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54 articles
Exhibition Review
Dürer to Van Dyck: Drawings from Chatsworth House
02/2025 | 1463 | 167
Pages: 172–175
related names
Reviewer:
Horbatsch, Olenka (Horbatsch, Olenka)
Subjects
museums and institutions:
Reviewed Items
subjects:
Dürer to Van Dyck: Drawings from Chatsworth House Royal Scottish Academy, Edinburgh 9th November 2024–23rd February 2025 | :
Illustrations
Attributed works:
10. Arcadian landscape, by Hendrick Goltzius. 1593. Pen and black ink, 35.7 by 46.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
11. A dying tree, its trunk covered in brambles, beside a fence, by Peter Paul Rubens. c.1618. Pen, brown ink, red and black chalk and watercolour, 35.2 by 29.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
12. View of the Amsteldijk at Meerzhuizen, looking towards the little windmill, by Rembrandt. c.1648–50. Pen, brown ink and brown wash with watercolour on paper prepared with brown wash, 13 by 21.2 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
Book Review
Jan Gossart and the Invention of Netherlandish Antiquity, by M.A. Bass
02/2017 | 1367 | 159
Pages: 135-136
related names
Reviewer:
Ainsworth, Maryan W. (Ainsworth, Maryan W.; Ainsworth, Maryan)
Subjects
artists:
Illustrations
Attributed works:
63. Neptune and Amphitrite, by Jan Gossart. 1516 (Gemäldegalerie, Staatliche Museen, Berlin)
Publication Received
Jan Gossart. The Documentary Evidence. By Sytse Weidema and Anna Koopstra, with a foreword by Maryan W. Ainsworth.
10/2014 | 1339 | 156
Pages: 681
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
artists:
Exhibition Review
Jan Gossaert. New York and London
02/2011 | 1295 | 153
Pages: 134-137
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Man, Myth and Sensual Pleasures - Jan Gossart's Renaissance | institution: Metropolitan Museum of Art , institution: National Gallery
Illustrations
Attributed works:
71. The Malvagna triptych, by Jan Gossaert and Gerard David. c.1513–15. Panels with the original frame, 45.5 by 35 cm. (centre); 45 by 17.5 cm. (wings). (Galleria Regionale della Sicilia, Palermo; exh. Metropolitan Museum of Art, New York)
Attributed works:
72. Virgin and Child, by Jan Gossaert. c.1527. Panel, 63 by 50 cm. (Museo Nacional del Prado, Madrid; exh. Metropolitan Museum of Art, New York)
Attributed works:
73. Christ on the cold stone, by Jan Gossaert. c.1530. Panel, 112 by 84 cm. (Real Colegio del Corpus Christ, Valencia; exh. Metropolitan Museum of Art, New York)
Attributed works:
74. Portrait of a man (Henry III of Nassau-Breda?), by Jan Gossaert. c.1522. Panel, 57.2 by 45.8 cm. (Kimbell Museum of Art, Fort Worth; exh. Metropolitan Museum of Art, New York)
Article
An overlooked attribution to Jan Gossaert
02/2011 | 1295 | 153
Pages: 76-80
related names
Author:
Alsteens, Stijn (Alsteens, Stijn)
Subjects
artists:
dates:
print:
Illustrations
Attributed works:
1. An allegory of filial and parental love, here attributed to Jan Gossaert. c.1520s. Pen and brown and light brown ink, red and yellow watercolour, 27.7 by 17.4 cm. (British Museum, London).
Attributed works:
2. The Fall of Man, by Jan Gossaert. 1520s. Pen and brown ink over black chalk or charcoal, 25.9 by 21.1 cm. (Albertina, Vienna).
Attributed works:
3. St Jerome writing in his cave, by Albrecht Dürer. 1512. Woodcut, 17.1 by 12.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. Acca Larentia, by Jacopo della Quercia. c.1414–19. Marble, 163 cm. high. (S. Maria della Scala, Siena).
Attributed works:
5. Rhea Silvia, by Jacopo della Quercia (and assistant?). c.1414–19. Marble, 165 cm. high. (S. Maria della Scala, Siena).
