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22 articles
Article
The Tudor Plate of Magdalen College, Oxford
05/1983 | 962 | 125
Pages: 260-265
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
5. Cup, Maker's Mark a Heart. London Hallmark 1525/26. Silver-Gilt, Height 12.1 cm. (Portsmouth City Council).
Attributed works:
8. Covered Flagon, by Robert Smythier. London Hallmark 1664/65. Silver-Gilt, Height 52.1 cm. (Royal Collection). Reproduced by Gracious Permission of H. M. The Queen.
Western art unattributed:
2. Covered Cup, Surmounted by a Figure of St Mary Magdalen. Unidentified Maker's Mark. London Hallmark 1601/03. Silver-Gilt, Height 24.1 cm. (Magdalen College, Oxford).
Western art unattributed:
3. Detail from Fig. 2. [Covered Cup, Surmounted by a Figure of St Mary Magdalen. Unidentified Maker's Mark. London Hallmark 1601/03. Silver-Gilt, Height 24.1 cm. (Magdalen College, Oxford).]
Western art unattributed:
4. The Anathema Cup. Formerly Covered. Maker's Mark Illegible. London Hallmark 1480/81. Silver-Gilt, Height 21.6 cm. (Pembroke College, Cambridge).
Western art unattributed:
6. Covered Flagon, Unmarked. Early Sixteenth Century. Silver-Gilt, Height 35.6 cm. (Magdalen College, Oxford).
Western art unattributed:
7. Detail from Fig. 6. [Covered Flagon, Unmarked. Early Sixteenth Century. Silver-Gilt, Height 35.6 cm. (Magdalen College, Oxford).]
Western art unattributed:
9. Covered Cup. London Hallmark 1520/21. Silver-Gilt, Height 24.1 cm. (Christ's College, Cambridge).
Short Notice
A Chair from the 'Kunstkammer' of the Emperor Rudolf II
06/1980 | 927 | 122
Pages: 426+428-429+431-432
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
dates:
subjects:
subjects:
Illustrations
Attributed works:
67. Chair, by Thomas Rucker. Signed and Dated 1574. Iron. (Longford Castle, Wiltshire).
Attributed works:
68. Detail of Fig.67. [Chair, by Thomas Rucker. Signed and Dated 1574. Iron. (Longford Castle, Wiltshire).]
Attributed works:
69. Detail of Fig.67. [Chair, by Thomas Rucker. Signed and Dated 1574. Iron. (Longford Castle, Wiltshire).]
Attributed works:
70. Detail of Fig.67. [Chair, by Thomas Rucker. Signed and Dated 1574. Iron. (Longford Castle, Wiltshire).]
Attributed works:
71. Detail of Fig.67. [Chair, by Thomas Rucker. Signed and Dated 1574. Iron. (Longford Castle, Wiltshire).]
Attributed works:
72. Detail of Fig.67. [Chair, by Thomas Rucker. Signed and Dated 1574. Iron. (Longford Castle, Wiltshire).]
Short Notice
A Design for a Table Centre ('Konfektbaum') for Johannes Lencker
06/1979 | 915 | 121
Pages: 373-375+377
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
57. Ewer, by Johannes Lencker. Augsburg, c.1625-30. Hardstone, Mounts of Silver-Gilt. (Schatzkammer, Residenz, Munich).
Attributed works:
58. Drawing of a Centrepiece, Attributed to Lukas Kilian. Augsburg, First Quarter of the Seventeenth Century. (Private Collection, London).
Attributed works:
59. Ewer, Attributed to Johannes Lencker. Augsburg, Early Seventeenth Century. (Rijksmuseum, Amsterdam).
Article
A Further Note on Christopher Fuhrlohg
07/1977 | 892 | 119
Pages: 486-493
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
dates:
places:
places:
subjects:
Illustrations
Attributed works:
20. Commode, by Christopher Fuhrlohg. Signed and Dated 1767. (Castle Howard).
Attributed works:
21. Writing Table, Attributed to Christopher Fuhrlohg or One of His Swedish Partners. c.1775. (Private Collection).
Attributed works:
22. Commode, Made by Georg Haupt for King Gustav III. (Drottningholm, Sweden).
Attributed works:
23. Commode, by Anders Lundelius. (Drottningholm, Sweden).
Attributed works:
24. Plate 101 from d'Hancarville's Publication of Hamilton's Vases.
Attributed works:
25. End Panel of the Writing Table Reproduced in Fig.21. [Writing Table, Attributed to Christopher Fuhrlohg or One of His Swedish Partners. c.1775. (Private Collection).]
