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5 articles
Article
A ‘crucifixion complex’: two newly discovered sketches attributed to Francis Bacon
03/2024 | 1452 | 166
Pages: 225–235
related names
Author:
Daniels, Rebecca (Daniels, Rebecca)
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Illustrations
Attributed works:
1. Sketch, by Francis Bacon. c.1930. Pencil on tracing paper mounted on paper, 25.2 by 16.6 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin;).
Attributed works:
10. Studio Interior, by Francis Bacon. c.1936. Pastel and pencil on paper, 23.5 by 35 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
11. Sketch for triptych, here attributed to Francis Bacon. c.1933. Pencil. (Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
12. Three Studies for Figures at the Base of a Crucifixion, by Francis Bacon. 1944. Oil and pastel on fibreboard, each panel approx. 94 by 74 cm. (irregular). (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Tate).
Attributed works:
2. Two pencil sketches, here attributed to Francis Bacon. c.1933. Pencil on paper, 26 by 18.5 cm. (On the half-title page of A. Level: Picasso, Paris 1928; Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
3. Sketch of a Biomorph, by Francis Bacon. c.1936. Black, blue and darkbrown ink on lined paper, 16.7 by 12.1 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin).
Attributed works:
4. Abstraction from the Human Form, by Francis Bacon, c.1936. Medium and dimensions unknown. Destroyed by the artist. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024).
Attributed works:
5. Sketch for Portrait of M.E. Sadler [skull], here attributed to Francis Bacon. c.1933. Pencil and possibly wash. (Art Gallery of New South Wales; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of, Sydney; Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
6. Crucifixion [skeleton], by Francis Bacon. 1933. Oil on canvas, 62 by 48.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
7. ‘A candidate for Baptism’, detail of Baptism of Christ, by Piero della Francesca. (From R. Longhi: Piero della Francesca, Milan 1930).
Attributed works:
8. The Crucifixion [skull], by Francis Bacon. 1933. Oil on canvas, 111.5 by 86.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
9. Replica of Portrait of Michael Sadler, by Loris Rey. Bronze. (University College, University of Oxford).
Exhibition Review
Portrait of an Artist
01/2022 | 1426 | 164
Pages: 74-76
related names
Reviewer:
McConkey, Kenneth (McConkey, Kenneth)
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Reviewed Items
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Portrait of an Artist Laing Art Gallery, Newcastle upon Tyne 11th September 2021– 26th February 2022 | :
Illustrations
Attributed works:
23. Portrait of Winifred Knights, by Colin Gill. 1921. Pencil on paper, 43.8 by 32.4 cm. (Liss Llewellyn Fine Art, London; exh. Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
24. Self-portrait, by William Orpen. 1908. Oil on canvas, 92.8 by 72.1 cm. (Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
25. My pain beneath your sheltering hand, by Charles Sims. c.1926–28. Tempera on canvas, 91 by 68.6 cm. (Liss Llewellyn Fine Art, London; exh. Laing Art Gallery, Newcastle upon Tyne).
Exhibition Review
Hogarth: Cruelty and Humor. Morgan Library and Museum, New York
12/2019 | 1401 | 161
Pages: 1047-1048
related names
Reviewer:
Bindman, David (Bindman, David)
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Attributed works:
17. Beer Street, by William Hogarth. 1750–51. Red chalk with graphite and pen on paper incised with stylus, 37.1 by 30.5 cm. (Morgan Library and Museum, New York).
Publication Received
British Drawings from the National Gallery of Canada
10/2006 | 1243 | 148
Pages: 701
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
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British Drawings from the National Gallery of Canada | author: Schoenherr, Douglas E.
