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Supplement

Some Acquisitions (1983-84) in the Department of Decorative Arts, The J. Paul Getty Museum

06/1984 | 975 | 126

Pages: 384-388

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Subjects

artists:

Höroldt, Johann Gregor

artists:

Thomire, Pierre-Philippe

artists:

Kändler, Johann Joachim

artists:

Carlin, Martin

artists:

Risenburgh, Bernard, II, van, 1696-ca. 1766

dates:

1980-1989

museums and institutions:

J. Paul Getty Museum, Los Angeles, United States

places:

United States

places:

Los Angeles

subjects:

Beauvais tapestries

subjects:

Sèvres porcelain

subjects:

Meissen porcelain

subjects:

Savonnerie carpets

subjects:

Gobelins tapestries

subjects:

Chantilly Porcelain Manufactory

subjects:

Supplements

subjects:

Tapestries / Furniture / Ceramics

subjects:

Art museums / Acquisitions / Art objects / Decorative arts

Illustrations

Attributed works:

66. One of a pair of wall lights, attributed to Pierre-Philippe Thomire. French (Paris), c. 1780-85. Gilt bronze and gilt copper, 108 by 57 by 30 cm. These wall lights are finely-chased examples of a model also found in the Wallace Collection and in the Petit Trianon. They were until recently in the collection of the Mortemart Rochechouart family.

Attributed works:

67. One of a pair of decorative vases. Italian or French, c. 1765-70. Porphyry, set with gilt bronze mounts, 38.8 by 41 by 27.7 cm. The vases closely follow a design for a vase by Eunemond-Alexandre Petitot (1727-1801) which was one of a suite of thirty-one vase designs engraved in 1764. To find a dated engraving for a decorative object is rare. Petitot left France in 1753 and spent the rest of his life in Parma, working principally for the court as chief architect. Thus it is possible that the vases were made in Italy. The porphyry bowls were certainly produced there, and the heavily sculptural and rather crudely chased mounts with their thick, uneven gilding also point to Italian rather than French manufacture. Another pair of these vases are in the collection of the Marquess of Cholmondely, at Houghton Hall.

Attributed works:

68. Tea service. French (Chantilly), c. 1730-35. Soft paste porcelain; tray 2.1 by 22.4 by 22.7 cm, teapot 8.9 by 13.1 by 8.4 cm. This small-scale tea service is decorated with the 'flying squirrel' pattern, copying Japanese kakiemon porcelain. The models used for this service were not commonly repeated at Chantilly.

Attributed works:

69. La collation. One of a set of five tapestries. French (Beauvais), c. 1690-1705. Wool and silk, 422.9 by 309.8 cm. From the series Tenture Boucher, after cartoons by Guy-Louis Vernansal, Jean-Baptiste Monnoyer and Jean-Baptiste Belin de Fontenay, this piece bears the woven signature 'VERNANSAL. INT. ET. PU.' The set was part of a commission originally consisting of ten tapestries made for the comte de Toulouse, the illegitimate son of Louis XIV, and each bears his arms and monogram. They passed to Louis-Philippe and Empress Eugénie; two are conserved at the Château de Compiègne.

Attributed works:

70. Char de Triomphe. French (Gobelins), 1715/16. Wool and silk, 350 by 280 cm. This tapestry was one of sixty-six woven at the Gobelins between 1662 and 1724. The original design by Charles le Brun and the cartoon by Yvart le Père were commissioned by the finance minister Nicolas Fouquet to be woven at his tapestry workshops at Maincy. Following the minister's fall in 1661, Louis XIV had the design adapted for his own use. The tapestry retains part of the original lining inscribed with the inventory number 194; it was delivered to the GardeMeuble de la Couronne in October of 1717.

Attributed works:

71. Pair of three-leaf screens. French (Savonnerie), c. 1714-40. Knotted wools, the interior wooden frame, studs and velvet of later date, 194.6 by 273.5 cm. The panels were made in the Manufacture Royale de Savonnerie after cartoons by Blain de Fontenay (1653-1713), the birds probably after designs by François Desportes (1661-1743). This was the largest of the eight models produced by the factory, and 138 panels were made. They were for the use of the King and Queen and the Princes of the Blood, and were placed in ante-rooms or the dining rooms of La Muette, Choisy and Versailles. These screens are particularly remarkable for the unfaded state of their colours.

