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47 articles
Exhibition Review
A Challenge to the Baroque: Rome, Turin, Paris 1680–1750
09/2020 | 1410 | 162
Pages: 802-804
related names
Reviewer:
Pietrabissa, Camilla (Pietrabissa, Camilla )
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Reviewed Items
subjects:
A Challenge to the Baroque: Rome, Turin, Paris 1680–1750 La Venaria Reale, Turin 30th May–20th September | :
Illustrations
Attributed works:
13. Chryses, by Michel- Ange Slodtz. c.1740. Marble, height 66.5 cm. (Académie des Sciences, Belles Lettres et Beaux- Arts, Lyon; exh. La Venaria Reale, Turin).
Attributed works:
14. Installation view of A Challenge to the Baroque: Rome, Turin, Paris 1680–1750 at La Venaria Reale, Turin, 2020. (Photograph Consorzio delle Residenze Reali Sabaude).
Attributed works:
15. Diana and Endymion, by Pierre Subleyras. c.1738. Oil on canvas, 73.5 by 99 cm. (National Gallery, London; exh. La Venaria Reale, Turin).
Article
Edward Burne-Jones’s 1871 Italian sketchbook reconsidered
04/2020 | 1405 | 162
Pages: 306-315
related names
Author:
Stocker, Mark (Stocker, Mark)
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Illustrations
Attributed works:
1. Botticelli at Turin: picture of Tobit, by Edward Burne-Jones. 1871. Pencil on paper, each page 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
10. Baths of Caracalla, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
11. Capitoline Museum: tomb of a girl, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
12. 68 New St Assisi, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
13. Bonfigli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
14. An angel playing a flageolet, by Edward Burne-Jones. 1878. Watercolour, gouache and gold paint on paper, 74.9 by 61.2 cm. (Sudley House, Liverpool; Bridgeman Images).
Attributed works:
15. Piero della Francesca in Arezzo, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
16. Olive, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
17. The beguiling of Merlin, by Edward Burne-Jones. 1873–74. Oil on canvas, 186 by 111 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).
Attributed works:
2. A dream between Monte Fiascone and Viterbo of the nine muses on Helicon, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
3. A dream of nine muses, by Edward Burne-Jones. Watercolour and body colour on canvas, 27 by 35.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. Road between Sestri and Spezzia, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
5. Gimignano, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
6. St Nicholas, by Edward Burne-Jones. c.1872. Oil on canvas, 141 by 56 cm. (Astley Cheetham Art Gallery, Tameside Metropolitan Borough Council; Bridgeman Images).
Attributed works:
7. Annunciation, by Edward Burne-Jones. 1876–79. Oil on canvas, 250 by 104.5 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).
Attributed works:
8. Orvieto, by Edward Burne Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
9. The Damned cast into Hell, after Luca Signorelli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Book Review
Pelagio Palagi: Décorateur des palais royaux de Turin et du Piémont (1832–1856). By Bertrand de Royere
01/2019 | 1390 | 161
Pages: 90-91
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
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art literature:
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Illustrations
Attributed works:
4. The Etruscan Room, Castello di Racconigi, Piedmont, designed by Pelagio Palagi, marquetry and furniture by Gabriele Capello (called Moncalvo). 1843–47. (De Agostini Picture Library; photograph A. Dagli Orti; Bridgeman Images).
Book Review
Turin and the British in the Age of the Grand Tour. Edited by Paola Bianchi and Karin Wolfe
06/2018 | 1383 | 160
Pages: 520-521
related names
Reviewer:
Hornsby, Clare (Hornsby, Clare)
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Illustrations
Attributed works:
5. View of the house and garden of the Comte de Perron, by Thomas Robinson. 1759. Pen and ink and grey wash, 50.5 by 20 cm. (West Yorkshire Archive Service, Leeds).
Exhibition Review
Limoges enamels. Paris and Turin
08/2016 | 1361 | 158
Pages: 662-664
related names
Reviewer:
Campbell, Marian (Campbell, Marian; C., M.)
