Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Attributed works:
13. Poster Designed by Victor Pasmore for Abstract Paintings, Sculptures, Mobiles, A. I. A. Gallery, 1951. (Private Collection).
Attributed works:
14. A corner of the exhibition Abstract Paintings, Sculptures, Mobiles, A. I. A. Gallery, 1951. On the right wall, top row from left to right, works by Kenneth Martin, Barbara Hepworth, Adrian Heath, Wilhelmina Barns-Graham, Kenneth Martin, Terry Frost. Lower row, from left to right, works by Roger Hilton, Ben Nicholson, Ceri Richards, Mary Martin, Adrian Heath, Donald Hamilton Fraser.
Attributed works:
15. Partial view of south wall at first studio exhibition, 22 Fitzroy Street, March 1952. Cut off at left side, prints by Robert Adams, Adrian Heath, Victor Pasmore. The wood sculpture on table, Divided pillar, by Adams (teak 32.4 cm high). Above it, drawing or print by Anthony Hill. To the right of this, design by Adams for landmark at the South Bank Festival site (top), print by K. Martin (below). On rail above Constructed relief by Victor Pasmore (101.6 by 47 by 6.3 cm.). Hanging from rail, at right, Rectangular Motif in Black and White, by Pasmore (collage, 110.5 by 83.2 cm.). In right foreground, Divided pillar, by Adams (elm, 127 cm. high).
Attributed works:
16. Partial view of north and west walls at first studio exhibition, 22 Fitzroy Street, March 1952. Between windows, at left, oval painting by Kenneth Martin (oil). In foreground, Adams's Divided pillar. Hanging above, Line in space by K. Martin (nickel-silver wire and lead shot, 21.6 by 27.9 by 20.3 cm.). Standing centre of top shelf, Tambourinist by Adams (brass, 27.9 cm.). Above Adams, Rectangular relief by Adams (wood). At right of top shelf, Moving forms by Adams (wood 118.7 cm.). Beneath shelves, on floor, collage by Victor Pasmore. Hanging at left of fireplace, lithograph by K. Martin (31.7 by 27.3 cm.). Above fireplace, Pierced relief by Adams (mahogany, 17.8 by 35.6 cm.). Cut off at the top, Composition by Adrian Heath (oil, 76.2 by 63.5 cm.).
Attributed works:
17. Partial view of east wall and screen at first studio exhibition, 22 Fitzroy Street, March 1952. From left to right: Ascending forms by Adrian Heath, (oil, 114.3 by 50.8 cm.); White relief with black by Kenneth Martin (33 by 32.4 by 3.8 cm.); Painted relief by Terry Frost, (cardboard, twine, oil, 24.8 by 47 cm.); Composition by Heath (oil, 40.6 by 30.5 cm.). On screen, Oval Motif in black and white by Victor Pasmore (oil and collage on board, 45.7 by 71.8 cm). Terrace chair by Trevor Dannatt.
Attributed works:
18. Partial view of south wall at second studio exhibition, 22 Fitzroy Street, July 1952. At left, on screen, part of large drawing by Adrian Heath, with mobile by Raymond Elston in front. On wall immediately above table, linocuts by Heath (29.2 by 20.3 cm.) and Robert Adams (30.5 by 25.4 cm.). Above rail, Painting red and white by Anthony Hill (oil, 91.4 by 91.4 cm.). Hanging from rail, October 1951 by Ben Nicholson (oil). On table, Head by Barbara Hepworth (wood, string, stone). Hanging above, Reflector Mobile by Kenneth Martin.
Attributed works:
19. View of West Wall at Second Studio Exhibition, 22 Fitzroy Street, July 1952. Below Window at Left, Composition by Sven Blomberg. Between Windows, Drawing in Black Ink on War Surplus Paper by Eduardo Paolozzi. At right, Terrace Chair by Trevor Dannatt.
Attributed works:
20. Partial view of north wall at second studio exhibition, 22 Fitzroy Street, July 1952. Leaning at left of top shelf, oil pochoir by Adrian Heath. Hanging above shelf, linocut by Kenneth Martin. At right of top shelf, Three forms by Robert Adams (mahogany, 22.7 cm.). Hanging below shelves, Composition, February 1951 by Terry Frost (oil on board, 30.5 by 40.6 cm.). Hanging in foreground, mobile by Raymond Elston. On wall at left of fireplace, relief by Denis Mitchell (slate, 14 by 14.6 cm.). Above fireplace, constructed relief by Victor Pasmore (painted wood, plastic).
Attributed works:
21. Invitation card, perhaps designed by Herbert Spencer, for third studio exhibition, 22 Fitzroy Street, May 1953 (Private Collection). The photographs show (clockwise from top left): Divided pillar by Robert Adams; low table and chair by Terence Conran; painting by Adrian Heath, 1953 (detail); The waterfall by Victor Pasmore (detail).
Attributed works:
22. Partial view of north wall, third studio exhibition, 22 Fitzroy Street, May 1953. Cut off at left, painted column by Denis Williams. Hanging at top, Rectangular mobile by Raymond Elston. Leaning on top shelf, ink and collage by Eduardo Paolozzi. Between shelves, Project for a photo mural by Nigel Henderson. Hanging below shelves, unidentified painting, perhaps by Roger Hilton? Hanging above fireplace, Painting green, black and white by William Scott, 1953 (76.8 by 102 cm.). Hanging on chimney-breast, to left of fireplace, Construction by Mary Martin. On table, in foreground, Painted column by D. Williams and plate by Victor Pasmore.
Attributed works:
23. Partial view of north and east walls, third studio exhibition, 22 Fitzroy Street, May 1953. Above fireplace, White relief by Mary Martin (painted wood, 60.1 by 60.1 by 10.8 cm.). At side of fireplace, Project for a photo mural by Nigel Henderson and chair by Terence Conran. At top, in background, Reflector mobile by Kenneth Martin. Hanging in foreground, Rectangular mobile by Raymond Elston. On east wall, painting by Adrian Heath (now destroyed). The three people are, from left to right, Adrian Heath, Marianne Weeks, Fred Woodford.
