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Book Review
Le Retable de l’Annonciation d’Aix: Récit, prophétie et accomplissement dans l’art de la fin du Moyen Âge
06/2024 | 1455 | 166
Pages: 661–662
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related names
Reviewer:
Elsig, Frédéric (Elsig, Frédéric)
Subjects
artists:
Eyck, Barthélemy d'
places:
Aix-en-Provence
subjects:
Flemish art / Triptychs / Reconstructions
Reviewed Items
subjects:
Le Retable de l’Annonciation d’Aix: Récit, prophétie et accomplissement dans l’art de la fin du Moyen Âge By Christian Heck. 208 pp. incl. 68 col. + 8 b. & w. ills. (Édition Faton, Dijon, 2023), €29. ISBN 978–2–87844–340–0. | :
Illustrations
Attributed works:
10. Annunciation, central panel from the Aix Triptych, by Barthélemy d’Eyck. Oil on panel, 155 by 176 cm. Provence, 1443–44. (Sainte-Madeleine, Aix-en-Provence).
Exhibition Review
Turner and colour. Aix-en-Provence and Margate
09/2016 | 1362 | 158
Pages: 759-761
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related names
Reviewer:
Butlin, Martin (Butlin, Martin; Butlin, Martin R. F.; Bultin, Martin)
Subjects
artists:
Turner, Joseph Mallord William
dates:
2010-2019
museums and institutions:
Caumont Centre d'Art, Aix-en-Provence, France / Turner Contemporary, Margate, Great Britain
places:
Margate / France / England / Aix-en-Provence
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
59. The Vermilion Tower: Study at Marseille, by J.M.W. Turner. 1838 (Tate, London; exh. Hôtel de Caumont, Aix-en-Provence)
Attributed works:
60. The Flood, by J.M.W. Turner. 1805 (© Tate, London 2015)
Exhibition Review
Hôtel de Caumont. Aix-en-Provence.
08/2015 | 1349 | 157
Pages: 565-566
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related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
2010-2019
museums and institutions:
Caumont Centre d'Art, Aix-en-Provence, France
places:
France / Aix-en-Provence
subjects:
Reviews / Exhibitions
subjects:
Art museums / Architecture / Displays
Illustrations
Attributed works:
51. Hôtel de Caumont, Aix-en-Provence
Attributed works:
53. Alnwick Castle, by Canaletto. c.1752 (Duke of Northumberland, Alnwick Castle; exh. Caumont Centre d'Art, Aix-en-Provence)
Western art unattributed:
52. Pauline de Caumont's bedroom, Hôtel de Caumont, Aix-en-Provence
Exhibition Review
Picasso Cézanne. Aix-en-Provence
11/2009 | 1280 | 151
Pages: 794-797
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related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
artists:
Picasso, Pablo / Cézanne, Paul
dates:
2000-2009
museums and institutions:
Musée Granet, Aix-en-Provence, France
places:
Aix-en-Provence / France
print:
Picasso, Pablo
print:
Cézanne, Paul
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Picasso Cézanne | institution: Musée Granet
Illustrations
Attributed works:
62. Fruit, napkin and jug of milk, by Paul Cézanne. 1880–81. Canvas, 60 by 73 cm. (Musée national de l’Orangerie, Paris; exh. Musée Granet, Aix-en-Provence).
Attributed works:
63. Portrait of Gustave Geffroy, by Paul Cézanne. 1895–98. Canvas, 116 by 89 cm. (Musée d’Orsay, Paris; exh. Musée Granet, Aix-en-Provence).
Attributed works:
64. Girl with a mandolin, by Pablo Picasso. 1909. Canvas, 92 by 73 cm. (State Hermitage Museum, St Petersburg; exh. Musée Granet, Aix-en-Provence).
Attributed works:
65. Jacqueline seated in an armchair, by Pablo Picasso. 1964. Canvas, 194.7 by 130 cm. (Private collection; exh. Musée Granet, Aix-en-Provence).
Article
Cézanne in Provence
09/2006 | 1242 | 148
Pages: 621-629
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Author:
Riley, Bridget (Riley, Bridget)
Subjects
artists:
Cézanne, Paul
dates:
1850-1919 / 2000-2009
museums and institutions:
National Gallery of Art, Washington, United States / Musée Granet, Aix-en-Provence, France
places:
Washington DC / United States / France / Aix-en-Provence / Provence
print:
Cézanne, Paul
subjects:
French painting / Exhibitions / Reviews
Illustrations
Attributed works:
44. The house with the red roof, by Paul Cézanne. 1885-86. Canvas, 73 by 92 cm. (Private collection; exh. National Gallery of Art, Washington).
