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Exhibition Review

Il meglio maestro d’Italia: Perugino nel suo tempo Galleria Nazionale dell’Umbria, Perugia 4th March–11th June

06/2023 | 1443 | 165

Pages: 647-649

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Reviewer:

Goodson, Lydia (Goodson, Lydia)

Subjects

artists:

Perugino, Pietro

dates:

2020-2030

museums and institutions:

Galleria Nazionale dell'Umbria, Perugia, Italy

places:

Perugia

subjects:

Italian art / Renaissance art

Reviewed Items

subjects:

Il meglio maestro d’Italia: Perugino nel suo tempo Galleria Nazionale dell’Umbria, Perugia 4th March–11th June | :

Illustrations

Attributed works:

11. Marriage of the Virgin, by Pietro Perugino. Before 1504. Oil on panel, 234 by 185 cm. (Musée des Beaux- Arts, Caen; exh. Galleria Nazionale dell’Umbria, Perugia).

Attributed works:

12. Galitzin Triptych, by Pietro Perugino. c.1482–85. Oil on panel transferred to canvas, 134 by 166 cm. (National Gallery of Art, Washington; exh. Galleria Nazionale dell’Umbria, Perugia).

Attributed works:

13. Self-portrait, by Pietro Perugino. 1495– 97. Oil on panel, 57 by 42 cm. (Gallerie degli Uffizi, Florence; exh. Galleria Nazionale dell’Umbria, Perugia).

Article

The Origins of an illuminated ‘Meditationes Vitae Christi’ manuscript

08/2021 | 1421 | 163

Pages: 728-731

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Author:

Bartal, Renana (Bartal, Renana)

Subjects

media:

Illuminated manuscripts

museums and institutions:

Corpus Christi College, Oxford, Great Britain

patrons:

Baglioni family

places:

Perugia

subjects:

Origins / Illuminators / Illuminations / Patronage

subjects:

Early Italian art

works:

Meditationes Vitae Christi

Illustrations

Attributed works:

3. Detail of an Antiphonal, attributed to the Master of S. Lorenzo. c.1320. (Biblioteca Capitolare, Perugia; MS 9, fol.93r).

Attributed works:

6. Detail of Meditationes Vitae Christi, by hand two, showing St Clare (or a Poor Clare nun), St Francis and the coat of arms. c.1300–20. (Corpus Christi College, Oxford; MS 410, fol.1r).

Attributed works:

7. The Baglioni family coat of arms.

Western art unattributed:

1. Detail of Meditationes Vitae Christi, by hand three, showing the meal at the house of Simon the leper. 1300–20. (Corpus Christi College, Oxford; MS 410, fol.112r).

Western art unattributed:

2. Detail of Meditationes Vitae Christi, by hand one, showing the Virgin’s childhood years at the temple. 1300–20. (Corpus Christi College, Oxford; MS 410, fol.6r).

Western art unattributed:

4. Detail of an Antiphonal, showing the Adoration of the Magi. c.1300. (Città di Castello, Biblioteca Comunale, Codex E).

Western art unattributed:

5. Detail of Fig.6, showing the Baglioni family coat of arms.

Article

Edward Burne-Jones’s 1871 Italian sketchbook reconsidered

04/2020 | 1405 | 162

Pages: 306-315

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Author:

Stocker, Mark (Stocker, Mark)

Subjects

artists:

Burne-Jones, Edward

dates:

1870-1879

museums and institutions:

Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand

places:

Turin / Genoa / Pisa / Florence / San Gimignano / Orvieto / Viterbo / Rome / Assisi / Perugia / Arezzo

subjects:

Victorian art / Sketchbooks / Italian art / Travel / Travel accounts

Illustrations

Attributed works:

1. Botticelli at Turin: picture of Tobit, by Edward Burne-Jones. 1871. Pencil on paper, each page 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

10. Baths of Caracalla, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

11. Capitoline Museum: tomb of a girl, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

12. 68 New St Assisi, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

13. Bonfigli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

14. An angel playing a flageolet, by Edward Burne-Jones. 1878. Watercolour, gouache and gold paint on paper, 74.9 by 61.2 cm. (Sudley House, Liverpool; Bridgeman Images).

