By using this website you agree to our Cookie policy

Search

20 articles
Article
A Borromini-inspired church plan in eighteenth-century Lima
08/2022 | 1433 | 164
Pages: 740-751
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
Illustrations
Attributed works:
2. Los Huérfanos, Lima. (Photograph the author).
Attributed works:
1. The south façade of the Church of the Sacred Heart of Jesus of the Orphans (Los Huérfanos), Lima, by Cristóbal de Vargas, Juan de Matamoros, Manuel de Torquemada and others. 1758–66. (Photograph the author).
Attributed works:
10. Detail of the choir loft in Los Huérfanos, Lima. (Photograph the author).
Attributed works:
11. East wall of the nave, south entrance and choir loft of Los Huérfanos, Lima, by Manuel González Salazar. Before 1940. Photograph, 9.5 by 13 cm. (From H. Wethey: Colonial Architecture and Sculpture in Peru, Cambridge MA 1949).
Attributed works:
12. Detail of the southeast corner of the nave of Los Huérfanos, Lima. (Photograph the author).
Attributed works:
13. The baptistery screen of Los Huérfanos, Lima. c.1766. Polychrome wood. (Photograph the author).
Attributed works:
14. Plan of the church dedicated to S. Carlo alle Quattro Fontane Esq. Francesco Borromini architect, by Giovanni Francesco Venturini. Engraving from G.G. de Rossi: Insignium Romae templorum prospectus exteriores interioresque, a celebrioribus architectis inventi, Rome 1684.
Attributed works:
15. The baptistery of Los Huérfanos, Lima. (Photograph Lucía Silva).
Attributed works:
16. The great courtyard, Colégio de Santo Tomás, Lima, by Fray Diego Maroto. Begun 1665. (Photograph the author).
Attributed works:
17. The dome of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638–41. (Photograph Vicenzo Pirozzi; Bridgeman Images).
Attributed works:
18. The dome of the Chapel of San Martín de Porres, Monastery of Santo Domingo, Lima. Last third of the 18th century. (Photograph the author).
Attributed works:
3. The former Jesuit novitiate chapel of San Antonio Abad (now San Carlos), Lima, by Cristóbal de Vargas. 1758–66. (Photograph the author).
Attributed works:
4. The doorway in the west façade of Los Huérfanos, Lima. (Photograph the author).
Attributed works:
5. Plan of Los Huérfanos, Lima. (From E. Bonilla di Tolla et al.: Lima y el Callao, Lima and Seville 2009).
Attributed works:
6. The backsplash of one of three holy water stoups in Los Huérfanos, Lima. c.1766. Alabaster. (Photograph the author).
Attributed works:
7. The interior of Los Huérfanos, Lima, looking north. (Photograph Lucía Silva).
Attributed works:
8. The chancel of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638–41. (Photograph Andrea Jemolo; Bridgeman Images).
Attributed works:
9. Detail of the west wall of the nave of Los Huérfanos, Lima. (Photograph Lucía Silva).
Article
Borromini in Siena
09/2016 | 1362 | 158
Pages: 702-714
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Author:
Connors, Joseph (Connors, Joseph)
Subjects
dates:
places:
Illustrations
Attributed works:
10. Crucifix Chapel, S. Martino, Siena. 1660-64. The frame and altar based on a design by Francesco Borromini. c.1664, with Christ on the cross with mourning Virgin and St John, by Giovanni di Stefano. 1480s (Photograph: Fabio and Andrea Lensini)
Attributed works:
11. The Gori Chapel, S. Martino, Siena, with the coloured marble frame and altar by Ascanio Cavoni da Cortona, c.1620, and the Circumcision by Guido Reni (Photograph: Fabio and Andrea Lensini)
Attributed works:
12. Detail of the pedestals flanking the altar in the Crucifix Chapel in S. Martino showing the Landucci arms (Photograph: Fabio and Andrea Lensini)
Attributed works:
16. Portrait of Ambrogio Landucci, from A. Landucci: Sacra Leccetana Selva, Rome 1657, designed and etched by Guillaume Valet (Florence, Berenson Library)
Attributed works:
17. Frontispiece and title page of A. Landucci: Sacra Leccetana Selva, Rome 1657, designed by Raffaello Vanni and etched by Guillaume Château (Florence, Berenson Library)
Attributed works:
18. Plan of the Eremo di Lecceto, designed by Benedetto Giovannelli Orlandi. 1651. From A. Landucci: Sacra Leccetana Selva, Rome 1657.
