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10 articles
Book Review
The reshaping of French Gothic
03/2010 | 1284 | 152
Pages: 177-179
related names
Reviewer:
Crossley, Paul (Crossley, Paul)
Subjects
art literature:
places:
Reviewed Items
subjects:
The Creation of Gothic Architecture – an illustrated thesaurus: The Ark of God. III: The evolution of foliate capitals in the Paris Basin: the archaic capitals prior to 1138; The Ark of God. IV: The evolution of the foliate capitals in the Paris Basin: the formal capitals 1130–1170; The Ark of God. V: The evolution of the foliate capitals in the Paris Basin: the formal capitals 1130–1170 | author: James, John
Illustrations
Western art unattributed:
43. Choir aisle capital, Saint-Martin-des-Champs. c.1135. Photograph by John James.
Western art unattributed:
44. South chapel capital, parish church of Glennes. c.1160. Photograph by John James.
Western art unattributed:
45. Apse capital, parish church of Glennes. c.1160. Photograph by John James.
Book Review
Fruhmittelalterliche Kapitelle und Kampfer in Deutschland. Typus-Technik-Stil
12/1998 | 1149 | 140
Pages: 833
related names
Reviewer:
Zarnecki, George (Zarnecki, George; Zarneci, George; Zarnecki, G.; Z., G.)
Subjects
places:
Reviewed Items
subjects:
Fruhmittelalterliche Kapitelle und Kampfer in Deutschland. Typus-Technik-Stil | author: Herrmann, Daniel , author: Meyer, Ruth
Book Review
The Nazareth Capitals and the Crusader Shrine of the Annunciation
12/1988 | 1029 | 130
Pages: 934
related names
Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
dates:
places:
Reviewed Items
subjects:
The Nazareth Capitals and the Crusader Shrine of the Annunciation | author: Folda, Jaroslav
Short Notice
Capitals from Chertsey Abbey
02/1988 | 1019 | 130
Pages: 124-127
related names
Author:
Williamson, Paul (Williamson, Paul)
Subjects
dates:
places:
Illustrations
Western art unattributed:
51. Capital from Chertsey Abbey. Purbeck Marble. Height 17.3 cm., Width 35.6 cm., Depth 26.3 cm. (Victoria and Albert Museum, London, Inv. No. A.57-1916).
Western art unattributed:
52. Capital from Chertsey Abbey. Purbeck Marble. Height 19 cm., Width 38 cm., Depth 28 cm. (Victoria and Albert Museum, London, Inv. No. A.58-1916).
Western art unattributed:
53. Capital from Chertsey Abbey. Purbeck Marble. Height 16.8 cm., Width 28.2 cm., Depth 36.2 cm. (Victoria and Albert Museum, London, Inv. No. A.59-1916).
Western art unattributed:
54. Side View of Fig.53. [Capital from Chertsey Abbey. Purbeck Marble. Height 16.8 cm., Width 28.2 cm., Depth 36.2 cm. (Victoria and Albert Museum, London, Inv. No. A.59-1916).]
Western art unattributed:
55. Capital from Chertsey Abbey. Purbeck Marble. Height 17.8 cm., Width 42.5 cm., Depth 27.3 cm. (Victoria and Albert Museum, London, Inv. No. A.60-1916).
Western art unattributed:
56. Capital from Chertsey Abbey. Purbeck Marble. Height 19.5 cm., Width 41 cm., Depth 44 cm. (Victoria and Albert Museum, London, Inv. No. A.61-1916).
Western art unattributed:
57. Left Side of Fig.56. [Capital from Chertsey Abbey. Purbeck Marble. Height 19.5 cm., Width 41 cm., Depth 44 cm. (Victoria and Albert Museum, London, Inv. No. A.61-1916).]
Western art unattributed:
58. Capitals and Fragments in Purbeck Marble Found at Chertsey Abbey in Excavations of 1861. (Photo: Surrey Archaeological Society).
Article
'Aśokan' Pillars: A Re-Assessment of the Evidence - III: Capitals
10/1975 | 871 | 117
Pages: 631-643
related names
Author:
Irwin, John (Irwin, John; Irwin, J.)
Subjects
dates:
places:
places:
subjects:
subjects:
subjects:
subjects:
subjects:
Illustrations
Non-western art unattributed:
10. Gilt-Copper Lion on Pillar, Telleju Temple, Nepal, c. Sixteenth Century A. D. Photo: Robert Skelton.
Non-western art unattributed:
11. Gilt Copper Garuda on Pillar at Bhadgaon, Nepal, Medieval. Photo: Dr John Marr.
Non-western art unattributed:
12. The Sārnāth Capital. Polished Sandstone.
Non-western art unattributed:
13-16. Close-Ups of the Four Quadrupeds on the Abacus of the Sārnāth Capital.
