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10 articles
Article
Titian’s ‘Allegory of Prudence’ and Philip II
03/2023 | 1440 | 165
Pages: 258-268
related names
Author:
Markou, Georgios E. (Markou, Georgios E.)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Allegory of Prudence, by Titian. 1555–60. Oil on canvas, 75.5 by 68.4 cm. (National Gallery, London).
Attributed works:
10. Prudentia, a tapestry from the series Los Honores, by Pieter van Aelst. 1520–25. Gold, silver, silk and wool, 490 by 820 cm. (Royal Palace of La Granja de San Ildefonso; Bridgeman Images).
Attributed works:
11. The death of Actaeon, by Titian. 1559–75. Oil on canvas, 178.4 by 198.1 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
12. Proposed frontispiece for Antonio Herrera y Tordesillas, General history of the world in the age of Philip II, the Prudent. 1599. Engraving. (Archivo Histórico Nacional, Madrid, Consejos 4416/101).
Attributed works:
2. X-radiograph of Fig.1, digitally adjusted to remove the effect of the stretcher.
Attributed works:
3. Impresa of the de’ Farri press. 1544. Woodcut. (From H. Barbarosa: Il comento di Marsilio Ficino sopra il Conuito di Platone, Venice 1544).
Attributed works:
4. Impresa of the de’ Farri press. 1555. Woodcut. (From A. Appiano: Historia Delle Guerre Esterne de’ Romani Di Appiano, Venice 1555).
Attributed works:
5. Sol. 1556. Woodcut. (From G.P. Valeriano: Hieroglyphica, sive de sacris Aegyptiorum aliarumque gentium literis, commentariorum libri LVIII, Basel 1556, Liber XXXII, fol.229r).
Attributed works:
6. Hispania. 1556. Woodcut. (From G.P. Valeriano: Hieroglyphica sive De sacris aegyptiorvm centivm literis, Basel 1556, Liber XXXII, fol.228v).
Attributed works:
7. Impresa of Philip II, by Nicolò Nelli. 1566. Engraving. (From G. Ruscelli: Le imprese illustri, Venice 1566, p.232).
Attributed works:
8. Impresa of Elisabeth of Valois, by Nicolò Nelli. 1566. Engraving. (From G. Ruscelli: Le imprese illustri, Venice 1566, p.312).
Attributed works:
9. Detail of the Nobilitas tapestry from the series Los Honores, showing (left) Apollo (‘Phoebus’), by Pieter van Aelst. 1520–25. Gold, silver, silk and wool, 500 by 860 cm. (Royal Palace of La Granja de San Ildefonso; Bridgeman Images).
Short Notice
The Patron and early provenance of Titian's 'Three ages of man'
11/2003 | 1208 | 145
Pages: 787-791
related names
Author:
Humfrey, Peter (Humfrey, Peter)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
Cardinal Truchsess von Waldburg, by Lambert Sustris. 1553. (Fürst con Waldburg-Zeil collection, Schloss Zeil).
Attributed works:
The three ages of man, by Titian. c.1513. 90 by 150.7 cm. (Duke of Sutherland collection, on loan to the National Gallery of Scotland, Edinburgh).
Attributed works:
The three ages of man, etching by Valentin Lefèvre after a lost painting by Titian. (from V. Lefèvre: Opera selectiora . . ., 1680-82).
Attributed works:
X-radiograph of Fig.29.
Western art unattributed:
Bathers, by an anonymous Ferrarese painter. c.1520-30. 108.5 by 163 cm. (Castel S. Angelo, Rome).
Western art unattributed:
The tree ages of man, copy after lost painting by Titian. 90 by 154 cm. (Doria Pamphilj collection, Rome).
Article
Mutual Love and Golden Age: Matisse and 'gli Amori de' Carracci'
04/1982 | 949 | 124
Pages: 203-208
related names
Author:
Puttfarken, Thomas (Puttfarken, Thomas)
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artists:
dates:
places:
sources:
subjects:
Illustrations
Attributed works:
2. Il reciproco Amore, Here Interpreted as Love in the Golden Age, by Agostino Carracci. (Kupferstichkabinett, Kunsthalle, Hamburg).
Attributed works:
3. Love in the Golden Age, Here Interpreted as Love in the Silver Age, by Agostino Carracci. (Kupferstichkabinett, Kunsthalle, Hamburg).