Attributed works:
8. Design for the Crucifix Chapel in S. Martino, Siena, by Francesco Borromini. Early 1660s (Albertina, Vienna)
Attributed works:
9. Design for the chapel in the sacristy in S. Martino, Siena, by Francesco Borromini. Early 1660s (Albertina, Vienna)
Western art unattributed:
13. Façade of S. Martino, Siena, the lower storey built in 1613 and the upper storey in 1656-69
Western art unattributed:
14. Detail of Fig.13 showing the Landucci heraldry in the pediment surmounted by the Lecceto emblem
Western art unattributed:
15. The sacristy of S. Martino, Siena. Architect unknown. c.1664 (Photograph: Fabio and Andrea Lensini)
Western art unattributed:
19. Baptismal font, by an unknown sculptor. c.1660 (S. Agostino, Rome. Photograph: Alessandro Vasari)
Western art unattributed:
20. Epitaph of Ambrogio Landucci, bust by an unknown sculptor. c.1669 (S. Agostino, Rome)
Publication Received
Roma Barocca: Bernini, Borromini, Pietro da Cortona
07/2007 | 1252 | 149
Pages: 499
related names
Reviewer:
Oakden, Helen (Oakden, Helen)
Subjects
dates:
Reviewed Items
subjects:
Roma Barocca: Bernini, Borromini, Pietro da Cortona | editor: Fagiolo, Marcello , editor: Portoghesi, Paolo
Article
A new plan by Borromini for the Lateran basilica, Rome
08/2004 | 1217 | 146
Pages: 526-533
related names
Author:
Amicis, Augusto Roca de (Amicis, Augusto Roca de)
Author:
Connors, Joseph (Connors, Joseph)
Subjects
dates:
places:
Illustrations
Attributed works:
22. Lower half of a project for the reconstruction of S. Giovanni in Laterano in Rome, by Francesco Borromini. 1647, with a project by Bernardo Castelli Borromini for the façade, 1699-1700. Orientation: north to the right. Pencil on paper, 42.2 by 57.8 cm. (Collection of Kate Ganz and Daniel Belin, Los Angeles).
Attributed works:
23. Upper half of a project for the reconstruction of S. Giovanni in Laterano in Rome, by Francesco Borromini. 1647. Orientation: north to the right. Pencil on paper with ink inscription, 80 by 29 cm. (Collection of Kate Ganz and Daniel Belin, Los Angeles).
Attributed works:
24. Plan of the Lateran basilica after Borromini's first campaign, from C. Rasponi: De Basilica et Patriarchio Lateranensi LIbri Quattuor, Rome 1656-57. Etching, 39.5 by 49.5 cm. (Bibliotheca Hertziana, Rome).
Attributed works:
25. Section of the Lateran basilica after Borromini's first campaign, from C. Rasponi: De Basilica et Patriarchio Lateranensi LIbri Quattuor, Rome 1656-57. Etching, 29.7 by 47 cm. (Bibliotheca Hertziana, Rome).
Attributed works:
26. Project for the choir of S. Carlo al Corso, Rome, by Francesco Borromini, drawn over a printed plan after Onorio Longhi. 1665. Pencil over etching. 63.8 by 45.8 cm. (Albertina, Vienna).
Attributed works:
27. Section of the south aisle of the Lateran with a project for a statue of Innocent X, by Francesco Borromini. 1646-47. Pencil on paper, 36.8 by 50.2 cm. (Kunstbibliothek, Berlin).
