1. Samson tearing asunder the lion, here attributed to Lorenzo Lotto. c.1530–35. Panel, 26.7 by 97.8 cm. (Private collection, Charlecote Park, Warwickshire).
Attributed works:
2. Samson pulling down the temple, here attributed to Lorenzo Lotto, c.1530–35. Panel, 26.7 by 97.8 cm. (Private collection, Charlecote Park, Warwickshire).
Attributed works:
3. Samson, by Giovan Francesco Capoferri after a drawing by Lorenzo Lotto. 1531–32. Intarsia, 41.7 by 39.4 cm. (S. Maria Maggiore, Bergamo).
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Detail of Fig.1.
Attributed works:
6. Detail of Portrait of a man, by Lorenzo Lotto. c.1535. Panel, 118 by 105 cm. (Galleria Borghese, Rome).
Attributed works:
7. Detail of Fig.2.
Attributed works:
8. Detail of Fig.2.
Book Review
Consumption and the Country House. By Jon Stobart and Mark Rothery
52. (Right) The fallen caryatid with stone, by Auguste Rodin; and (left) Three piece sculpture: vertebrae, by Henry Moore (Henry Moore Foundation, Perry Green) as installed for the Moore Rodin exhibition at Perry Green, 2013
Attributed works:
53. Working model for Locking piece, by Henry Moore (Henry Moore Foundation, Perry Green)
Attributed works:
54. The three Shades, by Auguste Rodin. Pen and ink on paper, inside Henry Moore's copy of Dante's Inferno, Paris 1884. (Henry Moore Family Collection: exh. Henry Moore Foundation, Perry Green)
Exhibition Review
Gainsborough’s landscapes. Bath and Compton Verney
67. Wooded landscape with figure and cattle, by Thomas Gainsborough. 1770–75. Watercolour and oil on two sheets of paper laid down on canvas, 43 by 58 cm. (The Hepworth Wakefield; exh. Holburne Museum, Bath).
Attributed works:
68. Wooded landscape with horseman travelling along a country track, by Thomas Gainsborough. 1775–80. Black, white and coloured chalks on blue-grey paper, 25.4 by 31.4 cm. (Tate, London; exh. Holburne Museum, Bath).
Attributed works:
69. Two girls with bundles of sticks, by Thomas Gainsborough. 1785–88. Black and white chalk
with stump, 25.4 by 30.5 cm. (Private collection; exh. Holburne Museum, Bath).
Exhibition Review
Stanley Spencer and the English garden. Compton Verney
67. Interior of a studio, by Octave Tassaert. 1845. Canvas, 46 by 38 cm. (Musée du Louvre, Paris; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
68. The artist in his studio with his man Gibbs, by George Morland. c.1802. Canvas, 63.5 by 76.2 cm. (Nottingham City Museums and Galleries; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
69. A studio in Montparnasse, by C.R.W. Nevinson. 1926. Canvas, 127 by 76.2 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
70. The shelf: object and shadow in front view, by Rodrigo Moynihan. 1982–83. Canvas, 71.1 by 91.5 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
54. Portrait of Mary Freer, by John Constable. 1809. Canvas, 76.2 by 63.5 cm. (Yale Center for British Art, New Haven; exh. National Portrait Gallery, London).
Attributed works:
55. Portrait of Mrs James Pulham, by John Constable. 1818. Canvas, 75.6 by 62.9 cm. (Metropolitan Museum of Art, New York; exh. National Portrait Gallery, London).
75. Two crabs, by Vincent van Gogh. Here dated to c.1887–88. Canvas, 47 by 61 cm. (Private collection, on loan to National Gallery, London; exh. Dean Gallery, Edinburgh).
Attributed works:
76. The outskirts of Eindhoven (?), by Vincent van Gogh. c.1885. Canvas, 46 by 55 cm. (Mrs Frank G. Wangeman, California; exh. Dean Gallery, Edinburgh).
Attributed works:
77. A Sunday in Eindhoven, by Vincent van Gogh. 1885. Watercolour, 20.8 by 29.5 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
78. Head of a man, by Vincent van Gogh (?). c.1886–87. Canvas, 33 by 40 cm. (National Gallery of Victoria, Melbourne; exh. Dean Gallery, Edinburgh).