32. John Cuff and his assistant, by Johan Zoffany. 1772. Canvas, 89.5 by 69.2 cm. (Royal Collection; exh. Royal Academy of Arts, London).
Attributed works:
33. David with the head of Goliath, by Johan Zoffany. 1756. Canvas, 92.2 by 74.7 cm. (National Gallery of Victoria, Melbourne; exh. Royal Academy of Arts, London).
Attributed works:
34. Thomas King as Touchstone in ‘As You Like It’, by Johan Zoffany. 1780. Canvas, 91 by 55.5 cm. (Garrick Club, London; exh. Royal Academy of Arts, London).
42. Elizabeth Farren, later Countess of Derby, by Thomas Lawrence. 1790. Canvas, 238.8 by 146.1 cm. (Metropolitan Museum of Art, New York; exh. Yale Center for British Art, New Haven).
Attributed works:
43. George Canning, by Thomas Lawrence. 1822. Canvas, 90.2 by 69.9 cm. (Private collection; exh. Yale Center for British Art, New Haven).
Attributed works:
44. Robert Banks Jenkinson, later 2nd Earl of Liverpool, by Thomas Lawrence. 1793–96. Canvas, 127 by 101.6 cm. (National Portrait Gallery, London; exh. Yale Center for British Art, New Haven).
31. Portrait of Horace Walpole, by Rosalba Carriera. c.1741. Pastel on paper, 61 by 46.5 cm. (Houghton Hall, Norfolk; exh. Victoria and Albert Museum, London).
Attributed works:
32. Strawberry Hill, Twickenham, from the South, by Johann Heinrich Müntz. c.1755–59. Canvas, 61.9 by 74.3 cm. (Lewis Walpole Library, Yale University, New Haven; exh. Victoria and Albert Museum, London).
Attributed works:
34. Commode, by Pierre Eloy Langlois. 1763. Chinese lacquer, English japanning and other woods, with ormolu mounts and marble veneer top, 88.6 by 59.7 cm. (Fine Arts Museum of San Francisco; exh. Victoria and Albert Museum, London).
Western art unattributed:
33. Ewer, ‘Saint-Porchaire’. French, c.1545–60. White-bodied earthenware, inlaid and glazed, 34.6 cm. high. (National Museum of Scotland, Edinburgh; exh. Victoria and Albert Museum, London).
Exhibition Review
Charles Darwin and the visual arts. New Haven and Cambridge
61. Pegwell Bay, Kent – A Recollection of October 5th, 1858, by William Dyce. 1858–60. Canvas, 63.5 by 88.9 cm. (Tate, London; exh. Fitzwilliam Museum, Cambridge).
Attributed works:
62. The artists’ wives, by James Tissot. 1885. Canvas, 146 by 101.6 cm. (Chrysler Museum of Art, Norfolk VA; exh. Fitzwilliam Museum, Cambridge).
Attributed works:
63. Vivien, by Frederick Sandys. 1863. Canvas, 64 by 52.5 cm. (Manchester City Art Galleries; exh. Fitzwilliam Museum, Cambridge).
59. Sun, wind and rain, by David Cox. 1845. Watercolour over traces of graphite and black chalk with scratching-out on wove paper, 46.4 by 60.5 cm. (Birmingham Museum and Art Gallery).
Attributed works:
60. Porte St-Denis, Paris, by David Cox. c.1829. Watercolour over graphite on wove paper, 36.5 by 25.8 cm. (Private collection, courtesy of Andrew Wyld; exh. Birmingham Museum and Art Gallery).
39. Odalisque, by Frederic Leighton. 1862. Canvas, 90.8 by 45.7 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
40. The seraff (a doubtful coin), by John Frederick Lewis. 1869. Panel, 74.9 by 87.3 cm. (Birmingham Museums and Art Gallery; exh. Tate Britain, London).
Attributed works:
41. The Flight out of Egypt, by Richard Dadd. 1849–50. Canvas, 101 by 126.4 cm. (Tate Britain, London).
89. Peter Perez Burdett and Hannah Burdett, by Joseph Wright of Derby. 1765. Canvas, 145 by 205 cm. (Národní Galerie, Prague; exh. Walker Art Gallery, Liverpool)
Attributed works:
90. An academy by lamp light, by Joseph Wright of Derby. 1769. Canvas, 127 by 101.6 cm. (Private collection; exh. Walker Art Gallery, Liverpool)
Exhibition Review
Art and Emancipation in Jamaica. New Haven and Kingston
70. ‘Jaw-Bone, or House John Canoe’, by Isaac Mendes Belisario. From Sketches of Character, In Illustration of the Habits, Occupations, and Costume of the Negro Population in the Island of Jamaica. Kingston [Jamaica], published by the artist, 1837. Hand-coloured lithograph, 37.5 by 27.6 cm. (Yale Center for British Art, New Haven)
Attributed works:
71. The Attack of the Rebels on Montpelier Old Works Estate in, the Parish of St James’s, the Property of Lord Seaford, by Adolphe Duperly. 1833. Lithograph with watercolour, 57.6 by 49.5 cm. (Christopher Issa Collection, Jamaica; exh. Yale Center for British Art, New Haven)
52. Dort, or Dordrecht, the Dort packet-boat from Rotterdam becalmed, by Joseph Mallord William Turner. 1818. Canvas, 157.5 by 233 cm. (Yale Center for British Art, New Haven; exh. Royal Academy of Arts, London).
Attributed works:
53. Pumpkin with a stable-lad, by George Stubbs. 1774. Panel, 80 by 99.5 cm. (Yale Center for British Art, New Haven; exh. Royal Academy of Arts, London).
Attributed works:
54. John Gubbins Newton and his sister, Mary Newton, by Robert Burnard. c.1833 Canvas, 235 by 143.5 cm. (Yale Center for British Art, New Haven; exh. Royal Academy of Arts, London).
Attributed works:
55. Tom Conolly of Castletown hunting with his friends, by Robert Healy. 1769. Pastel, chalks and gouache on two joined sheets of laid paper, 51.4 by 135.9 cm. (Yale Center for British Art, New Haven; exh. Royal Academy of Arts, London).
Attributed works:
56. The Arbra Sacra on the banks of Lake Nemi, by Richard Wilson. c.1754–56. Black and white chalk on grey laid paper, 38.7 by 55.9 cm. (Yale Center for British Art, New Haven; exh. Royal Academy of Arts, London).
41. The City seen through an arch of Westminster Bridge, by Giovanni Antonio Canal, called Canaletto. 1747. Canvas, 59.7 by 97.5 cm. (Collection of the Duke of Northumberland; exh. Dulwich Picture Gallery, London).
Attributed works:
42. The Old Horse Guards from St James’s Park, by Giovanni Antonio Canal, called Canaletto. 1749. Canvas, 117 by 236 cm. (Sir Andrew Lloyd Webber Art Foundation; exh. Dulwich Picture Gallery, London).
Attributed works:
43. Warwick Castle: the south front, by Giovanni Antonio Canal, called Canaletto. 1748–49. Canvas, 72.4 by 120 cm. (Yale Center for British Art, New Haven; exh. Dulwich Picture Gallery, London).