Attributed works:
26. Left Cupboard Door of the Writing Table Reproduced in Fig.21. [Writing Table, Attributed to Christopher Fuhrlohg or One of His Swedish Partners. c.1775. (Private Collection).]
Attributed works:
27. Plate 124 from d'Hancarville's Publication of Hamilton's Vases.
Attributed works:
28. Right Cupboard Door of the Writing Table Reproduced in Fig.21. [Writing Table, Attributed to Christopher Fuhrlohg or One of His Swedish Partners. c.1775. (Private Collection).]
Attributed works:
29. Plate 122 from d'Hancarville's Publication of Hamilton's Vases.
Attributed works:
30. Roll-Top Desk, by David Röntgen. (Metropolitan Museum of Art, New York).
Western art unattributed:
31. Marquetry Commode. Anglo-Swedish School, c.1770. (Messrs. Sotheby, London).
Article
Roman Drawings for Goldsmiths' Work in the Victoria and Albert Museum
06/1977 | 891 | 119
Pages: 412+414-421
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
41. End View of the Cassetta Farnese, Made by Sebastiano di Sbarri for Cardinal Alessandro Farnese. (Museo Nazionale, Naples).
Attributed works:
42. Pair of Altar Candlesticks Made by Antonio Gentile da Faenza for Cardinal Alessandro Farnese. (Sacristy of St Peter's, Rome). [With later additions by Carlo Spagna]
Attributed works:
43. Drawing of the Gentile Candlestick. Pen and Wash. (Victoria and Albert Museum).
Attributed works:
44. Variant Version of the Gentile Candlestick. Pen and Wash. (Victoria and Albert Museum).
Attributed works:
45. Variant Version of the Gentile Candlestick. Pen and Wash. (Houthakker Collection, Amsterdam).
Attributed works:
46. Drawing of a Ewer for Cardinal Alessandro Farnese. Pen and Wash. (Victoria and Albert Museum).
Attributed works:
49. Detail of Front Elevation of the Cassetta Farnese. [Made by Sebastiano di Sbarri for Cardinal Alessandro Farnese. (Museo Nazionale, Naples).]
Attributed works:
50. Drawing of a Silver Vase. Pen and Wash. (Victoria and Albert Museum).
Attributed works:
51. Drawing of a Centre Piece, by Pagolo di Ignatio. Pen and Wash. (Victoria and Albert Museum).
Attributed works:
52. Drawing of a Salt-Cellar, Attributed to Livio Agresti, a Follower of Perino del Vaga, Active 1550-80. Pen and Wash. (Private Collection).
Attributed works:
53. Drawing of a Censer, by Pagolo di Ignatio. Pen and Wash. (Victoria and Albert Museum).
Western art unattributed:
47. Alternative Design for Ewer for Cardinal Alessandro Farnese. (Victoria and Albert Museum).
Western art unattributed:
48. Drawing of a Silver Ewer. Pen and Wash. (Victoria and Albert Museum).
Article
A Newly Discovered Commode Signed by Christopher Fuhrlohg
10/1972 | 835 | 114
Pages: 704+706-711+713-714
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
76. Original Sketch of the Fuhrlohg Commode from the Linnell Album, by John Linnell or Christopher Fuhrlohg. Pen and Wash. (Victoria and Albert Museum.)
Attributed works:
77. Detail of Classical Vase from Commode, by Georg Haupt. Marquetry of Various Woods. (Swedish Royal Collection.)
Attributed works:
78. Commode Transition, by Christopher Fuhrlohg. Signed and Dated 1767. The Whole Surface Marquetried with Various Woods, the Later Top Ebonized, Ormolu Mounts. (Castle Howard, Yorkshire.)
