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11 articles
Exhibition Review
Spain and the Hispanic World: Treasures from the Hispanic Society Museum and Library
04/2023 | 1441 | 165
Pages: 442-445
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Reviewer:
Ellis, Morlin (Ellis, Morlin)
Subjects
artists:
Goya, Francisco Javier de / Velázquez, Diego / Sorolla y Bastida, Joaquín / Rusiñol, Santiago / Zuloaga, Ignacio
museums and institutions:
Royal Academy of Arts, London, Great Britain / Hispanic Society of America, New York, United States
subjects:
Spanish art / Latin American art
subjects:
Islamic art
Reviewed Items
subjects:
Spain and the Hispanic World: Treasures from the Hispanic Society Museum and Library Royal Academy of Arts, London 21st January–10th April | :
Illustrations
Attributed works:
10. Girls of Burriana (Falleras), by Hermenegildo Anglada Camarasa. 1910– 11. Oil on canvas, 166 by 208 cm. (Hispanic Society of America, New York; exh. Royal Academy of Arts, London).
Attributed works:
8. Alhambra silk. Nasrid, Granada, c.1400. 237.5 by 152.3 cm. (Hispanic Society of America, New York; exh. Royal Academy of Arts, London).
Attributed works:
9. The Duchess of Alba, by Francisco de Goya. 1797. Oil on canvas, 210.3 by 149.3 cm. (Hispanic Society of America, New York; exh. Royal Academy of Arts, London).
Book Review
Rubens in Repeat: The Logic of the Copy in Colonial Latin America
03/2023 | 1440 | 165
Pages: 343-344
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Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
artists:
Rubens, Peter Paul
dates:
1650-1749 / 1750-1779
subjects:
Latin American art / Peruvian School / Copies / Prints
Reviewed Items
subjects:
Rubens in Repeat: The Logic of the Copy in Colonial Latin America By Aaron M. Hyman. 320 pp. incl. 150 col. + 12 b. & w. ills. (Getty Research Institute, Los Angeles, 2021), £55. ISBN 978–1–60606–686–7. | :
Editorial
Searching for utopia: from dinosaurs to the metaverse
12/2021 | 1425 | 163
Pages: 1111
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Subjects
subjects:
Burlington Contemporary / Digital technology / Digital art / American art / Latin American art / Contemporary art
Editorial
Crossing borders
07/2021 | 1420 | 163
Pages: 567
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Subjects
art literature:
Burlington Contemporary
places:
Venezuela / Paraguay / Mexico / Brazil
subjects:
Latin American art
Exhibition Review
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s. Blanton Museum of Art, University of Texas at Austin
05/2020 | 1406 | 162
Pages: 451-453
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Reviewer:
Reynolds, Ann (Reynolds, Ann)
Subjects
art literature:
Amauta magazine
media:
Paintings / Photographs / Textiles
museums and institutions:
Blanton Museum of Art, Austin, United States
places:
Argentina / Peru / Mexico
subjects:
Latin American art / Social history / Politics / Literature / Art in literature / Art literature / Archives / Manifestoes
subjects:
Mexican painting / Argentinian school / Peruvian School
Reviewed Items
subjects:
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s Blanton Museum of Art, University of Texas at Austin 16th February–17th May | :
Illustrations
Attributed works:
22. Mayor of Chinchero, by José Sabogal. 1925. Oil on canvas, 169 by 109 cm. (Pinacoteca Municipal Ignacio Merino, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
24. Installation photograph of The Avantgarde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s at the Blanton Museum of Art, University of Texas at Austin, 2020.
Attributed works:
25. Mexican flag, by Lola Velásquez de Cueto. 1920s. Silk tapestry made with chain stitch, 42 by 150 cm. (Private collection, Lima;   Sucesi n Mireya Cueto; photograph of Lance Aaron; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
Opposite 23. Allegory to the farmers, by Carlos Quízpez As n. 1928. Oil on canvas, approx. 190 by 150 cm. (Universidad Nacional de Ingenier a, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Book Review
Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth Century Latin American Art. By Alexander Alberro
01/2018 | 1378 | 160
Pages: 73
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Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
1900-1999
places:
Argentina / Brazil / Uruguay / Venezuela
styles:
Abstract art
subjects:
Latin American art
Illustrations
Attributed works:
8. Vibrating light (Lumière en vibration), by Julio le Parc. Installation photograph of Labyrinthe I at the Musée d’art moderne de la ville de Paris for the 1963 Paris Biennale. (Courtesy Le Parc Studio, Paris).
Exhibition Review
Radical women: Latin American art 1960–85. Los Angeles and New York
12/2017 | 1377 | 159
Pages: 1026-1027
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related names
Reviewer:
Santone, Jessica (Santone, Jessica)
Subjects
dates:
1960-1979 / 1970-1979 / 1980-1989
subjects:
Women artists / Latin American art
Reviewed Items
subjects:
Radical Women: Latin American Art, 1960–1985, at the Hammer Museum, Los Angeles (then at the Brooklyn Museum, New York). | :
Illustrations
Attributed works:
96. Detail of Autorretrato, estructura, informe, 9.6.1972 (Self-portrait, structure, report, 9.6.1972), by Teresa Burga.1972. (M HKA/ Collection Flemish Community; exh. Hammer Museum, Los Angeles).
