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4 articles
Publication Received
Voir la Musique. By Florence Gétreau
08/2019 | 1397 | 161
Pages: 703
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related names
Reviewer:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
dates:
1500-1899 / 1900-1999
subjects:
Musicians / Music / Concert / Allegory / Religion / Audiences / Art history
Reviewed Items
subjects:
Voir la Musique By Florence Gétreau. 416 pp. incl. 334 col. ills. (Citadelles et Mazenod, Paris, 2017) | :
Article
Biagio Rebecca draws the London Opera House: London’s King’s Theatre in the 1790s
05/2019 | 1394 | 161
Pages: 364-373
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related names
Author:
Burden, Michael (Burden, Michael)
Subjects
artists:
Rebecca, Biagio / West, Benjamin / Novosielski, Michael / Marinari, Gaetano
buildings:
Concert Room, King's Theatre, London, Great Britain / King's Theatre, Haymarket, London, Great Britain
dates:
1790-1799
media:
Watercolours
museums and institutions:
Royal Collection, (Great Britain)
subjects:
Architectural history / Theatre design / Interior design / Interior spaces / Decorative arts / Opera / Music / Plays (representations) / Audiences
Illustrations
Attributed works:
1. The auditorium of the Opera House, London, by Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 66.5 by 54 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
2. An Inside View of the Opera House, by J. Page after R. Arnold, published in Carlton House Magazine (1792). Engraving, 12.4 by 20.6 cm. (Victoria and Albert Museum, London).
Attributed works:
3. The Opera House, by A.C. Pugin after Thomas Rowlandson, hand coloured by J. Black, published in R. Ackermann: Microcosm of London, London 1808–10 (1809). Engraving with acquatint, 26.6 by 33.3 cm. (The Bodleian Library, Oxford).
Attributed works:
4. Opera House or King’s Theatre at the Hay-Market, by James Storer after Anthony van Assen, published by Harrison & Co. 1795. Etching, 10.5 by 14 cm. (Victoria and Albert Museum, London).
Attributed works:
5. The Concert Room, The Opera House, London, attributed to Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 59.9 by 79.5 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019)
Attributed works:
7. The Prince of Wales as ‘The Modern Atlas’, by Isaac Cruikshank, published by S.W. Fores. 1791. Hand coloured etching, 25.3 by 37.6 cm. (Victoria and Albert Museum, London).
Attributed works:
8. The Opera House and the Concert Room, London, as completed 1794, by J. Willis after A.C. Pugin, published by John Weale, c.1800. Engraving, 13 by 22.3 cm. (Private collection).
Western art unattributed:
6. The Opera House, Haymarket, London. After 1794. Watercolour on paper, 20.6 by 32.7 cm. (British Museum, London).
Exhibition Review
Adrian Piper: A Synthesis of Intuitions, 1965–2016. Museum of Modern Art, New York
07/2018 | 1384 | 160
Pages: 597-599
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related names
Reviewer:
Buskirk, Martha (Buskirk, Martha)
Subjects
art literature:
Siegelaub, Seth / Lippard, Lucy / Kant, Immanuel
artists:
Piper, Adrian
dates:
2010-2019
media:
Paintings / Drawings / Documents / Videos / Photographs
museums and institutions:
Museum of Modern Art, New York, United States
places:
United States / New York
subjects:
Conceptual art / African American / Gender / Race / Genealogy / Audiences
subjects:
Class
Illustrations
Attributed works:
28. Vanilla nightmares #12, by Adrian Piper. 1986. Charcoal on newspaper, 59.7 by 34.3 cm. (Museum of Modern Art, New York; © Adrian Piper Research Archive Foundation, Berlin).
Attributed works:
29. Installation view of What it’s like, what it is #3, by Adrian Piper, in Dislocations at the Museum of Modern Art, New York, 20th October 1991–7th January 1992. (Museum of Modern Art, New York; © Adrian Piper Research Archive Foundation, Berlin).
Attributed works:
30. Documentation of Untitled performance at Max’s Kansas City, by Adrian Piper. 1970.Gelatin silver print, 9 by 9 cm. (© Adrian Piper Research Archive Foundation, Berlin; exh. Museum of Modern Art, New York).
Exhibition Review
Joan Jonas. Tate Modern, London
07/2018 | 1384 | 160
Pages: 595-597
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related names
Reviewer:
Boaden, James (Boaden, James)
Subjects
artists:
Jonas, Joan
dates:
2010-2019
media:
Performance art / Videos / Drawings / Sculpture / Installations (visual works)
museums and institutions:
Tate Modern, London, Great Britain
places:
Great Britain / London
subjects:
Performance artists / Surveys / Dating / Literature in art / Visual sources / Influence
subjects:
Audiences
Illustrations
Attributed works:
26. Cones/May windows (after mirage) II, by Joan Jonas. 1976/2014. (Gavin Brown’s Enterprise, Rome; installa-tion view at Tate Modern, London, 2018).
Attributed works:
27. The juniper tree, by Joan Jonas. 1976/1994. (Tate, London; installation view at Tate Modern, London, 2018).