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Article
Ilse Bing at Glyndebourne
12/2021 | 1425 | 163
Pages: 1140-1147
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Author:
Boot, Philip (Boot, Philip)
Subjects
artists:
Bing, Ilse / Brandt, Bill
dates:
1930-1939
museums and institutions:
Glyndebourne Festival Opera
subjects:
women photographers / Photography / Opera / Theatre design
Illustrations
Attributed works:
1. John Brownlee as Don Giovanni and Marita Farell as Zerlina in ‘Don Giovanni’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 28 by 19.4 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
10. Carl Ebert, by Ilse Bing. 1937. Gelatin silver print, 26 by 20.5 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
11. The house and lake at Glyndebourne, by Ilse Bing. 1937. Gelatin silver print, 19 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
12. Member of staff, Glyndebourne, by Ilse Bing. 1937. Gelatin silver print, 19.6 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
2. Ilse Bing at Glyndebourne. Photograph, 1937. (Courtesy Glyndebourne Archive Collection).
Attributed works:
3. Audrey Mildmay as Susanna, Aulikki Rautawaara as Countess Almaviva and Roy Henderson as Count Almaviva in rehearsal for ‘Le nozze di Figaro’, Glyndebourne Festival. 1934. Gelatin silver print, 9.1 by 13.6 cm. (Courtesy Glyndebourne Archive Collection).
Attributed works:
4. Aulikki Rautawaara as Countess Almaviva and Irene Eisinger as Susanna in Le nozze di Figaro, by Ilse Bing. 1937. Gelatin silver print, 20 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
5. Set design for Le nozze di Figaro at the Glyndebourne Festival, by Hamish Wilson, 1934. Charcoal and pastel on paper, 38 by 57 cm. (Glyndebourne Productions Ltd; photograph Theo Christelis).
Attributed works:
6. John Brownlee as Don Giovanni and Marita Farell as Zerlina in ‘Don Giovanni’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 19.8 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
7. Ina Souez as Donna Anna, Koloman von Pataky as Don Ottavio, Luise Helletsgruber as Donna Elvira, Audrey Mildmay as Zerlina, and Roy Henderson as Masetto in ‘Don Giovanni’, Glyndebourne Festival, by Bill Brandt. 1936. Gelatin silver print, 16.8 by 21.5 cm. (© Bill Brandt; courtesy Glyndebourne Productions Ltd).
Attributed works:
8. Aulikki Rautawaara as Countess Almaviva in ‘Le nozze di Figaro’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 27.3 by 16 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
9. Fritz Busch, by Ilse Bing. 1937. Gelatin silver print, 20.5 by 26 cm. (Courtesy Glyndebourne Productions Ltd).
Exhibition Review
Bill Brandt / Henry Moore
06/2020 | 1407 | 162
Pages: 520-524
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related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
artists:
Moore, Henry Spencer, 1898-1986 / Brandt, Bill
dates:
2010-2019 / 2020-2030
museums and institutions:
The Hepworth, Wakefield, Great Britain / Yale Center for British Art, New Haven, United States / Sainsbury Centre for Visual Arts, Norwich, Great Britain
subjects:
Photography / Sculpture
Reviewed Items
subjects:
Bill Brandt / Henry Moore The Hepworth Wakefield 7th February–1st November | :
Illustrations
Attributed works:
1. Liverpool Street extension, by Bill Brandt. 1940, printed c.1948. Gelatin silver print, 24.4 by 19.3 cm. (Edwynn Houk Gallery, New York; exh. The Hepworth Wakefield).
Attributed works:
2. Tube shelter perspective: the Liverpool Street extension, by Henry Moore. 1941. Pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink on paper, 48 by 43.5 cm. (Tate, London; exh. The Hepworth Wakefield).
Attributed works:
3. Contact sheet for details of Auguste Rodin’s Walking man (1877–78), by Henry Moore. 1967. 25.2 by 20.3 cm. (Henry Moore Foundation; exh. The Hepworth Wakefield).
Attributed works:
4. Nude, Baie des Anges, by Bill Brandt. 1959. Gelatin silver print, 61.6 by 52.1 cm. (  Bill Brandt Archive Ltd, London; exh. The Hepworth Wakefield).