Attributed works:
6. An allegory of Charity, by an anonymous woodcutter after a design attributed to Pieter Coecke van Aelst. 1527 or earlier. Woodcut from Luciani dialogi . . ., Antwerp 1527. (Bibliothèque nationale, Paris).
Article
The patron of Jan Gossaert’s ‘Adoration of the Kings’ in the National Gallery, London
02/2010 | 1283 | 152
Pages: 86-89
related names
Author:
Campbell, Lorne (Campbell, Lorne; C., L.)
Subjects
artists:
dates:
museums and institutions:
print:
Illustrations
Attributed works:
20. Adoration of the Kings, by Jan Gossaert. c.1510–15. Panel, 177.2 by 161.3 cm. (National Gallery, London).
Article
The sitter in Jan Gossaert’s ‘Portrait of a merchant’ in the National Gallery of Art, Washington: Jan Snoeck (c.1510–85)
02/2010 | 1283 | 152
Pages: 82-85
related names
Author:
Colenbrander, Herman Th. (Colenbrander, Herman Th.)
Subjects
artists:
dates:
print:
Illustrations
Attributed works:
12. Portrait of a merchant, here identified as Portrait of Jan Snoeck, by Jan Gossaert. c.1530. Panel, 63.6 by 47.5 cm. (National Gallery of Art, Washington).
Attributed works:
13. Portrait of Jan Snoeck, by an anonymous artist after Jan Gossaert. c.1750. Watercolour, 49 by 39 cm. (Snouck van Loosen Stichting, Enkhuizen).
Attributed works:
17. Detail of ring worn by the sitter in Fig.12.
Attributed works:
18. Detail of the cap worn by the sitter in Fig.12.
Western art unattributed:
14. Manor of Schelluinderberg, Schelluinen. (Photograph: Rijksdienst voor Archeologie, Cultuurlandschap en Monumenten, Zeist).
Western art unattributed:
15. The weather-vane on the manor of Schelluinderberg, Schelluinen. (Photograph: L.J.P. de Waal).
Western art unattributed:
16. Relief on the façade of the manor of Schelluinderberg, Schelluinen. (Photograph: author).
Western art unattributed:
19. Seal of Jan Snoeck on a letter dated 1577. (Archief Ridderlijke Duitsche Orde, Balije van Utrecht, Utrecht; inv. no.31–6).
Advertisements
Advertisements January 2001 (front)
01/2001 | 1174 | 143
Pages: i-xx
Subjects
subjects:
Illustrations
Attributed works:
Lot and His Daughters, by Orazio Gentileschi. c.1622. 151.8 by 189.2 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Henry Fuseli (1741-1825). Allegory of Love, Marriage, Life and Death. Pen and Grey Ink with Grey and Purple-Brown Wash, 1763. 200 × 275 mm
Attributed works:
[Berry-Hill Galleries, Inc., 11 East 70th Street, New York, New York] Annibale Carracci, Bologna 1560 - 1609 Rome. Landscape with Washerwomen. Pen and Brown Ink, 3 13/16 × 10½ Inches (97 × 267 mm)
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] Rembrandt Harmensz. van Rijn (1606-1669). Portrait of a Bearded man, Bust-Length, in a Red Doublet. Signed and Dated 'Rembrandt fec/1633.' Oil on Panel, Oval, 25 × 20 in. (63.5 × 50.8 cm.). Estimate: $6,000,000-8,000,000, £4,000,000-5,500,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Hubert Robert, (1733 - Paris - 1808). A Peasant Interior with Figures. Oil on Canvas: 24.5 × 32.5 cm
Attributed works:
[Didier Aaron, Inc., New York, New York] View of Lago di Averne, the Castello di Baia, and the Bay of Naples, by Jean Charles Joseph Remond. One of Several Dozen Paintings and Drawings in a Rotating Exhibition of Recent Acquisitions.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Paul Bril, (Breda c. 1554 - Rome 1626), Landscape with Nymphs and Satyrs, Oil on Canvas, 27½ × 36¼ in, 70 × 92 cm
Attributed works:
[Emmanuel Moatti, Inc., Paris, France] The Aquaduct, by Giovanni Battista Camuccini. 1840's. Inaugural Exhibition, Ends January 26th.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] A Village Street with a Watering Place, by Jan Brueghel the Elder. Oil on Copper (Stamped with the Mark of the Maker Pieter Stas), 26.1 × 35.7 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Armoire à deux corps, Lyon, c.1570-80. 245 × 148 × 57 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Cabinet, Attributed to Johan Puchwieser, Munich 1705-20. Palisander Wood with Brass Inlay on Tortoiseshell, 188 × 160 × 65 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Don Juan between Charlotte and Mathurine, by Alexandre Evariste-Fragonard. Oil on Canvas, 65 × 54 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Pedestal Table, by Molitor, c.1795. Mahogany, Inlaid with Black Wood and Brass, with Gilt-Bronze Mounts, Diameter 73 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Piano, by A. Beurdeley et Fils, Paris, Mechanism by Erard, Paris, 1881. Mahogany with Marquetry Inlay.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Portable Triptych with the Crucifixion, Madonna Enthroned with Angels and the Stigmatisation of St Francis with Sts Peter and Bartholomew, by Bernardo Daddi. Tempera on Panel, 67 × 38.5 cm (Central Panel); 65.5 × 20 cm. (Side Panels).
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] View of the Grand Canal, with S. Giorgio Maggiore, the Salute and S. Marco by Bernardo Bellotto. Oil on Canvas, 63.8 × 36.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Edward Burra (1905 - 1976) Rye Landscape with Figure (Detail) Watercolour 1947 Cecil Higgins Art Gallery © Estate of the Artist
Attributed works:
[Felder Fine Art, London, UK] Thomas Gainsborough R. A. (1727-1788). Self-Portrait, c 1739. Oil on Paper Laid on Canvas: 22.4 × 19.5cm / 8 3/4 x 7 3/4 in. This Painting is Gainsborough's Earliest Known Self-Portrait
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] A Female Virtue - Innocence, by Lorenzo De Ferrari, Circa 1738. Master Drawings at Adelson Galleries, Inc. 22nd January until 9th February.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Daniel in the Lions' Den by Conrad Meyer, 1618-1689. Pen and Ink, Wash and Chalk.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Rembrandt van Rijn 1606 - 1669. The Flight into Egypt: Altered from the Plate by Hercules Segers. Etching, Drypoint and Burin; Circa 1653. Hollstein 56, the Sixth State of Seven. A Very Fine Impression.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Hendrick Goltzius (1558-1617). Madonna with Child and Angels. Signed with Monogram and Dated 'HG1607' and Inscribed on the Reverse 'D H Gultius' Oil on Unlined Canvas 52 3/4 x 39 3/8 Inches (134 by 100 cm.)
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Landscape with a Woman on a Dapple-Grey Horse, by Nicolaes Berchem. Oil on Panel, 254 × 324 mm. Dutch & Flemish Old Master Paintings. January 22nd - February 17th, 2001.
Attributed works:
[James Graham & Sons, 1014 Madison Avenue, New York, New York] Antoine-Louis Barye (1796-1875). French Animalier School. Fine Bronzes from the 19th and Early 20th Century. Barye, Bonheur, Mene and Others
Attributed works:
[L'antiquaire & The Connoisseur Inc., 36 East 73rd Street, New York, New York] Lord Frederic Leighton. Scarborough 1830 - 1896 London. Studies of Classically Dressed Women Seated in Klismos Chairs. Black and White Chalk over Graphite on Brown Wove Paper. Size: 14½ × 10½ Inches (371 × 276 mm).
Attributed works:
[L'antiquaire & The Connoisseur Inc., 36 East 73rd Street, New York, New York] Study of an Oak Tree, by Remigio Cantagallina. 1624. Pen and Brown Ink on Buff Paper, 394 × 508 mm. European Master Drawings 1500-1900. 24th January - 24th March 2001.
Attributed works:
[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Domenico Riccio Called Domenico Brusasorci. Verona, Circa 1515-1567. Allegorical Scene. Oil on Canvas, Diameter 77 3/16 in. (196 cm).