Attributed works:
4. Amor Letheo, Here Interpreted as Love in the Bronze Age, by Sadeler. (Kupferstichkabinett, Kunsthalle, Hamburg).
Attributed works:
5. Il Castigo d' Amor, Here Interpreted as Love in the Iron Age, by Sadeler. (Kupferstichkabinett, Kunsthalle, Hamburg).
Article
The X-Ray Examination of Titian's 'Three Ages of Man' in the Bridgewater House Collection
12/1971 | 825 | 113
Pages: 720-723+725-726
related names
Author:
Robertson, Giles (Robertson, Giles)
Subjects
artists:
dates:
museums and institutions:
places:
sources:
subjects:
Illustrations
Attributed works:
21. The Three Ages. Engraving by Valentin Lefebvre, after Titian. Courtesy of the Warburg Institute.
Attributed works:
22. Infra-Red Photograph of the Head of the Girl, from Titian's Three Ages of Man Illustrated in Fig. 23.
Attributed works:
23. The Three Ages of Man, by Titian. (Collection The Duke of Sutherland, on Loan to the National Gallery of Scotland, Edinburgh.)
Attributed works:
24. Detail from Mosaic of X-Rays of Titian's Three Ages of Man Illustrated in Fig. 23, Showing the Central Area.
Attributed works:
25. Mosaic of X-Rays of Titian's Three Ages of Man Illustrated in Fig. 23.
Letter
Addenda to Pietro da Cortona
10/1965 | 751 | 107
Pages: 524+526-527
related names
Author:
Campbell, Malcolm (Campbell, Malcolm)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
42. Composition Study, by Pietro da Cortona. 1637. Black Chalk on White Paper, 23.2 by 27.3 cm. (Staatlische Graphische Sammlung, Munich.) 44. Figure Studies, by Pietro da Cortona. c.1647. Pen and Bistre, 25.5 by 28 cm. (Gabinetto Nazionale delle Stampe, Rome.)
Short Notice
Pietro da Cortona's Drawings for the Pitti Palace at the Uffizi
10/1965 | 751 | 107
Pages: 522-526
related names
Author:
Vitzthum, Walter (W. V.) (Vitzthum, Walter (W. V.); Vitzthum, Dr.)
Subjects
dates:
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
36. Study for the Age of Bronze, by Pietro da Cortona. Chalk, Pen and Ink. (Metropolitan Museum, New York.)
Attributed works:
37. Study for the Age of Bronze, by Pietro da Cortona. Black Chalk, Pen and Ink, Brown Wash, 40.5 by 27 cm. (Collection Mr Walter Baker, New York.)
Attributed works:
38. Study for a Pendentive in the Sala di Apollo, by Pietro da Cortona. Pen and Brown Ink, 15.7 by 19 cm. (Collection Mr Keith Andrews, Edinburgh.)
Attributed works:
39. Study for the Cupola of the Chiesa Nuova in Rome, by Pietro da Cortona. Pen and Ink, 15.7 by 19.2 cm. (National Gallery of Scotland, Edinburgh.)
Attributed works:
40. A Pendentive of the Sala di Apollo, by Pietro da Cortona. Engraving.
Attributed works:
41. Study for the Figure of Calliope in Fig.39, by Pietro da Cortona. Black and White Chalk, 26.6 by 24 cm. (Private Collection, New York.)
Attributed works:
43. Study for the Ceiling of the Sala di Venere, by Pietro da Cortona. Black Chalk, Pen and Ink, 16.2 by 23.5 cm. (Private Collection, New York.) 45. Study for the Stucchi of the Sala di Saturno, by Pietro da Cortona. Black Chalk, Pen and Ink, Brown Wash, 37.1 by 24.7 cm. (Kunstbibliothek, Berlin.) 46. Study for the Ceiling of the Sala di Marte, by Pietro da Cortona. Black Chalk, 28 by 43 cm. (British Museum.)
Article
Pontormo and Andrea Del Sarto, 1513
11/1962 | 716 | 104
Pages: 450+478-483
related names
Author:
Shearman, John (Shearman, John)
Subjects
artists:
artists:
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patrons:
places:
subjects:
subjects:
Illustrations
Attributed works:
1. The Transformation of Daphne, Here Attributed to Pontormo. Canvas, 60.5 by 46.5 cm. (Kress Study Collection, No. 1619, Bowdoin College, Brunswick, Maine.) Photo: Kress Foundation.
