1. Detail of a wallpaper, by Wang Zhengyue. Probably 1877. Ink and watercolour on thirty-two rolls of paper, largest roll 322.6 by 113 cm. (Temple Newsam, Leeds).
Exhibition Review
Thomas Chippendale studies 1968–2018: reflections on his 300th anniversary
1. Opposite Secretaire, by Thomas Chippendale. 1773. Mahogany with Chinese lacquer and English japanning, 86 by 136 by 43 cm. (Leeds Museums and Galleries, Temple Newsam House).
Attributed works:
2. Drawing for three chairs by Thomas Chippendale. 1753. Pen and grey wash on paper, 20.3 by 33 cm. (The Chippendale Society).
Attributed works:
3. Card table, by Thomas Chippendale. 1759. Mahogany and oak, 75 by 89 by 46 cm. (closed). (Dumfries House Trust).
Attributed works:
4. Armchair, by Thomas Chippendale. 1767. Mahogany, 96 by 63.5 by 65 cm. (Nostell Priory, The National Trust).
Attributed works:
5. Armchair, by Thomas Chippendale. c.1774. Gilt limewood with tapestry covers. 105 by 70 by 74 cm. (Newby Hall, Yorkshire).
Attributed works:
6. Armchair, attributed to Gillows, based on a plate XVII of The Gentleman and Cabinet-Maker’s Director by Thomas Chippendale, London 1762. 1784. Mahogany, 101.6 by 58.4 by 47.5 cm. (Birmingham Museums Trust, Soho House).
Attributed works:
7. Digital reconstruction of Fig.8, to show the original appearance of the marquetry.
Attributed works:
8. Top of a pier table, by Thomas Chippendale. c.1772. Veneered mahogany, 60 by 196 cm. (The Chippendale Society).
Attributed works:
9. Commode, by Thomas Chippendale. c.1773. Veneered mahogany with gilt-brass mounts, 94 by 228.6 by 63.5 cm. (Renishaw Hall, Derbyshire).
10. Armchair from a set of twelve by Thomas Chippendale. c.1774. Carved and gilded limewood, with the original tapestry covers, 105 by 70 by 74 cm. (Newby Hall, Yorkshire; exh. Leeds City Museum).
Attributed works:
11. Pier table made for the Yellow Damask Sitting Room at Harewood House, Yorkshire, by Thomas Chippendale. 1775. Various woods, the frame originally silvered, 95 by 235 by 67 cm. (Private collection; exh. Leeds City Museum).
Attributed works:
12. Library armchair from a set of six by Thomas Chippendale. 1768. Mahogany, originally covered in ‘Green hair Cloth’, 96 by 68 by 59 cm. (Nostell Priory, Yorkshire, The National Trust; exh. Leeds City Museum).
Attributed works:
13. Cabinet, one of a pair made for Melbourne House, London, by Thomas Chippendale. c.1773. Mahogany and various woods, 238 by 114 by 53 cm. (The Trustees of the Firle Estate Settlement; exh. Leeds City Museum).
22. Portrait of Hermann Probst, by Emil Nolde. c.1914–18. Watercolour, 34.5 by 26.5 cm. (Reproduced by the kind permission of the Earl and Countess of Harewood and Trustees of the Harewood House Trust).
Attributed works:
23. Couple in blue light (Paar in blauen Licht), by Emil Nolde. c.1939–45. Watercolour, 22 by 17.2 cm. (Reproduced by the kind permission of the Earl and Countess of Harewood and Trustees of the Harewood House Trust).
Book Review
Die antiken Skulpturen in Newby Hall sowie in anderen Sammlungen in Yorkshire
Cotman in the North: Watercolours of Durham and Yorkshire |
author: Hill, David
Illustrations
Attributed works:
52. Crambe Beck Bridge, near Kirkham, Yorkshire (formerly called Chirk Aqueduct), by John Sell Cotman. 1805. Pencil and watercolour, 31.5 by 23 cm. (Victoria and Albert Museum, London).