capture of Troy)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Os. Middelharnis 1744 - 1808 The Hague. Still Life with Pineapples and Grapes. Oil on wood: 68.4 x 49.2 cm (26.9 x 19.3 inches). Signed and dated at bottom right: J Van Os f. 1776]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms (Maori), 1965. Carved slate on original black painted wooden base. Height: 13 1/2 inches; 34.3 cm]
Attributed works:
[Hazlitt-Holland Hibbert, London. Writing piece 'Well', by Anthony Caro. b.1924. Steel, 50.8 by 59.1 by 14 cm]
Attributed works:
[James Harvey, London. Equestrian portrait of George Burrows on his grey, by James Seymour (1702-52). Signed with monogram and dated 1746, lower left. Oil on canvas, 101.6 by127 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard. Studies of acrobats and a satyr, by Marco Marchetti called Marco da Faenza (1528-88). Bears number lower right corner: 52. Pen and brown ink and wash, 25.2 by 16.6 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jean-Auguste-Dominique Ingres (Montauban 1780-1867 Paris). Study of a Male Nude, Standing, with his Arms Crossed. Signed lower left: Ingres. Black chalk, 446 by 260 mm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The death of St. Sebastian (?), by Paolo Farinati (1524-1606). Numbered in white chalk, lower right: 16. Black chalk, pen and brown ink, brown wash, heightened with white on yellow-ochre prepared paper, 35 by 46 cm.]
Attributed works:
[London International Fine Art Fair. Ducan Grant - Still Life with Bust of Virginia Woolf.]
Attributed works:
[MacConnal-Mason, London. La conciergerie, by Christopher Richard Wynne Nevinson (1889-1946). Signed. Oil on canvas, 50.8 by 61 cm]
Attributed works:
[N. & I. Franklin, London. A set of four Victorian etched crystal claret jugs with cast silver-gilt mounts. Made by John Figg of London, c.1875.]
Attributed works:
[Offer Waterman, London. Landscape with river and temple, by Ivon Hitchens (1893-1979). c.1943. Oil on canvas, 44.5 by 77.5 cm]
Attributed works:
[Philip Mould Ltd. Self-portrait, by Anthony van Dyck (1599-1641). Oil on canvas, oval, 59.7 by 47.3 cm.]
Attributed works:
[Philip Mould. 29 Dover Street. London. Angelica Kauffmann (1741-1807). Portrait of a Lady, c.1780. Oil on canvas, 24 3/4 x 20 2/2 inches, 62.5 x 52 cm]
Attributed works:
[Sandra Cronan, London. A Tutti Frutti bracelet and pair of dress clips, set throughout with diamonds, carved emeralds, sapphires and rubies. Mounted in platinum. By Henri Picq. Paris, c. 1925.]
Attributed works:
[Stoppenbach & Delestre: 25 Cork Street. Le jongleur, by André Derain (1880-1954). Gouache on paper, 20.5 by 12.5 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Peasant woman with a young boy, by Francesco de Mura (1696-1782). Oil on paper, laid down on canvas, 37 by 51.2 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Baratta: The Statues from Palazzo Giugni rediscovered.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Putto, one of a pair modelled by Carlo Francesco Mellone, cast by the founder Giuseppe Fontana, Milan, 1718. Bronze. Height: 71 cm]
Attributed works:
[Whitfield Fine Art. The rest on the flight into Egypt, by Antonio de Bellis (c.1616.57). Oil on copper, 31 by 22 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Electress Elisabeth Auguste as Magnanimità. Pen, brownish blank ink, red chalk. 20 x 15.3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Glaucus and Scylla. Pen, brown ink, red chalk. 28,1 x 28,3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Pallas Athena with the Sculpture. Pen, brownish blank ink, red chalk 32,8 x 19,8 cm]
Non-western art unattributed:
[Russian, Eastern & Oriental Fine Art Fair. London. 'Bishamon' - Edo Period 18th century. Sydney Moss Ltd.]
