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06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Book Review
Stanhope Forbes: Father of the Newlyn School. By Elizabeth Knowles
04/2018 | 1381 | 160
Pages: 353
Book Review
Adrian Heath
04/2013 | 1321 | 155
Pages: 266-267
related names
Reviewer:
Treves, Toby (Treves, Toby)
Subjects
artists:
Advertisements
Advertisements October 2009 (front)
10/2009 | 1279 | 151
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Bartolomeo Schedoni (1578-1615). The Holly Family with the infant St. John Baptist. Oil on walnut, 13 7/8 x 10 ins (35.5 x 25.5 cm)]
Attributed works:
[August Laube, Zurich. Old bearded man in a high fur cap, with eyes closed, by Rembrandt van Rijn (1606-69). Etching.]
Attributed works:
[C. & J. Goodfriend, New York. Standard bearer in a landscape, Heinrich Aldegrever (1502-58/61). 1540. Engraving, 118 by 77 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Anton Maria Vassallo. Genoa 1617/1618 - Milan 1680. Medea rejuvenating Esone. Oil on canvas, 60 x 81 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino. Saint John the Evangelist. Oil on canvas, 102 x 78 1/2 in. (259x199.4 cm)]
Attributed works:
[Courtesy of Hill-Stone, Inc, New York. Evening thou bringest all, by Henry Fuseli (1741-1825). 1802. Pen lithograph, 22.3 by 31.5 cm]
Attributed works:
[David Tunick, New York. Engraved passion, by Albrecht Durer (1471-1528). 1507-12 (1513 for no.16, Meder 18). Complete set of sixteen engravings, each 11.7 x 7.4 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576 - 1602. Portrait of Virginio Guicciardini. Oil on canvas, 90 x 80,5 cm (39 x 31 11/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Francesco Monti (1685-1768). A Sketch for a ceiling. Oil on canvas, 39.5 x 57 cm (15 1/2 x 22 1/2 in)]
Attributed works:
[Joseph Friedman Ltd. Sir Thomas Lawrance, P.R.A. (1769-1830). John Philip Kemble as Cato (1812). Oil on canvas. 104 x 70 1/2 in (254 x 177.8 cm)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Giovanni Bettista Tiepolo (1696-1770). Presentation of the Rosary. Oil on cardboard, 72x34 cm. Modelletto for the ceiling of the Gesuati church in Venice.]
Attributed works:
[Paul McCarron Fine Prints and Drawings. New Jersey. Five butterflies, by Wenceslaus Hollar (1607-77). 1646. Etching, 8.1 by 11.9 cm]
Attributed works:
[Paul Prouté, Paris. Le coiffeur, programme from "Le Théatre Libre", by Henri Toulouse Lautrec (1864-1901). 1893. Lithograph, 22.4 by 16.1 cm.]
Attributed works:
[Pia Gallo, New York. Westminster Bridge, by Felix Buhot, (1847-98). 1884. Etching and drypoint, 28 by 39.4 cm]
Attributed works:
[Sims Reed, London. Le Lézard aux plumes d'or, by Joan Mirò. 1971. Edition of 150. Lithograph printed in colours.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Anthony Van Dyck. Self Portrait.]
Attributed works:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of boxwood and ebony consoles attributed to Andrea Brustolon (1662-1732). Italy, Venice, early 18th century. Height: 88 cm (34 1/2 in). Width: 99 cm (39 in). Depth: 56 cm (22 in).]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Detail of the monument of Mary Victoria and George Nathaniel Curzon, by Bertram Mackennal. 1907-13. Serravezza marble on black marble plinth. c. 200 by 160 by 130 cm. (All Saint's Church, Kadlestone, Derbyshire.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Madonna della Misericordia, attributed to Bartolomeo Bon and workshop. c. 1440-41. Istrian stone with traces of paint and gilding. 251.5 by 208.3 cm (Victoria and Albert Museum, London.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Scandal relief, by Charles Sargeant Jagger. 1930. Bronze, 161 by 149 cm (Victoria and Albert Museum)]
Attributed works:
[The Fine Art Society, London. Returning to the trenches, by C.R.W. Nevison (1889-1946). Edition of 75. Drypoint, 51.2 by 76.8 cm]
Attributed works:
[The International Art Fair for FIne Prints. The Park Avenue Armory. New York. Augustin Hirschvogel (1503-1553), Courtyard of a Castle. Etching. 1546.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giambologna (1529-1608). Prometheus. Gilt bronze.]
Article
Light flirtation or serious affair? Ben Nicholson, Victor Pasmore and abstract art in St Ives and London in the early 1950s
04/2009 | 1273 | 151
Pages: 234-242
related names
Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
dates:
places:
Illustrations
Attributed works:
41. Walk along the quay, by Terry Frost. 1950. Canvas, 152.5 by 56 cm. (Private collection).
Attributed works:
42. Composition, by Adrian Heath. 1951–52. Canvas, 61 by 51 cm. (Private collection).
Attributed works:
43. Coloured relief, by Ben Nicholson. 1938. Oil, pencil and wash on carved board, 33.9 by 44.15 cm. (Courtesy Marlborough Fine Art, London).