Attributed works:

15. Piero della Francesca in Arezzo, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

16. Olive, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

17. The beguiling of Merlin, by Edward Burne-Jones. 1873–74. Oil on canvas, 186 by 111 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).

Attributed works:

2. A dream between Monte Fiascone and Viterbo of the nine muses on Helicon, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

3. A dream of nine muses, by Edward Burne-Jones. Watercolour and body colour on canvas, 27 by 35.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).

Attributed works:

4. Road between Sestri and Spezzia, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

5. Gimignano, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

6. St Nicholas, by Edward Burne-Jones. c.1872. Oil on canvas, 141 by 56 cm. (Astley Cheetham Art Gallery, Tameside Metropolitan Borough Council; Bridgeman Images).

Attributed works:

7. Annunciation, by Edward Burne-Jones. 1876–79. Oil on canvas, 250 by 104.5 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).

Attributed works:

8. Orvieto, by Edward Burne Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

9. The Damned cast into Hell, after Luca Signorelli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Article

The predella of the Oddi Altarpiece from S. Agostino, Perugia

12/2018 | 1389 | 160

Pages: 1030-1037

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Author:

Menganna, Clara (Menganna, Clara)

Author:

Pesante, Luca (Pesante, Luca)

Subjects

art literature:

Vasari, Giorgio / Venturi, Adolfo

artists:

Eusebio da San Giorgio / Raphael / Perugino, Pietro / Pinturicchio, Bernardino / Nicola Pisano

buildings:

Sant'Agostino, Perugia, Italy

collectors and dealers:

Benson, Robert, 1850-1929 / Duveen, Joseph, 1869-1939 / Lazzaroni, Michele, Baron / Hitler, Adolf

dates:

1500-1549 / 1500-1509

media:

Paintings

museums and institutions:

Städel Museum, Frankfurt am Main, Germany / Christie's, London / Agnew's, London, Great Britain

places:

Italy / Perugia / Germany / Frankfurt

subjects:

Italian painting / Altarpieces / Predellas / Augustine, Saint / Jesus Christ: Adoration of the Magi / Attribution / Attributions / Attributions, former / Patronage / Commissions / Oddi family / Provenance / Collections, Private / Guidebooks / Art literature / Archives / Inventories / Wills / Lost works / Damage to works of art / Reconstruction / Chapels / Artists' groups and associations / Workshops (Organisations) / Civil wars / War

Illustrations

Attributed works:

1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.

Attributed works:

2. Reverse of Fig.3. (Photograph © Artothek).

Attributed works:

3. St Augustine baptised by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 46.7 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).

Attributed works:

4. St Augustine vested by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 27.3 by 47.6 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).

Attributed works:

5. St Augustine disputes with the heretic Fortunatus, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 47.1 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).

Attributed works:

6. The Oddi Chapel, S. Agostino, Perugia. (Photograph: the authors).

Publication Received

Sacred and Profane Beauty: Deruta Renaissance Maiolica. Edited by Camille Leprince and Justin Raccanello

06/2018 | 1383 | 160

Pages: 525

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Reviewer:

Randall-Wright, Chelsey (Randall-Wright, Chelsey)

Subjects

artists:

Perugino, Pietro / Pinturicchio, Bernardino

dates:

1400-1499 / 1500-1599

media:

Maiolica

places:

Italy / Perugia

subjects:

Deruta Ceramics Manufactory / Deruta maiolica / Frieze Masters (London)

Illustrations

Attributed works:

7. A charger with The Nativity after Pietro Perugino, by Nicola Francioli. c. 1520–30. Tin-glazed earthenware, diameter 42 cm. (Private collection).

Article

Reconstructing Taddeo di Bartolo’s Perugia altarpiece

01/2018 | 1378 | 160

Pages: 10-21

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Author:

Solberg, Gail E. (Solberg, Gail E.)

Subjects

artists:

Taddeo di Bartolo / Sassetta / Giotto / Master of Saint Francis of Assisi

buildings:

San Francesco al Prato, Perugia, Italy / Basilica di San Francesco, Assisi, Italy / Cappella Bardi, Santa Croce, Florence, Italy

dates:

1390-1399 / 1400-1449

media:

Paintings

places:

Italy / Perugia

subjects:

Iconography / Francis of Assisi, Saint / Altarpieces / Polyptychs

Illustrations

Attributed works:

1. Reconstruction of the St Francis (choir) side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. Left to right: Sts Herculanus, Anthony of Padua, Peter, Francis, Paul, Costantius and Louis of Toulouse. (Drawing by Dóra Sallay and Gergely Buzás).