Attributed works:

72. One of a pair of coffers on stands. French (Paris), c. 1680. Oak veneered with brass, pewter, tortoiseshell and ebony, set with gilt bronze mounts, 156.6 by 98.9 by 55.8 cm. The coffers on stands are attributed to André-Charles Boulle (1642-1732). A coffer of similar form was delivered by Boulle to the Grand Dauphin in 1689. One of the stands closely follows a drawing given to Boulle, now in the Musée des Arts Décoratifs, Paris, while the other stand is of a familiar model often found supporting small rectangular cabinets of this period.

Attributed works:

75. One of a pair of bibliothèques. Both are stamped 'BVRB' for Bernard van Risenburgh (m. 1730-65/66). French (Paris), c. 1745-50. Veneered with bois satiné, kingwood and tulipwood, with gilt bronze mounts, 147.9 by 101.9 by 46.9 cm.

Attributed works:

76. Cartonnier and serre-papiers, by Bernard van Risenburgh, the clock movement by Etienne Le Noir (b. 1699, m. 1717, d. after 1778). French (Paris), c. 1745-49. Oak with vernis Martin decoration, gilt bronze mounts and painted bronze figures, 192 by 103 by 41 cm. The mounts are stamped with the crowned 'C' tax mark, dating them to between 1745 and 1749. One other cartonnier of this model is known, with veneered surfaces, in the Hermitage Museum. It is stamped by both Bernard van Risenburgh and Joseph Baumhauer.

Attributed works:

77. Bureau plat, attributed to Martin Carlin, some of the porcelain plaques gilded by Vandé. French (Paris and Sèvres), c. 1780-84. Oak veneered with tulipwood, set with soft paste porcelain plaques with bleu céleste borders and with gilt bronze mounts, 77 by 131.5 by 62 cm. This table bears the trade label of the Parisian marchand-mercier Dominique Daguerre. In 1784 the Grand Duchess Maria-Feodorovna of Russia purchased the table from Daguerre. She installed it in her state bedroom at the Palace of Pavlovsk, near St Petersburg.

Attributed works:

79. One of a pair of vases. French (Sèvres), c. 1785. Soft paste porcelain, enamelled and gilded, 25.3 by 22.5 by 15.9 cm. This model, known as a vase hollandais nouveau was first introduced at the factory in 1758. Rococo forms such as this were often produced throughout the second half of the eighteenth century, decorated in the prevailing neo-classical style. The vases are marked with the Sèvres crossed L's and the painter's symbol, probably that of Jacques-Louis-François de Laroche (1758-1800). He painted a similar pair of vases with a bleu céleste ground and arabesques riches in 1785.

Attributed works:

80. Two Japanese figures, modelled by Johann Joachim Kändler (b. 1705, active from 1731, d. 1775). Meissen, 1745. Hard paste porcelain, 45.1 by 29.5 by 21.7 cm. Kändler's work books for 1745 show that he was paid twenty-four reichsthaler for modelling this group, which is listed specifically as of Japanese figures. Another example of the group is in the Palazzo Madama in Turin.

Attributed works:

81. Garniture of five vases, the painted decoration attributed to Johann Gregor Heroldt, the central vase bearing the incised mark of the moulder Schiefer. Meissen, c. 1730. Hard paste porcelain, each vase painted under the base with the monogram 'AR' for Augustus the Strong of Saxony, central vase 37.3 by 24.1 cm. Many of the seventy-two painted scenes of chinoiserie figures found on these vases can be traced to the book of designs used at Meissen known as the Schulz Codex.

Western art unattributed:

73. Side chair. Italian (Piedmontese), c. 1700-10. Gilded wood, with modern replacement corded and ribboned upholstery, 128.5 by 55.6 by 69.5 cm. This chair is one of nine that exist today; one similarly upholstered is still in the royal residence of the Castello Racconigi, near Turin, for which the set was presumably made. Two still bearing their original upholstery are now in the Toledo Museum of Art.

Western art unattributed:

74. Reading and writing table. French (Paris), c. 1670-75. Oak veneered with ivory and blue-stained horn, with gilt bronze mouldings, the surface and interior lined with blue silk velvet, 63.5 by 48.5 by 35.5 cm. The table appears in the 1718 posthumous inventory of Louis XIV's possessions.