Western art unattributed:
[Apter-Fredericks Ltd, London.A pair of George II burr walnut armchairs with shaped solid back splat and out-scrolling arms, with contemporary needlework drop-in seats, the legs headed by the Astley family crest of feathers and a ducal coronet, standing on carved hairy paw feet. English, c.1730]
Western art unattributed:
[London International FIne Art Fair. A pair of bronze and ormolu candelabras on marble plinths, M&J Duncan, East Essex.]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. A Marble Group of Three Satyrs Fighting a Serpent, Roman Imperial, circa 1st Century A.D.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. An Italian engraved ivory inlaid rosewood centre table made for the Duke of Urbino Francesco Maria II della Rovere (1549-1631), circa 1596.97]
Western art unattributed:
[Thomas Coulborn & Sons, Sutton Coldfield. Scarlet japanned secretaire. English, c.1730. Height: 206 cm. Width: 105 cm. Depth: 56 cm]
Western art unattributed:
[Tomasso Brothers, Leeds. Lucius Venus. Rome, 17th century. White marble and breccia africano. Height: 90 cm]
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Advertisements March 2010 (front)
03/2010 | 1284 | 152
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, London. A Mameluke retrieving his lance (recto); Classical composition (verso), by Theodore Géricault (1791-1824). Pen and brown ink and sepia and traces of pencil (recto); Pen and brown ink and sepia over pencil (verso), 17 by 22 cm]
Attributed works:
[Agnews, London. Meleager presenting the head of the Calydonian boar to Atalanta, by Giovanni Battista Crosato (c.1697-1756). Oil on canvas, 81.3 by 99.1 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Benjamin West (1738 - 1820). Cupid and Psyche. Oil on canvas, 54 1/4 x 56 1/4 in (137.8 x 142.9 cm). Signed and dated 'B. West 1808']
Attributed works:
[Artur Ramon Art. Palla 25 CP 08002, Barcellona. Antonio d'Enrico, called Tanzio da Varallo (Alagna, Valsesia, 1575/80 - Varallo, 1635). Study of a kneeling figure half-lenth holding a cup. c. 1620. Red chalk with white chalk on paper washed pink, 200 x 150 mm (actual size)]
Attributed works:
[Artur Ramon, Barcelona. Mercury presents the young Bacchus to the nymphs, by Andrea Procaccini (1671-1734). Pen and brown ink over traces of black chalk, 11.7 by 16.8 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Victor Hugo (1802-1885). The tower of Saint-Romboult amidst an imaginary landscape. Signed and dated on verso. Ink, wash, charcoal and gouache on paper. 48 x 63 cm]
Attributed works:
[Arturo Cuellar, Zurich. Nude looking at her reflection in the water and a bather, by Carl Christian Vogel von Vogelstein (1788-1868). Signed and dated lower right: 'C. Vogel Rom, 1819'. Pencil, 21.7 by 17 cm]
Attributed works:
[Charles Beddington, London. Venice: the Grand Canal at the entrance to the Cannaregio with the Church of San Geremia and the Palazzo Labia, by Pietro Bellotti (1725 - c.1800). Oil on canvas, 113.5 by 139 cm]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Giovanni Francesco Barbieri, called il Guercino. Cento 1591 - 1666 Bologna, Two Warriors. Pen and brown ink and wash, 203 x 133 mm]
Attributed works:
[Dickinson, London. Deux Femmes, by Paul Gauguin (1848-1903). Signed and dated lower left: P. Gauguin 1902. Oil on canvas, 74 by 64.5 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. Audience of Cardinal Aldobrandini in the loggia of the Villa Belvedere in Frascati, by François-Marius Granet (1775-1849). c.1820. Signed lower left: GRANET / FRASCATI. Oil on canvas, 37 by 47 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Portrait of Marie Lecat, by Carle van Loo (1705-1765). One of a pair. Signed and dated 1743. Black chalk with white highlights, 47.6 by 33 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Frans Francken II (1581-1642), Markind, between vice and Virtue (detail), 1635, oil on panel, 143x211 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, il Guercino (1591-1666), Rinaldo and Armida, oil on canvas, 113x153 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Arrival of Cleopatra at Tarsus. Oil on canvas, 119 x 170 cm (46 7/8 x 66 15/16 in)]
Attributed works:
[Galerie Caotalem, Paris. Portrait of Jean Alaux, by Jean Auguste Dominique Ingres (1780-1867). Graphite, 16.5 by 12.9 cm]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Kessel the Elder. Antwerp 1626 - 1679 Antwerp. Sweetpeas, shells and butterflies. Oil on copper, 18.8 x 25 cm (7.4 x 9.8 inches). Signed at bottom left: "J.V. Kessel.fecit"]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Jean-Baptiste OUDRY. A Lacquered Stool with Books, Engravings and a Musette. Oil on canvas, H. 91 cm; L. 72 cm signed and dated 1742.]
Attributed works:
[Galerie Eric Coatem, Paris. A spaniel looking to the left, by Alexandre-François Desportes (1661-1743). Black chalk and oil on light brown paper, 31.9 by 26 cm]
Attributed works:
[Galerie G. Sarti. St. Jerome translating the Bible in the desert, by Marco Palmezzano (c.1459-1539). c.1537. Tempera on panel, 66.5 by 57.5 cm.]