Attributed works:
79. Marquetry Commode, by Christopher Fuhrlohg. Central Panel Signed and Dated 1772. (Collection M. Knapp Esq.)
Attributed works:
80. Marquetry Commode en suite with the One Illustrated in Fig. 79. (Lady Lever Art Gallery, Port Sunlight.)
Attributed works:
81. Marquetry Commode, Attributed to Christopher Fuhrlohg. The Central Panel Adapted from a Design by Angelica Kauffmann. (Metropolitan Museum of Art, New York.)
Attributed works:
82. View of the Commode Illustrated in Fig. 81, with the Doors Let Down and Slid in Position under the Carcase.
Attributed works:
83. Christopher Fuhrlohg's First Trade Card of c. 1772. (British Museum.)
Attributed works:
84. The Second Fuhrlohg Trade Card of c. 1788. (British Museum.)
Attributed works:
85. Detail of Signature on Commode Illustrated in Fig. 79: 'C. Furhlohg Fecit MDCCLXXII.'
Attributed works:
86. The Third Fuhrlohg Trade Card. (British Museum.)
Attributed works:
87. Detail of Central Panel of Commode Illustrated in Fig. 81.
Attributed works:
88. Marquetry Bureau, Attributed to Christopher Fuhrlohg and Christian Linning. With a Central Medallion in the Manner of Angelica Kauffmann. (Messrs Asprey, London.)
Attributed works:
89. Top of a Satinwood and Marquetry Serpentine-Fronted Side Table, Attributed to Christopher Fuhrlohg and Christian Linning. (Private Collection, Alabama, U. S. A.)
Attributed works:
90. Front of Satinwood and Marquetry Serpentine-Fronted Side Table, Attributed Christopher Fuhrlohg and Christian Linning. (Private Collection, Alabama, U. S. A.)
Attributed works:
91. Portrait of Chistopher Fuhrlohg, by Elias Martin. c. 1790. Water-Colour. (Nordiska Museum, Stockholm.) Photo. Courtesy the Nordiska Museum.
Attributed works:
93. Satinwood and Marquetry Cabinet, Attributed to Christopher Fuhrlohg. The Fall-Front Inlaid with a Marquetry Panel Against an Ebony Ground. (Messrs Sotheby's.)
Western art unattributed:
92. Harewood and Marquetry Commode Probably Made in London by a Paristrained Swedish emigré ébéniste. c. 1770. (Ham House, Middlesex.)
Article
Some Spurious Antique Vase Designs of the Sixteenth Century
06/1972 | 831 | 114
Pages: 376+378-386
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
artists:
artists:
dates:
places:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
30. Engraved Design of Antique Vase, by Enea Vico. Dated 1543. (Victoria and Albert Museum.)
Attributed works:
31. Drawing of a Vase in the Antique Manner. Italian or Perhaps Copied by Erasmus Hornick from an Italian Original, Third Quarter of the Sixteenth Century. Pen and Wash. (Victoria and Albert Museum Codex, No.5342.)
Attributed works:
32. Drawing of a Ewer in the Manner of Giulio Romano. Italian, Third Quarter of the Sixteenth Century, from the Liechtenstein Codex. Pen and Wash. (Collection Paul Wallraf.)
Attributed works:
37. Drawing of a Ewer, in the Manner of Giulio Romano, 'Found Outside Naples in a Vineyard', Collection of Cardinal de la Valle, Rome. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
