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6 articles
Article
New Islamic galleries
06/2013 | 1323 | 155
Pages: 396-401
related names
Reviewer:
Stanley, Tim (Stanley, Tim)
Subjects
artists:
subjects:
Illustrations
Attributed works:
47. The Museum of Islamic Art in Doha, Qatar, by I.M. Pei
Non-western art unattributed:
46. Display of Ottoman art at the David Collection, Copenhagen
Non-western art unattributed:
48. Eight medieval mosque lamps of enamelled and gilded glass on display at the Museum of Islamic Art, Doha
Non-western art unattributed:
49. The Moroccan Court at the Metropolitan Museum of Art, New York
Non-western art unattributed:
50. The new gallery for the Art of the Ottoman Court at the Metropolitan Museum of Art, New York
Non-western art unattributed:
51. Entrance chamber from a palatial residence. Egypt, Cairo (Musée du Louvre, Paris)
Non-western art unattributed:
52. The main basement gallery in the new Arts of Islam display at the Musée du Louvre, Paris
Western art unattributed:
45. Incense burner in the shape of a bird. Spain, perhaps Córdoba (David Collection, Copenhagen)
Article
Henry Moore’s ‘Knife edge mirror two piece’, at the National Gallery of Art, Washington
04/2011 | 1297 | 153
Pages: 249-255
related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
art literature:
Illustrations
Attributed works:
43. Knife edge mirror two piece, by Henry Moore. 1976–78. Bronze, 535 by 721 by 363 cm. (National Gallery of Art, Washington, gift of the Morris and Gwendolyn Caffritz Foundation, 1978. Photograph: Gregory Vershbow, January 2011).
Attributed works:
44. Large spindle piece, by Henry Moore. 1974 (first cast in 1968). Bronze, 335 cm. high. (North Carolina Museum of Art, Raleigh).
Attributed works:
45. The ‘Henry Moore Sculpture Platform’, East Building, National Gallery of Art, Washington. (Photograph: Gregory Vershbow, January 2011).
Attributed works:
46. Plasticine model of Spindle piece positioned on the model of the East Building, 2nd/3rd June 1975. (National Gallery of Art, Washington, Gallery Archives).
Attributed works:
48. Knife edge two piece, by Henry Moore. 1962–65. Bronze, 275 cm. high. (Edition of 3, this version: presented by the Contemporary Art Society to the City of Westminster, London; reproduced by permission of the Henry Moore Foundation, Much Hadham).
Attributed works:
53. Plaster maquette of Knife edge mirror two piece showing lateral sections for enlargement in Polystyrene. (Reproduced by permission of the Henry Moore Foundation, Much Hadham).
Attributed works:
54. View of Knife edge mirror two piece against the façade of East Building, by Henry Moore. 1976–78. Bronze, 5.345 by 7.211 by 3.631 m. (National Gallery of Art, Washington; photograph: Gregory Vershbow, January 2011).
Western art unattributed:
47. Photographs of J. Carter Brown, National Gallery of Art Director 1969–92, and Henry Moore at Moore’s studio at Perry Green, 23rd September 1976. (National Gallery of Art, Washington, Gallery Archives; photographs courtesy of Paul Matisse).
Western art unattributed:
49. East Building model with mock-up of Knife edge two piece, June 1976. (National Gallery of Art, Washington, Gallery Archives).
Western art unattributed:
50. East Building model with mock-up of Knife edge two piece, reversed, c.September 1976. (National Gallery of Art, Washington, Gallery Archives).
Western art unattributed:
51. Henry Moore with maquette for Knife edge mirror two piece at his studio in 1977 in Much Hadham. (National Gallery of Art, Washington, Gallery Archives).
Western art unattributed:
52. Henry Moore at the installation of Knife edge mirror two piece at the East Building, 10th to 13th May 1978. (National Gallery of Art, Washington, Gallery Archives; photograph by Jose Naranjo, Bill Sumits).
