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3 articles
Article
Philip and Peter Paul Rubens in Rome: newly discovered documents concerning their early careers
02/2019 | 1391 | 161
Pages: 120-127
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related names
Author:
Paolini, Cecilia (Paolini, Cecilia)
Subjects
art literature:
Justus Lipsius, 1547-1606 / Seneca, Lucius Annaeus / Rubens, Philip
artists:
Rubens, Peter Paul / Veen, Otto van
dates:
1600-1699 / 1600-1649
media:
Paintings / Documents / Drawings / Engravings / Books
patrons:
Albert VII, Archduke of Austria, 1559–1621 / Vincenzo II Gonzaga, Duke of Mantua, 1594-1627 / Richardot, Jean, the younger
places:
Italy / Rome
subjects:
Flemish painting / Travel / Patronage / Commissions / Archives / Correspondence / Study and teaching / Courts (social groups) / Catholicism / Classicism / Classical / Counter-Reformation / Laocoön (Vatican Museums, Rome) / Belvedere Torso / Copies / Jesuits / Politics
Illustrations
Attributed works:
1. Philip Rubens, by Peter Paul Rubens. c.1610–11. Panel, 68.6 by 52.7 cm. (Detroit Institute of Arts).
Attributed works:
2. Laocoön and his sons, by Peter Paul Rubens. Black chalk and bistre on paper, 47.5 by 47.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
3. Bust of Seneca, by Cornelis Galle after Peter Paul Rubens. Engraving, 30.9 by 19 cm. From L. Annaei Senecae philosophi opera by Justus Lipsius, 2nd ed., Antwerp 1615. (The British Museum, London).
Attributed works:
4. The crowning with thorns, by Peter Paul Rubens. 1602. Panel, 224 by 180 cm. (Cathedral of Notre-Dame-du-Puy, Grasse, Bridgeman Images).
Attributed works:
5. Archduke Albert VII of Austria, by Peter Paul Rubens. c.1618. Canvas, 105 by 74 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
6. Opposite Peter Paul Rubens, Philip Rubens, Justus Lipsius and Joannes Woverius (‘The Four Philosophers’), by Peter Paul Rubens. c.1611–12. Panel, 164 by 139 cm. (Palazzo Pitti, Florence).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
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Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
artists:
Fuga, Ferdinando / Rainaldi, Carlo / Michelangelo / Maratti, Carlo / Rosa, Salvator / Cornacchini, Agostino / Legros, Pierre, II, 1666-1719 / Rusconi, Camillo / Domenichino / Raphael / Reni, Guido
buildings:
Palazzo del Vaticano, Rome, Italy / Santa Maria Maggiore, Rome, Italy
dates:
1700-1749
media:
Architecture / Bronzes / Drawings / Interiors / Paintings / Sculpture / Reliefs / Reliquaries / Textiles / Silks / Silverwork
patrons:
John V, King of Portugal, 1689-1750 / Clement XI, Pope, 1649-1721 / Gregory XV, Pope, 1554-1623
places:
Italy / Rome / Portugal / Lisbon
subjects:
Italian painting / Italian sculpture / Italian architecture / Churches / Chapels / Apparati (Italian pageants) / Pageants / Religious ceremonies / Collections, Private / Patronage / Papacy / Diplomacy / Travel / Catholicism / Jesuits / Correspondence
works:
Apollo Belvedere / Belvedere Torso / Laocoön (Vatican Museums, Rome)
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Article
Addendum to Caravaggio: The Cecconi 'Crowning with Thorns' Reconsidered
10/1976 | 883 | 118
Pages: 671-681
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Author:
Gregori, Mina (Gregori, Mina)
Subjects
artists:
Caravaggio, Michelangelo Merisi da
collectors and dealers:
Cecconi, Angelo
dates:
1590-1609
places:
Italy / Rome
subjects:
Italian painting / Attributions
subjects:
Jesus Christ: Crowning with Thorns
subjects:
Conservation / Technical analysis
subjects:
Visual sources
works:
Belvedere Torso
Illustrations
Attributed works:
1. Crowning with Thorns, Here Attributed to Caravaggio. Canvas, 178 by 125 cm. (Formerly Angelo Cecconi Collection, Florence; Now Cassa di Risparmi e Depositi di Prato).
Attributed works:
10. Crowning with Thorns, by Aert Mytens. (Nationalmuseum, Stockholm).
Attributed works:
11. Crowning with Thorns, by Peter Paul Rubens. 1601-02. (Hôpital du Petit-Paris, Grasse).
Attributed works:
2. Head of Christ, in the Cecconi Crowning with Thorns, before Restoration.
Attributed works:
3. Head of Christ, in the Cecconi Crowning with Thorns, after Restoration.
Attributed works:
4. Cross-Section of Detail of Area Bottom Left, Showing Flesh Tones of Tormentor's Back Incorporated between Blue-Green Drapery, and Preparation.
Attributed works:
5. Cross-Section of Detail of Area Further to Right than Fig.4. Showing Red of Christ's Robe Incorporated between Blue-Green Drapery over Ledge, and Preparation.
Attributed works:
6. The Cecconi Crowning with Thorns Illustrated in Fig. 1, before Restoration, after a Few Cleaning Tests.
Attributed works:
7. The Cecconi Crowning with Thorns Illustrated in Fig.1, after Cleaning and before Restoration.
Attributed works:
8. X-Ray of the Back of the Tormentor Bottom Left, in the Cecconi Crowning with Thorns.
Attributed works:
9. Left Hand of Christ, in the Cecconi Crowning with Thorns.