Attributed works:
[Otto Naumann, New York, New York] Still Life of Roses, Tulips, Narcissi, Peonies and Other Flowers, with a Sprig of Cherries in a Roemer on a Stone Pedestal, by Jan Van Kessel, the Elder (1626 - 1679). Oil on Copper, 775 × 590 mm.
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Vincenzo Gemito (Naples 1852 - 1929 Naples), A Head of a Moor Boy, Graphite and Black Chalk on Ivory Coloured Paper, 454×344 mm. The Drawing is Preparatory for a Terracotta Now in the Museo Nazionale di San Martino, Naples.
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York] Christ Crowned with Thorns (Circa 1582/1585), by Paolo Caliari Called il Veronese. Oil on Canvas, 755 × 570 mm.
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Bartolomé Esteban Murillo 1617-1682. The Madonna and Child. Signed: Bartolome Murillo f. Pen and Brown Ink and Wash. 168 by 141mm. Estimate: $35,000-50,000
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Edgar Degas 1808-1879. Sketchbook Sheet with Studies of a Female Head & Dancer. Signed with Stamp, Black, White, Violet and Green Chalk. 478 by 313mm. Estimate: $120,0005-180,000
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Jan Gossaert Called il Mabuse 1478-1536. The Holy Family, Pen and Brown Ink on Vellum. 155 by 127mm. Estimate: $100,000-150,000
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Alexander von Humboldt, 1769 - 1859. Self-Portrait of the Artist, 1814. Signed and Dated at the Lower Right: Alex.H. von mir selbst im spiegel, Paris 1814. 350 × 265 mm.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Eugène Delacroix. Charenton-Saint-Maurice 1798-1863 Paris. Vue des falaises en Normandie. Stamped with the Artist's Initials, Lower Left, E. D. (Lugt 838a); Also, Inscribed in a Later Hand on the Old Backing Board, Eugène Delacroix. La Falaise de Fécamp-Watercolor Heightened with White over Traces of Black Chalk, 6 × 8 Inches (152 × 203 mm)
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Le Bougeoir, 1879, by François Bonvin. Black Chalk on Buff-Coloured Paper, 151 × 205 mm. Master Drawings, 1770 - 1900. January 16th - February 26th.
Attributed works:
[Wildenstein & Co., London, UK] La Musicienne by Marc Chagall, 1978. Exhibition of Marc Chagall, Ends January 31st.
Advertisements
Advertisements October 1997 (front)
10/1997 | 1135 | 139
Pages: i-xxiv
Subjects
subjects:
Illustrations
Attributed works:
[ Artemis Group, 15 Duke Street, St. James, London / C. G. Boerner, Kasernenstrasse 13, Dusseldorf ] Karl Friedrich Schinkel (Neurupin 1781 - 1841 Berlin). Lake Traun near Gmunden in Austria. Pen Lithograph Printed in Grey and Black. (Ca. 1811). Winkler 14. 532 × 643 mm. One of Probably Only Two Known Impressions. From C. G. Boerner's Neue Lagerliste 109.
Attributed works:
[ Bassenge, Erdener Strasse, 5 A, Berlin ] Johann König (ca 1586-1642, Nuremberg) Josua's Victory over the Amorites at Gibeon. Signed and Dated 1615. Bodycolour on Vellum. 14.5 × 18.5 cm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 Quai Voltaire, Paris ] Ubaldo Gandolfi (1728-1781). Education of the Virgin Pen and Brown Ink, Brown Wash, 158 × 113 mm. A Very Similar Painting in the Church of San Lorenzo in Budrio Is Dated Circa 1750-1755.
Attributed works:
[ Christie's, 502 Park Avenue, New York ] The Pavlovsk Palace Secretaire, a Highly Important Louis XVI Sevres Porcelain-Mounted Secretaire Cabinet from the Boudoir of Empress Maria Feodorovna at Pavlovsk Palace, circa 1780, by Adam Weisweiler. Estimate: $2,500,000-$4,000,000 (£1,500,000-£2,500,000)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Pietro Fabris. Active in Naples between 1754 and 1804 The Entrance to the Grotto of Posilippo from Naples Gouache: 388 × 551 mm Signed in Black Ink at the Lower Left: Fabris P.