Attributed works:
[Galerie Paul Prouté, Paris. A boat with figurehead, by Odilon Redon (1840-1916). Signed in pencil: 'Odilon Redon'. Watercolour, 15.3 by 24 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. Giovanni di Paolo (Siena, 1398-1482). The Virgin and Child between Saints Catherine of Alexandria, Dorothy and two Angels. Circa 1420. Tempera and gold on wood - 34.6 x 22.6 cm]
Attributed works:
[Hill-Stone. New York. Dominique-Louis-Fereol Papety (Marseille 1815-1849 Marseille). Greek Women at the Fountain. Drawing in black chalk, with watercolour washes and white heightening signed by the artist lower left. A study for the artist's most well-known work. omitting the central figure group. The painting at the Musée du Louvre, Paris, is dated to 1841; our study must have been produced shortly before. 287 x 337 mm (11 1/4 x 13 1/4 inches)]
Attributed works:
[Jean-Luc Baroni, London. Time and Truth, by Giovanni Battista Tiepolo (1696-1770). Pen and brown ink and brown wash over a sketch in black chalk, 22.3 by 21.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Herman van Swanevelt. Woerden 1603-1655 Paris. Landscape with the Finding of Moses. Oil on canvas, 43.5 by 55.2 cm. (17 1/4 by 21 3/4 in)]
Attributed works:
[Katrin Bellinger, Munich. Illustration for Ariost's 'Orlando Furioso', by Jean-Honoré Fragonard (1732-1806). Black chalk and brown ink with grey wash, 38.9 by 24.6 cm.]
Attributed works:
[Moretti, London, Florence & New York. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints, by Giovanni di Paolo (1397-1482). Panel, 37.3 by 26.7 cm. (with the original frame).]
Attributed works:
[Otto Naumann, New York. The courtyard of the Doge's Palace, Venice, with the Scala dei Giganti and Saint Mark's Basilica beyond, by Michele Giovanni Marieschi (1710-43). Oil on canvas, 118.5 by 180.7 cm]
Attributed works:
[Rob Smeets, Geneva. Three heads of Children, by Giulio Cesare Procaccini (1574-1625). c.1620. Inscribed on verso in an old hand: 'Mad.a Sig.a (?) Falco'. Oil on panel, 26.4 by 35 cm.]
Attributed works:
[Sam Fogg, London. Creation of the world and expulsion from paradise, by Valentin Bousch (1514-41). 1531-1533. Stained glass from the Church of Saint Firmin at Flavigny-sur-Moselle, Lorraine. 289.5 by 76.2 cm]
Attributed works:
[The 25th London Original Print Fair. Royal Academy of Arts. Burlington House. Howard Hodgkin. Night Palm. 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Dieppe shop window, by Walter Richard Sickert (1860-1942). c. 1885. Watercolour, ink and gouache on paper, 26 by 32 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Antonio Susini (1558-1624) (After a model by Giambologna). The Fowler. Executed c. 1580-1600. Bronze. 31 cm high]
Attributed works:
[Triniy Fine Art, London & New York. Vidi, quod agnus aperuisset: the four horsemen of the Apocalypse and St. John the Evangelist in the background, by Luigi Sabatelli (1772-1850). Black chalk, pen and brown ink, 58.3 by 43.6 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Johann Strauss II. His last musical sketches, ca. 1899. Autograph manuscript, 61 pages.]
Article
Antoine Dubost’s ‘Sword of Damocles’ and Thomas Hope: an Anglo-French skirmish
08/2006 | 1241 | 148
Pages: 520-527
related names
Author:
Spear, Richard E. (Spear, Richard E.)
Subjects
artists:
artists:
collectors and dealers:
dates:
subjects:
subjects:
Illustrations
Attributed works:
1. The return of Helen, by Antoine Dubost. Canvas, 131 by 192 cm. (Private collection).
Attributed works:
2. The sword of Damocles, by Antoine Dubost (cleaned, prior to inpainting). 1804. Canvas, 228 by 258 cm. (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai).
Attributed works:
3. Dying athlete, by Jean-Germain Drouais. 1785. Canvas, 125 by 182 cm. (Musée du Louvre, Paris).
Attributed works:
4. The sleep of Endymion, by Anne-Louise Girodet-Trioson. 1791. Canvas, 198 by 261 cm. (Musée du Louvre, Paris).
Attributed works:
5. Design of an Ancient Tripod, from Household Furniture and Interior Decoration from Designs by Thomas Hope, London 1807, pl.17, no.5.
Attributed works:
6. Thetis bringing armour to Achilles, by Benjamin West. ?1806. Canvas, 49.5 by 67.5 cm. (New Britain Museum of American Art, CT).