Attributed works:
44. Wall relief, by Victor Pasmore. 1950. Painted plaster, 244 by 580 cm. (Kingston bus station canteen, London; destroyed).
Attributed works:
45. St Ives harbour from 3 St Andrew’s Street, by Victor Pasmore. 1950. Pen and ink, 21.5 by 28 cm. (Courtesy Offer Waterman & Co., London).
Attributed works:
46. Beach in Cornwall, by Victor Pasmore. 1950. Pen and ink on card, 26 by 32.4 cm. (Arts Council Collection, London).
Attributed works:
47. View south from Porthmeor Beach, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 38 by 27 cm. (Courtesy of Gimpel Fils, London).
Attributed works:
48. Spiral motif: green, violet, blue and gold: the coast of the inland sea, by Victor Pasmore. 1950. Canvas, 81.2 by 100.3 cm. (Tate, London).
Attributed works:
49. The waterfall, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 27 by 38 cm. (Courtesy Gimpel Fils, London).
Attributed works:
50. The waterfall, by Victor Pasmore. 1950–51. Black and white tile mural, 976 by 854 cm. (South-east wall of the Regatta Restaurant, Festival of Britain, London; destroyed).
Attributed works:
51. Square motif, by Victor Pasmore. 1950. Transfer lithograph on cream laid paper, 38 by 27 cm. (Courtesy Gimpel Fils, London).
Book Review
Constructed Abstract Art in England after the Second World War: a Neglected Avant Garde
10/2005 | 1231 | 147
Pages: 689-690
related names
Reviewer:
Lynton, Norbert (Lynton, Norbert)
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dates:
places:
print:
Reviewed Items
subjects:
Constructed Abstract Art in England after the Second World War: a Neglected Avant Garde | author: Grieve, Alastair
Article
'This Is Tomorrow', a Remarkable Exhibition Born from Contention
04/1994 | 1093 | 136
Pages: 225-232
related names
Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
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Illustrations
Attributed works:
17. Poster for Section 9 of This Is Tomorrow, by Mary Martin. Screenprint, 76 by 50.8 cm. (Private Collection).
Attributed works:
18. Installation View of Section 7 of This Is Tomorrow, Showing Relief by Victor Pasmore and Sculpture by Helen Phillips.
Attributed works:
19. Design for Section 7 of This Is Tomorrow, by Ernö Goldfinger. Black and Red Felt-Tip Pen and Pencil, 28.5 by 21.5 cm. (R. I. B. A., London).
Attributed works:
20. Installation View of Section 5 of This Is Tomorrow: Replicas and Original Constructions by Anthony Hill and John Ernest.
Attributed works:
21. Screw Mobile with Cylinder, by Kenneth Martin. Phosphor Bronze, 50.2 cm High. (Arts Council Collection).
Attributed works:
22. Design for Section 9 (Detail) of This Is Tomorrow, by John Weeks. Ink, 62.3 by 24.2 cm. (John Weeks Collection).
Attributed works:
23. Installation View of Section 9 of This Is Tomorrow: Screens by John Weeks and Mary Martin, Mobile by Kenneth Martin.
Attributed works:
24. John Ernest with One of His Vertical Constructions. 1955-6 (Destroyed). Photograph by Adrian Flowers.
Attributed works:
25. Mary Martin with the Maquette for Section 9 of This Is Tomorrow. Photograph by Adrian Flowers.
Attributed works:
26. Design for Section 11 of This Is Tomorrow (Detail), by John Weeks. Ink, 91.4 by 24.8 cm. (John Weeks Collection).
Attributed works:
27. Installation View of Section 11 of This Is Tomorrow, by Adrian Heath and John Weeks.
Attributed works:
28. Section 10 of This Is Tomorrow: Maquette, by Robert Adams, Colin St John Wilson, Peter Carter and Frank Newby (Destroyed). Photograph by Adrian Flowers.
Article
Towards an Art of Environment: Exhibitions and Publications by a Group of Avant-Garde Abstract Artists in London 1951-55
11/1990 | 1052 | 132
Pages: 773-781
related names
Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
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Illustrations
Attributed works:
13. Poster Designed by Victor Pasmore for Abstract Paintings, Sculptures, Mobiles, A. I. A. Gallery, 1951. (Private Collection).
Attributed works:
14. A corner of the exhibition Abstract Paintings, Sculptures, Mobiles, A. I. A. Gallery, 1951. On the right wall, top row from left to right, works by Kenneth Martin, Barbara Hepworth, Adrian Heath, Wilhelmina Barns-Graham, Kenneth Martin, Terry Frost. Lower row, from left to right, works by Roger Hilton, Ben Nicholson, Ceri Richards, Mary Martin, Adrian Heath, Donald Hamilton Fraser.