Attributed works:

10. Annunciation (fragment), by Taddeo di Bartolo. c.1400–05. (Musée du Petit Palais, Avignon).

Attributed works:

11. Schematic diagram of the panel for Taddeo di Bartolo's St Mary Magdalene and a narrative scene below with indications of the equidistant dowel holes. The diagram reconstructs the arched top of the picture field and the unevenly trimmed sides.

Attributed works:

12. Hypothetical reconstruction of the narrative sequences for both sides of Taddeo di Bartolo's Perugia heptaptych. Top, nave or Virgin side: (a and b) two missing scenes (the Renunciation of worldly goods? and the Death of the Knight of Celano?); (c) the Preaching to the birds; (d) missing central scene; (e) the Miraculous mass at Greccio; (f) the Miracle of the source; (g) missing final scene. Bottom, choir or St Francis side: (g’) missing scene (the Crucifix of S. Damiano or the Dream of Innocent III?); (f’) the Approval of the rule; (e’) the Vision of the fiery chariot; (d’) missing central scene; (c’) the Trial by fire; (b’) the Miracle at Arles; (a’) missing final scene (the Verification of the Stigmata?).

Attributed works:

13. St Francis preaching to the birds, by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).

Attributed works:

14. Miraculous mass at Greccio by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).

Attributed works:

15. Trial by fire, by Taddeo di Bartolo. 1403. (Landesgalerie, Niedersächsisches Landesmuseum, Hannover).

Attributed works:

16. Crucifix with St Francis at Christ’s feet, by the Master of St Francis. 1272. (Galleria Nazionale, Perugia).

Attributed works:

17. Assumption of the Virgin triptych by Taddeo di Bartolo. 1401. (Cathedral, Montepulciano).

Attributed works:

18. The reverses of the panels from the nave side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. (Galleria Nazionale, Perugia).

Attributed works:

19. St Sebastian, by Taddeo di Bartolo. 1403? (Museo di Capodimonte, Naples).

Attributed works:

2. Reconstruction of the Virgin and Child (nave) side of Taddeo di Bartolo’s heptaptych for S. Francesco al Prato, Perugia. 1403. Left to right: Sts Clare, John the Baptist, Mary Magdalene, the Virgin, Catherine of Alexandria, John the Evangelist and Elizabeth of Hungary. (Drawing by Dóra Sallay and Gergely Buzás).

Attributed works:

3. St Francis in glory, by Taddeo di Bartolo. 1403. (Galleria Nazionale, Perugia).

Attributed works:

4. St Elizabeth of Hungary, by Taddeo di Bartolo. 1403. (Museo del Tesoro, Perkins Collection, Assisi).

Attributed works:

5. St Clare, by Taddeo di Bartolo. 1403. (Museo diocesano, Gubbio).

Attributed works:

6. Christ blessing by Taddeo di Bartolo.1403. (Yale University Art Gallery, New Haven CT).

Attributed works:

7. Christ displaying his wounds, by Taddeo di Bartolo. 1403. (Galleria Nazionale dell’Umbria, Perugia).

Attributed works:

8. St Stephen, by Taddeo di Bartolo. c.1400–05. (Private collection, Germany).

Attributed works:

9. Detail of the bottom edge of Fig.8.

Exhibition Review

Luca Signorelli. Perugia, Orvieto and Città di Castello

10/2012 | 1315 | 154

Pages: 731-732

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Reviewer:

Dabell, Frank (Dabell, Frank)

Subjects

artists:

Signorelli, Luca

dates:

2010-2019

museums and institutions:

Galleria Nazionale dell'Umbria, Perugia, Italy / Cattedrale di Orvieto, Orvieto, Italy / Pinacoteca Comunale, Città di Castello, Italy

places:

Città di Castello / Italy / Orvieto / Perugia

subjects:

Reviews / Exhibitions

Illustrations

Attributed works:

72. Detail of The destruction of the world (the fulminati), by Luca Signorelli. c.1503. Fresco, 190 cm. at base. (Cappella Nova, Orvieto Cathedral).