38. Drawing of the Central Area of a Large Dish, by Giulio Romano. Pen and Wash. (British Museum, 1878-7-13-36.)
Attributed works:
39. Drawing of a Bronze Ewer, in the Manner of Giulio Romano, 'Found in the Baths of Antoninus', Collection of Monsignor di Gaddi, Rome. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
40. Drawing of a Ewer, in the Manner of Giulio Romano but Also Showing Influence of Polidoro Caldara, 'Found in the Grotto di Santo Sebastiano'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussicher Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
41. Drawing of a Terra-Cotta Ewer, in the Manner of Giulio Romano. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
43. Drawing of a Ewer, the Design Probably Based on Polidoro, 'Found at Fondi', Collection of Cardinal Sangiorgio. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
44. Drawing of a Gold Vase, Based on Designs of Giulio Romano, 'Destroyed in the Sack of Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
45. Drawing of a Cooler, Designed in the Manner of Giulio Romano but Perhaps by Jacopo da Strada to Match Fig. 44. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
48. Drawing of a Flask, in the Manner of Giulio Romano but with Figures Derived from Francesco Salviati, Perhaps by Jacopo da Strada. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
33. Drawing of a Lamp with Three Wicks, 'Found in the Grotto of the Baldassini'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
34. Drawing of a Ewer, 'Found at Ostia'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
35. Drawing of a Ewer, in the Form of a Head of Minerva, 'Found near the Temple of Bacchus'. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
36. Drawing of a Ewer, in the Form of a Head of a Faun, 'Found near the Temple of Bacchus'. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
42. Drawing of a Ewer, of Bronze with Silver Handle, 'Found in a Vineyard Outside the Piazza del Popolo'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
46. Drawing of a Bronze Vase, 'Found Unfinished in Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
47. Drawing of a Flask with Details Derived from Enea Vico, Giulio Romano, Erasmus Hornick etc., 'Found at Capo di Bono Outside Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Article
The Aldobrandini Tazzas
10/1970 | 811 | 112
Pages: 669-676
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Western art unattributed:
14. Silver-Gilt Tazza Surmounted by Figure of Julius Caesar, the Spanish Foot and Stem Associated. (Lazaro Galdeano Museum, Madrid.)
Western art unattributed:
15. Silver-Gilt Tazza Surmounted by Figure of Domitian, the Foot and Stem Associated. (Victoria and Albert Museum.)
Western art unattributed:
16. Silver-Gilt Tazza Surmounted by Figure of Otho, the Foot and Stem Associated. (Royal Ontario Museum, Toronto.)
Western art unattributed:
17. Silver-Gilt Tazza Surmounted by Figure of Nero, the Foot and Stem Associated. (Wernher Collection, Luton Hoo.)
Western art unattributed:
18. Silver-Gilt Tazza Surmounted by Figure of Titus, Original Foot and Stem, the Bowl a Later Casting. (Wernher Collection, Luton Hoo.)
Western art unattributed:
19. Silver-Gilt Tazza Surmounted by Figure of Caligula, Original Foot and Stem. (Private Collection, London.)
Western art unattributed:
20. Detail of Altered Screw on Domitian Tazza (Fig.15). [Silver-Gilt Tazza Surmounted by Figure of Domitian, the Foot and Stem Associated. (Victoria and Albert Museum.)]
Western art unattributed:
21. Detail of Sleeve Inserted in Spanish Stem of Domitian Tazza (Fig.15). [Silver-Gilt Tazza Surmounted by Figure of Domitian, the Foot and Stem Associated. (Victoria and Albert Museum.)]
Western art unattributed:
22. Detail of Foot of Spanish Combined Chalice and Monstrance, Second Half of Sixteenth Century. (Victoria and Albert Museum).
Western art unattributed:
23. Detail of Plugged Stem and New Screw on Stem of Domitian Tazza (Fig.15). [Silver-Gilt Tazza Surmounted by Figure of Domitian, the Foot and Stem Associated. (Victoria and Albert Museum.)]
Western art unattributed:
24. Detail of Bayonet Fitting on Spanish Foot of Domitian Tazza (Fig.15). [Silver-Gilt Tazza Surmounted by Figure of Domitian, the Foot and Stem Associated. (Victoria and Albert Museum.)]
Western art unattributed:
25. Bowl of Domitian Tazza (Fig.15) Chased with Four Panels Illustrating His Life. [Silver-Gilt Tazza Surmounted by Figure of Domitian, the Foot and Stem Associated. (Victoria and Albert Museum.)]