Attributed works:
28. Façade project by Bernardo Castelli Borromini from Fig.22 superimposed over the platform outlined by Francesco Borromini on Vienna, Albertina, no.373a.
Attributed works:
29. Project for the Lateran choir ('Tavola Quinta'), by Giovanni Battisa Piranesi. 1764. Pen and coloured inks on paper, 55.3 by 86.5 cm. (Avery Library of Columbia University, New York).
Exhibition Review
Borromini. Rome, Vienna and Lugano
08/2000 | 1169 | 142
Pages: 528-529
related names
Reviewer:
McPhee, Sarah (McPhee, Sarah)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
53. Plan for the Lantern of the Cupola of S. Ivo alla Sapienza, by Francesco Borromini. Graphite, 35.6 by 23.3 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
54. Section/Elevation for the Lantern of S. Ivo Alla Sapienza, by Francesco Borromini. Graphite, 90.8 by 37 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
55. Portrait of Francesco Borromini. Engraving, from the Opus Architectonicum, Rome, Sebastiano Giannini [1720] (Graphische Sammlung Albertina, Vienna; Exh. Museo Cantonale d'Arte, Lugano).
Article
Borromini's S. Ivo alla Sapienza: The Spiral
10/1996 | 1123 | 138
Pages: 668-682
related names
Author:
Connors, Joseph (Connors, Joseph)
Subjects
dates:
places:
Illustrations
Attributed works:
42. The Cupola and Spiral of S. Ivo alla Sapienza, Rome, by Francesco Borromini. 1642-60.
Attributed works:
43. View of the Sapienza, Showing the Unfinished Cupola of S. Ivo. Etching, 1652, from J. VAN Meurs: Afbeelding van t'nieu Romen, Amsterdam [1661] (Avery Library, New York)
Attributed works:
44. The Lantern and Spiral of S. Ivo alla Sapienza, Rome, by Francesco Borromini.
Attributed works:
45. Project for the Lantern of S. Ivo, by Francesco Borromini. 1651. Pencil, 25.7 by 18.6 cm. (Albertina, Vienna).
Attributed works:
46. Plan of the Spiral of S. Ivo, by Francesco Borromini. 1652. Pencil, 48.5 by 36.5 (Getty Resource Collection, Getty Research Institute, Santa Monica CA).
Attributed works:
47. Project for the Bultresses of the Dome of S. Ivo, by Francesco Borromini. 1652. Pencil, 24.4 by 20.9 cm. (Albertina, Vienna).
Attributed works:
48. Project for the Spiral of S. Ivo, Section, by Francesco Borromini. 1652. Pencil, 90.4 by 37.1 cm. (Albertina, Vienna).
Attributed works:
49. Plan of the Cupola of S. Ivo, by Francesco Borromini. 1651-52 or 1659-60. Pencil, 35.5 by 29.5 cm. (Albertina, Vienna).
Attributed works:
50. Elevation and Section of the Cupola of S. Ivo, by Francesco Righi. 1653 55. Pencil, 70 by 46.1 cm. (Albertina, Vienna).
Attributed works:
51. Elevation of G. Della Porta's Exedra in the Sapienza, by Francesco Righi. 1653-55. Pencil, 61 by 46.2 cm. (Albertina, Vienna).
Attributed works:
52. View of the Cupola of S. Ivo, Attributed to Domenico Barrière. 1653-55. Pen and Light Brown Wash over Pencil, 31.5 by 18.6 cm. (Kunstbibliothek, Berlin).
Attributed works:
53. View of S. Ivo, by Domenico Barrière. 1659-60. Etching, 36 by 25 cm. (British Library, London).
Attributed works:
54. View of the Cupola of S. Ivo, by Erik Jönson Dahlberg. 1656. Pen and Ink. (Kungliga Biblioteket, Stockholm).
Attributed works:
55. Allegory of the Temples of Merit and Honour, by Domenico Barrière. 1653. Etching, 18 by 12.5 cm. from A. Blancario: Ivonianum Templum sive de S. Ivone Pauperum Patrono Oratio, Rome [1653]. (Biblioteca Apostolica Vaticana, Rome).