Advertisements
Advertisements (front)
03/2018 | 1380 | 160
Pages: n.p.
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Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
advertisements:
Getty Trust Publications , Great Britain
artists:
Battem, Gerrit van / Gentileschi, Artemisia / Maffei, Francesco / Corbusier, Le / Cipriani, Giovanni Battista / Gibson, John / Brandt, Bill / Boucher, François / Honthorst, Gerrit van / Braque, Georges / Ferretti, Giovanni Domenico / Master of the Female Half-Lengths / Vouet, Simon / Rembrandt van Rijn / Giulio Romano / Cagli, Corrado / Lievens, Jan / Mochi, Francesco / Sacchi, Andrea / Titian / Puvis de Chavannes, Pierre / Bouchardon, Edmé / Menzel, Adolph / Janmot, Louis / Calder, Alexander / Oliver, Peter / Poccetti, Bernardino / Oudry, Jean-Baptiste / Lebasque, Henri / Dobson, Frank / Valmier, Georges / Redon, Odilon / Cambiaso, Luca / Goya y Lucientes, Francisco José de / Empoli, Jacopo da / Gerard, Francois Baron (1770-1837) / Gemito, Vincenzo / Watts, George Frederic / Morisot, Berthe / Laugé, Achille / Schnorr von Carolsfeld, Ludwig Ferdinand / Rubens, Peter Paul / Neyts, Gillis / Cranach, Lucas, the Elder, 1472-1553 / Steen, Jan / Vinckboons, David / Bloch, Albert
subjects:
Advertisements
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Exhibition Review
Current and Forthcoming Exhibitions: London
01/1977 | 886 | 119
Pages: 51-52+54-55+57-58
Subscribe to read
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
Subjects
artists:
Grant, Duncan
artists:
Hockney, David
artists:
Hamilton, Richard
artists:
Brandt, Bill
dates:
1970-1979
places:
England / London
subjects:
Exhibitions / Reviews
subjects:
Festival of Britain (London:1951)
Illustrations
Attributed works:
44. La Foreuse, by Frantizek Kupka. Signed. 1926. Canvas, 73 by 85 cm. (Exh. Fischer Fine Art Ltd., London).
Attributed works:
45. The Festival of Britain. Entrance to the Homes and Gardens Pavilion. By the Pool Stands Jacob Epstein's Youth Advances, in Gilt Bronze. Photograph. (Exh. Victoria and Albert Museum).
Attributed works:
46. East End Girl Doing the Lambeth Walk, by Bill Brandt. 1939. Photograph. (Exh. Marlborough Fine Art (London). Ltd., London).
Attributed works:
47. Picasso's Meninas, by Richard Hamilton. 1973. Etching and Aquatint, 75 by 57 cm. (Exh. The Waddington Galleries, London).
Attributed works:
48. Georges Braque, by Bill Brandt. 1955. Photograph. (Exh. Marlborough Fine Art (London) Ltd., London).
Attributed works:
49. Gateway, Algiers, by Lord Leighton of Stretton. Canvas, 21.25 by 12.25 cm. (Exh. Fine Art Society, London).
Attributed works:
50. Portrait of Henri Doucet, by Vanessa Bell. 1912. Board. 41.8 by 34.5 cm. (Exh. Fine Art Society, London).
Attributed works:
51. Portrait of Lytton Strachey, by Vanessa Bell. 1912. Board. (Exh. Fine Art Society, London).
Attributed works:
58. The Baths of Caracalla, by George Howard. c.1870. Canvas, 76.2 by 165.1 cm. (Exh. Fine Art Society, London).
Western art unattributed:
52. Figure Sculpture. Alaska, Eskimo, Nineteenth Century. Wood, Hair, Intestines; Height, 12 cm. (Cleveland Museum of Natural History; exh. Hayward Gallery, London).
Western art unattributed:
53. Powhatan's Mantle. Woodlands, Algonquin. Deerhide, Sinew: Length. 213 cm. (Ashmolean Museum, Oxford; Exh. Hayward Gallery, London).
Western art unattributed:
54. Pot. New Mexico, Mimbres, c.1000-1130 A. D. Clay, Paint; Width. 17 cm.; Depth, 6 cm. (Peabody Museum of Archeology and Ethnology, Harvard University; Exh. Hayward Gallery, London).