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11 articles
Exhibition Review
Orlando Furioso. Ferrara
12/2016 | 1365 | 158
Pages: 1003-1005
related names
Reviewer:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
72. Bacchanal of the Andrians, by Titian. 1522-24 (Museo Nacional del Prado, Madrid; exh. Palazzo dei Diamanti, Ferrara)
Attributed works:
73. Melissa, by Dosso Dossi. c.1518 (Galleria Borghese, Rome; exh. Palazzo dei Diamanti, Ferrara)
Attributed works:
74. Sword of King Francis I of France, by Piero Antonio Cataldo (blade) and Italian or French artist (hilt). c.1505-10 (Musée de l'Armée, Paris; exh. Palazzo dei Diamanti, Ferrara)
Western art unattributed:
71. Oliphant, known as 'Orlando's Horn'. Probably from southern Italy. Probably 11th century (Musée Paul-Dupuy, Toulouse; exh. Palazzo dei Diamanti, Ferrara)
Publication Received
Imaginaire de l’Arioste, l’Arioste imaginé
06/2011 | 1299 | 153
Pages: 416
related names
Reviewer:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
works:
Imaginaire de l’Arioste, l’Arioste imaginé | author: Jeanneret, Michel , author: Petri-Hamard, Monica
Article
Xanto and Ariosto
05/1990 | 1046 | 132
Pages: 321-327
related names
Author:
Wilson, Timothy (Wilson, Timothy; W., T. H.; W., T.; Wilson, Timothy H.; Thw)
Subjects
dates:
places:
sources:
subjects:
subjects:
Illustrations
Attributed works:
15. Ruggiero on the Hippogriff, by Francesco Xanto Avelli. Urbino, 1531. Maiolica plate, 45 cm. diameter. (County Museum of Art, Los Angeles).
Attributed works:
16. The massacre of the innocents, by Marco Dente da Ravenna, after Baccio Bandinelli. Engraving, B XIV, p.24, no.21. (British Museum, London).
Attributed works:
17. Detail of the reverse of Fig.1. [Ruggiero on the Hippogriff, by Francesco Xanto Avelli. Urbino, 1531. Maiolica plate, 45 cm. diameter. (County Museum of Art, Los Angeles).]
Attributed works:
18. Orlando and his friends finding the arms of Ruggiero, by Francesco Xanto Avelli. Urbino, 1532. Maiolica plate from the Pucci service, 26.5 cm. diameter. (Fitzwilliam Museum, Cambridge).
Attributed works:
19. Abduction of Helen, by Marcantonio Raimondi, after Raphael. Engraving, B XIV, p.170, no.209. (British Museum, London).
Attributed works:
20. Astolfo in the land of women, by Francesco Xanto Avelli. Urbino, 1532. Maiolica plate from the Pucci service, 26.1 cm. diameter. (British Museum, London).
Attributed works:
21. Astolfo and the Harpies, by Francesco Xanto Avelli. Urbino, 1532. Maiolica dish, 26 cm. diameter. (Victoria and Albert Museum, London).
Attributed works:
22. Fragment of a dish, perhaps with a scene from Ariosto. Attributed to the Master of the Bergantini Bowl. Probably Faenza, c. 1525-30. Maiolica, 14.5 cm. by 20 cm. (Hermitage, Leningrad).
Attributed works:
23. Reverse of Fig.8. [Fragment of a dish, perhaps with a scene from Ariosto. Attributed to the Master of the Bergantini Bowl. Probably Faenza, c. 1525-30. Maiolica, 14.5 cm. by 20 cm. (Hermitage, Leningrad).
Attributed works:
24. Grifone fighting with the people of Damascus, by Francesco Xanto Avelli. Urbino, 1537. Maiolica plate, 27.5 cm. diameter. (Formerly Pringsheim collection).
Short Notice
Angelika Kauffmann's 'Costanza'
10/1987 | 1015 | 129
Pages: 668-669
related names
Author:
Tomory, P. A. (Tomory, P. A.; Tomory, Peter A.; Tomory, Peter)
Subjects
dates:
places:
sources:
subjects:
Illustrations
Attributed works:
17. Costanza, by Angelika Kauffmann. 83.5 by 65.1 cm. (Oval). (Queensland Art Gallery).
Book Review
Names on Trees, Ariosto into Art
02/1980 | 923 | 122
Pages: 128-129
related names
Reviewer:
Langmuir, Erika (Langmuir, Erika; Langmuir, Erika H.)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Reviewed Items
subjects:
Names on Trees, Ariosto into Art | author: Lee, Rensselaer W.
Article
The Themes of 'The Artist' and of 'Inspiration' as Revealed by Some of Fragonard's Drawings
11/1961 | 704 | 103
Pages: i-iii
related names
Author:
Roland Michel, Marianne (Roland Michel, Marianne; Michel, Marianne Roland; Michei, Marianne Roland)
Subjects
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. L'Hommage à Glück, by Jean-Honoré Fragonard. Pencil with Sepia Wash, 36 by 46 cm. (MM Cailleux, Paris.)
Attributed works:
2. L'Inspiration du poète or L'Hommage à La Fontaine, by Jean-Honoré Fragonard. Pencil with Sepia Wash, 35.3 by 46.6 cm.
Attributed works:
3. L'Arioste inspiré par l'Amour et la Folie, by Jean-Honoré Fragonard. Pencil with Sepia Wash. (Pâris Collection, Besançon Museum.)
