Signorelli 500: Maestro Luca
da Cortona, pittore di luce e poesia. Edited
by Tom Henry. 192 pp. incl. 123 col. ills. (Skira,
Milan, 2023), €35. ISBN 978–88–572–5013–7.
|
:
subjects:
Signorelli 500: Maestro Luca da
Cortona, pittore di luce e poesia
Museo dell’Accademia Etrusca e
della Citta di Cortona
23rd June–22nd October |
:
Illustrations
Attributed works:
5. Madonna
and Child
with John the
Baptist and a
shepherd (?), by
Luca Signorelli.
c.1491–94. Oil
on panel, 102 by
87 cm. (Musée
Jacquemart-
André, Paris;
exh. Museo
dell’Accademia
Etrusca e
della Citta di
Cortona).
Attributed works:
6. Crucifixion with
Mary Magdalene,
by Luca Signorelli.
c.1490–98. Oil on
panel, 247 by 165
cm. (Gallerie degli
Uffizi, Florence;
exh. Museo
dell’Accademia
Etrusca e
della Citta
di Cortona).
Attributed works:
7. Reconstruction
of the Pala di
Matelica, by
Luca Signorelli.
1504–05.
Illustration from
the exhibition
catalogue.
(Courtesy Tom
Henry).
Exhibition Review
Body and Soul: Italian Renaissance Sculpture from Donatello to Michelangelo
Body and Soul: Italian
Renaissance Sculpture from
Donatello to Michelangelo
Musée du Louvre, Paris
22nd October 2020–
18th January 2021 |
:
Illustrations
Attributed works:
7. Mary
Magdalene
and John the
Evangelist, by
Giovanni Angelo
del Maino.
Before 1515.
Polychromed
wood, height
135 and 177 cm.
respectively.
(Como Cathedral;
exh. Musée du
Louvre, Paris).
Attributed works:
8. Rape of
Europa, by
Bellano. 1490–95.
Bronze with
green patina, 18
by 16.5 by 7.5 cm.
(Museum of Fine
Arts, Budapest;
exh. Musée du
Louvre, Paris).
Attributed works:
9. Cupid, by
Michelangelo
Buonarotti.
1497. Marble,
94 by 33.7
by 35.6 cm.
(Metropolitan
Museum of
Art, New York;
exh. Musée du
Louvre, Paris).
Book Review
Seen from Behind: Perspectives on the Male Body and Renaissance Art. By Patricia Lee Rubin
9. A myth of
Pan, by Dosso
Dossi. c.1524.
Canvas, 163.8 by
145.4 cm. (J. Paul
Getty Museum,
Los Angeles; exh.
Royal Academy
of Arts, London).
Western art unattributed:
10. Elderly bather.
German, c.1480.
Boxwood with
some polychromy,
height 16.2 cm.
(Liebieghaus
Skulpturensammlung,
Frankfurt;
exh. Royal
Academy of Arts,
London).
72. Detail of The destruction of the world (the fulminati), by Luca Signorelli. c.1503. Fresco, 190 cm. at base. (Cappella Nova, Orvieto Cathedral).
Attributed works:
73. The Virgin and Child with Sts John the Baptist, Onuphrius, Lawrence (?) and Herculanus (?) and an angel, by Luca Signorelli. 1484. Panel, 226 by 193.5 cm. (Museo del Capitolo della Cattedrale, Perugia; exh. Galleria Nationale dell'Umbria, Perugia).
Attributed works:
74. The Virgin and Child with three angels, attributed to Luca Signorelli. c.1475. Panel. 88 by 58.2 cm. (Christ Church Picture Gallery, Oxford; exh. Galleria Nazionale dell'Umbria, Perugia).
Attributed works:
75. Head of a saint, by Luca Signorelli. c.1505. Black chalk with traces of red and white chalk on paper, pricked and squared for transfer, 22.4 by 15.6 cm. (Biblioteca Oliveriana, Pesaro; exh. Galleria Nazionale dell'Umbria, Perugia).
Letter
A confraternity banner from Sansepolcro in the Victoria and Albert Museum
59. Crucifixion with the Virgin Mary and St John the Evangelist, and St Anthony Abbot embracing the foot of the Cross, by an anonymous Tuscan artist. c.1400. Tempera and gold on canvas, 197 by 128 cm. (Victoria and Albert Museum, London).
Western art unattributed:
60. Sts Anthony Abbot and Eligius enthroned with four confraternity members, by an anonymous Tuscan artist. c.1400. Reverse of Fig.59.
Article
Signorelli’s banner for the Confraternity of St Anthony Abbot in Sansepolcro and its frame
2. Crucifixion, by Luca Signorelli. c.1505–06. Canvas, 175 by 210 cm. (S. Antonio, Sansepolcro).
Attributed works:
3. Sts Anthony Abbot and Eligius, by Luca Signorelli. c.1505–06. Reverse of Fig.2.
Attributed works:
4. Frame of Fig.2, by Bartolomeo Begni and assistants. c.1532–33. Gilt wood, containing God the Father, by Raffaellino del Colle. c.1561–62. Lunette. (S. Antonio, Sansepolcro).
Attributed works:
5. Reverse of Fig.4.
Western art unattributed:
1. View of the interior of S. Antonio, Sansepolcro.