Supplement
Notable Works of Art Now on the Market: Supplement
12/1974 | 861 | 116
Pages: xii
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Illustrations
Attributed works:
Plate IX. St Anne and the Immaculate Conception of the Virgin Surrounded by Other Figures, by Jean Bellegambe. Panel, 44.8 by 31.2 cm. (The Property of Kunsthandel Helmut Peter Buchen, Keithstrasse 16, 1 Berlin 30)
Attributed works:
Plate X. St Catherine, by or from the Circle of Petrus Christus. Oak Panel, 59.3 by 33.4 cm. (The Property of Christopher Gibbs Ltd., 118 New Bond Street, London W1)
Attributed works:
Plate XI. Female Bust, by Tullio Lombardo. Marble; Height, 42.5 cm. (The Property of Pino Donati, Via Nassa 11, 6900 Lugano)
Attributed works:
Plate XII. The Magdalen Reading, by the Master of the Female Half Lengths. Flemish, c.1530. Panel, 52 by 42 cm. (The Property of the H. Shickman Gallery, 929 Park Avenue, New York, N. Y. 10028, and 37 Bury Street, St James's, London SW1)
Attributed works:
Plate XIII. A Set of Twelve Silver-Gilt Spoons, by Christopher Wace, London 1592. (The Property of How (of Edinburgh), 2-3 Pickering Place, St James's Street, London SW1)
Attributed works:
Plate XIV. A Set of Twelve Silver-Gilt Spoons, by Christopher Wace, London 1592. (The Property of How (of Edinburgh), 2-3 Pickering Place, St James's Street, London SW1)
Attributed works:
Plate XIX. Classical Landscape with Ruins and the Rest on the Flight into Egypt, by Jean Lemaire Called Lemaire-Poussin. Canvas, 100.6 by 133.5 cm. (The Property of the Heim Gallery (London) Ltd., 59 Jermyn Street, London SW1)
Attributed works:
Plate XL. The Rending of the Veil, by William Bell Scott. Signed. Water-Colour, 61.3 by 76.2 cm. (The Property of Hartnoll & Eyre Ltd., 39 Duke Street, London SW1)
Attributed works:
Plate XLI. Rome Seen from the Ponte Molle, by Camille Corot. Signed with Initials and Dated 1826. Pencil, 28.5 by 43.5 cm. (The Property of Stanza del Borgo, via Giacomo Puccini 5, 20121 Milan)
Attributed works:
Plate XLIV. Portrait of John Todhunter, by Thomas Sully, R. A. Paper, 61 by 57.8 cm. (The Property of the Schweitzer Gallery, 958 Madison Avenue, New York, N. Y. 10021)
Attributed works:
Plate XLV. Portrait of Louis Le Pelletier de St Gervais, from the School of Pierre Mignard. Canvas, 130 by 95 cm. (The Property of Rodolfo del Campo, via Bonaldo Stringher 31, 00191 Rome)
Attributed works:
Plate XV. The Kermesse at Saint-Georges, by Hans Bol. Panel, 75 by 107 cm. (The Property of the H. Terry-Engell Gallery, 8 Bury Street, London SW1)
Attributed works:
Plate XVIII. Cup and Cover, by Andreas Michel. Nüremberg. Silver-Gilt. (The Property of Herbert M. Ritter, Prannerstrasse 5, 8 Munich 2)
Attributed works:
Plate XX. Kermesse, by David Teniers the Younger. Canvas, 74.6 by 106 cm.
Attributed works:
Plate XXI. Landscape with a Distant Castle, by Claude. Signed. Pen and Brown Ink, Brown Wash, 19.7 by 19.7 cm. (The Property of the H. Shickman Gallery, 929 Park Avenue, New York, N. Y. 10028 and 37 Bury Street, St James's, London SW1)
Attributed works:
Plate XXII. The Three Trees, by Rembrandt. Signed and Dated 1643. Etching with Drypoint and Engraving, 21.2 by 27.9 cm. (The Property of David Tunick, 12 East 80th Street, New York, N. Y. 10021)
Attributed works:
Plate XXIII. Moonlit Landscape with a Broad Canal, by Aert van der Neer. Signed with Monogram. Panel, 38 by 58 cm. (The Property of Galerie Müllenmeister, Pfaffenbergerweg 87, Solingen 565, Germany)
Attributed works:
Plate XXIV. Landscape at Sunrise, by Jan Both. Signed. Oak Panel, 77.5 by 101 cm. (The Property of P. & D. Colnaghi & Co. Ltd., 14 Old Bond Street, London W1)
Attributed works:
Plate XXIX. Le Prince en Voyage. Beauvais, c.1720. Tapestry, 350 by 450 cm. (The Property of Dario Boccara, 184 Faubourg Saint-Hcnoré, 75008 Paris)
Attributed works:
Plate XXV. The Arrival of a Hunting Party, by Philips Wouwerman. Signed. Panel, 47.6 by 64.8 cm. (The Property of Kunsthandel Xaver Scheidwimmer, Ottostrasse 3, 8 Munich 2)
Attributed works:
Plate XXVI. Study for the Head of ?St Joseph, by Guido Reni. Canvas, 53.5 by 44 cm. (The Property of the Hazlitt Gallery, 4 Ryder Street, London SW1)
Attributed works:
Plate XXVII. River Landscape with Cottages, by Cornelis Decker. Signed with Monogram and Dated 1667. Panel, 55.5 by 44.8 cm. (The Property of Galerie Friederike Pallamar, Dorotheergasse 7, Vienna I)