Attributed works:
[ cover ] Trompe l'œil with a Bust of Venus, by Caesar van Everdingen. 1665. 74 by 60.8 cm. (Mauritshuis, The Hague; Gift of Mrs. J. H. M. Staring-de Mol van Otterloo, 1992)
Attributed works:
[ Dorotheum, Dorotheergasse 17, Vienna ] Cornelis Mahu, Antwerpen ca. 1613-1689. A Breakfast Still Life with Lemon, Pomegranate, Grapes, Oysters and a Glided Cup, Oil on Panel, 48×37,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Tiepolo. Venice 1737 - 1776 Madrid. The Triumph of Mars. Etching, after Giambattista Tiepolo; c.1759. Rizzi 229, the Second State of Three with the Number But before the Inscription. Watermark: Three Crescents with Letter W. A Brilliant Impression with Full Deckle Edges All around.
Attributed works:
[ Jack Kilgore & Co., Inc., 154 East 71st Street, New York ] Joachim Beuckelaer. (Circa 1530/33-Antwerp-1573/4). Golgotha. Signed with Monogram and Dated '1567 JB'. Oil on Panel, 22¼ by $22frac{1}{8}$ Inches (56.5 by 56 cm.)
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Richard Green, 44 Dover Street, London ] Sawrey Gilpin, RA (1733-1807). A Grey Horse, a Pomeranian and a Hound in a Rocky Landscape. Signed and Dated 1791. Canvas: 53¼ × 68 in / 135.2 × 172.7 cm
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jacob Jordaens (1593-1678). "There Is No Point in Closing the Cage Once the Bird Has Flown" Bears Signature: Jordaens, Pen and Brown Ink and Watercolour, over Black Chalk. On Three Joined Sheets of Paper 232 by 293mm. Estimate: Dfl. 80,000-120,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] A Gable-Shaped Plaque of Two Martyred Saints, Limoges, Circa 1200-1210. 24.4 × 18.2 cm.
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Jan Gossaert, Called Mabuse ca. 1478-ca 1536. The Madonna and Child Enthroned, with Angels Making Music Panel: 14 × 11 inches (35.5 × 28 c.m.) Painted Circa 1510. Estimate: $1,500,000-2,000,000
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London ] Joseph Mallord William Turner, R. A. (1775-1851) View of Stoke House near Bristol, the Seat of Lady Lippincote Signed l.r.: William Turner Delin, Pen and Grey Ink and Watercolour 29.5 by 41 cm.; 11½ by 16 in. Estimate: £40,000-60,000
Attributed works:
[ Spink-Leger, 13 Old Bond Street, London ] Sir Peter Lely 1618-1680. The Hon Leonard Grey. Oil Painting on Canvas. Signed with the Artist's Monogram Size: $29frac{3}{4}$ × 25 Inches Painted Circa 1646
Attributed works:
[ Tate Gallery, Millbank, London (Bp) ] Patrick Heron, Horizontal Stripe Painting: November 1957 - January 1958, 1957-8
Western art unattributed:
[ Bruun Rasmussen auctioneers, Bredgate 33, Copenhagen ] Russian Mahogany Writing-Commode. Early 19th Century
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] A Highly Important Royal Silver Cistern and Wine Fountain Commissioned by George, Elector of Hanover and King of England, Maker's Mark of Lewis Dedeke, Circa 1710. The Oval Cistern, 27 in. (68.7 cm.) Long, 12 in. (30.5 cm.) High; The Fountain, 15 in. (38 cm.) Diameter, 28 in. (71 cm.) High.
Western art unattributed:
[ Christie's, 502 Park Avenue, New York ] The Tucker-Dayrell Cup: An Important Elizabeth I Parcel-Gilt Silver Cup and Cover, London, 1598, Maker's Mark IE, above Three Pellets - $14frac{3}{4}$ in. (37.5cm.) High.
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