Piranesi: Earliest Drawings /
I primi disegni
By Andrew Robison. 96 pp. incl. numerous
col. + b. & w. ills. (Artemide Edizioni, Rome,
2022), €20. ISBN 978–88–7575–415–0. |
:
Illustrations
Attributed works:
4. Fantasy of an ancient arcade with
fragmentary ruins, by Giovanni Battista
Piranesi. 1741–42. Pen and brown ink with
grey-brown wash over black chalk, with
later red chalk revisions, 16.3 by 10.4 cm.
(Private collection).
Book Review
Fancy in Eighteenth-Century European Visual Culture
Fancy in Eighteenth-Century
European Visual Culture
Edited by Melissa Percival and Muriel Adrien.
325 pp. incl. 69 col. + b. & w. ills. (Voltaire
Foundation with Liverpool University Press,
Liverpool, 2020), £65. ISBN 978–1–789–62003–0. |
:
Illustrations
Attributed works:
6. A Venetian courtesan, by John Faber II after
Philippe Mercier. Engraving, 32.7 by 22.7 cm.
(British Museum, London).
Exhibition Review
Jean-Jacques Lequeu: Visionary Architect. Drawings from the Bibliothèque nationale de France. Morgan Library and Museum, New York
Jean-Jacques Lequeu: Visionary
Architect. Drawings from the
Bibliothèque nationale de France
Morgan Library and Museum,
New York
31st January–10th May |
:
Illustrations
Attributed works:
1. Aqueduct to
bring water to the
Holy City, from
L’Architecture
Civile (1777–1825),
by Jean-Jacques
Lequeu. Pen,
wash, and
watercolour,
51.6 by 36.4 cm.
(Bibliothèque
nationale de
France, Paris; exh.
Morgan Library
and Museum,
New York).
Attributed works:
1. Aqueduct to
bring water to the
Holy City, from
L’Architecture
Civile (1777–1825),
by Jean-Jacques
Lequeu. Pen,
wash, and
watercolour,
51.6 by 36.4 cm.
(Bibliothèque
nationale de
France, Paris; exh.
Morgan Library
and Museum,
New York).
Attributed works:
3. Draughtsman’s
tools, from
Architecture
Civile (1777–1825),
by Jean-Jacques
Lequeu. Pen,
ink, wash and
watercolour,
51.6 by 36.4 cm.
(Bibliothèque
nationale de
France, Paris; exh.
Morgan Library
and Museum,
New York).
Exhibition Review
Paula Rego: Obedience and Defiance. Modern 2, Scottish National Gallery of Modern Art, Edinburgh
26. Manifesto
(for a lost
cause), by Paula
Rego. 1965.
Acrylic, crayon,
graphite and
paper glued
on canvas, 183
by 152 cm.
(Calouste
Gulbenkian
Museum
- Modern
Collection,
Lisbon; Paula
Rego, courtesy
of Marlborough,
New York
and London;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).
Attributed works:
27. Untitled no.4,
by Paula Rego.
1998. Pastel on
paper, 110 by
100 cm. (Private
collection;
Paula Rego,
courtesy of
Marlborough,
New York
and London;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).
Attributed works:
28. Painting him
out, by Paula
Rego. 2011. Pastel
on paper mounted
on aluminium,
119.4 by 179.7
cm. (Private
collection; Paula
Rego, courtesy of
Marlborough, New
York and London;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).