Western art unattributed:
26. Silver-Gilt and Enamelled Basin Presented to the City of Berne in 1583. Augsburg, before 1583. (Historisches Museum, Berne.)
Article
Ottavio Strada and the Goldsmiths' Designs of Giulio Romano
01/1970 | 802 | 112
Pages: 10-14
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
artists:
dates:
places:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
10. Bowl or Drinking Vessel, after Giulio Romano. Drawing from the facsimile edition of the Oest. Museum, after Ottavio Strada's original of 1597, fol.15.
Attributed works:
11. Covered Salt Cellar (saliera grande per la credenza), after Giulio Romano, late sixteenth century. Pen and wash. (Fitzwilliam Museum, Cambridge P. D.6/1948, fol.5.)
Attributed works:
12. Ewer or Drinking Vessel, after Giulio Romano. Drawing from the Facsimile Edition after Ottavio Strada's Original of 1597, fol.36.
Attributed works:
13. Bucket with Swing Handle (Secchiello), after Giulio Romano. Pen and Wash. (Fitzwilliam Museum, Cambridge P. D.6/1948, Fol.62.)
Attributed works:
14. Candlestick, after Giulio Romano, Late Sixteenth Century. Pen and Wash. (Fitzwilliam Museum, Cambridge P. D.6/1948, fol.81.)
Attributed works:
15. Ewer (bochalo per dar aqua alle mani), after Giulio Romano, late sixteenth century. Pen and wash. (Fitzwilliam Museum, Cambridge P. D.6/1948, fol.8/2.)
Attributed works:
16. Salt Cellar (saliera piccola quando il principe mangia solo), after Giulio Romano, late sixteenth century. (Fitzwilliam Museum, Cambridge P. D.6/1948, fol.20.)
Attributed works:
17. Ewer, after Giulio Romano, late sixteenth century. Pen and wash. (Fitzwilliam Museum, Cambridge P. D. 6/1948, fol.90.)
Attributed works:
8. Ewer, in the manner of Polidoro but probably after Giulio Romano, late sixteenth century. Pen and wash. (Fitzwilliam Museum, Cambridge P. D.6/1948, fol.88.)
Attributed works:
9. Tazza (per ber vino), after Giulio Romano, Late Sixteenth Century. Pen and Wash. (Fitzwilliam Museum, Cambridge P. D.6/1948, Fol.40.)
Article
Christopher Fuhrlogh, an Anglo-Swedish Cabinet-Maker
11/1969 | 800 | 111
Pages: 648-653+655
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. Detail of Gilt Bronze Corner Mount of the Secretaire Reproduced in Fig. 9. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
2. Commode Veneered and Enriched with Marquetry of Various Woods, Attributed to Pierre Langlois, the Gilt Bronze Mounts by the Same Master as Those of the Secretaire Reproduced in Fig. 9. (Fitzwilliam Museum, Cambridge.)
Attributed works:
3. Secretaire Reproduced in Fig. 9. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
4. Dropfront Secretaire, by Georg Haupt of Stockholm. Signed and Dated 1780. (Nordiska Museum, Stockholm.)
Attributed works:
5. Commode, by Georg Haupt. c. 1780. (Nordiska Museum, Stockholm.)
Attributed works:
6. Rear View of Drawer of Secretaire Reproduced in Fig. 9, Showing Rough Dovetails. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
7. Back View of the Secretaire Reproduced in Fig. 9, Showing Rough Construction of Back. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
8. Side View of Secretaire Reproduced in Fig. 9, Showing Mounts and Marquetry Obelisk. [Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)]
Attributed works:
9. Dropfront Secretaire with Pine Carcase and Oak Drawer-Linings Veneered with Sycamore, Kingwood, Rosewood and Mahogany, the Marquetry Panel of the Dropfront Executed in Various Woods. Gilt Bronze Mounts. Interior of Secretaire Here Shown. Attributed to an Anglo-Swedish Cabinet-Maker, Perhaps the Workshop Established in London by Georg Haupt and Christian Furlogh in 1768. c. 1770-80. (Private Collection.)
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