Western art unattributed:

78. Commode. Italian (Venice), c. 1745-50. Oak, painted, silvered and gilded, with a faux marbre top, 81.5 by 147 by 62.5 cm. This commode is of a fairly standard Venetian form of the mid-eighteenth century, except that the entire surface of the front is treated as one continuous area for its painted decoration of swags of naturalistic flowers. The piece is reputed to have belonged to the Orsini family. Most of the silvering on the raised carved mouldings has oxidised.

Supplement

Notable Works of Art Now on the Market: Supplement

12/1974 | 861 | 116

Pages: xii

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Subjects

artists:

Corot, Jean-Baptiste-Camille

artists:

Wouwerman, Philips

artists:

Both, Jan

artists:

Neer, Aert van der

artists:

Chinard, Joseph

artists:

Rembrandt van Rijn

artists:

Lorrain, Claude

artists:

Canaletto

artists:

Teniers, David II, 1610-1690

artists:

Kauffmann, Angelica

artists:

Lemaire, Jean

artists:

Scott, William, 1913-1989

artists:

Bol, Hans

artists:

Decker, Cornelis Gerritsz

artists:

Master of the Female Half-Lengths

artists:

Lombardo, Tullio

artists:

Robert, Hubert

artists:

Sully, Thomas

artists:

Christus, Petrus

artists:

Bellegambe, Jean

artists:

Mignard, Pierre, I, 1612-1695

artists:

Schaller, Matthäus

artists:

Wace, Christopher

artists:

Hayens, Bernhardus

artists:

Davies, John, act. 1818-1865

dates:

1970-1979

subjects:

Silversmithing / German

subjects:

French sculpture

subjects:

Silversmithing / British

subjects:

Supplements

subjects:

British drawing

subjects:

Watercolours / British painting

subjects:

Drawings / French art

subjects:

Supplements

subjects:

Art market

subjects:

Flemish painting

subjects:

Persian / Pottery

subjects:

Roman (ancient) sculpture

subjects:

Ivories / Portrait miniatures / British art

subjects:

Hellenistic / Egyptian painting

subjects:

Cambodian School / Sandstone / Sculpture

subjects:

Polychromed wood sculpture / Umbrian

subjects:

Netherlandish sculpture / Wood sculpture

subjects:

German sculpture

subjects:

Netherlandish painting

subjects:

Italian sculpture

subjects:

Beauvais tapestries

subjects:

Silversmithing / British

subjects:

Spanish art

subjects:

Dutch painting

subjects:

French painting

subjects:

Italian drawing

subjects:

Dutch prints

subjects:

Italian painting

subjects:

Reni, Guido

subjects:

Stuart / British art / Furniture

Illustrations

Attributed works:

Plate IX. St Anne and the Immaculate Conception of the Virgin Surrounded by Other Figures, by Jean Bellegambe. Panel, 44.8 by 31.2 cm. (The Property of Kunsthandel Helmut Peter Buchen, Keithstrasse 16, 1 Berlin 30)

Attributed works:

Plate X. St Catherine, by or from the Circle of Petrus Christus. Oak Panel, 59.3 by 33.4 cm. (The Property of Christopher Gibbs Ltd., 118 New Bond Street, London W1)

Attributed works:

Plate XI. Female Bust, by Tullio Lombardo. Marble; Height, 42.5 cm. (The Property of Pino Donati, Via Nassa 11, 6900 Lugano)

Attributed works:

Plate XII. The Magdalen Reading, by the Master of the Female Half Lengths. Flemish, c.1530. Panel, 52 by 42 cm. (The Property of the H. Shickman Gallery, 929 Park Avenue, New York, N. Y. 10028, and 37 Bury Street, St James's, London SW1)

Attributed works:

Plate XIII. A Set of Twelve Silver-Gilt Spoons, by Christopher Wace, London 1592. (The Property of How (of Edinburgh), 2-3 Pickering Place, St James's Street, London SW1)

Attributed works:

Plate XIV. A Set of Twelve Silver-Gilt Spoons, by Christopher Wace, London 1592. (The Property of How (of Edinburgh), 2-3 Pickering Place, St James's Street, London SW1)