Non-western art unattributed:
17. Painting of Lotus-Plant, by an Unknown Indian Artist, Eighteenth Century. Photo: British Museum of Natural History.
Non-western art unattributed:
18. Wooden Chariot-Wheel Excavated in Precincts of Aśoka's Capital City, Pātaliputra (Modern Patna). Now in Patna Museum.
Non-western art unattributed:
2. The Sankīsā Elephant-Capital. Polished Sandstone. Photo: India Office Library.
Non-western art unattributed:
3. The Rāmpūrvā Bull-Capital. Polished Sandstone.
Non-western art unattributed:
5. The Lauriyā-Nandangarh Lion-Capital. Polished Sandstone. Photo: Elinor Gadon.
Non-western art unattributed:
6. The Kutb Iron Pillar, near Delhi. c. Fourth Century A. D.
Non-western art unattributed:
8. Underside of Sankīsā Elephant-Capital (Fig.2 above). Photo: Dr Joanna Williams.
Non-western art unattributed:
9. Bell of a Gupta Pillar at Sondāni, Mandasor, Fifth Century A. D.
Non-western art unattributed:
A. Tree Bole, Showing Splits at the Periphery.
Non-western art unattributed:
B. Left, the Indian Lotus (Nelumbo nucifera). Centre, the Egyptian Lotus (Nymphea stellata). Right, the Egyptian Lotus as Conventionalized in Egyptian Art.
Non-western art unattributed:
C. The Bells of the Vaiśālī, Lauriyā-Nandangarh, Rāmpūrvā Bull and Sārnāth Capitals Superimposed upon the Persepolitan Base-Bell.
Non-western art unattributed:
D. The Aśokan Form of Bell-Pendants.
Non-western art unattributed:
E. The Abacuses of the Mauryan Capitals: (i) Sankīsā; (ii) Allahābād; (iii) Rāmpūrvā Bull; (iv) Basti; (v) Sānchī; (vi) Lauriyā-Nandangarh; (vii) Rāmpūrvā Lion.
Non-western art unattributed:
G. The Eastern Mediterranean, Egypt, Western Asia and India.
Non-western art unattributed:
H. Coomaraswamy's Drawing of the Bharhut 'Lotus-Capital'.
Non-western art unattributed:
I. The Stone Shaft of the Rāmpūrvā Lion Pillar, Showing the Copper Dowel.
Non-western art unattributed:
J. A Copper Dowel in a Wooden Shaft, with Horizontal Binding.
Non-western art unattributed:
K. Diagram Showing the Hypothetical Construction of a Portable dhvaja of the Type Depicted at Bharhut.
Non-western art unattributed:
L. A Capital from the Council Chamber, Persepolis (Restored), Showing the Bell-like Member.
Non-western art unattributed:
M. Symbols on Early Indian Punchmarked Coins.
Non-western art unattributed:
N. The Sārnāth Pillar, Restored.
Non-western art unattributed:
[a I. Early (Pre-Aśokan) group] Rampurva Bull
Non-western art unattributed:
[a II. Early (Pre-Aśokan) group] Sankisa
Non-western art unattributed:
[a III. Early (Pre-Aśokan) group] Kausambi
Non-western art unattributed:
[a IV. Early (Pre-Aśokan) group] Vaiśali
Non-western art unattributed:
[b I. Later group] Sarnath
Non-western art unattributed:
[b II. Later group] Topra
Non-western art unattributed:
[b III. Later group] Louriya-Nandangarh
Non-western art unattributed:
[b IV. Later group] Rampurva Lion
Non-western art unattributed:
[b V. Later group] Gotihawa
Western art unattributed:
4. The Vaiśālī Lion-Capital. Sandstone. Photo: Elinor Gadon.
Western art unattributed:
7. Base-Drum (Or 'Bell') of Achaemenian Column at Persepolis. After E. F. Schmidt.
Western art unattributed:
F. Sources of the 'Anthemion' Ornament on the Mauryan Capitals. (i) Ephesus, 'Leaf-and-Dart' on Column; (ii) Mouldings from Greek Classical Orders of Architecture, with Their Normal Ornament; (iii) Ovolo Ornament, Delphi; (iv) Early Greek Anthemion, Delphi; (v) Mature Greek Anthemion, the Erechtheion, Athens; (vi) The Egyptian Lotus and Lily; (vii) The Assyrian Knop-and-Flower; (viii) Ivory from Nimrud; (ix) Achaemenid Anthemion.
Article
A Further Note on a Marble Capital in the Fitzwilliam Museum, Cambridge
06/1968 | 783 | 110
Pages: 312+314-318
related names
Author:
Borg, Alan (Borg, Alan)
Subjects
dates:
places:
places:
subjects:
Illustrations
Western art unattributed:
10. Another View of the Capital Illustrated in Fig.9.
Western art unattributed:
11. Another View of the Capital Illustrated in Fig.9.
Western art unattributed:
12. Another View of the Capital Illustrated in Fig.9.
Western art unattributed:
13. Death of John the Baptist on Three Sides, Bull's Head on the Fourth. Romanesque Capital. White Marble; Height, 29.8 cm. (Musée Granet, Aix-en-Provence.)
