Plate I. (A) The Resurrection (1573); By Peter Claeissins I. Church of Saint Sauveur, Bruges. A Family of Flemish Painters
Attributed works:
Plate I. (B) Portrait of Peter Claeissins I; By Himself. National Gallery, Christiania. A Family of Flemish Painters
Attributed works:
Plate I. (C) The Convention of Tournai, 22 May, 1584; By Peter Claeissins II. Museum, Bruges. A Family of Flemish Painters
Attributed works:
Plate II. (D) Foundation of S. Mary Major's in Rome (Our Lady of the Snow); By Peter Claeissins II. Church of Notre Dame, Bruges. A Family of Flemish Painters
Attributed works:
Plate II. (E) Our Lady of the Dry Tree (1607-1620); By Peter Claeissins II. Church of S. Walburg, Bruges. A Family of Flemish Painters
(a) Mary of Burgundy; (b) Charles the Bold; (c) Margaret of York; from Paintings by Hans Memlinc in the Hospital of St. John, Bruges. Notes on Some Portraits of the Early Netherlands School.
Plate I. Portrait of John Carondelet as a Canon. By John Gossart of Maubeuge. By Permission of Messrs. P. and D. Colnaghi. Portraits of Archbishop John Carondelet
Western art unattributed:
2. Portrait of John Carondelet at the Age of 48. One Leaf of a Diptych in the Louvre. Portraits of Archbishop John Carondelet. Plate II.
Western art unattributed:
3. Portrait of John Carondelet at the Age of About 52. One Leaf of a Diptych in the von Guttmann Collection at Vienna. Portraits of Archbishop John Carondelet. Plate II.
Western art unattributed:
4. Sculptured Effigy of John Carondelet. In the Cathedral, Bruges. Portraits of Archbishop John Carondelet. Plate II.
Short Notice
John van Eyck Painting at Cambrai in 1413, and Then Settling in Paris: An Apocryphal Story Refuted