Attributed works:
2. Apollo and Cupid, Here Attributed to Pontormo. Canvas, 61 by 46.5 cm. (Kress Study Collection, No. 1618, Bucknell University, Lewisburg, Pennsylvania.) Photo: Kress Foundation.
Attributed works:
3. The Baptism, by Pontormo. Panel, 69 by 45 cm. (Palazzo Vecchio, Florence.)
Attributed works:
4. Detail from Women and Putti, by Andrea del Sarto. (Gabinetto di Disegni, Uffizi, No. 91461.) Photo: Soprintendenza alle Gallerie di Firenze.
Attributed works:
5. Detail from Nativity of the Virgin, by Andrea del Sarto. Fresco; This Detail c. 61 by 61 cm. (SS. Annunziata, Florence.) Photo: Soprintendenza alle Gallerie di Firenze.
Attributed works:
6. Figure Study, by Pontormo. Red Chalk, 38.7 by 23.8 cm. (Whereabouts Unknown.) 8. Two Soldiers, by Andrea del Sarto. Canvas, 57 by 114 cm. (Gabinetto di Disegni, Uffizi, No. 91464.) Photo: Soprintendenza alle Gallerie di Firenze.
Letter
Pietro da Cortona's Camera della Stufa
06/1962 | 711 | 104
Pages: 266-267
related names
Author:
Vitzthum, Walter (W. V.) (Vitzthum, Walter (W. V.); Vitzthum, Dr.)
Subjects
dates:
places:
sources:
subjects:
Letter
Pietro da Cortona's Camera della Stufa
03/1962 | 708 | 104
Pages: 120-123+125
related names
Author:
Campbell, Malcolm (Campbell, Malcolm)
Author:
Vitzthum, Walter (W. V.) (Vitzthum, Walter (W. V.); Vitzthum, Dr.)
Subjects
dates:
places:
sources:
subjects:
Illustrations
Attributed works:
25. Figure Studies for the Age of Gold, by Pietro da Cortona. Black Chalk, 23.1 by 26.2 cm. (Gabinetto dei Disegni, Uffizi, Florence.)
Attributed works:
26. Figure Study for the Age of Gold, by Pietro da Cortona. Black Chalk Heightened with White on Grey Paper, 33.3 by 25.7 cm. (Gabinetto Nazionale delle Stampe, Rome.)
Attributed works:
27. Study of Heads for the Age of Gold, by Pietro da Cortona. Black Chalk Heightened with White on Grey Paper, 22.7 by 40 cm. (Gabinetto dei Disegni, Uffizi, Florence.)
Attributed works:
28. Study for the Age of Gold, by Pietro da Cortona. Red Chalk, Pen, and Brown Ink, Squared in Black Chalk, 41 by 27.5 cm. (Gabinetto dei Disegni, Uffizi, Florence.)
Attributed works:
29. Age of Gold, by Pietro da Cortona. Fresco. (Sala della Stufa, Palazzo Pitti, Florence.)
Article
A New Drawing for Pietro da Cortona's 'Age of Bronze'
10/1961 | 703 | 103
Pages: 422-425+427
related names
Author:
Campbell, Malcolm (Campbell, Malcolm)
Author:
Laskin, Myron (Laskin, Myron)
Subjects
dates:
museums and institutions:
places:
sources:
subjects:
Illustrations
Attributed works:
18. Study for the Age of Bronze, by Pietro da Cortona. Pen and Ink over Red Chalk, 33.8 by 26.5 cm. (National Gallery, Prague.)
Attributed works:
19. Age of Bronze, by Pietro da Cortona. Fresco. (Sala della Stufa, Palazzo Pitti, Florence.)
Attributed works:
20. Study for the Age of Bronze, by Pietro da Cortona. Pen and Bistre Wash over Black Chalk, 33.3 by 26 cm. (Staatliche Graphische Sammlung, Munich.)
Attributed works:
21. Detail of the Munich Study, Reproduced in Fig.20, Showing Alternative Architectural Scheme beneath the Movable Flap.
Attributed works:
22. Figure Study for the Age of Bronze, by Pietro da Cortona. Black Chalk Heightened with White on Grey Paper, 34.5 by 23 cm. (Gabinetto Nazionale delle Stampe, Rome.)
Attributed works:
23. Study for the Age of Iron, by Pietro da Cortona. Pen and Ink, over Red Chalk, 31.2 by 25.7 cm. (Art Museum, Princeton University.)