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12 articles
Article
Two paintings of Samson by Lorenzo Lotto at Charlecote Park
08/2018 | 1385 | 160
Pages: 640-645
related names
Author:
Pozzolo, Enrico Maria dal (Pozzolo, Enrico Maria dal)
Subjects
collectors and dealers:
media:
Illustrations
Attributed works:
1. Samson tearing asunder the lion, here attributed to Lorenzo Lotto. c.1530–35. Panel, 26.7 by 97.8 cm. (Private collection, Charlecote Park, Warwickshire).
Attributed works:
2. Samson pulling down the temple, here attributed to Lorenzo Lotto, c.1530–35. Panel, 26.7 by 97.8 cm. (Private collection, Charlecote Park, Warwickshire).
Attributed works:
3. Samson, by Giovan Francesco Capoferri after a drawing by Lorenzo Lotto. 1531–32. Intarsia, 41.7 by 39.4 cm. (S. Maria Maggiore, Bergamo).
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Detail of Fig.1.
Attributed works:
6. Detail of Portrait of a man, by Lorenzo Lotto. c.1535. Panel, 118 by 105 cm. (Galleria Borghese, Rome).
Attributed works:
7. Detail of Fig.2.
Attributed works:
8. Detail of Fig.2.
Book Review
Consumption and the Country House. By Jon Stobart and Mark Rothery
05/2017 | 1370 | 159
Pages: 401
Exhibition Review
Moore Rodin. Perry Green and Compton Verney
07/2013 | 1324 | 155
Pages: 499-501
related names
Reviewer:
Vandenbrouck, Melanie (Vandenbrouck, Melanie; Vandenbrouck-Przybylski, Melanie)
Subjects
dates:
subjects:
Illustrations
Attributed works:
52. (Right) The fallen caryatid with stone, by Auguste Rodin; and (left) Three piece sculpture: vertebrae, by Henry Moore (Henry Moore Foundation, Perry Green) as installed for the Moore Rodin exhibition at Perry Green, 2013
Attributed works:
53. Working model for Locking piece, by Henry Moore (Henry Moore Foundation, Perry Green)
Attributed works:
54. The three Shades, by Auguste Rodin. Pen and ink on paper, inside Henry Moore's copy of Dante's Inferno, Paris 1884. (Henry Moore Family Collection: exh. Henry Moore Foundation, Perry Green)
Exhibition Review
Gainsborough’s landscapes. Bath and Compton Verney
12/2011 | 1305 | 153
Pages: 837-838
related names
Reviewer:
Belsey, Hugh (Belsey, Hugh)
Subjects
dates:
places:
Reviewed Items
subjects:
Gainsborough’s Landscapes: Themes and Variations | institution: Compton Verney , institution: Holburne Museum
Illustrations
Attributed works:
67. Wooded landscape with figure and cattle, by Thomas Gainsborough. 1770–75. Watercolour and oil on two sheets of paper laid down on canvas, 43 by 58 cm. (The Hepworth Wakefield; exh. Holburne Museum, Bath).
Attributed works:
68. Wooded landscape with horseman travelling along a country track, by Thomas Gainsborough. 1775–80. Black, white and coloured chalks on blue-grey paper, 25.4 by 31.4 cm. (Tate, London; exh. Holburne Museum, Bath).
Attributed works:
69. Two girls with bundles of sticks, by Thomas Gainsborough. 1785–88. Black and white chalk with stump, 25.4 by 30.5 cm. (Private collection; exh. Holburne Museum, Bath).
Exhibition Review
Stanley Spencer and the English garden. Compton Verney
09/2011 | 1302 | 153
Pages: 620-622
related names
Reviewer:
Hallman, Lee (Hallman, Lee)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Stanley Spencer and the English Garden | institution: Compton Verney
Illustrations
Attributed works:
76. Greenhouse and garden, by Stanley Spencer. 1937. Canvas, 76.2 by 50.8 cm. (Ferens Art Gallery, Hull; exh. Compton Verney, Warwickshire).
Attributed works:
77. Cottages at Burghclere, by Stanley Spencer. 1927–30. Canvas, 62 by 160 cm. (Fitzwilliam Museum, Cambridge; exh. Compton Verney, Warwickshire).
Attributed works:
78. Cookham Rise, by Stanley Spencer. 1938. Canvas, 45.7 by 70 cm. (Leamington Art Gallery, Leamington Spa; exh. Compton Verney, Warwickshire).
