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25 articles
Book Review
History of the Royal Hibernian Academy of Arts. By John Turpin
09/2019 | 1398 | 161
Pages: 789-790
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
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museums and institutions:
places:
Book Review
The Ghent Altarpiece by the Brothers Van Eyck. History and Appraisal, S. Kemperdick and J. Rössler, eds
02/2015 | 1343 | 157
Pages: 99-100
related names
Reviewer:
Filedt Kok, Jan Piet (Filedt Kok, Jan Piet; Kok, J. P. Filedt)
Subjects
museums and institutions:
Illustrations
Attributed works:
44. Full-scale installation of the reconstructed opened Ghent Altarpiece by Hubert and Jan van Eyck. The central panels are sixteenth-century copies by Michiel Coxcie and nineteenth-century copies by Carl Schulz. For the wings, black-and-white prints of historic photographs are used (Gemäldegalerie, Staatliche Museen zu Berlin)
Publication Received
Charles Marville: Photographer of Paris. By Sarah Kennel, with essays by Anne de Mondenard, Peter Barberie, Françoise Reynaud and Joke de Wolf
09/2014 | 1338 | 156
Pages: 613
Publication Received
An Artists’ Village. G.F. Watts and Mary Watts at Compton
08/2012 | 1313 | 154
Pages: 587
related names
Reviewer:
Blood, Anne (Blood, Anne)
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museums and institutions:
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Reviewed Items
subjects:
An Artists’ Village. G.F. Watts and Mary Watts at Compton | author: Bills, Mark
Article
‘A mild, a grateful, an unearthly lustre’: Samuel Palmer and the moon
05/2012 | 1310 | 154
Pages: 330-336
related names
Reviewer:
Payne, Christiana (Payne, Christiana)
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artists:
subjects:
Illustrations
Attributed works:
27. Harvest moon (from the 1824 sketchbook), by Samuel Palmer. Brown ink with graphite, 11.6 by 18.9 cm. (British Museum, London).
Attributed works:
28. Designs for reredos (from the 1824 sketchbook), by Samuel Palmer. Brown ink with graphite, 11.6 by 18.9 cm. (British Museum, London).
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29. Late twilight, by Samuel Palmer. 1825. Brown ink and sepia mixed with gum arabic, 18.8 by 23.2 cm. (Ashmolean Museum, Oxford).
Attributed works:
30. A moonlight scene with a winding river, by Samuel Palmer. c.1827. Black and brown wash and watercolour, 26.7 by 18.1 cm. (Yale Center for British Art, New Haven).
Attributed works:
31. Moonlight: a landscape with sheep, by Samuel Palmer. c.1831–32. Indian ink and wash on card, 15.2 by 18.3 cm. (Tate, London).
Attributed works:
32. The harvest moon, by Samuel Palmer. 1833–34. Oil and tempera with graphite on paper laid down on panel, 22.1 by 27.7 cm. (Yale Center for British Art, New Haven).
Attributed works:
33. The harvest moon, by George Barret. c.1820. Watercolour, 22.5 by 31.4 cm. (Private collection).
Book Review
La peinture française en Allemagne 1815–1870
01/2012 | 1306 | 154
Pages: 49
related names
Reviewer:
Gee, Malcolm (Gee, Malcolm)
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dates:
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Reviewed Items
subjects:
La peinture française en Allemagne 1815–1870 | author: Nerlich, France
Book Review
Eugène Delacroix: Journal
09/2010 | 1290 | 152
Pages: 617-618
related names
Reviewer:
Whiteley, Jon (Whiteley, Jon; Whiteley, J. J. L.)
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dates:
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Reviewed Items
subjects:
Eugène Delacroix: Journal | editor: Hannoosh, Michèle
Publication Received
Tennyson Transformed: Alfred Lord Tennyson and Visual Culture
11/2009 | 1280 | 151
Pages: 787
related names
Reviewer:
Sweetman, John (Sweetman, John; Sweetman, J. E.)
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museums and institutions:
Reviewed Items
subjects:
Tennyson Transformed: Alfred Lord Tennyson and Visual Culture | contributor: Cheshire, Jim , contributor: Ford, Colin , contributor: Lord, John , contributor: Lord, John , contributor: Ormond, Leonée , contributor: Stoker, Benjamin , contributor: Thomas, Julia
Book Review
David Wilkie: The people’s painter
10/2008 | 1267 | 50
Pages: 696-697
related names
Reviewer:
Green, Richard (Green, Richard)
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Reviewed Items
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David Wilkie: The people’s painter | author: Tromans, Nicholas
Article
A university building for New York
07/2008 | 1264 | 150
Pages: 444-451
related names
Author:
Danziger, Elon (Danziger, Elon)
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dates:
Illustrations
Attributed works:
1. Elevation and plan for a project for New York University, by Alexander Jackson Davis. 1832. Watercolour, ink and graphite on paper, 36.4 by 25.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Gothic saloon, Masonic Hall, New York, designed by Hugh Reinagle, by Charles Burton. 1831. Brown ink and wash, grey wash and graphite on paper, 7 by 8.9 cm. (New-York Historical Society, New York).
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11. Study for vaulting of New York University Chapel, by Alexander Jackson Davis. 1835. Watercolour, ink and graphite on paper, 33 by 25.5 cm. (Avery Library, Columbia University, New York).
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12. Interior of Christ Church, Oxford, by F.C. Lewis after F. Nash. Aquatint, 33.6 by 27.5 cm. (From R. Ackermann: Oxford, London 1814).
Attributed works:
13. Interior of New York University chapel, presentation perspective, designed by Alexander Jackson Davis, drawn by Alexander Jackson Davis and studio. 1835. Watercolour, ink and graphite on paper, 65.9 by 48.9 cm. (New-York Historical Society, New York).
Attributed works:
2. Perspective study for a project for New York University, by Alexander Jackson Davis. 1832. Watercolour, ink and graphite on paper, 37.1 by 52.4 cm. (New-York Historical Society, New York).
Attributed works:
3. Radcliffe Observatory by James Wyatt, by J.C. Stadler after W. Westall. Aquatint, 33.6 by 275 cm. (Detail from R. Ackermann: Oxford, London 1814; courtesy Donohue Rare Book Room, Gleeson Library, University of San Francisco).
Attributed works:
4. Author’s reconstruction of the ground-floor plan of the New York University building, 1832–33, designed by David Bates Douglass and Cyrus Mason, possibly assisted by Abraham John Mason.
Attributed works:
5. The New York University building on Washington Square, designed by David Bates Douglass and Cyrus Mason, possibly assisted by Abraham John Mason. Photograph, 22.2 by 25.4 cm. (From P.A. Chadbourne and W. Burritt Moore, eds.: The Public Service of the State of New York, III, Boston 1882).
Attributed works:
6. Allegorical landscape with New York University, by Samuel F.B. Morse. 1835–36. Canvas, 57.2 by 92.1 cm. (New-York Historical Society, New York).
Attributed works:
7. Project for Columbia College, elevations, designed and drawn by James Renwick, Sr. 1813. Ink and watercolour on paper, 25.7 by 20.3 cm. (Avery Library, Columbia University, New York).
Attributed works:
8. Elevation of the Masonic Hall, New York, designed by Hugh Reinagle, by Anthony Imbert after Alexander Jackson Davis. Engraving. (From Views of the Public Buildings in the City of New-York, New York 1827).
Attributed works:
9. West front of King’s College Chapel, Cambridge, by J.C. Smith after S. Prout. Engraving. (From J. Britton: Architectural Antiquities of Great Britain, 1, London 1807).
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