Attributed works:
7. Detail of Fig.2, showing footstool with Dubost’s signature.
Attributed works:
8. Title page of A. Dubost: Hunt and Hope, An Appeal to the Public, London 1810.
Advertisements
Advertisements February 1999 (front)
02/1999 | 1151 | 141
Pages: i-xii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
The Altar-Piece of the Cardinal of Portugal, by Antonio and Piero del Pollaiuolo, after Cleaning and Restoration. Tempera and Oil on Oak Panel. (Galleria degli Uffizi, Florence).
Attributed works:
[Adrian Sassoon, London. The Olympia Fine Art and Antiques Fair, London, UK] Large Blue Collapsed Vase form, with Terracotta Two-Tone Surface, by Nicholas Arroyave-Portella. Earthenware, ht 42 cm.
Attributed works:
[Bruton Gallery, London. The Olympia Fine Art and Antiques Fair, London, UK] Jeu de Voile, by Emile Antoine Bourdelle, 1910. Bronze, ht. 66 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] The Master of the Karlsruhe Passion (Active around 1450 in South Germany). The Scourging of Christ. Oil and Distemper on a Painted Walnut Panel: 66.5 × 46.5 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Giovanni Maria Viani (1636 - 1700). The Parable of the Wheat and the Tares. Oval, Oil on Copper, 45.5 × 59.1 cm
Attributed works:
[Joanna Booth, London. The Olympia Fine Art and Antiques Fair, London, UK] St John the Evangelist, French School c.1280. Oak with Much Original Polychrome, ht.106 cm.
Attributed works:
[Marks Antiques, London. The Olympia Fine Art and Antiques Fair, London, UK] A Set of Four Silver-Gilt Wine Coasters, Made by Benjamin Smith, London, 1807, Fitted to Silver-Gilt Trolleys, Made by Robert Garrard, London, 1837
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Camillo Procaccini or Workshop (Bologna ca. 1555-1629 Milan). The Lovers. Red Chalk. 198 × 268 mm. Watermark: Briquet 6599.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germnay] Franz Christoph Janneck (1703 Graz - 1761 Vienna). The Education of Bacchus (Ovid, Metamorphoses III, 314 ff). Oil on Copper. 14,4 × 20,1 ins.
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Carved Lime Festoon Depicting the Fruits of the Sea, Attributed to William Gibbs Rogers. English, Circa 1860. Approx. 62 in. Tall (158 cm). Approx. 65 in. Wide (165 cm)
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Giltwood Adam Period Overdoor Carving, Circa 1780. 22 in. Tall (56 cm). 56 in. Wide (142 cm)
Attributed works:
[Richard Philip, London. The Olympia Fine Art and Antiques Fair, London, UK] Madonna and Child, Attributed to Elisabetta Sirani. Red Chalk.
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] Théophile Alexandre Steinlen. Lausanne 1859 - 1923 Paris. Les deux Chats. Pochoir; Gouache and Watercolour on moiré Silk, 62 × 54 cm. Signed.
Attributed works:
[Tate Gallery, Millbank, London, UK] Benjamin West, The Golden Age, 1776
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] Casper by Augustus John, Oil on Panel, c.1909 Fitzwilliam Museum, Cambridge. © Julius White
Attributed works:
[The Olympia Fine Art and Antiques Fair, London, UK] The Tutor: John Hope-Johnstone 1883-1970, by Augustus John, c.1920. Oil on Canvas.
Attributed works:
[Vost's, Newmarket, UK] An Important Gothic Revival Pine and Mahogany, Painted and Gilded, Metal Mounted Sideboard Designed by William Burges (1827-1881), Constructed by Harland and Fisher and Decorated by Nathaniel Hubert John Westlake (1833-1921) and Others, 1859. Estimate: Refer to James Guyer or John Vost.
Non-western art unattributed:
[Capital Gallery, Hong Kong. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of Pottery Bears. Chinese, Han Dynasty (206 BC-220 AD). Ht 10 cm.
Non-western art unattributed:
[Exh. Les Antiquaires, Palais des Beaux-Arts, Brussels] "Le scribe accroupi", Louvre, © Photo RMN - Hervé Lewandowski / Design: Rumeurs
Western art unattributed:
[Lennox Cato, London. The Olympia Fine Art and Antiques Fair, London, UK] Carved Giltwood Mask, Italian Late-18th Century, with a Corsini Provenance.
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Advertisements June 1992 (front)
06/1992 | 1071 | 134
Pages: i - xxxvi
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[ Ader Tajan auctioneers, 12 rue Favart, Paris ] A Sèvres Porcelain Mounted Tulipwood Small Commode by Carlin. A Jewel Casket of the Queen Marie-Antoinette by Carlin. Gauguin. «Te Fare» (La Maison), 1892. Van Dongen. «La Baigneuse», Deauville, 1920.