Attributed works:

73. The Virgin and Child with Sts John the Baptist, Onuphrius, Lawrence (?) and Herculanus (?) and an angel, by Luca Signorelli. 1484. Panel, 226 by 193.5 cm. (Museo del Capitolo della Cattedrale, Perugia; exh. Galleria Nationale dell'Umbria, Perugia).

Attributed works:

74. The Virgin and Child with three angels, attributed to Luca Signorelli. c.1475. Panel. 88 by 58.2 cm. (Christ Church Picture Gallery, Oxford; exh. Galleria Nazionale dell'Umbria, Perugia).

Attributed works:

75. Head of a saint, by Luca Signorelli. c.1505. Black chalk with traces of red and white chalk on paper, pricked and squared for transfer, 22.4 by 15.6 cm. (Biblioteca Oliveriana, Pesaro; exh. Galleria Nazionale dell'Umbria, Perugia).

Short Notice

New documents for Raphael’s ‘Coronation of the Virgin’ and Perugino’s Corciano ‘Assumption of the Virgin’

10/2008 | 1267 | 50

Pages: 669-672

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Author:

Sartore, Alberto Maria (Sartore, Alberto Maria)

Subjects

artists:

Raphael / Perugino, Pietro

buildings:

San Francesco al Prato, Perugia, Italy

buildings:

Santa Maria, Corciano, Italy

dates:

1500-1519

museums and institutions:

Musei Vaticani, Rome, Italy

patrons:

Oddi, Alessandra degli

places:

Corciano / Italy / Perugia / Rome

print:

Raphael

print:

Perugino, Pietro

subjects:

Commissions / Contracts / Patronage

subjects:

Italian painting

Illustrations

Attributed works:

19. The adoration of the Magi, part of the predella of the Coronation of the Virgin, by Raphael, showing its wooden support. c.1503–04. Panel, 27 by 50 cm. (Pinacoteca Vaticana, Rome).

Attributed works:

20. Assumption of the Virgin, by Perugino. 1513. Panel, 226 by 149 cm. (S. Maria, Corciano).

Book Review

Le Maioliche Rinascimentali nelle Collezioni della Cassa di Risparmio di Perugia

06/2008 | 1263 | 150

Pages: 408-409

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Reviewer:

Mallet, J. V. G. (Mallet, J. V. G.; Mallet, John)

Subjects

collectors and dealers:

Cassa di Risparmio di Perugia, Perugia, Italy

dates:

1400-1599

places:

Perugia / Umbria / Italy

print:

Maiolica

subjects:

Maiolica / Ceramics / Italian / Umbrian

Reviewed Items

subjects:

Le Maioliche Rinascimentali nelle Collezioni della Cassa di Risparmio di Perugia | contributor: Fiocco, Carola , contributor: Gherardi, Gabriella , contributor: Marini, Marino , contributor: Paolinelli, Claudio , author: Sani, Elisa Paola , author: Wilson, Timothy

Short Notice

A reappraisal of Giannicola di Paolo’s early career

01/2007 | 1246 | 149

Pages: 39-41

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Author:

Shaneyfelt, Sheri Francis (Shaneyfelt, Sheri Francis)

Subjects

artists:

Giannicola di Paolo

artists:

Perugino, Pietro

dates:

1490-1549

patrons:

Confraternita di San Pietro Martire

places:

Perugia

print:

Giannicola di Paolo

subjects:

Biographies / Italian painting / Frescoes / Commissions / Documents

subjects:

Account books

Illustrations

Attributed works:

51. The Last Supper, surviving central section, by Giannicola di Paolo. 1493–96. Fresco. (Former refectory of the Palazzo dei Priori, Perugia; photograph courtesy the Soprintendenza per i Beni Architettonici, il Paesaggio, il Patrimonio Storico, Artistico e Etnoantropologico dell’Umbria, Perugia).

Attributed works:

52. The Last Supper (Cenacolo di Foligno), by Pietro Perugino and collaborator(s). c.1485–93. Fresco, 435 by 794 cm. (Former convent of S. Onofrio, Florence; photograph courtesy of the Soprintendenza Speciale per il Polo Museale Fiorentino, Florence).

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