Attributed works:

Plate XIX. Classical Landscape with Ruins and the Rest on the Flight into Egypt, by Jean Lemaire Called Lemaire-Poussin. Canvas, 100.6 by 133.5 cm. (The Property of the Heim Gallery (London) Ltd., 59 Jermyn Street, London SW1)

Attributed works:

Plate XL. The Rending of the Veil, by William Bell Scott. Signed. Water-Colour, 61.3 by 76.2 cm. (The Property of Hartnoll & Eyre Ltd., 39 Duke Street, London SW1)

Attributed works:

Plate XLI. Rome Seen from the Ponte Molle, by Camille Corot. Signed with Initials and Dated 1826. Pencil, 28.5 by 43.5 cm. (The Property of Stanza del Borgo, via Giacomo Puccini 5, 20121 Milan)

Attributed works:

Plate XLIV. Portrait of John Todhunter, by Thomas Sully, R. A. Paper, 61 by 57.8 cm. (The Property of the Schweitzer Gallery, 958 Madison Avenue, New York, N. Y. 10021)

Attributed works:

Plate XLV. Portrait of Louis Le Pelletier de St Gervais, from the School of Pierre Mignard. Canvas, 130 by 95 cm. (The Property of Rodolfo del Campo, via Bonaldo Stringher 31, 00191 Rome)

Attributed works:

Plate XV. The Kermesse at Saint-Georges, by Hans Bol. Panel, 75 by 107 cm. (The Property of the H. Terry-Engell Gallery, 8 Bury Street, London SW1)

Attributed works:

Plate XVIII. Cup and Cover, by Andreas Michel. Nüremberg. Silver-Gilt. (The Property of Herbert M. Ritter, Prannerstrasse 5, 8 Munich 2)

Attributed works:

Plate XX. Kermesse, by David Teniers the Younger. Canvas, 74.6 by 106 cm.

Attributed works:

Plate XXI. Landscape with a Distant Castle, by Claude. Signed. Pen and Brown Ink, Brown Wash, 19.7 by 19.7 cm. (The Property of the H. Shickman Gallery, 929 Park Avenue, New York, N. Y. 10028 and 37 Bury Street, St James's, London SW1)

Attributed works:

Plate XXII. The Three Trees, by Rembrandt. Signed and Dated 1643. Etching with Drypoint and Engraving, 21.2 by 27.9 cm. (The Property of David Tunick, 12 East 80th Street, New York, N. Y. 10021)

Attributed works:

Plate XXIII. Moonlit Landscape with a Broad Canal, by Aert van der Neer. Signed with Monogram. Panel, 38 by 58 cm. (The Property of Galerie Müllenmeister, Pfaffenbergerweg 87, Solingen 565, Germany)

Attributed works:

Plate XXIV. Landscape at Sunrise, by Jan Both. Signed. Oak Panel, 77.5 by 101 cm. (The Property of P. & D. Colnaghi & Co. Ltd., 14 Old Bond Street, London W1)

Attributed works:

Plate XXIX. Le Prince en Voyage. Beauvais, c.1720. Tapestry, 350 by 450 cm. (The Property of Dario Boccara, 184 Faubourg Saint-Hcnoré, 75008 Paris)

Attributed works:

Plate XXV. The Arrival of a Hunting Party, by Philips Wouwerman. Signed. Panel, 47.6 by 64.8 cm. (The Property of Kunsthandel Xaver Scheidwimmer, Ottostrasse 3, 8 Munich 2)

Attributed works:

Plate XXVI. Study for the Head of ?St Joseph, by Guido Reni. Canvas, 53.5 by 44 cm. (The Property of the Hazlitt Gallery, 4 Ryder Street, London SW1)

Attributed works:

Plate XXVII. River Landscape with Cottages, by Cornelis Decker. Signed with Monogram and Dated 1667. Panel, 55.5 by 44.8 cm. (The Property of Galerie Friederike Pallamar, Dorotheergasse 7, Vienna I)

Attributed works:

Plate XXX. Coffee Pot, by Bernhardus Hayens. Emden, 1745. (The Property of Edmund Joachim Kratz, Dockenhudenerstrasse 25, 2000 Hamburg 55)

Attributed works:

Plate XXXIII. Tray, by Matthäus Schaller. Augsburg, 1610. Silver-Guilt, 34.4 by 45.5 cm. (The Property of H. W. Seling, Oskar-von-Miller-Ring 31, 8 Munich 2)

Attributed works:

Plate XXXIX. Self-Portrait, by Angelica Kauffmann. Canvas, 91.5 by 71 cm. (The Property of Herner Wengraf Ltd., 67/68 Jermyn Street, London SW1)

Attributed works:

Plate XXXV. Galatea, by Joseph Chinard. Signed with Stamp. Terra-Cotta; Height, 71 cm. Excluding Base; 89 cm. Including White Marble, Porphyry and Ormolu Base. (The Property of the Heim Gallery (London) Ltd., 59 Jermyn Street, London SW1)

Attributed works:

Plate XXXVI. St Peter's, Rome, by John Davies. Inscribed. Pen and Ink, 44 by 31.5 cm. (The Property of William Darby, 36 New Bond Street, London W1)

Attributed works:

Plate XXXVII. View of the Piazza Navona, Attributed to Canaletto. Canvas, 55 by 90 cm. (The Property of Galleria Pontremoli, via Durini 19, Milan)

Attributed works:

Plate XXXVIII. Portrait of Louise Labé, by Jean Carriès. Bronze; Height 67 cm. (The Property of Dr Heuser & Co., D 3141 Marxen am Berge, Germany)

Attributed works:

Plates XLII and XLIII. Two Views of the Steps of Santa Maria in Araceli, and the Campidoglio in Rome, by Hubert Robert. Both Dated 1762. Red Chalk, 33 by 45 cm. (The Property of Julius Böhler, Briennerstrasse 25, Munich 2)

Non-western art unattributed:

Plate I. Pottery Urn. Kerman, 3000 B. C. Height, 60.3 cm.; Diameter across Top 45.7 cm. (The Property of Mahboubian Gallery of Oriental Antiquities, 65 Grosvenor Street, London W1)

Non-western art unattributed:

Plate V. Khmer Door-Lintel. Cambodian, Tenth-Eleventh Century. Sandstone; Height, 70 cm.; Length 147 cm. (The Property of Georg L. Hartl, Westenrieder Strasse 27, 8000 Muncih 2) and 8351 Schloss Egg/Bay. Wald

Western art unattributed:

Plate II. Hercules and Antaeus(?). Roman, Second Century A. D. Bronze, Natural Green Patina. (The Property of Objects, 96 Mount Street, London W1)

Western art unattributed:

Plate III. Portrait of Sir Robert Walpole, 1st Lord Orford, by an Unknown Artist, c.1720. Ivory; Height, 11.4 cm. (The Property of David Peel and Co. Ltd., 2 Carlos Place, London W1)

Western art unattributed:

Plate IV. Mummy Portrait of a Young Woman. Hawara (Fayum), First Half of Second Century A. D. Panel, 39.5 by 25 cm. (The Property of Christamaria Sandmeier, Gallery of Egyptian Arts. Jüdenstrasse 10, 34 Göttingen, Germany)

Western art unattributed:

Plate VI. Flagellation (3 Figures). ?Umbrian, Late Fourteenth or Early Fifteenth Century. Polychrome Wood. Christ, 198 cm. High (With Base), 188 cm. (Without); Tormentors, c.180 cm. (With Base), 168 cm. (Without). (The Property of Nella Longari, via Bigli 15, 20121 Milan)

Western art unattributed:

Plate VII. Virgin and Child. Netherlandish, about 1300. Wood, with Traces of Old Pigmentation. Height Approx. 125 cm. (The Property of Galerie Heinemann O. H. G., Taunustrasse 39, Wiesbaden)

Western art unattributed:

Plate VIII. The Coronation of the Virgin. South Tyrolese, about 1500. Limewood, Traces of Painting and Gilding. (The Property of F. K. A. Huelsmann, Hohe Bleichen 15, 2000 Hamburg 36)

Western art unattributed:

Plate XVI. Chest. Spanish, Sixteenth Century. Wood, Painted inside and out. (The Property of L'Antiquaire, Inc., 717 Madison Avenue, New York, N. Y. 10021)

Western art unattributed:

Plate XVII. Judith and Holofernes. Augsburg, c.1600. Gilt-Copper Panel, 23 by 29 cm. (The Property of Howard Ricketts Ltd., 180 New Bond Street, London W1)

Western art unattributed:

Plate XXVIII. Two Armchairs. English, Late Stuart Period, c.1685. (The Property of Spink & Son Ltd., 5-7 King Street, London SW1)

Western art unattributed:

Plate XXXI. Pair of Spice-Sprinklers. Aurich, Mid-Eighteenth Century. (The Property of Edmund Joachim Kratz, Dockenhudenerstrasse 25, 2000 Hamburg 55)

Western art unattributed:

Plate XXXII. Sauceboat. English, about 1745. Silver, Unmarked. (The Property of Heide Hübner, Handelstrasse 21A, 8700 Würzburg)

Western art unattributed:

Plate XXXIV. Sundial. French. Dated 1734. Slate, 48 by 58.5 cm. (The Property of Galleria dell'Angelo, Piazza Cioccaro 11, 6900 Lugano)

Article

A New Fragment of the Guillaume de Hellande Tapestries

11/1959 | 680 | 101

Pages: 402-405

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related names

Author:

Bacri, Jacques (Bacri, Jacques)

Subjects

dates:

1400-1499

patrons:

Hellande, Guillaume de, Bishop of Beauvais, 1444-1462

places:

France / Beauvais

subjects:

Textiles / Tapestries / Patronage

subjects:

Beauvais tapestries

subjects:

Saints / Peter, Saint

Illustrations

Attributed works:

A. Burial of St Peter; SS. Peter and Paul before Nero. Engraving by Ribault after One of the Guillaume de Hellande Tapestries.

Western art unattributed:

46. The Burial of St Peter. Fragment of the Guillaume de Hellande Tapestries. 1460. 250 by 125 cm. (Private Collection, U.S.A.)

Western art unattributed:

47. The Appearance of SS. Peter and Paul to Nero. Fragment of the Guillaume de Hellande Tapestries. 1460. 240 by 210 cm. (Private Collection, France.)

Article

The Hertford-Wallace Collection of Tapestry

04/1956 | 637 | 98

Pages: 116-118

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related names

Author:

Cecil, R. A. (Robert Arthur) (Cecil, R. A. (Robert Arthur); C., R. A.; Cecil, Robert Arthur)

Subjects

collectors and dealers:

Seymour-Conway, Richard, Fourth Marquess of Hertford, 1800-1870

collectors and dealers:

Wallace, Richard, Sir, 1818-1890

dates:

1800-1899

museums and institutions:

Wallace Collection, London, Great Britain

places:

France / England / London

subjects:

Textiles / Tapestries / Collections, Private

subjects:

Gobelins tapestries / Beauvais tapestries

subjects:

Exhibitions / Provenance / Documents

Short Notice

Guillaume de Hellande's Tapestries

11/1926 | 284 | 49

Pages: 213+240+245

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related names

Author:

O., P. S. (O., P. S.)

Subjects

dates:

1400-1499

patrons:

Hellande, Guillaume de, Bishop of Beauvais, 1444-1462

places:

France / Beauvais

subjects:

Textiles / Tapestries

subjects:

Beauvais tapestries

Illustrations

Western art unattributed:

Quo Vadis? Fragment, Here Identified as Part of Guillaume de Hellande's Tapestries; c. 1460 (Beauvais Cathedral). Shorter Notices: Guillaume de Hellande's Tapestries

Short Notice

Guillaume de Hellande's Tapestries

04/1925 | 265 | 46

Pages: 193-195

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related names

Author:

Hunter, George Leland (Hunter, George Leland)

Subjects

dates:

1400-1499

patrons:

Hellande, Guillaume de, Bishop of Beauvais, 1444-1462

places:

France / Beauvais

subjects:

Textiles / Tapestries / Inscriptions / French painting

subjects:

Beauvais tapestries

Illustrations

Western art unattributed:

A-The Beheading of St. Paul. Part of Guillaume de Hellande's Tapestries. (Seligmann-Rey Collection). Notes on Various Works of Art: Guillaume de Hellande's Tapestries

Western art unattributed:

B-The Resurrection of Tabitha. Part of the Tapestries. (Mr. Andrew W. Mellon). Notes on Various Works of Art: Guillaume de Hellande's Tapestries

Western art unattributed:

C-The Apparition of the Angel to the Centurion Cornelius. Part of the Tapestries. (Mr. Andrew W. Mellon). Notes on Various Works of Art: Guillaume de Hellande's Tapestries

Article

A Fragment of Guillaume de Hellande's Tapestries

11/1924 | 260 | 45

Pages: 224-227+230-231

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related names

Author:

Crick-Kuntziger, Marthe (Crick-Kuntziger, Marthe; Kuntziger, Marthe)

Subjects

dates:

1400-1499

patrons:

Hellande, Guillaume de, Bishop of Beauvais, 1444-1462

places:

France / Beauvais

subjects:

Textiles / Tapestries / Patronage / Iconography / Saints / Hagiographies / Peter, Saint

subjects:

Beauvais tapestries

Illustrations

Western art unattributed:

Illustration from the Abbé Barraud's Description of the Tapestries.

Western art unattributed:

Plate I. A-The Vision of the Impure Beasts, the Baptism of the Centurion Cornelius, and the Imprisonment of St. Peter at the Order of Herod. Part of Guillaume de Hellande's Tapestries, Ordered in 1460. (Beauvais Cathedral). A Fragment of Guillaume de Hellande's Tapestries

Western art unattributed:

Plate I. B-Scenes from the Story of St. Peter and Theophilus. Part of the Tapestries. (Beauvais Museum). A Fragment of Guillaume de Hellande's Tapestries

Western art unattributed:

Plate II. C-The Healing of St. Petronilla, the Resurrection of George and the Healing of Eneas. Part of the Tapestries (Beauvais Museum). A Fragment of Guillaume de Hellande's Tapestries

Western art unattributed:

Plate II. D-Further Legends from the Life of St. Peter. Part of the Tapestries. (Beauvais Museum). A Fragment of Guillaume de Hellande's Tapestries

Western art unattributed:

Plate III. E-The Crucifixion of St. Peter. Part of the Tapestries (Beauvais Museum). A Fragment of Guillaume de Hellande's Tapestries

Western art unattributed:

Plate III. F-The Burial of St. Peter. A Newly Discovered Fragment of the Tapestries. 2.50 m. by 1.25 m. (Messrs. Bacri, Paris). A Fragment of Guillaume de Hellande's Tapestries

Article

Miscellaneous. June 19-July 14 (August 1903)

08/1903 | 5 | 1

Pages: 150-153

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Subjects

artists:

Hepplewhite, George

artists:

Issod, Thomas

artists:

Worshipful Company of Saddlers, London, Great Britain

artists:

Maker's mark: A.H.

collectors and dealers:

Charles I, King of England, 1600-1649

collectors and dealers:

Henry VIII, King of England, 1491-1547

collectors and dealers:

James I, King of England, 1566-1625

collectors and dealers:

Fothergill, J. R.

collectors and dealers:

Charles II, King of England, 1630-1685

collectors and dealers:

Worshipful Company of Saddlers, London, Great Britain

collectors and dealers:

Christie, Manson & Woods, London, Great Britain

collectors and dealers:

Christie, Manson & Woods, London, Great Britain

dates:

1600-1699

media:

Vases

media:

Goblets

media:

Cisterns

media:

Silverwork / Porcelain / Enamel / Bronzes / Works of art / Lace / Furniture

media:

Sèvres porcelain

media:

Dinner services

media:

Delftware / Wedgwood porcelain

media:

Beauvais tapestries

media:

Apostle spoons

media:

Pewter

media:

Marks (metalwork)

media:

Porringers (dishes)

media:

Tankards

media:

Ewers

styles:

Chinese

styles:

Louis XV (style)

styles:

Flemish

styles:

Venetian

styles:

Jacobean

styles:

Chinese

styles:

Norwegian

styles:

Georgian

styles:

Elizabethan

styles:

Elizabethan

styles:

Jacobite

subjects:

Bartholomew, Saint / Matthew, Saint / John the Apostle, Saint / James the Greater, Saint

subjects:

Silverwork / Porcelain / Lace / Furniture / Enamels / Bronzes / Works of art

subjects:

Art market / Reviews / Auctions

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