Magie kresby: Italská kresba
vrcholné renesance a manýrismu
v ceských a moravských verejných
sbírkách / The Magic of Drawing:
Italian Drawing of the High
Renaissance and Mannerism
from Bohemian and Moravian
Public Collections
Magie kresby: Italská kresba
vrcholné renesance a manýrismu
v ceských a moravských verejných
sbírkách / The Magic of Drawing:
Italian Drawing of the High
Renaissance and Mannerism
from Bohemian and Moravian
Public Collections
By Zdenek Kazlepka and Martin
Zlatohlávek. 346 pp. incl. 119 col. + b.
& w. ills. (Katoliká teologická fakulta,
Univerzity Karlova and Muzeum
umení, Olomouc 2023), €71.
ISBN 978–80–87922–35–4. |
:
Illustrations
Attributed works:
10. Two male
figures in
antique cloaks,
by Giovanni
Bellini. 1506–
08. Brush,
white and black
tempera, with
brown pen wash,
40 by 24 cm.
(Archdiocesan
Museum,
Kromeríž).
Attributed works:
11. Study for St
Peter visiting
St Agatha in
prison, by Giulio
Campi. 1537. Pen
in brown, 14 by
10 cm. (National
Gallery, Prague).
Attributed works:
9. Jupiter and
Juno, by Giulio
Romano. 1530–
32. Pen in brown,
wash, heightened
with white,
over traces of
black chalk,
44 by 57 cm.
(Archdiocesan
Museum,
Kromeríž).
Exhibition Review
Kupka: Pioneer of Abstraction. Grand Palais, Paris
20. Amorpha: fugue in two colours, by František Kupka. 1912. Canvas, 211 by 220 cm. (National Gallery, Prague; exh. Grand Palais, Paris).
Attributed works:
21. Around a point, by František Kupka. 1920–30. Canvas, 194.5 by 200 cm. (Centre Pompidou, Musée national d’art moderne, Paris; exh. Grand Palais, Paris).
Attributed works:
22. Water (the bather), by František Kupka. 1906–09. Canvas, 63 by 80 cm. (Centre Pompidou, Paris; exh. Grand Palais, Paris).
Publication Received
Textiles, Fashion, and Design Reform in Austria–Hungary before the First World War. Principles of Dress. By Rebecca Houze
89. Fragment from the tomb of Margaret of Brabant, by Giovanni Pisano. 1313-14 (Museo di S. Agostino, Genoa; exh. Germanisches Nationalmuseum, Nuremberg)
Western art unattributed:
88. Statue of Charles IV from Prague's Old Town Bridge Tower. Before 1380 (Narodni Muzeum, Lapidarium, Prague; exh. Germanisches Nationalmuseum, Nuremberg)
Western art unattributed:
90. Annunciation, called the Sachs Annunciation, North French or Netherlandish. 1350-60 (Cleveland Museum of Art; exh. Germanisches Nationalmuseum, Nuremberg)
Roelandt Savery. A Painter in the Services of Emperor Rudolf II |
institution: Broelmuseum
, institution: Schwarzenberg Palace
Illustrations
Attributed works:
51. On Kampa Isle under Charles Bridge in Prague, by Roelandt Savery. c.1603–04. Pen and brown ink, 16.3 by 23.8 cm. (National Gallery, Prague; exh. Broelmuseum, Kortrijk).
Attributed works:
52. Orpheus playing to the animals in a landscape, by Roelandt Savery. 1611. Panel, 40.6 by 54.3 cm. (Gemäldegalerie, Berlin; exh. Broelmuseum, Kortrijk).
A Royal Marriage: Elisabeth Premyslid and John of Luxembourg – 1310 |
institution: House of the Stone Bell
Illustrations
Western art unattributed:
107. Crown for a woman. Paris or Sicily, early fourteenth century. Gold, precious stones and enamel, 6.2 cm. high. (Muzeum Narodowe, Wrocław; exh. House of the Stone Bell, Prague).
Western art unattributed:
108. Reliquary of St Blasius. Prague, 1306. Gold and niello, 5.5 by 4 cm. (Patrimonio Nacional, El Escorial; exh. House of the Stone Bell, Prague).
Western art unattributed:
109. The seal of John of Luxembourg (type V). 24th August 1331. Wax, diameter 9.4 cm. (Státní oblastní archiv, Trebon, exh. House of the Stone Bell, Prague).
52. Two laughing young men (double self-portrait), by Hans von Aachen. Before 1574. Panel, 47 by 38 cm. (Archbishop’s Palace, Kromeríz; exh. Prague Castle).
Attributed works:
53. Rape of Lucretia, by Hans von Aachen. c.1600. Canvas, 120 by 185 cm. (Kunsthistorisches Museum, Vienna; exh. Prague Castle).
Attributed works:
54. Rape of Lucretia, attributed to Hans von Aachen. Pen and brown ink over graphite or chalk, grey wash, heightened with white, 23.8 by 27.9 cm. (Staatsgalerie, Stuttgart; exh. Prague Castle).
Article
A newly discovered fragment by Geertgen tot Sint Jans
1. St Joseph, here attributed to Geertgen tot Sint Jans. c.1490. Panel, 11.4 by 9.8 cm. (Historiches Museum, Frankfurt).
Attributed works:
2. Triptych with the Adoration of the Magi, by Geertgen tot Sint Jans. c.1490. Panel, 111.2 by 69.5 cm. (central panel), 71 by 38.8 cm (wings). (Prague Castle).
Attributed works:
3. A double panel from Johann Valentin Prehn's 'Kleines Gemäldekabinett'. Reconstruction of 1988. (Historiches Museum, Frankfurt).
77. Glory of angels, by Hans Rottenhammer and Jan Brueghel the Elder. c.1605. Copper, 26 by 35.5 cm. (Pinacoteca Ambrosiana, Milan; exh. Weserrenaissance-Museum, Schloss Brake, Lemgo).
Attributed works:
78. Diana and Actaeon, by Hans Rottenhammer and Jan Brueghel the Elder. c.1597. Copper, 22 by 28.4 cm. (Staatsgalerie, Stuttgart; exh. Weserrenaissance-Museum, Schloss Brake, Lemgo).
Attributed works:
79. Two figures (detail), by Hans Rottenhammer. 1616. Pen in brown ink, sheet 20 by 28.9 cm. (Kongelige Kobberstiksamling, Statens Museum for Kunst, Copenhagen; exh. Weserrenaissance-Museum, Schloss Brake, Lemgo).
86. Virgin and Child. Prague, 1345-50. Tempera and gold on panel, 89 by 59.5 cm. (Cistercian Monastery of St James the Great, Zbraslav; exh. Metropolitan Museum of Art).
Western art unattributed:
87. Virgin and Child. Prague, c.1390. Limestone with orginal paint and gilding, 84 cm. high. (Church of Augustinian Canons, Sternberk; exh. Metropolitan Museum of Art, New York).
Western art unattributed:
88. Christ on the Mount of Olives. Torun, c.1390-95. Limestone with traces of paint, 84 cm. high. (Muzeum Zamkowe, Malbork; exh. Metropolitan Museum of Art, New York).
Western art unattributed:
89. Head of a prophet or an apostle. Bohemia, c.1360-80. Pen and brush ink with brown wash and white gouache, 11.3 by 8.5 cm. (Metropolitan Museum of Art, New York).