Attributed works:
45. The basin of the Jas de Bouffan in winter, by Paul Cézanne. c.1878. Canvas, 52.5 by 56 cm. (Private collection; exh. National Gallery of Art, Washington).
Attributed works:
46. Antony Valabrègue, by Paul Cézanne. 1866. Canvas, 116.3 by 98.4 cm. (Mr and Mrs Paul Mellon Collection, National Gallery of Art, Washington).
Attributed works:
47. Peasant, by Paul Cézanne. 1890–99. Canvas, 55 by 46 cm. (Private collection; exh. National Gallery of Art, Washington).
Attributed works:
48. The viaduct at L’Estaque, by Paul Cézanne. 1882. Canvas, 46.5 by 55.6 cm. (Allen Memorial Art Museum, Oberlin College, Oberlin; exh. National Gallery of Art, Washington).
Attributed works:
49. The Gulf of Marseille seen from L’Estaque, by Paul Cézanne. c.1885. Canvas, 80.3 by 100.7 cm. (The Art Institute of Chicago; exh. National Gallery of Art, Washington).
Attributed works:
50. Hamlet at Payannet, near Gardanne, by Paul Cézanne. 1885–86. Canvas, 62.6 by 91.1 cm. (The White House; exh. National Gallery of Art, Washington).
Attributed works:
51. Large pine and red earth, by Paul Cézanne. 1890–95. Canvas, 72 by 91 cm. (The State Hermitage Museum, St Petersburg; exh. National Gallery of Art, Washington).
Attributed works:
52. The large pine, by Paul Cézanne. c.1889. Cardboard, 84 by 92 cm. (MASP, Museu de Arte São Paulo Assis Chateaubriand, São Paulo; exh. National Gallery of Art, Washington).
Attributed works:
53. Château Noir, by Paul Cézanne. 1900–04. Canvas, 73 by 92 cm. (Musée Picasso, Paris; exh. Musée Granet, Aix-en-Provence).
Attributed works:
54. Montagne Sainte-Victoire seen from Bibémus, by Paul Cézanne. c.1897. Canvas, 65.1 by 81 cm. (Cone Collection, Baltimore Museum of Art, Baltimore; exh. National Gallery of Art, Washington).
Attributed works:
55. The large trees, by Paul Cézanne. 1902–04. Canvas, 79.1 by 63.5 cm. (National Gallery of Scotland, Edinburgh; exh. National Gallery of Art, Washington).
Attributed works:
56. Montagne Sainte-Victoire seen from Les Lauves, by Paul Cézanne. 1902–04. Canvas, 69.9 by 89.5 cm. (Philadelphia Museum of Art; exh. National Gallery of Art, Washington).
Attributed works:
57. The large bathers, by Paul Cézanne. 1894–1905. Canvas 127.2 196.1 cm. (National Gallery, London; exh. National Gallery of Art, Washington).
Book Review
Renaissance et Baroque a Aix-en-Provence. Recherches sur la culture architecturale dans le midi de la France de la fin du XVe. au debut du XVIIIe. siecle
09/1983 | 966 | 125
Pages: 561-562
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Reviewer:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
Subjects
dates:
1400-1699
places:
France / Aix-en-Provence
subjects:
French painting / Renaissance / Baroque
Reviewed Items
subjects:
Renaissance et Baroque a Aix-en-Provence. Recherches sur la culture architecturale dans le midi de la France de la fin du XVe. au debut du XVIIIe. siecle | author: Gloton, Jean-Jacques
Exhibition Review
Current and Forthcoming Exhibitions: The Pierre Puget Exhibition at Aix-en-Provence
09/1972 | 834 | 114
Pages: 653
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related names
Reviewer:
W., C. (W., C.)
Subjects
artists:
Puget, Pierre
dates:
1970-1979
museums and institutions:
Musée Granet, Aix-en-Provence, France
places:
France / Aix-en-Provence
subjects:
Exhibitions / Reviews
Article
A Further Note on a Marble Capital in the Fitzwilliam Museum, Cambridge
06/1968 | 783 | 110
Pages: 312+314-318
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related names
Author:
Borg, Alan (Borg, Alan)
Subjects
dates:
1100-1199
museums and institutions:
Fitzwilliam Museum, Cambridge, Great Britain
places:
England / Cambridge
places:
France / Aix-en-Provence
places:
Avignon
subjects:
French sculpture / Architectural components / Capitals (column components)
subjects:
Romanesque
subjects:
Christian iconography / Jesus Christ
Illustrations
Western art unattributed:
10. Another View of the Capital Illustrated in Fig.9.
Western art unattributed:
11. Another View of the Capital Illustrated in Fig.9.
Western art unattributed:
12. Another View of the Capital Illustrated in Fig.9.
Western art unattributed:
13. Death of John the Baptist on Three Sides, Bull's Head on the Fourth. Romanesque Capital. White Marble; Height, 29.8 cm. (Musée Granet, Aix-en-Provence.)