Attributed works:
Plate XXX. Coffee Pot, by Bernhardus Hayens. Emden, 1745. (The Property of Edmund Joachim Kratz, Dockenhudenerstrasse 25, 2000 Hamburg 55)
Attributed works:
Plate XXXIII. Tray, by Matthäus Schaller. Augsburg, 1610. Silver-Guilt, 34.4 by 45.5 cm. (The Property of H. W. Seling, Oskar-von-Miller-Ring 31, 8 Munich 2)
Attributed works:
Plate XXXIX. Self-Portrait, by Angelica Kauffmann. Canvas, 91.5 by 71 cm. (The Property of Herner Wengraf Ltd., 67/68 Jermyn Street, London SW1)
Attributed works:
Plate XXXV. Galatea, by Joseph Chinard. Signed with Stamp. Terra-Cotta; Height, 71 cm. Excluding Base; 89 cm. Including White Marble, Porphyry and Ormolu Base. (The Property of the Heim Gallery (London) Ltd., 59 Jermyn Street, London SW1)
Attributed works:
Plate XXXVI. St Peter's, Rome, by John Davies. Inscribed. Pen and Ink, 44 by 31.5 cm. (The Property of William Darby, 36 New Bond Street, London W1)
Attributed works:
Plate XXXVII. View of the Piazza Navona, Attributed to Canaletto. Canvas, 55 by 90 cm. (The Property of Galleria Pontremoli, via Durini 19, Milan)
Attributed works:
Plate XXXVIII. Portrait of Louise Labé, by Jean Carriès. Bronze; Height 67 cm. (The Property of Dr Heuser & Co., D 3141 Marxen am Berge, Germany)
Attributed works:
Plates XLII and XLIII. Two Views of the Steps of Santa Maria in Araceli, and the Campidoglio in Rome, by Hubert Robert. Both Dated 1762. Red Chalk, 33 by 45 cm. (The Property of Julius Böhler, Briennerstrasse 25, Munich 2)
Non-western art unattributed:
Plate I. Pottery Urn. Kerman, 3000 B. C. Height, 60.3 cm.; Diameter across Top 45.7 cm. (The Property of Mahboubian Gallery of Oriental Antiquities, 65 Grosvenor Street, London W1)
Non-western art unattributed:
Plate V. Khmer Door-Lintel. Cambodian, Tenth-Eleventh Century. Sandstone; Height, 70 cm.; Length 147 cm. (The Property of Georg L. Hartl, Westenrieder Strasse 27, 8000 Muncih 2) and 8351 Schloss Egg/Bay. Wald
Western art unattributed:
Plate II. Hercules and Antaeus(?). Roman, Second Century A. D. Bronze, Natural Green Patina. (The Property of Objects, 96 Mount Street, London W1)
Western art unattributed:
Plate III. Portrait of Sir Robert Walpole, 1st Lord Orford, by an Unknown Artist, c.1720. Ivory; Height, 11.4 cm. (The Property of David Peel and Co. Ltd., 2 Carlos Place, London W1)
Western art unattributed:
Plate IV. Mummy Portrait of a Young Woman. Hawara (Fayum), First Half of Second Century A. D. Panel, 39.5 by 25 cm. (The Property of Christamaria Sandmeier, Gallery of Egyptian Arts. Jüdenstrasse 10, 34 Göttingen, Germany)
Western art unattributed:
Plate VI. Flagellation (3 Figures). ?Umbrian, Late Fourteenth or Early Fifteenth Century. Polychrome Wood. Christ, 198 cm. High (With Base), 188 cm. (Without); Tormentors, c.180 cm. (With Base), 168 cm. (Without). (The Property of Nella Longari, via Bigli 15, 20121 Milan)
Western art unattributed:
Plate VII. Virgin and Child. Netherlandish, about 1300. Wood, with Traces of Old Pigmentation. Height Approx. 125 cm. (The Property of Galerie Heinemann O. H. G., Taunustrasse 39, Wiesbaden)
Western art unattributed:
Plate VIII. The Coronation of the Virgin. South Tyrolese, about 1500. Limewood, Traces of Painting and Gilding. (The Property of F. K. A. Huelsmann, Hohe Bleichen 15, 2000 Hamburg 36)
Western art unattributed:
Plate XVI. Chest. Spanish, Sixteenth Century. Wood, Painted inside and out. (The Property of L'Antiquaire, Inc., 717 Madison Avenue, New York, N. Y. 10021)
Western art unattributed:
Plate XVII. Judith and Holofernes. Augsburg, c.1600. Gilt-Copper Panel, 23 by 29 cm. (The Property of Howard Ricketts Ltd., 180 New Bond Street, London W1)
Western art unattributed:
Plate XXVIII. Two Armchairs. English, Late Stuart Period, c.1685. (The Property of Spink & Son Ltd., 5-7 King Street, London SW1)
Western art unattributed:
Plate XXXI. Pair of Spice-Sprinklers. Aurich, Mid-Eighteenth Century. (The Property of Edmund Joachim Kratz, Dockenhudenerstrasse 25, 2000 Hamburg 55)
Western art unattributed:
Plate XXXII. Sauceboat. English, about 1745. Silver, Unmarked. (The Property of Heide Hübner, Handelstrasse 21A, 8700 Würzburg)
Western art unattributed:
Plate XXXIV. Sundial. French. Dated 1734. Slate, 48 by 58.5 cm. (The Property of Galleria dell'Angelo, Piazza Cioccaro 11, 6900 Lugano)