Attributed works:
[ Brand Inglis, 9 Halkin Arcade, Motcomb Street, London ] A George III Cup and Cover. Samuel Hennell. London 1800. Height: 12½″.
Attributed works:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Jean de Liège (Attributed to) Figure of a Reclining Angel, Probably from the Tomb of Philippa of Hainault (†1369), Made by Jean de Liège in 1367 (Westminster Abbey) Alabaster, 8½in. Long (21.6cm)
Attributed works:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Martin-Claude Monot (Paris 1733-1803) Marble Bust of a Man Signed and Dated: Monot. 1769. Height: 43 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York ] Interior of the Red Salon of Isabella Stewart Gardner's House at 152 Beacon Street, in the 1890's, Showing the Rembrandt Self Portrait and the Tragedy of Lucretia by Botticelli, Both Acquired Through Colnaghi. Photograph Courtesy of the Isabella Stewart Gardner Museum, Boston.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Peter Brueghel the Elder (?1530-1569) The Summer Engraving, Signed. 225 × 286 mm.
Attributed works:
[ Katrin Bellinger, exhib. at Harari & Johns, 12 Duke Street, London] Jacopo Robusti, il Tintoretto (1518-1594) Study after Michelangelo's Samson Verso: Study after the Same Group Black Chalk, Heightened with White, on Blue Paper; Inscribed lower Centre: Tintoretto 386 × 164 mm
Attributed works:
[ Marlborough, 6 Albemarle Street, London ]The Brothers, 1991 Oil on Canvas 64¼ × 64¼ in./163.2 × 163.2 cm. Signed, Dated and Entitled on Reverse
Attributed works:
[ Pyms Gallery, 13 Motcomb Street Belgravia, London ] Bridgit - A Picture of Miss Elvery by Sir William Orpen RA, RHA, NEAC (1878-1931). Inscribed by the Artist 'Orpen 1909' lower Left. Oil on Canvas, 112 × 86 cm (44 × 34 in).
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London / Sporting d' Hiver, Place du Casino, Monte Carlo ] A 19th Century Patinated and Gilt Bronze Console Table Made for the Hotel of the Paiva in 1864-65 by Aimé-Jules Dalou. Ht. 109cm., W.158cm., D.58cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Rembrandt Harmensz. van Rijn, Portrait of Johannes Uyttenbogaert, Bears the Signature and Date: Rembrandt ft./1633 and Bears the Inscription: AET: 76, 132 by 102 cm. From the Sale of Old Master Paintings, 8 July. Estimate on Request.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Fine Gold Enamel Opal and Pearl Brooch Pendant, by Lalique.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A George III Mahogany Kneehole Desk, Attributed to the Workshops of William Hallett/Vile. Circa 1760. Height 76.2 cm (30 in). Width 115.6 cm (45½ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Benjamin West P. R. A. The Ascension Canvas. 49½ × 34 ins (126 × 87 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Daniel Clowes (1774-1829). A Horse and Groom in the Grounds of Hooton Hall, Cheshire. Oil on Canvas, 32 × 44 in (81 × 112 cm). Signed and Dated 1816.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fisherfolk on the Beach at Scheveningen by Jan van Goyen (Leiden 1596-1656 The Hague). Signed with Monogram and Dated 1644. Oil on Panel, 51.4 × 68.6 cm (20¼ × 27 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] François Lespingola (1644-1705) A Bronze Group of the Rape of Europa Height 26.8 cm (Excluding Base).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] John Singleton Copley Portrait of Colonel Baker 1781. Oil on Canvas 30 × 25 in (76.2 × 63.5 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Marmaduke Craddock (1660-1717) English School. A Peacock with a Cockerel, Turkey, White Hen, Young Chicks and a Dove in a River Landscape. Oil on Canvas, 12 × $13frac{7}{8}$ in (30.5 × 35.2 cm).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Madonna and Child with St. Francis and the Infant St. John the Baptist by a Ruin by Battista Luteri, Called Battista Dossi (Active 1517-Ferrara-1548). Oil on Panel, 58 × 37 cm ($22frac{7}{8}$ × $14frac{5}{8}$ in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[ Voena, Via dei Mille 36, Turin ] Jusepe de Ribera Called lo Spagnoletto (Jativa di Valencia 1591 - Naples 1652) St. Jerome Canvas, 76 × 65 cm. Signed and Dated at Left: 'Jusepe de Ribera español valenciano 1648'.
Attributed works:
[Asprey, 725 Fifth Avenue, New York] A Rare George II Punch Bowl and Cover by William Cripps, 1752. 4309.2 grms (152 oz). A Set of Four George II Salts by Paul de Lamerie, 1745. 1105.7 grms (39 oz).