Attributed works:
97. Still from Me gritaron negra (They shouted black at me), by Victoria Santa Cruz. 1978 (OTA-Odin Teatret Archives; exh. Hammer Museum, Los Angeles).
Attributed works:
98. Photograph from the Tableaux vivant series, by Yolanda López. 1978 (Courtesy Yolanda M. López; exh. Hammer Museum, Los Angeles).
Letter
The emperor of Mexico’s screen
09/2017 | 1374 | 159
Pages: 692
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Author:
Pinna, Silvia (Pinna, Silvia)
Subjects
patrons:
Maximilian I, Emperor of Mexico, Archduke of Austria,1832-1867
subjects:
Latin American art
Exhibition Review
Suprasensorial. Los Angeles
05/2011 | 1298 | 153
Pages: 358-359
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related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
dates:
2010-2019
museums and institutions:
Museum of Contemporary Art (MOCA), Los Angeles, United States / Hirshhorn Museum and Sculpture Garden, Washington, United States
places:
Washington DC / United States / Los Angeles
print:
Latin American art
subjects:
Reviews / Exhibitions / Latin American / Art / Installations (visual works)
Reviewed Items
subjects:
Suprasen­sorial: Experiments in Light, Color, and Space | institution: Hirshhorn Museum and Sculpture Garden , institution: Museum of Contemporary Art (MOCA)
Illustrations
Attributed works:
69. Lumière en mouvement – installation, by Julio Le Parc. 1962; refabricated 2010. Painted drywall, mirrors, stainless steel, nylon thread and two spotlights, 487.7 by 1292.9 by 513.1 cm. (Collection of the artist, Paris; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
70. Pénétrable BBL bleu, by Jesús Rafael Soto. 1969; refabricated 1999. Nylon and painted steel, 365.3 by 400 by 1400 cm. (Collection of Hélène Soto, Paris; exh. Museum of Contemporary Art, Los Angeles).
Attributed works:
71. Cosmococa – programa in progress, CC4 nocagions, by Hélio Oiticica and Neville D’Almeida. 1973; refabricated 2010. Water, pool, electric lights, projected images, sound and paint, floor area 749.9 by 1374.5 cm. (Projeto Hélio Oiticica, Rio de Janeiro; exh. Museum of Contemporary Art, Los Angeles).
Exhibition Review
Latin America 1492-1820. Philadelphia, Mexico City and Los Angeles
11/2007 | 1256 | 149
Pages: 807-810
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related names
Reviewer:
Bray, Xavier (Bray, Xavier)
Subjects
dates:
2000-2009 / 1490-1499 / 1500-1799 / 1800-1819
museums and institutions:
Philadelphia Museum of Art, Philadelphia, United States / Antiguo Colegio de San Ildefonso, Mexico City, Mexico / Los Angeles County Museum of Art, Los Angeles, United States
places:
Philadelphia / Los Angeles / Mexico City / United States / Mexico
print:
Latin American art
subjects:
Reviews / Exhibitions / Art / Decorative arts / Religious art / Latin American / Aztec / Spanish Colonial
Reviewed Items
subjects:
The Arts in Latin America 1492–1820 | institution: Antiguo Colegio de San Ildefonso , institution: Los Angeles County Museum of Art , institution: Philadelphia Museum of Art
Illustrations
Attributed works:
86. Don Francisco de la Robe and his sons Pedro and Domingo, by Andrés Sánchez Gallque. 1599. Canvas, 92 by 175 cm. (Museo del Prado, Madrid, on deposit at the Museo de América, Madrid; exh. Los Angeles County Museum of Art).
Non-western art unattributed:
82. Christ Child of Huanca. Peru, c.1600–10. Polychromed wood with gilding, 82 cm. high. (Church of San Pedro, Lima; exh. Los Angeles County Museum of Art).
Non-western art unattributed:
83. Altarpiece of the Virgin of Sorrows. Mexico, c.1690. Gilt and polychromed wood, oil on panel and canvas, silver and cloth, 615 by 425.3 by 74 cm. (Fundación Televisa A.C., Mexico City; exh. Los Angeles County Museum of Art).
Non-western art unattributed:
84. Feather mitre with infulae. Mexico, sixteenth century. Feathers glued on parchment and textile with embroidery, 40.5 by 29 cm. (mitre); 42 by 10 cm. (infulae). (Museo degli Argenti, Palazzo Pitti, Florence; exh. Los Angeles County Museum of Art).
Non-western art unattributed:
85. Ecce Homo. Mexico, late sixteenth century. Corn paste, painted, 54.5 cm. high. (Patrimonio Nacional, Monasterio de las Descalzas Reales, Madrid; exh. Los Angeles County Museum of Art).
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