Western art unattributed:
14. Another View of the Capital Illustrated in Fig. 13. Herod.
Western art unattributed:
15. Another View of the Capital Illustrated in Fig.13. Execution of John the Baptist.
Western art unattributed:
16. Another View of the Capital Illustrated in Fig.13.
Western art unattributed:
17. Romanesque Capital Attributed to Notre-Dame-des-Doms, Avignon. Marble; Height, c.42 cm. (Musée Calvet, Avignon.)
Western art unattributed:
18. Romanesque Capital Attributed to the Cloister of Notre-Dame-des-Doms, Avignon. Marble; Height, c.30 cm. (Musée Calvet, Avignon.)
Western art unattributed:
19. Romanesque Capital Attributed to the Cloister of Notre-Dame-des-Doms, Avignon. Marble; Height, c.30 cm. (Musée Calvert, Avignon.)
Western art unattributed:
6. Romanesqùe Capital. White Marble; Height, 29.8 cm. (Fitzwilliam Museum, Cambridge.)
Western art unattributed:
7. Another View of the Capital Illustrated in Fig.6.
Western art unattributed:
8. Another View of the Capital Illustrated in Fig.6.
Western art unattributed:
9. Massacre of the Innocents. Romanesque Capital. White Marble; Height, 29.8 cm. (Musée Granet, Aix-en-Provence.)
Article
Further Notes on the Cappella Barbadori S. Felicita
08/1958 | 665 | 100
Pages: 270-275
related names
Author:
Saalman, Howard (Saalman, Howard)
Subjects
dates:
places:
Illustrations
Attributed works:
11. Barbadori Chapel, S. Felicita, Florence, by Filippo Brunelleschi.
Attributed works:
12. Detail from the Barbadori Chapel.
Attributed works:
14. Detail from the Loggia, Spedale Degli Innocenti, Florence, by Filippo Brunelleschi.
Attributed works:
15. Fragments of Exterior Pilaster, Corinthian Pilaster Capital and Architrave, and Shelltondo, Barbadori Chapel.
Attributed works:
16. Detail from Transept of S. Lorenzo, Florence, by Filippo Brunelleschi.
Attributed works:
17. Door Step with Pilaster Base Torus, Cappella Pazzi, S.Croce, Florence, by Filippo Brunelleschi.
Attributed works:
18. Capital from the Spedale Degli Innocenti, Florence, by Filippo Brunelleschi.
Attributed works:
19. Capital from Sagrestia Vecchia, S. Lorenzo, Florence, by Filippo Brunelleschi.
Attributed works:
20. Annunciation, Attributed to Paolo Schiavo. Panel. (Collegiata, Castiglione d'Olona.)
Attributed works:
22. Detail Showing Capital by Andrea di Lazzaro Cavalcanti. (Cappella Cardini, S. Francesco, Pescia.)
Western art unattributed:
13. Elevation of the Barbadori Chapel.
Western art unattributed:
21. Part of the Mensa of an Altar on Ionic Colonettes. (Cappella Barbadori, S. Felicita, Florence.)
Book Review
Cunault: Ses Chapiteaux du XIIe Siecle
08/1939 | 437 | 75
Pages: 88
related names
Reviewer:
Borenius, Tancred (Borenius, Tancred; B., T.; Borenius, Dr.; Borenius, T.)
Subjects
dates:
places:
Reviewed Items
subjects:
Cunault: Ses Chapiteaux du XIIe Siecle | :
Book Review
Kapitellstudien. Beitrage zu einer Geschichte des spatantiken Kapitells im Osten vom vierten bis ins siebente Jahrhundert
10/1937 | 415 | 71
Pages: 193-194
related names
Reviewer:
Wace, A. J. B. (Wace, A. J. B.; Wace, Alan John Bayard; W., A. J. B.)
Subjects
Reviewed Items
subjects:
Kapitellstudien. Beitrage zu einer Geschichte des spatantiken Kapitells im Osten vom vierten bis ins siebente Jahrhundert | author: Kautzsch, Rudolf
Article
The Choir Capitals of S. Pierre-en-Haute, Chauvigny (Poitou)
01/1920 | 202 | 36
Pages: 11-13+16-18
related names
Author:
McDougall, Dorothy (McDougall, Dorothy)
Subjects
dates:
Illustrations
Western art unattributed:
Fig. 1.-Detail from the 5th Capital.
Western art unattributed:
Plate I. A Exterior, East End (Looking West). S. Pierre-en-Haute, Chauvigny
Western art unattributed:
Plate I. B Interior, East End (Looking East). S. Pierre-en-Haute, Chauvigny
Western art unattributed:
Plate II. The Choir Capitals. S. Pierre-en-Haute, Chauvigny