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London] Ubaldo Gandolfi (1728-1781) the Sacrifice of Isaac Red Chalk, Pen and Brown Ink, Brown Wash; 312 × 218 mm.
Attributed works:
[Phillips, 101 New Bond Street London] Erasmus Quellinus II, (1607-1678), "Salome being Handed the Head of St. John the Baptist", Oil on Panel, 124cm × 200cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Domenico Maria Fratta (1696-1763), "The Triumph of David", Pen and Brown Ink, within a Deliniated Border, 38.7cm × 47cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Charles VI and Odette de Champdivers by Eugène Delacroix (1798-1863). Circa 1825. Signed upper Left 'E. Delacroix'. Oil on Canvas, 35.5 × 27.5 cm (14 × $10frac{13}{16}$ in).
Non-western art unattributed:
[ Flying Cranes Antiques, 1050 Second Ave. at 56th Street, New York ] Myochin Sea Monster. Length, 24″; Height, 12″.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Canton Enamel Armorial Tea Caddy; The Interior Fitted with Two Canisters and a Blending Casket. Chinese, 18th Century. Height 13.4 cm. Width 28.4 cm. Depth 13.5 cm.
Western art unattributed:
[ Axel Vervoordt, Castle of 's- Gravenwezel Castle ] Original White Painted Limewood Groups Representing the Allegory of Heaven and Earth, Mid 18th Century 63 × 85 × 52 cm - 60 × 73 × 61 cm.
Western art unattributed:
[ Bernard Blondeel, Schuttershofstraat 5, Antwerp ] Giant Leaf Verdure Oudenaarde 1550-1600 H. 272 cm. × W. 376 cm.
Western art unattributed:
[ C. John, 70 South Audley Street, Mayfair, London ] An Exceptional Tapestry-Woven Carpet. Bessarabian, Late 19th Century. Wool. Dimensions 297 × 287 cm (117 × 113 in).
Western art unattributed:
[ cover ] Detail of a Table Carpet. French, c.1600. Canvas Work Embroidery, Wool and Silk on Linen, Tent and Cross Stitch, 273 by 218 cm. (Whole). (The Bowes Museum, Barnard Castle).
Western art unattributed:
[ E & H Manners, 66 A Kensington Church Street, London ] A Paris Biscuit Group Impressed 'Mre de Mr le duc à Paris d'angoulème'. 1781-1789. Height: 17″, 44 cm.
Western art unattributed:
[ Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam ] A Goblet Wheel Engraved with Fishing Boats Anchored at Sea with Their Nets Cast and the Inscription 'Twelvaren Van De Groote Visscherye' (To the Prosperity of the Herring-Fishery). Multi-Knopped Stem, Folded Foot. Dutch Engraved Lead-Glass, c.1750 Height: 23,5 cm (9¼ in).
Western art unattributed:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais - Royal ] Standing Prophet Initial from a Choirbook, Tuscany, Siena (?), c. 1400 ca. 120 × 300 mm.
Western art unattributed:
[ Patrick Sandberg Antiques, 140 - 142 Kensington Church Street, London ] This Fine Adam Period Figured Mahogany and Tulipwood Crossbanded Serpentine Serving Table, Circa 1780, Is a Typical Example of Stock Always Available at Our Large Kensington Showrooms.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rare English Wine Glass, the Gilt Rimmed Bowl Engraved with Fruiting Vine and Set on a Coloured Composite Stem Comprising of Red and Blue Twists around a Central Air Twist Spiral Gauze, on a Conical Foot. Circa 1760. Height 14 cm.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] Rectangular Mother-of-Pearl Box in Four Colour Gold Inlaid with Sepia Mother-of-Pearl and Decorated with Mythological Beasts and Birds. The Borders Are Embellished with Chased Quatre-couleur Floral Decorations. Paris, c.1825. 3¼ × 2¼ × 1½ ins.
Western art unattributed:
[Claude Kuhn, Blumenrain 12, Basel ] Northern Italy, End of the 15th Century 'Two Yokes, One Hanging on a Wall' Pen and Brown Ink, 20.8 × 14.7 cms
Western art unattributed:
[Neumeister, Barer Str. 37, Munich] Italy, ca. 1520. Saint Peter in Prison. Alabaster, 28 × 18,5 × 17, 5 cm.
Western art unattributed:
[Trinity Fine Art Ltd, 29 Bruton Street, London] A Limoges Champlevé Enamel Chasse, Depicting the Martyrdom of St. Thomas Becket, Circa 1200-1210, Height: 16.5 cms, Width: 12.5 cms.
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09/1991 | 1062 | 133
Pages: xL
Subjects
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subjects:
Illustrations
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Agostino Carracci (1557-1602). Cupid Overpowering Pan, The Head of a Monk (verso) Black and White Chalk on Blue Paper, 345 × 255 mm
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Bonino da Campione Madonna and Child. (Lombard, Active 1345-97) Marble 71 cm. High.