Attributed works:
56. View of the Cupola of S. Ivo from Piazza S. Eustachio, by Lievin Cruyl. 1664. Pen and Ink, 38.3 by 48.5 cm. (Rijksprentenkabinet, Amsterdam).
Attributed works:
57. The Cupola and Spiral of S. Ivo, Photographed before the Removal of the South Buttress.
Attributed works:
58. Section Through the Spiral of S. Ivo, by Gilles-Marie Oppenord. 1692 99. Pen and Ink, 26.9 by 19.6 cm. (Kunstbibliothek, Berlin).
Attributed works:
59. Project for the Cupola and Lantern of S. Ignazio, by Orazio Grassi, S. J. 1650-51. Pen and Ink. (Biblioteca Apostolica Vaticana, Rome).
Attributed works:
60. Observations of Sunspots, by Daniel Widman. Etching, in C. Scheiner: Rosa Orsina Bracciano [1626-30]. (New York Public Library).
Attributed works:
61. Southeast Portal of the Sapienza, by Francesco Borromini. 1664 65.
Attributed works:
62. Sketches of Ornaments from the Sapienza, by Gilles-Marie Oppenord. 1692 99. Pen and Ink, 26.9 by 19.6 cm. (Kunstbibliothek, Berlin).
Article
A Copy of Borromini's S. Carlo alle Quattro Fontane in Gubbio
09/1995 | 1110 | 137
Pages: 588-599
related names
Author:
Connors, Joseph (Connors, Joseph)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Interior with Vault of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638-41. Rome.
Attributed works:
10. Barberini Chapel in S. Carlo All Quattro Fontane, Rome, by Francesco Borromini.
Attributed works:
11. Chapel of the Crucifix in S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini.
Attributed works:
12. Sketch for a Crossing Pier of S. Carlo alle Quattro Fontane, by Francesco Borromini. 1638. Pen, 13.5 by 9 cm. (Albertina, Vienna).
Attributed works:
13. One of the Crossing Piers of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini.
Attributed works:
14. End Wall of the Loggia, Villa Madama, Rome.
Attributed works:
15. Detail of Etching from G. B. Falda's Ville e giardini di Roma, Showing Façade of S. Carlo alle Quattro Fontane. c. 1675.
Attributed works:
2. Interior with Vault of S. Maria del Prato, Gubbio, after Francesco Borromini. 1662-74.
Attributed works:
3. Alessandro Sperelli, by A. Clouwet. Etching, 20.2 by 14 cm. from A. Sperelli: Ragionamenti Pastorali [1664]. (Biblioteca Apostolica Vaticana).
Attributed works:
4. S. Maria del Prato, Gubbio; Façade by Carlo Perugini. 1662-70.
Attributed works:
5. Profile Drawing of a Moulding for S. Maria del Prato in Gubbio, by Francesco Borromini. 1665. Pencil. (Albertina, Vienna).
Attributed works:
6. Plan of Borromini's S. Carlo alle Quattro Fontane, Rome, by S. Giannini. c. 1725-30. Etching. (Archivio di S. Maria in Vallicella, Rome).
Attributed works:
7. Chapel of St. Stephen (Gospel Side) in S. Maria del Prato, Gubbio.
Attributed works:
8. Sperelli Chapel in S. Maria del Prato, Gubbio.
Attributed works:
9. Interior (Epistle Side) of S. Maria del Prato, Gubbio.
Article
Borromini and the Marchese di Castel Rodrigo
07/1991 | 1060 | 133
Pages: 434-440
related names
Author:
Connors, Joseph (Connors, Joseph)
Subjects
dates:
places:
Illustrations
Attributed works:
10. Fireworks in the Piazza di Spagna, by Claude Lorrain. 1637. Etching, 19.4 by 13.8 cm. (Bibliothèque Nationale, Paris).