Western art unattributed:
14. Another View of the Capital Illustrated in Fig. 13. Herod.
Western art unattributed:
15. Another View of the Capital Illustrated in Fig.13. Execution of John the Baptist.
Western art unattributed:
16. Another View of the Capital Illustrated in Fig.13.
Western art unattributed:
17. Romanesque Capital Attributed to Notre-Dame-des-Doms, Avignon. Marble; Height, c.42 cm. (Musée Calvet, Avignon.)
Western art unattributed:
18. Romanesque Capital Attributed to the Cloister of Notre-Dame-des-Doms, Avignon. Marble; Height, c.30 cm. (Musée Calvet, Avignon.)
Western art unattributed:
19. Romanesque Capital Attributed to the Cloister of Notre-Dame-des-Doms, Avignon. Marble; Height, c.30 cm. (Musée Calvert, Avignon.)
Western art unattributed:
6. Romanesqùe Capital. White Marble; Height, 29.8 cm. (Fitzwilliam Museum, Cambridge.)
Western art unattributed:
7. Another View of the Capital Illustrated in Fig.6.
Western art unattributed:
8. Another View of the Capital Illustrated in Fig.6.
Western art unattributed:
9. Massacre of the Innocents. Romanesque Capital. White Marble; Height, 29.8 cm. (Musée Granet, Aix-en-Provence.)
Short Notice
Cézanne at Aix-en-Provence
11/1956 | 644 | 98
Pages: 411-413
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related names
Author:
Richardson, John (Richardson, John)
Subjects
artists:
Cézanne, Paul
dates:
1950-1959
dates:
1850-1899
museums and institutions:
Gemeentemuseum, The Hague, Netherlands
museums and institutions:
Pavillon Vendôme, Aix-en-Provence, France
places:
France / Aix-en-Provence
places:
Netherlands / Hague
subjects:
French painting / Exhibitions
subjects:
Portraits / Landscapes (visual works) / Exhibition catalogues
Illustrations
Attributed works:
26. Ebauche des Grandes Baigneuses, by Paul Cézanne. 1902-3. Canvas, 73 by 92 cm. (Private Collection, Zürich.) Venturi No. 725.
Attributed works:
27. Gardanne, by Paul Cézanne. 1885-6. Canvas, 81 by 65 cm. (Dr F. H. Hirschland, New York.) Venturi No.432.
Attributed works:
28. Etude de Baigneuses, by Paul Cézanne. 1895-8. Canvas, 33.5 by 20.5 cm. (Mr and Mrs Adolphe A. Juviler, New York.) Not in Venturi.
Article
Paul Cezanne: New Documents for the Years 1870-1871
04/1939 | 433 | 74
Pages: 163-164+166-169+171
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related names
Author:
Rewald, John (Rewald, John; Rewald, Jean; Rewald, J.)
Subjects
artists:
Cézanne, Paul
dates:
1870-1879
places:
France / Aix-en-Provence / L'Estaque
subjects:
French painting / Documents / Correspondence
subjects:
Nature / Landscapes (visual works) / Post-Impressionism
subjects:
Zola, Emile
subjects:
Biographies / Politics / Formal analysis
Illustrations
Attributed works:
Plate I. A-Landscape with Factory near Aix, by Paul Cezanne. About 1870. Canvas, 41 by 55 cm. (M. J. V. Pellerin, Paris). Paul Cezanne: New Documents for the Years 1870-1871
Attributed works:
Plate I. B-Melting Snow at L'Estaque, by Paul Cezanne. About 1871. Canvas, 73 by 92 cm. (M. J. V. Pellerin, Paris). Paul Cezanne: New Documents for the Years 1870-1871
Attributed works:
Plate II. A-Provencal Landscape, by Paul Cezanne. About 1870. Canvas, 59 by 78 cm. (M. R. Lecomte, Paris). Paul Cezanne: New Documents for the Years 1870-1871
Attributed works:
Plate II. B-Fishing Village at L'Estaque, by Paul Cezanne. About 1871. Canvas, 42 by 55 cm. Formerly in the Emile Zola Collection (M. J. V. Pellerin, Paris). Paul Cezanne: New Documents for the Years 1870-1871
Western art unattributed:
An Unpublished Portrait of the Artist. Pencil Drawing, about 1880. 33 by 27.5 cm. (Private Collection; by Courtesy of Messrs. Alex. Reid & Lefevre).