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Cornelis Cornelis. van Haarlem (1562-1638) An Allegory of Time. Oil on Panel 33 × 45.8 cms. Monogrammed and Dated: CVH 1628
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Francesco Capella Called Daggia (1711-1784) Holy Family. Oil on Canvas 46 × 37 cms
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Girolamo Macchietti (Florence, 1535-1592). Christ, St Catherine and St John the Baptist Brown Ink and Wash, Heightened with White or Blue Paper.
Attributed works:
[17th International Biennale Mostra Mercato, Florence] Giuseppe Zocchi (Florence, 1711 or 1717-1767). View of the Uffizi and Palazzo Vecchio from the Arno. Oil on Canvas, 65.5 by 94 cms.
Attributed works:
[Agnew's, 43 Old Bond Street, London] Benvenuto Tisi Called il Garofalo (c. 1476-1559). Adoration of the Shepherds. Panel, 9 × 11½ in (22.8 × 29.2 cm)
Attributed works:
[Arno Winterberg, Blumenstrasse 15, Heidelberg] Christian Wilhelm Ernst Dietrich, Called Dietricy, The Bath of Diana. Brown Ink and Wash, Heightened with White. Signed and Dated. 37,3 × 27,6 cm.
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] John Heiss (Memmingen 1660-Augsburg 1704). Moses and the Brazen Serpent. Canvas, 97.7 × 134.7 cm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/ 61 East 77th Street, New York] Michael Ribestein (Active in Berlin between 1550 and 1565). The Agony in the Garden. Pen and Black Ink, Heightened with White (Partly Oxidised) on Chestnut Prepared Paper. 154 × 116 mm. From the A. Beurdeley Collection (L.421).
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Bernardino Fungai 1460 - Fongaia - 1516 Virgin and Child Tempera and Gold on Panel: 42.8 × 29cms
Attributed works:
[Cramer, 38 Javastraat, The Hague] Philips Koninck (Amsterdam 1619-1688) Portrait of a Man from the van Schoten Family Signed and Dated: P. Koninck 1656 On Canvas 94.5 × 87.5 cm (36½ by 34 in.)
Attributed works:
[Drs Loek Brons, Apollolaan 141, Amsterdam] Le Sens des Realités. René Magritte, Oil on Canvas. 175 × 115 cm. 1963 Provenance Alexander Iolas. Private English Collection. Private Dutch Collection. Drs Loek Brons B. V., Amsterdam Lit.: René Magritte. Il Torckzyner, New York 1977. Page 155
Attributed works:
[Flavia Ormond Fine Arts Ltd, 24 Brechin place, London] Gaetano Gandolfi. The Martyrdom of St. Eusebius, c. 1785.
Attributed works:
[Frides Lameris, Nieuwe Spiegelstraat 55, Amsterdam] A Pair of Beakers with Polychrome Enamelling, Southern Germany, Mid-18th Century Height: 8 and 7.8 cm.
Attributed works:
[Front cover] Friedrich Rückert, by Samuel Amsler. 1818. Pencil on off-White Paper, 19.7 by 16.6 cm. (Ashmolean Museum, Oxford).
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse 5A, Berlin] Martin Schongauer. Christ Carrying the Cross. Engraving. C. 1480.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich] Jacobus Hausser (Around 1595-1603). Mercury and Psyche. Black Chalk and Pen and Brown Ink and Grey Wash on Laid Paper. 230 × 173 mm. Signed and Dated "Jacobus Haußzer van Ach/in Rom Ad 1595".
Attributed works:
[Heide Hubner, Handelstrasse 21A, Wurzburg] Jan Tengnagel (Amsterdam 1584-1635) Eliezer Bringing Gifts to Rebecca from Abraham. Oil on Panel. 45.5 by 65 cm.
Attributed works:
[Herve Chayette Laurence Calmels, 12 Rue Rosini, Paris] Lacroix de Marseille. "Naufrage sur une côte mediterranéenne" Canvas 49 × 65,5 cm
Attributed works:
[Hildegard Fritz - Denneville Fine Arts Ltd, 31 New Bond Street, London] Eduard von Gärtner (Berlin, 1801-1877) 'The Artist's Wife and Three Eldest Children at the Coffee Table in the Conservatory of Mr. Westphal, His Landlord in Berlin'. Oil on Canvas, Signed with Monogram 'E. G.' and Dated 1836. 24 by 20 cm.