Attributed works:
11. Filomarino Altar, by Francesco Borromini, with Giovanni Battista Calandra, Francesco Bolgi [Andrea Bolgi], Francois Duquesnoy and Giuliano Finelli. 1637-42. (SS. Apostoli, Naples).
Attributed works:
8. Fireworks in the Piazza di Spagna, by Claude Lorrain. 1637. Etching, 19.4 by 13.9 cm. (Bibliothèque Nationale, Paris).
Attributed works:
9. Fireworks in the Piazza di Spagna, by Claude Lorrain. 1637. Etching, 19.1 by 13.3 cm. (Bibliothèque Nationale, Paris).
Western art unattributed:
12. View of Lisbon after the 1755 Earthquake, Detail of Sao Bento (No.3). Anonymous. Pen and Wash on Paper??? (Museu de Arte Antiga, Lisbon).
Western art unattributed:
13. View of Lisbon, Detail of the Palace of the Castel Rodrigo Family (Nos.32 and 33). Anonymous. Pen and Wash on Paper??? (Museu de Arte Antiga, Lisbon).
Western art unattributed:
7. Don Manuel de Moura, 2nd Marqués de Castel Rodrigo. Anonymous, Formerly Attributed to Velázquez. 124 by 975 cm. (Pio di Savoia Collection, Madrid).
Article
Virgilio Spada's Defence of Borromini
02/1989 | 1031 | 131
Pages: 76-90
related names
Author:
Connors, Joseph (Connors, Joseph)
Subjects
artists:
dates:
places:
sources:
subjects:
Illustrations
Attributed works:
1. View of the Piazza dell'Orologio, by G. B. Falda, 1665. (Nuovo teatro delle fabriche, I, pl. 12).
Attributed works:
2. West Wing of the Casa dei Filippini, between Borromini's Clocktower and Oratory, by Camillo Arcucci, 1659-62.
Attributed works:
3. Scalone of the Casa dei Filippini, by Camillo Arcucci, 1659-62.
Attributed works:
6. Licence for the Sidewalk along the North Wing of the Casa dei Filippini, 20th July 1652, by Camillo Arcucci (ASR, Cong. dell'Oratorio, Vol. 145, fol.8). 42 by 49 cm.
Attributed works:
7. High Altar in Borromini's Oratory, by Camillo Arcucci, 1654-64.
Attributed works:
8. Elevation of Arcucci's Altar, by G. J. de Rossi, 1684 (Insignium Romae Templorum Prospectus, pl.32).
Attributed works:
9a. Palazzo Pio in Campo de'Fiori, by Camillo Arcucci. C.1655-57. From G. Vasi, Delle magnificenze di Roma antica e moderna, Rome, 1747-61, Vol. IV, pl.75.
Attributed works:
9b. Detail of Palazzo Pio, by Camillo Arcucci.
Western art unattributed:
4. Plan of the Casa dei Filippini in Its Unfinished State, 1650-53, with Project for Completion of West and East Wings. Anonymous after Borromini. (ASR, Arch. Spada, Vol.454, cc.453v-454r). 37 by 29 cm.
Western art unattributed:
5. Plan of the Houses Standing inside the Unfinished Courtyards of the Casa dei Filippini, 1650-59. Anonymous (ibid., cc.484v-485r). 27 by 40 cm.
Advertisements
Advertisements February 1989 (front)
02/1989 | 1031 | 131
Pages: i-xxxii
Subjects
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
Detail of the Façade of the Oratorio di S. Filipo Neri, Rome, Designed by Francesco Borromini
Attributed works:
Sir Matthew Digby Wyatt Architect 1820-1877 Travel Sketch, 1846 Watercolour over Pencil 21 × 14 Inches
Attributed works:
[Austin/Desmond Fine Art, 15A Bloomsbury Square, London] John Copnall Star Painting no. XXIII. 62½ × 62½ in.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London - 4 Dundas Street Edinburgh] John Duncan RSA, (1866-1945). Still Waters
Attributed works:
[C. G. Boerner Dusseldorf, Kasernenstrasse 13; 61 East 77 Street New York] Albrecht Dürer. Woodcut. 1523. 213 × 300 mm. Bartsch 53. Meder 184a (Of e). Watermark: High Crown (Meder 20). From the Collection of W. A. Ackermann (Lugt 791).
