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3 articles
Book Review
The End Again: Degeneration and Visual Culture in Modern Spain. By Oscar E. Vázquez
09/2018 | 1386 | 160
Pages: 804-805
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related names
Reviewer:
Brauer, Fae (Brauer, Fae)
Subjects
art literature:
Darwin, Charles / Baudelaire, Charles / Engels, Friedrich
artists:
Fortuny y Carbó, Mariano José María Bernardo, 1838-1874 / Mani, Carles / Cabello Izarra, Segundo / Santa María Sedano, Marceliano / Sorolla y Bastida, Joaquín / Rusiñol, Santiago / Regoyos, Dario de / Garnelo y Alda, José / García Sampedro, Luis / Picasso, Pablo / Gargallo, Pablo / Nonell, Isidre
dates:
1850-1899 / 1900-1949
media:
Paintings / Drawings / Gouaches / Photographs
places:
Spain
subjects:
Spanish painting / Spanish sculpture / Nationalism / Disease / Death / History paintings / Gender / Psychology / Race / Capitalism / Catholicism / Cultural history / Ethnology / Occult sciences / Science / Politics / Visual culture / Historiography / Criticism / Critical Reception / Modernism
Illustrations
Attributed works:
5. Degenerates, by Carles Mani. 1891–1904. Plaster, 20.5 by 37 by 22 cm. (Museu Nacional d’Art de Catalunya, Barcelona).
Article
A Darwinian source for Odilon Redon’s Plate XVIII from ‘The Temptation of St Anthony’
04/2015 | 1345 | 157
Pages: 263-265
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related names
Author:
Einecke, Claudia (Einecke, Claudia)
Subjects
artists:
Redon, Odilon
dates:
1890-1899
museums and institutions:
Fitzwilliam Museum, Cambridge, Great Britain
subjects:
Influence / Darwin, Charles / Temptation of Saint Anthony / Collections, Public / Prints / Lithographs / Published illustrations / Symbolism (artistic concept) / Iconography / Composition (artistic arrangement) / Psychology / Visual sources
Illustrations
Attributed works:
40. Antoine / Quel est le but de tout cela? / Le Diable / Il n'y a pas de but!, by Odilon Redon. Plate XVIII from The Temptation of St Anthony (Fitzwilliam Museum, Cambridge)
Exhibition Review
Charles Darwin and the visual arts. New Haven and Cambridge
10/2009 | 1279 | 151
Pages: 717-718
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related names
Reviewer:
Shafe, Laurence (Shafe, Laurence)
Subjects
dates:
2000-2009
museums and institutions:
Fitzwilliam Museum, Cambridge, Great Britain / Yale Center for British Art, New Haven, United States
places:
United States / New Haven / England / Cambridge
print:
Darwin, Charles
subjects:
Reviews / Exhibitions / Science / British painting / Darwin, Charles
Reviewed Items
subjects:
Endless Forms: Charles Darwin, Natural Science and the Visual Arts | institution: Fitzwilliam Museum , institution: Yale Center for British Art
Illustrations
Attributed works:
61. Pegwell Bay, Kent – A Recollection of October 5th, 1858, by William Dyce. 1858–60. Canvas, 63.5 by 88.9 cm. (Tate, London; exh. Fitzwilliam Museum, Cambridge).
Attributed works:
62. The artists’ wives, by James Tissot. 1885. Canvas, 146 by 101.6 cm. (Chrysler Museum of Art, Norfolk VA; exh. Fitzwilliam Museum, Cambridge).
Attributed works:
63. Vivien, by Frederick Sandys. 1863. Canvas, 64 by 52.5 cm. (Manchester City Art Galleries; exh. Fitzwilliam Museum, Cambridge).