Advertisements
Advertisements July 1998 (front)
07/1998 | 1144 | 140
Pages: i-xii
Subjects
artists:
subjects:
Illustrations
Attributed works:
Fig. 1. Giovanni di Lorenzo Larciani. Recto: Nude Female Figure with a Veil. Red Chalk on Buff Paper, 365 × 250 mm. Turin, Biblioteca Reale, inv. no. 15651. Fig. 2. Giovanni di Lorenzo Larciani. Verso: Two Embracing Figures and a Cupil. Black Chalk. Turin, Biblioteca Reale, inv. no. 15651
Attributed works:
Giovanni Francesco Barbieri, Called Il Guercino (1591-Cento-1666). The Rest on the Flight into Egypt. Oil on Copper, 24 × 18½ Inches (61 × 47 cm)
Attributed works:
[Adriano Ribolzi Antiquaire, 3 Avenue de l'Hermitage, Monte Carlo, Manaco] Girolamo Mazzola Bedoli (Viadana c. 1500 - Parma 1569). The Madonna and Child with the Infant Saint John the Baptist. Oil on Panel, 34 × 26.5 cm.
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Adolph von Menzel (Breslau 1815-1905 Berlin). "View from a Window" (Schöneberger Ufer Berlin). Charcoal Drawing Signed with Monogram. "AM" Dated: Aug. (18)89 11.3 × 18 cm
Attributed works:
[BP at the National Portrait Gallery, London] Thomas Watson, Jude
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] A Sacrifice to Hymen, Angelica Kaufmann. RA Coire 1741 - Rome 1807 Each Oil on Paper: 47 × 102.5 cm (18 2/8 × 40½in)
Attributed works:
[Compagnia Di Belle Art, Via Olmetto 17, Milano, Italy] Andrea Previtali. Bergamo, c.1480-1528 The Nativity. Oil on Panel, 37 × 21 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Nicola di Maestro Antonio di Ancona. (Active in the First Half of the 15th Century. Paduan school). Saint Anthony Abbot. Tempera on Gold Ground Panel. 68.5 × 38 cm (27 × 15 in). The Present Picture Forms Part of a Double Sided Processional Image. The Other Side, Showing The Crucifixion with Mary and Saint John, Is in the Hermitage
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, Connecticut] Charles Joseph Natoire Study of Soldiers. This Is a Preparatory Drawing for the King's Comrades in Arms in the Important Ceiling Fresco of the Central Nave of San Luigi dei Francesi, Rome, ca. 1754. Black Chalk w White Heightening on Pale Blue Paper. 17 7/16 × 14 1/2″ (443 × 368 mm).
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New York, New York] Max Beckmann. Neubau, Frankfurt, 1928. Oil on Canvas 147 by 64 cm.
Attributed works:
[Robert Simon Fine Art Art, Inc., Satis House, Tower Hill Road, London, UK] Placido Costanzi (Rome 1702-1759). Narcissus and Echo. Oil on Canvas, 53½ × 39 Inches. (136 × 99 cm). Signed with Initials "P. C." on the Dog's Collar, Lower Right
Attributed works:
[Thomas Williams Fine Art, Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK. Exh. at Daniel Katz, London.] Rosalba Carriera (Venice 1675 - 1757 Venice). Portrait of a Young Woman. Pastel on Paper Laid Down on Canvas. In Its Original Carved and Gilt Frame. 400 × 385 mm; 15 3/4$ × 15¼ i
Western art unattributed:
[Retrouvius, 32 York House, Upper Montague Street, London, UK] A fine late George III white statuary marble chimneypiece with moulded rectangular shelf above fluted frieze centred by tablet of dancing maiden beneath ribbon tied drapery; the fluted jambs on stepped block feet surmounted by corner blocks featuring a ribboned ewer and trident. Shelf length 75 ins. (190 cm), height 55 ins. (140 cm)
Editorial
From the Pyramid to the Grand Louvre
07/1989 | 1036 | 131
Pages: 459+512
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
79. View of the Hall Napoleon, under the Pyramide at the Louvre, Paris.
Western art unattributed:
80. One of the New Rooms for French Paintings. (Louvre, Paris).
Exhibition Review
Current and Forthcoming Exhibitions: Washington [The New East Building of The National Gallery of Art]
10/1978 | 907 | 120
Pages: 704-706
related names
Reviewer:
Spike, John T. (Spike, John T.; Spike, John; Spike, John I.)
Subjects
artists:
dates:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
82. View of the new Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington. 84. View of the Façade of the New East Building of the National Gallery of Art, Washington, Designed by I. M. Pei and Partners. 85. View of the Central Courtyard of the New East Building of the National Gallery of Art, Washington.