Attributed works:
[Chelsea Antiques Fair, London] A Fine George II Silver Kettle on Lampstand by John Chartier, London 1735. Courtesy of Steppes Hill Farm Antiques.
Attributed works:
[Colnaghi, 14 Old Bond Street, London - 21 East 67th Street, New York] Hans Leu the Younger, Zürich 1490-Kappel 1531. St. John the Baptist Indicating the Virgin and Child. Oil and Gold on Panel: 102 × 63 cms
Attributed works:
[David Koetser Gallery] Philips Wouwerman 1619 - Haarlem - 1668. "A Stag Hunt" Canvas: 85 × 125 cm. Signed in Monogram Extensive provenance available
Attributed works:
[Didier Aaron 32 East 67th Street New York] Louis Gauffier (1762-1801). Achilles Recognized by Ulysses. Signed and Dated 1790 Oil on Canvas: 9¼ × 13 Inches
Attributed works:
[Foire des Antiquaires du Belgique, Brussels] An Extraordinary Clock by Galle, in the Shape of a Teapot. Empire. Gilded and Patinated Bronze.
Attributed works:
[Galerie Maurice Garnier, 6 avenue Matignon Paris] Bernard Buffet Don Quichotte et les Moulins a Vent. 248 × 500 cm
Attributed works:
[Gebr. Douwes Fine Art, 38 Duke Street, St James's London] Melchior d'Hondecoeter (1636 - Amsterdam - 1695). On Canvas: 82 × 65 cm. Fully Signed
Attributed works:
[Hancocks, 1 Burlington gardens, London] A Large and Unusual Pair of Candlesticks, with Cast and Applied Figures and Dolphin Feet, by the Celebrated Art Silversmith & Jeweller John Paul Cooper (1868-1933). London 1929.
Attributed works:
[Henry Sotheran Limited, 80 Pimlico Road London ] Jean-Joseph Godefrey [Jean Godefroy?] (Active 2nd Quarter of 18th Century). Project for a Fountain. Pen, Ink and Grey Wash. 47.5 × 33 cms. On 18th Century Laid Paper, Watermarked 'Blauw'. Signed Verso and Inscribed below 'Prix d'Architecture remporté par Jean-Joseph Godefroy de Dernetal, en 1763′.
Attributed works:
[Johnny van Haeften, 13 Duke Street St James's London] , Paulus Moreelse 1571 - Utrecht - 1638. Pan Playing His Pipes. Signed in Monogram On Panel - (73 × 57.8 cm)
Attributed works:
[Marlborough Fine Art (London) Ltd. 6 Albemarle Street London] Frank Auerbach (B. 1931) Primrose Hill 1978. Oil on Canvas 36 × 48in/91.5 × 122cm. [Current Exhibition: Andrzej Jackowski 15/2/1989]
Attributed works:
[Musee de Grenoble, Laurent de La Hyre] Mercure et Hersé (Détail). Musée départemental des Vosges, Epinal
Attributed works:
[Newhouse Galleries, 19 East 66th Street New York ] Johan Georg Platzer (1704-1761). 'Assumption of the Virgin'. Signed at Base of Altar Oil on Copper, 56½ × 31 Inches
Attributed works:
[Noortman 40-41 Old Bond Street London Vrijthof 49 Maastricht] Floris van Schooten Active 1605-1655. 'A Still Life'. Panel: 40 × 56 cm. Signed [Old masters - Barbizon School Impressionists & Post Impressionists Paintings]
Attributed works:
[Paul Mitchell, 99 New Bond Street London] Sir William Chambers Detail from Sheet of Four Neo-Classical Frame Designs
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, London] Eugene Delacroix, 'Christ on the Sea of Galilee,' Circa 1841. Oil on Canvas, 18 by 21½ Inches (45.7 × 54.6 cm)
