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5 articles
Article
Titian’s ‘Allegory of Prudence’ and Philip II
03/2023 | 1440 | 165
Pages: 258-268
related names
Author:
Markou, Georgios E. (Markou, Georgios E.)
Subjects
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dates:
Illustrations
Attributed works:
1. Allegory of Prudence, by Titian. 1555–60. Oil on canvas, 75.5 by 68.4 cm. (National Gallery, London).
Attributed works:
10. Prudentia, a tapestry from the series Los Honores, by Pieter van Aelst. 1520–25. Gold, silver, silk and wool, 490 by 820 cm. (Royal Palace of La Granja de San Ildefonso; Bridgeman Images).
Attributed works:
11. The death of Actaeon, by Titian. 1559–75. Oil on canvas, 178.4 by 198.1 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
12. Proposed frontispiece for Antonio Herrera y Tordesillas, General history of the world in the age of Philip II, the Prudent. 1599. Engraving. (Archivo Histórico Nacional, Madrid, Consejos 4416/101).
Attributed works:
2. X-radiograph of Fig.1, digitally adjusted to remove the effect of the stretcher.
Attributed works:
3. Impresa of the de’ Farri press. 1544. Woodcut. (From H. Barbarosa: Il comento di Marsilio Ficino sopra il Conuito di Platone, Venice 1544).
Attributed works:
4. Impresa of the de’ Farri press. 1555. Woodcut. (From A. Appiano: Historia Delle Guerre Esterne de’ Romani Di Appiano, Venice 1555).
Attributed works:
5. Sol. 1556. Woodcut. (From G.P. Valeriano: Hieroglyphica, sive de sacris Aegyptiorum aliarumque gentium literis, commentariorum libri LVIII, Basel 1556, Liber XXXII, fol.229r).
Attributed works:
6. Hispania. 1556. Woodcut. (From G.P. Valeriano: Hieroglyphica sive De sacris aegyptiorvm centivm literis, Basel 1556, Liber XXXII, fol.228v).
Attributed works:
7. Impresa of Philip II, by Nicolò Nelli. 1566. Engraving. (From G. Ruscelli: Le imprese illustri, Venice 1566, p.232).
Attributed works:
8. Impresa of Elisabeth of Valois, by Nicolò Nelli. 1566. Engraving. (From G. Ruscelli: Le imprese illustri, Venice 1566, p.312).
Attributed works:
9. Detail of the Nobilitas tapestry from the series Los Honores, showing (left) Apollo (‘Phoebus’), by Pieter van Aelst. 1520–25. Gold, silver, silk and wool, 500 by 860 cm. (Royal Palace of La Granja de San Ildefonso; Bridgeman Images).
Article
An ‘Allegory of Prudence’ attributed to Nicola Pisano’s workshop
11/2022 | 1436 | 164
Pages: 1126-1129
related names
Author:
Palozzi, Luca (Palozzi, Luca)
Author:
Vergani, Graziano A. (Vergani, Graziano A.)
Subjects
dates:
Illustrations
Attributed works:
16. Detail of Fig.18, showing Maturity.
Attributed works:
17. Detail of a king in the panel of The Elect, from a pulpit in Siena Cathedral depicting the Last Judgment, by Nicola Pisano and workshop. 1265–68. Marble. (© Lensini Foto, Siena).
Attributed works:
18. Allegory of Prudence, here attributed to Nicola Pisano and workshop. c.1265–70. Marble, 23.5 cm. by 12.4 cm. by 9.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Detail of Fig.18, showing Old Age.
Attributed works:
20. Detail of the Allegory of Prudence from the tomb of Peter of Verona in S. Eustorgio, Milan, by Giovanni di Balduccio Albonetti. 1339. Marble. (From La Cappella Portinari in Sant’Eustorgio a Milano, Milan 1963).
Attributed works:
21. Detail of Fig.18, showing Youth.
Attributed works:
22. Detail of Faith on a holy-water basin in S. Giovanni Fuorcivitas, Pistoia, by the Pisano workshop. c.1270. Marble. (From C. Gnudi: Nicola, Arnolfo, Lapo: l’arca di San Domenico in Bologna, Florence 1948).
Attributed works:
23. Detail of the Virgin from the panel Flight into Egypt, from a pulpit in Siena Cathedral, by Nicola Pisano and workshop. 1265–68. Carrara marble. (Photograph Kunsthistorisches Institut in Florenz-Max-Planck-Gesellschaft).
Attributed works:
24. Detail of St Cecilia from the cyborium of S. Cecilia in Trastevere, Rome, by Arnolfo di Cambio. 1293. Marble. (Archivio Fotografico Gallerie Vaticane, Rome).
Exhibition Review
Current and Forthcoming Exhibitions: London [The cleaning of Titian's Allegory of Prudence at the National Gallery]
09/1966 | 762 | 108
Pages: 490
related names
Reviewer:
Roberts, Keith (Roberts, Keith; R., K.)
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subjects:
Article
'La Prudence amène la Paix et l'Abondance' by Simon Vouet
07/1961 | 700 | 103
Pages: 296-299
related names
Author:
Seligman, Germain (Seligman, Germain)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
1. La Prudence amène la Paix et l'Abondance, by Simon Vouet. Canvas, 236 by 175 cm. (Musée du Louvre; Gift of the Société des Amis du Louvre.)
Article
A Late Antique Religious Symbol in Works by Holbein and Titian
10/1926 | 283 | 49
Pages: 177-181
related names
Author:
Panofsky, Erwin (Panofsky, Erwin)
Author:
Saxl, Fritz (Saxl, Fritz; Saxl, F.; Saxl)
Subjects
artists:
dates:
places:
sources:
Illustrations
Western art unattributed:
Fig. 1. Prudentia. Pavement of Duomo, Siena. (Ann. Archéol, 1856, p. 132)
Western art unattributed:
Fig. 2. Prudentia. Cod. Casanat, 1404, Fol. 10.
Western art unattributed:
Fig. 3. Saturn with three heads. Cod. Vindob. 2372, fol. 46 v. Fig. 4. Representation of Sarapis, interpreted as "Sun." (Pierio Valeriano, Hieroglyphica.) Fig. 5. The "Signum triciput" of Sarapis (Hypnerotomachia Polyphili, 1499, fol. y 1 r).
Western art unattributed:
Fig. 6. "Il Consiglio" (Cesare Ripa, Iconologia, Rome, 1603). Fig. 7. Holbein (?) Allegory of the three Forms of Time, from J. Eck De Primatu Petri, libri tres, Paris, 1521. Fig. 8. "Signum triciput" of Sarapis, from L. Bergerus, Lucernœ veterum sepulchrales iconicœ, 1702, II, pl. 7. Fig. 9. Mithraic Chronos, Villa Albani, Rome (Cumont, II, No. 40).