Exhibition Review
Volcano. Compton Verney
11/2010 | 1292 | 152
Pages: 759-760
related names
Reviewer:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Volcano. Turner to Warhol | institution: Compton Verney
Illustrations
Attributed works:
68. Fuji with a view of Saruga Street, by Utagawa Hiroshige. 1842–47. Woodcut, 39.5 by 27 cm. (Ashmolean Museum, Oxford; exh. Compton Verney).
Attributed works:
69. Vesuvius erupting at night, by Pierre-Jacques Volaire. 1770s. Canvas, 120 by 73.7 cm. (Compton Verney).
Attributed works:
70. Vesuvius, by Andy Warhol. 1985. Acrylic on canvas, 223 by 300 cm. (Museo di Capodimonte, Naples; exh. Compton Verney).
Exhibition Review
Francis Bacon. Dublin and Compton Verney
01/2010 | 1282 | 152
Pages: 59-61
related names
Reviewer:
Hammer, Martin (Hammer, Martin)
Subjects
dates:
dates:
subjects:
Reviewed Items
subjects:
Francis Bacon: A Terrible Beauty | institution: Hugh Lane Municipal Gallery of Modern Art
Illustrations
Attributed works:
74. Untitled (man at washbasin), by Francis Bacon. c.1953. Canvas, 171 by 135 cm. (Private collection; exh. Dublin City Gallery, Hugh Lane).
Attributed works:
75. Isobel Rawsthorne, by John Deakin. c.1965. Photograph, dimensions variable. (Exh. Dublin City Gallery, Hugh Lane).
Exhibition Review
The Artist’s Studio. Compton Verney and Norwich
01/2010 | 1282 | 152
Pages: 56-57
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
dates:
subjects:
Reviewed Items
subjects:
The Artist’s Studio | institution: Compton Verney , institution: Sainsbury Centre for Visual Arts
Illustrations
Attributed works:
67. Interior of a studio, by Octave Tassaert. 1845. Canvas, 46 by 38 cm. (Musée du Louvre, Paris; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
68. The artist in his studio with his man Gibbs, by George Morland. c.1802. Canvas, 63.5 by 76.2 cm. (Nottingham City Museums and Galleries; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
69. A studio in Montparnasse, by C.R.W. Nevinson. 1926. Canvas, 127 by 76.2 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Attributed works:
70. The shelf: object and shadow in front view, by Rodrigo Moynihan. 1982–83. Canvas, 71.1 by 91.5 cm. (Tate, London; exh. Sainsbury Centre for Visual Arts, Norwich).
Exhibition Review
Constable Portraits. London and Compton Verney
05/2009 | 1274 | 151
Pages: 331-332
related names
Reviewer:
Belsey, Hugh (Belsey, Hugh)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Constable Portraits | institution: Compton Verney , institution: National Portrait Gallery
Illustrations
Attributed works:
54. Portrait of Mary Freer, by John Constable. 1809. Canvas, 76.2 by 63.5 cm. (Yale Center for British Art, New Haven; exh. National Portrait Gallery, London).
Attributed works:
55. Portrait of Mrs James Pulham, by John Constable. 1818. Canvas, 75.6 by 62.9 cm. (Metropolitan Museum of Art, New York; exh. National Portrait Gallery, London).
Exhibition Review
Van Gogh. Compton Verney and Edinburgh
07/2006 | 1240 | 148
Pages: 500-502
related names
Reviewer:
Pickvance, Ronald (Pickvance, Ronald)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Van Gogh and Britain. Pioneer Collectors | institution: Compton Verney , institution: Dean Gallery
Illustrations
Attributed works:
75. Two crabs, by Vincent van Gogh. Here dated to c.1887–88. Canvas, 47 by 61 cm. (Private collection, on loan to National Gallery, London; exh. Dean Gallery, Edinburgh).
Attributed works:
76. The outskirts of Eindhoven (?), by Vincent van Gogh. c.1885. Canvas, 46 by 55 cm. (Mrs Frank G. Wangeman, California; exh. Dean Gallery, Edinburgh).
Attributed works:
77. A Sunday in Eindhoven, by Vincent van Gogh. 1885. Watercolour, 20.8 by 29.5 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
78. Head of a man, by Vincent van Gogh (?). c.1886–87. Canvas, 33 by 40 cm. (National Gallery of Victoria, Melbourne; exh. Dean Gallery, Edinburgh).
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