Attributed works:
[Salander-O'Reilly Galleries, Inc. 22 east 80 Street, New York] John Constable, R. A. A View of Dedham Vale, 1802 and 1828. Oil on Paper Laid on Canvas, 19 × 23¼ Inches
Attributed works:
[Sotheby's London, 34-35 New Bond Street] Vilhelm Hammersho̵i (Danish 1864-1916), Sunshine in the Drawing Room III, Signed on the Reverse of the Original Canvas, Oil on Canvas. 54 by 66cm (21¼ by 26in). Estimate: £150,000-200,000
Attributed works:
[Sotheby's New York, 1334 York Avenue] John Frederick Lewis, R. A., A Kibab Shop, Scutari, Asia Minor, Signed J. F. Lewis and Dated 1858, Oil on Panel, 52 by 76cm (20½ by 30in). Estimate: $1,000,000-1,500,000 (£560,000-830,000) [19th c. European Paintings, Drawings and Sculpture including the Napoleonic collection of Mr Wallace C. Yost, New York 22 February 1989]
Attributed works:
[Sotheby's Sporting d'Hiver, Place du Casino, Monte Carlo] An Important Marble Bust of Jacques-Rolland Moreau, Conseiller du Roi, by Jean-Louis Lemoyne (1665-1755), Signed J.-L. Lemoyne. Fecit, I. R. Moreau 1712, 93cm High Overall (36½in). Estimate: FF 1,500,000-2,000,000 (£150,000-200,000) [Fine Furniture and Works of Art]
Attributed works:
[Stephen Mazoh & co. Inc. 43 East Street, New York] Pablo Picasso, Le sculpteur et son modèle. Oil on Canvas. (22.2 × 34.9 cm.) 1931. Signed and Dated Upper Left 'Picasso XXXI'
Attributed works:
[The European Fine Art Fair Maastricht] Owl with Three Mice. Bronze, Austria Circa 1620. Attributed to Caspar Gras. H. 14 cm.
Attributed works:
[The European Fine Art Fair Maastricht] Young Girl in the Fields. Carpentier Evariste, Kuurne 1845-Liège 1922. Oil on Canvas: 62 × 75 cm. Signed Bottom Right.
Attributed works:
[W. M. Brady and Co. 3 east 76th Street, New York] Hippolyte-Jean Flandrin (Paris 1809-1864 Rome), Profile of the Lyric Actor Alexis Champagne. Black Chalk and Charcoal Heightened with White. (470 × 307 cm). Drawn in 1840
Non-western art unattributed:
[Ming Furniture Ltd. 4400 N. Federal Hwy, 116 Boca Raton, Florida, USA] Ming Dynasty Huanghuali Wood Three-Drawer Altar Coffer with Dragon Design - Circa 16th c. Length 63″ (159 cm.)
Western art unattributed:
[Foire des Antiquaires du Belgique, Brussels] A Pair of Rare Bird Cages in Patinated Copper. English 19th Century. Height: 164 cm.
Western art unattributed:
[Foire des Antiquaires du Belgique, Brussels] Bacchus. Marble. Rome. 2nd or 3rd Century
Western art unattributed:
[Sixth Park Lane Arms Fair, The Park Lane Hotel Piccadilly, London] A Crossbowman's Pavise, German circa. 1480. From an Exhibition of Crossbows and Shields to Be Staged at the Fair by The Royal Armouries, H. M. Tower of London.
Western art unattributed:
[The European Fine Art Fair Maastricht] Birth of the Mother of God. Russian Icon, Moscow School, Early 16th Century, 40½ × 33½ cm.
Western art unattributed:
[The European Fine Art Fair Maastricht] The Descent from the Cross. Brussels Tapestry, 16th Century. Signed CM - Cornelius Mattens (1575-1614). H. 125 cm × W. 125 cm.
load more