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Illustrations
Attributed works:
60. Coffer belonging to Cardinal Bicchieri, Limoges. c.1220-25 (Palazzo Madama, Museo Civico d'Arte Antico, Turin; exh. Musée de Cluny, Paris)
Attributed works:
61. Lock-plate, detail of Fig.60, Limoges, c.1220-25
Attributed works:
62. Medallion showing a man on horseback with his falcon, Limoges, c.1220 (Musée de Cluny, Paris)
Exhibition Review
Magali Reus; Michael Dean; Das Institut; Franciszka and Stefan Themerson. Turin and London
06/2016 | 1359 | 158
Pages: 493-494
related names
Reviewer:
Elderton, Louisa (Elderton, Louisa)
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Illustrations
Attributed works:
88. In Place of (Sundries), by Magali Reus. 2015 (Courtesy the artist; exh. Fondazione Sandretto Re Rebaudengo, Turin)
Attributed works:
89. Installation view of Michael Dean: Sic Glyphs at the South London Gallery
Attributed works:
90. Solar Body Prints, by Adele Röder. 2013 (exh. Serpentine Sackler Gallery, London)
Exhibition Review
Italy’s 150th anniversary in painting. Turin (Vittorio Emanuele II: il Re Galantuomo)
12/2011 | 1305 | 153
Pages: 843-846
related names
Reviewer:
Lyttelton, Adrian (Lyttelton, Adrian)
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Reviewed Items
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Vittorio Emanuele II: il Re Galantuomo | institution: Palazzo Reale
Exhibition Review
Italy’s 150th anniversary in painting. Turin (Fare gli italiani. 1861–2011: 150 anni di storia nazionale)
12/2011 | 1305 | 153
Pages: 843-846
related names
Reviewer:
Lyttelton, Adrian (Lyttelton, Adrian)
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Reviewed Items
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Fare gli italiani. 1861–2011: 150 anni di storia nazionale | institution: Officine Grandi Riparazioni
Exhibition Review
Canaletto and Bellotto. Turin
06/2008 | 1263 | 150
Pages: 430-431
related names
Reviewer:
Russell, Francis (Russell, Francis; Russell, F.)
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Canaletto and Bellotto, l’Arte della Veduta | institution: Palazzo Bricherasio
Illustrations
Attributed works:
79. Grand Canal from Ca’ Foscari, by Antonio Canaletto. c.1726–27. Canvas, 49.9 by 80.3 cm. (Royal Collection, London; exh. Palazzo Bricherasio, Turin).
Attributed works:
80. Grand Canal from Ca’ Foscari, by Bernardo Bellotto. c.1740. Canvas, 101 by 162 cm. (Nationalmuseum, Stockholm; exh. Palazzo Bricherasio, Turin).
Exhibition Review
François-Xavier Fabre. Montpellier and Turin
05/2008 | 1262 | 150
Pages: 352-354
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
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François-Xavier Fabre (1766–1837) de Florence à Montpellier | institution: Galleria Civica d'Arte Moderna e Contemporanea , institution: Musée Fabre
Illustrations
Attributed works:
59. Portrait of Count Michal Bogoria Skotnicki (1765–1808), by François-Xavier Fabre. 1806. Canvas, 65 by 45 cm. (Muzeum Narodowe, Krakow; exh. Galleria Civica d’Arte Moderna e Contemporanea, Turin).
Attributed works:
60. The return of Ulysses, by François-Xavier Fabre. 1799. Canvas, 100.5 by 148 cm. (Musée Fabre, Montpellier; exh. Galleria Civica d’Arte Moderna e Contemporanea, Turin).
Attributed works:
61. View of the Porta S. Frediano in Florence, by François-Xavier Fabre. 1806. Brown wash, 45 by 59 cm. (Musée Fabre, Montpellier; exh. Galleria Civica d’Arte Moderna e Contemporanea, Turin).
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