Attributed works:
[Hilmar M. Klemke oHG, Burchardstrasse 26, Munich] Isaac de Moucheron. (Amsterdam 1670-1744 Amsterdam) Villa d'Este, Tivoli Viale delle Cento Fontane. Pen and Brown Ink, Watercolour, Gouache, 225 × 341 mm. Signed at Lower Right with Pen and Brown Ink 'Moucheron Fecit'
Attributed works:
[Julius Bohler, Pacellistrasse 8, Munich] Very important Choirstall, richly carved with a relief of St. Peter, and a group of Phyllis riding on the back of Aristotle. By Rodrigo Alemán (German woodcarver active in Spain 1489-1503). Oakwood, height 316 cm, width 87 cm, depth ca. 75 cm. From the Cathedral of Plasencia, Spain, carved between 1497 and 1503.
Attributed works:
[K.J. Mullenmeister, Borsenstrasse 69, Solingen] Jacob Bogdany (? Eperjes - 1724 London). Landscape with Pheasant and Partridges. Oil on Canvas 74 × 60 cm. Signed: J. Bogdany, Painter to William III King of England 1689-1702
Attributed works:
[Lawrence, Fine Art of Crewkerne, South Street, Crewkerne, Somerset] David Vinckeboons. The Preaching of St. John the Baptist. Oil on Canvas 44 (111.7) × 34¼ (86.9)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Celia Paul, Kate, 1990. Oil on Canvas 60 × 40 in./152.4 × 101.6 cm.
Attributed works:
[Noortman, 40-41 Old Bond Street, London] Salomon van Ruysdael c. 1601-1670. Landscape with Travellers. Canvas: 108.5 × 136 cm Signed
Attributed works:
[Otto Naumann Ltd, 4 East 74th Street, New York] Nicolaes Berchem. Haarlem, 1620-1683 Amsterdam. Extensive Landscape with a Stag Hunt. Panel, 71.5 × 97 cms. Signed Lower Right
Attributed works:
[Phillips, 101New Bond Street, London] Benjamin West P. R. A. Two Officers and a groom in a Continental Landscape, Signed and Dated 1777, 99cms × 124.5cms.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Benvenuto di Giovanni, Assumption of the Virgin, 1498 Tempera, 295 by 221 cm. Signed and Dated, Bottom Centre (On Cartellino): "Opus. Benvenuti. Iohanis/De. Senis. MCCCCLXXXXVIII"
Attributed works:
[Richard L. Feigen, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Landscape with the Predication of St. John the Baptist, 1643 Oil on Canvas, 103.5 by 146 cm ($40frac{3}{4}$ by 57½ Inches) Signed and Dated, Lower Right, BBreenbergh/Faciebat. Anno./1643
Attributed works:
[Sabrina Forster, Poststrasse 3 Dusseldorf] Cornelis Saftleven (1607-1681). Rushing Man from Behind. Black Chalk. 281 × 182 mm. Monogrammed and Dated 1631
Attributed works:
[Sabrina Forster, Poststrasse 3 Dusseldorf] Matteo Rosselli (1578-1651). Three Standing Women. Black, red and white chalk on blue paper. 424 × 266 mm. Final drawing for the painting of the Birth of the Virgin, in Santa Maria dei Servi, Lucca Anna Forlani-Tempesti and Ugo Ruggeri confirmed the attribution
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Giovanni Balducci, Called Il Cosci. Firenze 1560 - Napoli after 1631. "Head of an Apostle". "A Study of Male Figure" (r) 261 × 198 mm. The Drawing is Connected with the Lower Left Figure in the Painting Christ in Glory with Apostles and Saints in the Gesù Pellegrino, Florence, c. 1590.
Attributed works:
[Xaver Scheidwimmer, Barer Strasse 3, Munich] Paul de Vos (Hulst 1595-1678 Antwerp). The Flight between the Cock and the Peacock. Signed: P. de Vos Fecit. Oil on Canvas, 119 × 180 cm.
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan] "Don Silvestro dei Gherarducci". Firenze, XIV cent. Initial "L", "Santa Caterina e una monaca in preghiera" Tempera Illuminated on vellum 190 × 170 mm.
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10/1990 | 1051 | 132
Pages: 757-758
Subjects
subjects:
Illustrations
Attributed works:
[Christie's 8 King Street, St James, London] Benjamin West, P. R. A., (1738-1820): Portrait of General The Hon. Robert Monckton, Full Length, Wearing the Uniform of a General Officer, Holding a Plan of Martinique in His Right Hand, a Cannon and Tent beside Him, a Line of Soldiers and a Battle Scene beyond.
Attributed works:
[Christie's, 502 Park Avenue, New York] Paul Delaroache (French, 1797-1856), 'Les Enfants d'Edouard,' Oil on Canvas, 35 × 42 in. (88.9 × 106.7 cm.)
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