Attributed works:
15. Partial view of south wall at first studio exhibition, 22 Fitzroy Street, March 1952. Cut off at left side, prints by Robert Adams, Adrian Heath, Victor Pasmore. The wood sculpture on table, Divided pillar, by Adams (teak 32.4 cm high). Above it, drawing or print by Anthony Hill. To the right of this, design by Adams for landmark at the South Bank Festival site (top), print by K. Martin (below). On rail above Constructed relief by Victor Pasmore (101.6 by 47 by 6.3 cm.). Hanging from rail, at right, Rectangular Motif in Black and White, by Pasmore (collage, 110.5 by 83.2 cm.). In right foreground, Divided pillar, by Adams (elm, 127 cm. high).
Attributed works:
16. Partial view of north and west walls at first studio exhibition, 22 Fitzroy Street, March 1952. Between windows, at left, oval painting by Kenneth Martin (oil). In foreground, Adams's Divided pillar. Hanging above, Line in space by K. Martin (nickel-silver wire and lead shot, 21.6 by 27.9 by 20.3 cm.). Standing centre of top shelf, Tambourinist by Adams (brass, 27.9 cm.). Above Adams, Rectangular relief by Adams (wood). At right of top shelf, Moving forms by Adams (wood 118.7 cm.). Beneath shelves, on floor, collage by Victor Pasmore. Hanging at left of fireplace, lithograph by K. Martin (31.7 by 27.3 cm.). Above fireplace, Pierced relief by Adams (mahogany, 17.8 by 35.6 cm.). Cut off at the top, Composition by Adrian Heath (oil, 76.2 by 63.5 cm.).
Attributed works:
17. Partial view of east wall and screen at first studio exhibition, 22 Fitzroy Street, March 1952. From left to right: Ascending forms by Adrian Heath, (oil, 114.3 by 50.8 cm.); White relief with black by Kenneth Martin (33 by 32.4 by 3.8 cm.); Painted relief by Terry Frost, (cardboard, twine, oil, 24.8 by 47 cm.); Composition by Heath (oil, 40.6 by 30.5 cm.). On screen, Oval Motif in black and white by Victor Pasmore (oil and collage on board, 45.7 by 71.8 cm). Terrace chair by Trevor Dannatt.
Attributed works:
18. Partial view of south wall at second studio exhibition, 22 Fitzroy Street, July 1952. At left, on screen, part of large drawing by Adrian Heath, with mobile by Raymond Elston in front. On wall immediately above table, linocuts by Heath (29.2 by 20.3 cm.) and Robert Adams (30.5 by 25.4 cm.). Above rail, Painting red and white by Anthony Hill (oil, 91.4 by 91.4 cm.). Hanging from rail, October 1951 by Ben Nicholson (oil). On table, Head by Barbara Hepworth (wood, string, stone). Hanging above, Reflector Mobile by Kenneth Martin.
Attributed works:
19. View of West Wall at Second Studio Exhibition, 22 Fitzroy Street, July 1952. Below Window at Left, Composition by Sven Blomberg. Between Windows, Drawing in Black Ink on War Surplus Paper by Eduardo Paolozzi. At right, Terrace Chair by Trevor Dannatt.
Attributed works:
20. Partial view of north wall at second studio exhibition, 22 Fitzroy Street, July 1952. Leaning at left of top shelf, oil pochoir by Adrian Heath. Hanging above shelf, linocut by Kenneth Martin. At right of top shelf, Three forms by Robert Adams (mahogany, 22.7 cm.). Hanging below shelves, Composition, February 1951 by Terry Frost (oil on board, 30.5 by 40.6 cm.). Hanging in foreground, mobile by Raymond Elston. On wall at left of fireplace, relief by Denis Mitchell (slate, 14 by 14.6 cm.). Above fireplace, constructed relief by Victor Pasmore (painted wood, plastic).
Attributed works:
21. Invitation card, perhaps designed by Herbert Spencer, for third studio exhibition, 22 Fitzroy Street, May 1953 (Private Collection). The photographs show (clockwise from top left): Divided pillar by Robert Adams; low table and chair by Terence Conran; painting by Adrian Heath, 1953 (detail); The waterfall by Victor Pasmore (detail).
Attributed works:
22. Partial view of north wall, third studio exhibition, 22 Fitzroy Street, May 1953. Cut off at left, painted column by Denis Williams. Hanging at top, Rectangular mobile by Raymond Elston. Leaning on top shelf, ink and collage by Eduardo Paolozzi. Between shelves, Project for a photo mural by Nigel Henderson. Hanging below shelves, unidentified painting, perhaps by Roger Hilton? Hanging above fireplace, Painting green, black and white by William Scott, 1953 (76.8 by 102 cm.). Hanging on chimney-breast, to left of fireplace, Construction by Mary Martin. On table, in foreground, Painted column by D. Williams and plate by Victor Pasmore.
Attributed works:
23. Partial view of north and east walls, third studio exhibition, 22 Fitzroy Street, May 1953. Above fireplace, White relief by Mary Martin (painted wood, 60.1 by 60.1 by 10.8 cm.). At side of fireplace, Project for a photo mural by Nigel Henderson and chair by Terence Conran. At top, in background, Reflector mobile by Kenneth Martin. Hanging in foreground, Rectangular mobile by Raymond Elston. On east wall, painting by Adrian Heath (now destroyed). The three people are, from left to right, Adrian Heath, Marianne Weeks, Fred Woodford.