Attributed works:
4. The Philosopher, by Jean-Honoré Fragonard. Pencil with Sepia Wash, 35 by 49 cm. (Collection Mme Fernand Halphen.)
Book Review
Fragonard: Drawings for Ariosto
07/1946 | 520 | 88
Pages: 180
related names
Reviewer:
Parker, K. T. (Parker, K. T.; Parker, Karl Theodore; P., K. T.; Parker, Karl Th.)
Subjects
dates:
places:
Reviewed Items
works:
Fragonard: Drawings for Ariosto | author: Hofer, Philip , author: Mongan, Elizabeth , author: Seznec, Jean
Article
Titian's Ariosto
11/1933 | 368 | 63
Pages: 194-195+197-199+203
related names
Author:
Gronau, Georg (Gronau, Georg; G., G.; Gronau, Georgio)
Subjects
artists:
artists:
dates:
places:
places:
subjects:
subjects:
Illustrations
Attributed works:
Plate I. Ariosto, Here Identified As by Titian. Canvas, 60 by 50 cm. (Casa Oriani, Ferrara). Titian's Ariosto
Attributed works:
Plate II. A-Ariosto, Copy after the Portrait by Titian. Canvas, 1.07 by 0.87 m. (The Public Library, Ferrara). Titian's Ariosto
Attributed works:
Plate II. B-Ariosto, Copy after the Portrait by Titian 70 by 60 cm. (Uffizi, Florence). Titian's Ariosto
Attributed works:
Plate II. C-The Entry into Florence of Pope Leo X (Detail, Ariosto in Conversation with Pietro Aretino), by Giorgio Vasari. Fresco (Sala di Leone X, Palazzo Vecchio, Florence). Titian's Ariosto
Attributed works:
Plate II. D-The Allegory (Detail, Alphonso d'Avalos), by Titian (Louvre, Paris). Titian's Ariosto
Attributed works:
Portrait of Ariosto, from the Woodcut after Titian in the 1532 Edition of 'Orlando Furioso.'
Article
The Berney Collection of Italian Maiolica
11/1932 | 356 | 61
Pages: 206+208-209+212-215+219
related names
Author:
Rackham, Bernard (Rackham, Bernard; R., B.; Rackham, B.; R.)
Subjects
artists:
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
Plate I. A-The Flight from Troy, painted by an Anonymous Artist. c. 1525. The Berney Collection of Italian Maiolica
Attributed works:
Plate II. B-The Death of Achilles, Painted by Nicola Pellipario. c. 1520. The Berney Collection of Italian Maiolica
Attributed works:
Plate II. C-The Campaign of Tiberius in Armenia, Painted by Nicola Pellipario. c. 1535. The Berney Collection of Italian Maiolica
Attributed works:
Plate II. D-Temperance, Painted by an Anonymous Artist, 1526. The Berney Collection of Italian Maiolica
Attributed works:
Plate III. A-Aeneas and Dido, Painted by an Anonymous Artist. c. 1525. The Berney Collection of Italian Maiolica
Attributed works:
Plate III. B-The Conversion of St. Paul, Painted by an Anonymous Artist. c. 1520. The Berney Collection of Italian Maiolica
Attributed works:
Plate III. C-The Story of Diana and Actœon, Painted by Francesco Xanto, 1534. The Berney Collection of Italian Maiolica
Attributed works:
Plate III. D-The Ordeal of Moses. Gubbio Dish, Painted by an Imitator of Nicola Pellipario. c. 1530. The Berney Collection of Italian Maiolica
Attributed works:
Plate IV. A-Alexander and Thalestris, Painted by the Master F. R. c. 1530-40. The Berney Collection of Italian Maiolica
Attributed works:
Plate IV. B-Scene from the Samnite Wars, Painted by Guido Merlino. c. 1540. The Berney Collection of Italian Maiolica
Western art unattributed:
Plate II. A-David. Deruta Lustred Dish. Early Sixteenth Century. The Berney Collection of Italian Maiolica
Western art unattributed:
Plate IV. C-The Prodigal's Return. Venice Plate, Middle of the Sixteenth Century. The Berney Collection of Italian Maiolica
Western art unattributed:
Plate IV. D-The Death of St. Peter, Martyr. Venice Dish. After a Picture by Titian. Second Half of the Sixteenth Century. The Berney Collection of Italian Maiolica
Article
The Sources of Design in Italian Maiolica
07/1913 | 124 | 23
Pages: 193-196+198-199+203
related names
Author:
Rackham, Bernard (Rackham, Bernard; R., B.; Rackham, B.; R.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
Plate I. (B) Device of Francesco Marcolini da Forlì. The Sources of Design in Italian Maiolica
Attributed works:
Plate I. (D) Limoges Enamel Plate, Ascribed to Jean Court dit Vigier Salting Collection. The Sources of Design in Italian Maiolica
Attributed works:
Plate II. (F) Portion of an Engraving by Gabriele Giolito de Ferrari. The Sources of Design in Italian Maiolica
Attributed works:
Plate II. (H) Woodcut by the Master I. B. with the Bird. The Sources of Design in Italian Maiolica
Western art unattributed:
Plate I. (A) Plate of Urbino Style. Salting Collection. The Sources of Design in Italian Maiolica
Western art unattributed:
Plate I. (C) Plate of Urbino Style. Salting Collection. The Sources of Design in Italian Maiolica
Western art unattributed:
Plate II. (E) Plate of Urbino Style. Salting Collection. The Sources of Design in Italian Maiolica
Western art unattributed:
Plate II. (G) Gubbio Dish. Wallace Collection. The Sources of Design in Italian Maiolica
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